Brazilian movie actresses died in the year 2011
Here are 6 famous actresses from Brazil died in 2011:
Liana Duval
Liana Duval (June 6, 1927 Paraguaçu Paulista-March 23, 2011 Carmo da Cachoeira) also known as Maria de Lourdes Vasconcelos Antunes was a Brazilian actor.
She began her career in the arts as a ballet dancer, but eventually transitioned to acting. Liana Duval appeared in numerous Brazilian films and TV shows, including "O Duelo" and "Carga Pesada." She was known for her versatility as an actor, and her ability to portray a wide range of characters. Her talent as an actor led her to win several awards, including the APCA Trophy for Best Supporting Actress in television, for her work in the Brazilian telenovela "Cidadão Brasileiro." Liana Duval passed away in 2011 at the age of 83 due to complications from pneumonia.
In addition to her successful career in acting, Liana Duval was also a pioneer of television in Brazil. She worked as a presenter and producer for TV Excelsior, contributing to the development of television shows in the country. Duval was also recognized as a women's rights activist, advocating for the rights of women in the arts and beyond. In her later years, she continued to work in the entertainment industry as a coach and mentor for up-and-coming actors. Liana Duval's legacy as a talented actress and visionary in Brazilian television continues to be celebrated today.
In addition to her acting career, Liana Duval was also a renowned theater director. She founded the Duval Art and Culture Institute, where she taught and directed theater productions. The institute became a well-known center for performing arts in Brazil and helped to launch the careers of many aspiring actors. Duval was also a respected voice artist, lending her voice to numerous television programs, commercials, and documentaries. Her dedication to the arts earned her several prestigious awards, including the Order of Cultural Merit and the Medal of Honor for the Arts. Liana Duval is remembered not only for her talent and passion for acting but also for her contributions to the cultural landscape of Brazil. Her legacy continues to inspire and influence countless actors and artists.
Aside from her work in television, film, theater, and voice-over, Liana Duval was also recognized for her work as a writer. She authored several books and articles, including "Artistas Não Desistem" ("Artists Don't Give Up"), which chronicles her experiences in the entertainment industry and offers insights and advice for aspiring actors. Duval's writing also delved into social issues, particularly on the role of women in Brazilian society. Her articles appeared in various publications, including the feminist magazine "Nós Mulheres" ("We Women"). Liana Duval's dedication to promoting the arts and advocating for women's rights made her a beloved figure in Brazil's cultural and social circles. Her influence and impact continue to be felt, especially among those who share her passion for the performing arts and gender equality.
Marlene França
Marlene França (August 5, 1943 Uauá-September 23, 2011 São Paulo) was a Brazilian actor.
She began her career in the theater and later transitioned to television and film. França appeared in many popular Brazilian telenovelas such as "Vale Tudo" and "Mulheres de Areia." She also starred in films like "Lamarca" and "A Grande Arte." Throughout her career, França was recognized for her talent and dedication to her craft, earning awards such as the São Paulo Association of Art Critics Award and the Candango Trophy for Best Supporting Actress at the Brasília Film Festival. Aside from acting, França was also an activist and was involved in various social causes including the feminist movement and the defense of LGBTQ+ rights. She passed away in 2011 at the age of 68 from lung cancer.
França was born in a small town in the Brazilian state of Bahia and moved to São Paulo in the 1960s to pursue her acting career. She began her theater career in São Paulo and quickly gained recognition for her performances. In the 1970s, França transitioned to television and became a household name in Brazil, appearing in numerous popular telenovelas. In addition to her successful career in television and film, França was also a respected stage actress, appearing in productions of classic plays such as "Antigone" and "The Cherry Orchard."
França was known for her strong and complex performances, often playing fierce and independent women who challenged societal norms. She was particularly vocal about issues of gender and sexual orientation and used her platform to advocate for LGBTQ+ rights and gender equality. França also supported various organizations and causes related to cultural preservation and social justice.
In her personal life, França was married to fellow actor Paulo Goulart for over 45 years and they had three children together. She remained active in the industry until her untimely death in 2011, leaving behind a legacy as one of Brazil's most talented and socially conscious actors.
