Brazilian movie actors died in the year 1983

Here are 3 famous actors from Brazil died in 1983:

Garrincha

Garrincha (October 28, 1933 Pau Grande-January 20, 1983 Rio de Janeiro) a.k.a. Mané Garrincha, Manoel Francisco dos Santos or The Little Bird was a Brazilian actor and football player. He had five children, Tereza dos Santos, Nadir dos Santos, Manuel Garrincha dos Santos Júnior, Neném dos Santos and Ulf Lindberg.

Garrincha is widely considered as one of the greatest football players of all time. He had a successful career with the Brazilian national team, winning two FIFA World Cups in 1958 and 1962. Garrincha was known for his incredible dribbling skills, speed, and ability to score incredible goals. He played as a right winger and spent the majority of his club career with Botafogo in Rio de Janeiro, where he won several state championships.

However, despite his success on the field, Garrincha had a troubled personal life. He struggled with alcoholism and had numerous extramarital affairs throughout his life. He died of cirrhosis of the liver at the age of 49.

Garrincha's legacy in Brazilian football is huge, and he is often cited as the greatest dribbler to ever play the game. He was posthumously inducted into the Brazilian Football Museum Hall of Fame in 2014.

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Humberto Mauro

Humberto Mauro (April 30, 1897 Volta Grande-November 5, 1983 Volta Grande) also known as Humberto Duarte Mauro was a Brazilian screenwriter, cinematographer, film director, actor and film editor.

He is considered one of the pioneers of Brazilian cinema, having directed over 300 films in his career, many of which explored the daily life and culture of Brazil's rural communities. Mauro is particularly known for his use of regional music and folklore in his films, which were praised for their authenticity and attention to detail.

Mauro began his career as a photojournalist and amateur filmmaker, and became involved with the Brazilian film industry in the 1920s. He worked for several studios, including the pioneering film company Atlântida Cinematográfica, and directed his first feature film, "Ganga Bruta," in 1933. Over the years, he continued to produce a wide range of films, from melodramas and comedies to documentaries and educational films.

Although he was active during a time of political censorship and government control over the film industry, Mauro was able to carve out a unique voice and style that set him apart from his contemporaries. He was known for his commitment to portraying the diversity and richness of Brazilian culture, and his films were beloved by audiences across the country.

Mauro's legacy as a filmmaker and cultural icon continues to this day. In 1977, he was awarded the Order of Cultural Merit by the Brazilian government, and his films are still studied and celebrated by film scholars and enthusiasts around the world.

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Jardel Filho

Jardel Filho (July 24, 1928 São Paulo-February 19, 1983 Rio de Janeiro) otherwise known as Jardel Frederico Bôscoli was a Brazilian actor. He had two children, Tania Boscoli and Adriana de Boscoli.

Jardel Filho began his acting career in the late 1940s, and quickly established himself as one of Brazil's most talented actors. He appeared in numerous films, plays, and television shows, receiving critical acclaim for his performances throughout his career.

One of his most famous roles was in the 1964 film "Black God, White Devil," which was directed by Glauber Rocha and is considered a classic of Brazilian cinema. He also appeared in numerous other films, including "The Given Word," "The Red Light Bandit," and "Pecado Mortal."

In addition to his work in film, Jardel Filho was also a talented stage actor. He appeared in numerous productions throughout Brazil, and was particularly well-known for his performances in plays by modernist playwrights such as Nelson Rodrigues.

Jardel Filho passed away in 1983 at the age of 54, leaving behind a legacy as one of Brazil's greatest and most beloved actors. Today, he is remembered as a pioneer of Brazilian cinema and theater, and his contributions to the arts continue to be celebrated by fans and scholars alike.

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