Despite facing numerous challenges as a woman in the entertainment industry during her time, Marlene França persevered and became a trailblazer for future generations of Brazilian actors. She was known for her intense dedication to her craft and her fierce spirit, both on and off-screen. França's impact on Brazilian theater and television is still felt today, with her performances continuing to inspire and captivate audiences. Her legacy as an activist and advocate for social justice lives on as well, inspiring others to use their platform to make a positive impact on the world.
Throughout her career, Marlene França worked tirelessly to break down barriers for women in the entertainment industry. She was one of the first actresses in Brazil to demand equal pay and better treatment for female performers, a cause she continued to champion throughout her career. França was also a vocal advocate for racial equality, often speaking out against the systemic racism that existed in Brazilian society at the time. Her contributions to the fight for social justice continue to inspire many people in Brazil and beyond to this day.
In addition to her activism and advocacy, França was also a sought-after acting teacher and mentor. She was renowned for her ability to bring out the best in her students and was beloved by many aspiring actors who credit her with helping them achieve success in their careers.
Despite the many challenges she faced, including a battle with lung cancer in her final years, Marlene França remained committed to her craft and her beliefs until the end of her life. She was a true pioneer in the Brazilian entertainment industry, and her legacy continues to inspire and empower new generations of artists and activists alike.
Fernanda Lobo
Fernanda Lobo (March 30, 1960 Cataguases-August 5, 2011 Cataguases) was a Brazilian actor.
Born in Cataguases, Minas Gerais, Brazil, Fernanda Lobo began her acting career in the mid-1980s. She appeared in several Brazilian films, TV series, and theater productions throughout her career. In 1985, she made her film debut in "The Invention of Childhood", which won the Golden Kikito award at the Gramado Film Festival.
Lobo was best known for her role in the popular Brazilian TV series "Malhação", which she joined in 2002 and stayed until 2005. She also appeared in several other TV series including "A Casa das Sete Mulheres" and "Desejos de Mulher". In the theater, she performed in plays such as "Boca de Ouro" and "O Dobro de Cada Um".
Fernanda Lobo was diagnosed with ovarian cancer in 2010 and passed away on August 5, 2011, in her hometown of Cataguases, Brazil. Her legacy lives on in her work as an actor and her contributions to Brazilian cinema, television, and theater.
In addition to her successful acting career, Fernanda Lobo was also a talented singer. She released an album titled "Um Gosto de Sol" in 2001, which featured her singing a mix of Brazilian and American jazz standards. She was also a vocal advocate for women's rights and cancer awareness, publicly sharing her own experience with ovarian cancer to help raise awareness and encourage women to get regular screenings. Throughout her career, she received several awards and nominations for her work, including the Best Supporting Actress award at the 1990 Guarani Film Festival for her role in the film "Parsifal". Despite her relatively short career, Fernanda Lobo has left a lasting impact on Brazilian entertainment and is remembered as a talented and passionate actor and singer.
Fernanda Lobo was born into a family of artists; her mother was a visual artist, and her father was a musician. She inherited her parents' creative talents and pursued a career in the arts. Lobo studied drama at the Federal University of Rio de Janeiro and also trained in dance, music, and singing. Her multidisciplinary training helped her become a versatile artist who could excel in various forms of entertainment.
Aside from her acting and singing talents, Lobo was also a writer. She wrote poetry and short stories and published many of them in literary magazines. She was particularly interested in exploring the intersection of art, politics, and culture and often used her platform to advocate for social causes.
In her personal life, Fernanda Lobo was known for being a warm and compassionate person who cared deeply about her family and friends. She was married and had a daughter who followed in her footsteps and became an actress.
Today, Fernanda Lobo is remembered as one of Brazil's most talented and beloved actresses. Her contributions to Brazilian culture and entertainment continue to inspire new generations of artists, and her advocacy for women's health issues serves as a reminder of the importance of regular check-ups and cancer screenings.
Throughout her career, Fernanda Lobo was recognized for her talent and dedication to the arts. In addition to winning the Best Supporting Actress award at the Guarani Film Festival, she was nominated for several other awards, including the Contigo! Awards and the TV Press Awards. She was also a member of the Brazilian Academy of Letters and Arts, an organization that celebrates the contributions of Brazilian artists and writers.
In addition to her acting, singing, and writing, Fernanda Lobo was also involved in activism. She was a vocal advocate for women's rights and often spoke out about issues affecting women, such as domestic violence and gender inequality. She was also involved in environmental activism and supported conservation efforts in Brazil.
Despite her impressive resume, Fernanda Lobo remained humble and committed to her craft. She once said, "My greatest motivation is the love I feel for art. To be an actress is not just a job for me, it is a way of life." Her passion and dedication to her work continue to inspire and influence artists in Brazil and beyond.
Wilza Carla
Wilza Carla (October 29, 1935 Niterói-June 18, 2011 São Paulo) was a Brazilian actor.
She began her career in the early 1960s and quickly became known for her work in theater, film, and television. In theater, Wilza Carla acted in several plays and musicals, including "Hair" and "The Rocky Horror Show." She also appeared in over 40 films and television shows throughout her career.
Wilza Carla was known for her energetic and colorful personality on and off screen. She was a favorite of several Brazilian directors, including Glauber Rocha and José Mojica Marins. Her most iconic role was in the film "O Assalto ao Trem Pagador" (The Mad Train), which earned her critical acclaim and a Brazilian Cinema Award for Best Supporting Actress.
In addition to her acting work, Wilza Carla was also a talented singer and performer. She recorded numerous albums throughout her career, including "Feira de Utilidades" (Utility Fair) and "Feita em Papo" (Made in Chat). She was also known for her flamboyant fashion sense and love of colorful costumes.
Wilza Carla continued to act and perform into her later years, even as she battled health issues. She passed away in 2011 at the age of 75, but her legacy as one of Brazil's most talented and beloved performers lives on.
Wilza Carla was born in Niterói, a city in Rio de Janeiro, Brazil. She showed an interest in the arts at a young age and began studying music and theater. As a teenager, she moved to Rio de Janeiro to pursue a career in entertainment. Her breakthrough role came in 1962, when she starred in the film "Os Cafajestes" (The Depraved). The film was controversial for its time, but it helped to establish Wilza Carla as a talented and versatile actor.
Throughout her career, Wilza Carla worked with some of the biggest names in Brazilian cinema and theater. She was known for her ability to bring humor and joy to even the most serious roles. In addition to her work in traditional theater and film, she also appeared in several Brazilian telenovelas and variety shows.
Despite her success on stage and screen, Wilza Carla remained humble and deeply committed to her craft. She was a great supporter of young actors and musicians, and she often opened her own home to them for rehearsals and performances.
Wilza Carla's contributions to Brazilian culture and entertainment continue to inspire and entertain audiences today. She is remembered not only for her talent and creativity, but for her warmth and generosity as a human being.
Wilza Carla was also known for her activism and support of social causes. She was a vocal advocate for LGBTQ+ rights and frequently addressed issues of gender and sexuality in her work. She was also involved in political activism and was a member of the Brazilian Communist Party for many years.
In 2001, Wilza Carla suffered a stroke that left her partially paralyzed and unable to speak. Despite this setback, she continued to perform and make public appearances, using a wheelchair and communicating through a computer. She remained a beloved figure in Brazilian entertainment until her death at the age of 75.
Wilza Carla's legacy continues to be celebrated in Brazil and around the world. In 2015, a biographical documentary titled "Wilza Carla" was released, chronicling her life and career. She is remembered as a trailblazer for Brazilian actors and performers, and her colorful and irreverent spirit continues to inspire new generations of artists.
Throughout her career, Wilza Carla was not only an accomplished actor and singer, but she was also a trailblazer for diversity and representation in Brazilian entertainment. She frequently played roles that challenged traditional gender and racial stereotypes, and she was a vocal advocate for inclusivity both on and off screen.In 1976, Wilza Carla became the first black actress to star in a Brazilian telenovela when she appeared in "Saramandaia." This was a groundbreaking role that helped to pave the way for other black actors in Brazilian media. She continued to push boundaries throughout her career, playing roles that challenged traditional notions of femininity and masculinity.Wilza Carla's influence on Brazilian culture and entertainment cannot be overstated. She was a pioneer in her field who paved the way for generations of diverse and talented artists. Her legacy is one of creativity, resilience, and fierce dedication to her craft. Her impact on Brazilian media and society is still being felt today, and she is remembered as an icon who helped to shape Brazilian entertainment into what it is today.
Geórgia Gomide
Geórgia Gomide (August 17, 1937 São Paulo-January 29, 2011 São Paulo) also known as Georgia Gomide or Elfriede Helene Gomide Witecy was a Brazilian actor. Her child is called Daniel Goldfinger.
Geórgia Gomide was a renowned stage, TV, and film actress in Brazil. She was born into a family of artists and performers, and from a young age, she showed great interest in acting, art, and culture. She began her career as a stage actress, where she quickly established herself as a dynamic and versatile performer. Her talent caught the attention of the Brazilian film industry, and she made her debut in the 1964 film, "Os Fuzis" (The Guns).
Over the course of her career, Gomide appeared in numerous films, TV shows, and theater productions, earning critical acclaim for her performances. She was known for her ability to portray complex and multifaceted characters and her dedication to her craft.
In addition to her work in the arts, Gomide was also a devoted mother and a strong advocate for social justice and human rights. She used her platform as an artist to bring attention to important social issues and to promote equality and inclusion in Brazil.
Sadly, Geórgia Gomide passed away in 2011 at the age of 73, but her legacy lives on as one of the most talented and respected actresses in Brazil's history.
Geórgia Gomide was a versatile actress, performing in genres ranging from drama to comedy. She was known for her collaboration with Brazilian filmmaker Glauber Rocha, appearing in his films "Terra em Transe" (Land in Anguish) and "O Dragão da Maldade contra o Santo Guerreiro" (Antonio das Mortes). Gomide also acted in popular telenovelas like "Gabriela" and "Saramandaia," winning audiences over with her charming and nuanced performances.
Aside from her acting career, Gomide was also a respected voice in the cultural and political spheres of Brazil. Throughout her life, she advocated for women's rights, racial equality, and other progressive causes. She was also a prolific painter and sculptor, exhibiting her artwork in galleries both in Brazil and internationally.
Throughout her lifetime, Geórgia Gomide received numerous awards and recognitions for her contributions to Brazilian art and culture. In 2006, she was awarded the Order of Cultural Merit by the Brazilian government. She is sorely missed by her fans and admirers, but remembered fondly for her warmth, talent, and dedication to social justice.
Geórgia Gomide's talent was recognized not only in her home country but also internationally. She participated in the Cannes Film Festival in France and won several awards at the International Film Festival of Mar del Plata in Argentina. Besides her work in film and TV, she was also a renowned stage actress, performing in some of the most important theaters in Brazil. In 1983, she founded her own theater company, Quiquiprocó, which became an important part of the cultural scene in São Paulo.
Throughout her career, Gomide was known for her commitment to the craft of acting. She dedicated herself to continuous learning and training, studying under renowned acting coaches such as Eugenio Kusnet and Uzyêda Sá. She also believed in collaborating closely with her fellow actors and directors, approaching each role with empathy and curiosity.
Geórgia Gomide's legacy as an actor, artist, and advocate for social justice continues to inspire many in Brazil and around the world. Her contributions to Brazilian culture remain an important part of the country's artistic history.
Geórgia Gomide was also a mentor and inspiration to many young actors in Brazil. She was known for her generosity and willingness to share her knowledge and experience with others, and she helped to foster a new generation of talented performers. Gomide's impact on Brazilian culture has been recognized by numerous organizations and institutions. In addition to the Order of Cultural Merit, she received the Mambembe Award for Best Actress and the APCA Award for Best Supporting Actress. Her artwork has also been exhibited in museums and galleries throughout Brazil and in Europe. Today, Geórgia Gomide is remembered as one of Brazil's most important cultural figures, a true artist who lived her life with passion, dedication, and a commitment to social justice.
Isabella
Isabella (July 27, 1938 Mundo Novo, Bahia-February 1, 2011 Rio de Janeiro) also known as Isabella Cerqueira Campos, Bebela or Isabela Cerqueira was a Brazilian actor.
Isabella began her career in the 1950s as a theater actress, and made her film debut in 1962 with the movie Os Cafajestes. She went on to become a prominent figure in Brazilian cinema and television, appearing in numerous films and TV series throughout her career.
Isabella was known for her versatile acting skills and her ability to bring complex characters to life onscreen. She received critical acclaim for her performances in films such as Ganga Zumba (1963), Os Fuzis (1964), and O Bravo Guerreiro (1968), among others.
In addition to her work in film and television, Isabella was also an accomplished stage actress and director, and was involved in various theater productions throughout her career. She was a prominent figure in the Brazilian cultural scene and was widely regarded as an icon of Brazilian cinema.
Isabella passed away in 2011 at the age of 72, leaving behind a lasting legacy in Brazilian film and television.
Isabella's career spanned more than four decades, during which she starred in over 50 films, 20 television shows, and countless theater productions. She was a pioneer of the Cinema Novo movement, which was known for its social and political commentary in Brazilian cinema. Isabella's performances often explored themes of inequality, poverty, and oppression, and she was known for her strong portrayal of female characters with agency and independence.
Isabella received numerous awards and nominations throughout her career, including a Best Actress award at the Cannes Film Festival for her role in O Dragão da Maldade Contra o Santo Guerreiro (1969). She also received the prestigious Golden Kikito award at the Gramado Film Festival for her lifelong contributions to Brazilian cinema.
Outside of her acting career, Isabella was an active supporter of various social and environmental causes, and was involved in the feminist movement in Brazil. She was also an advocate for the preservation of the Amazon rainforest, and was a vocal critic of deforestation and industrial development in the region.
Isabella's legacy continues to inspire generations of actors and filmmakers in Brazil and beyond, and she remains one of the most celebrated and respected figures in Brazilian cinema history.
Isabella was born in the small town of Mundo Novo in Bahia, Brazil, on July 27th, 1938. She was the daughter of a schoolteacher and a farmer, and grew up with six siblings. Despite coming from humble beginnings, Isabella had a passion for the arts from a young age and began performing in theater productions while still in school.
In the early 1950s, Isabella moved to Rio de Janeiro to pursue her acting career. She quickly established herself as a talented performer and began working in theater and television. Her breakthrough role came in the 1962 film Os Cafajestes, directed by Ruy Guerra. The film was a critical and commercial success, and helped to launch Isabella's career in cinema.
Throughout the 1960s and 1970s, Isabella appeared in some of the most important films of the Cinema Novo movement. These films were marked by their social and political commentary, and often explored themes of poverty, inequality, and resistance. Isabella's performances in films such as Ganga Zumba, Os Fuzis, and O Bravo Guerreiro showcased her versatility as an actress and her ability to bring complex characters to life onscreen.
In addition to her work in film and television, Isabella was also a respected stage actress and director. She was known for her dedication to the craft of acting and was highly regarded by her peers.
Isabella's activism was informed by her experiences growing up in a rural area and her deep connection to the Brazilian people and culture. She was a vocal advocate for indigenous rights and opposed the exploitation of natural resources. Her commitment to social and environmental causes earned her the respect and admiration of many in Brazil and around the world.
Isabella is remembered as one of the greatest actresses in Brazilian cinema history, and her contributions to the arts and social justice continue to inspire generations of Brazilians.
Isabella's impact on Brazilian cinema was significant in more ways than one. Not only did she pave the way for future generations of actors and filmmakers, but she also challenged societal norms and pushed for more representation onscreen. Isabella was a strong advocate for women's rights and often played complex, multidimensional female characters that broke away from traditional gender roles. In doing so, she challenged the male-dominated film industry and helped to redefine the portrayal of women in Brazilian media.
Later in her career, Isabella continued to work in film and television, including on the popular TV series As Filhas da Mãe. She was also involved in various cultural organizations and served as a member of the Brazilian Academy of Letters, further cementing her status as one of Brazil's most respected cultural figures.
Isabella's legacy extends beyond just her artistic accomplishments. She was a trailblazer for social justice and environmental causes, and her activism serves as an inspiration to this day. Isabella played a significant role in shaping Brazilian cinema and culture, and her impact will continue to be felt for years to come.