Mexican actors who were born in 1909
Here are 9 famous actors from Mexico were born in 1909:
Roberto Gavaldón
Roberto Gavaldón (June 7, 1909 Jiménez Municipality, Chihuahua-September 4, 1986 Mexico City) a.k.a. Roberto Gavaldon, Roberto Gavaldón Leyva, R. Gavaldón or Roberto Gabaldon was a Mexican film director, screenwriter, film producer and actor. His child is called Roberta Gavaldón.
Throughout his career, Roberto Gavaldón directed over 60 films and worked with some of the most acclaimed actors and actresses of his time, including Dolores del Rio, Pedro Armendáriz, and Arturo de Córdova. He began his career as an actor in the 1930s before transitioning into directing in the 1940s.
Gavaldón is remembered for his contributions to the Mexican film industry during its Golden Age, a period in the 1940s and 1950s when Mexican cinema flourished both domestically and internationally. He was known for his unique style of filmmaking, which often explored darker themes such as crime and betrayal. Some of his most notable films include "La Barraca" (The Vagrant), "Macario," and "El ángel exterminador" (The Exterminating Angel).
Gavaldón was nominated for several Ariel Awards, the highest accolade in Mexican cinema, and won Best Director twice for his films "Macario" and "El ángel exterminador." He also received international recognition, with his film "The Other One" being nominated for the Palme d'Or at the 1950 Cannes Film Festival.
After retiring from filmmaking in the 1970s, Gavaldón became a professor of film studies at the National Autonomous University of Mexico. He passed away in 1986 at the age of 77.
Born in Chihuahua, Mexico, Roberto Gavaldón initially pursued a career in law before switching to acting. He starred in several films in the 1930s before becoming interested in directing. Gavaldón's directorial debut was the film "La Barraca" in 1945, which received critical acclaim and launched his career as a filmmaker.
Gavaldón quickly gained recognition for his ability to create complex, psychologically driven films that challenged societal norms. His film "Macario" (1960) is considered one of his masterpieces, and was the first Mexican film to be nominated for an Academy Award for Best Foreign Language Film.
In addition to his work as a director, Gavaldón was a prolific screenwriter and producer. He collaborated with some of the most prominent figures in Mexican cinema, including cinematographer Gabriel Figueroa and actress María Félix.
Despite his success, Gavaldón struggled with alcoholism and personal demons throughout his life. He was known for his difficult personality and sometimes clashed with actors and colleagues on set. However, his contributions to Mexican cinema are widely recognized, and he is remembered as one of the most important filmmakers of his era.
José Torvay
José Torvay (January 28, 1909 Durango-November 5, 1973 Mexico) also known as Jose Yanez Torvay, Jose Torvay, Jose Torbay, José I. Torvay, Jose Torvai, Jose Y. Torvay or José Torbay was a Mexican actor.
Torvay began his career in the film industry in the 1930s, appearing in a variety of genres including drama, comedy, and horror. Some of his most famous roles were in films such as "El Monje Blanco" ("The White Monk"), "La Oveja Negra" ("The Black Sheep"), and "El Zorro Escarlata" ("The Scarlet Fox"). He also appeared in numerous telenovelas and TV shows.
In addition to acting, Torvay was also a writer and director. He wrote the screenplays for several films, including "Camino del infierno" ("The Road to Hell") and "El rey de México" ("The King of Mexico"), and also directed the film "El cariñoso" ("The Affectionate One").
Torvay was known for his versatility as an actor and his ability to portray a wide range of characters. He was highly respected in the Mexican film industry and is remembered as one of the greats of the Golden Age of Mexican cinema.
Torvay was born in Durango, Mexico in 1909, and his family later moved to Mexico City where he grew up. He studied law for a short time before deciding to pursue a career in acting. Torvay began his career as a stage actor before transitioning to film. He quickly became a familiar face in Mexican cinema, appearing in over 100 films throughout his career.
Aside from his successful career in acting, Torvay was involved in politics and was a member of the Mexican Communist Party. He was known for his support of left-wing causes and was an advocate for workers' rights. His political beliefs often got him into trouble with government officials, and he was briefly imprisoned in 1946 for his activism.
Despite the challenges he faced, Torvay continued to work in the film industry until his death in 1973. He was known for his dedication to his craft and was respected by his peers for his professionalism and talent. Today, he is considered a pioneer of Mexican cinema and is remembered as one of the greatest actors of his time.
Carlos López Moctezuma
Carlos López Moctezuma (November 19, 1909 Mexico City-July 14, 1980 Aguascalientes) otherwise known as Carlos Lopez Moctezuma, Carlos Moctezuma, Carlos L. Moctezuma or Carlos López Moctezuma Pineda was a Mexican actor.
He was known for his roles as villains in Mexican cinema, including his portrayal of the evil Baron Brakola in the film "El Barón del Terror" (1962). López Moctezuma appeared in over 150 films between 1933 and 1980, and also worked as a director and screenwriter. He was a prolific actor who appeared in a wide range of film genres, including comedy, drama, and horror. Aside from his work in film, López Moctezuma also acted in television shows and theater productions. He was recognized for his contributions to Mexican cinema with the Ariel Award for Best Supporting Actor in 1959. López Moctezuma passed away at the age of 70 due to a heart attack in Aguascalientes, Mexico.
Throughout his career, Carlos López Moctezuma was known for his versatile acting skills and his ability to bring depth and complexity to his characters. He was particularly well-regarded for his work in horror films, where he often played the role of the menacing and terrifying antagonist. Some of his other notable film roles include "El Monje Loco" (1940), "El Padre Morelos" (1943), and "El Castillo de los Monstruos" (1958).
In addition to his work as an actor, López Moctezuma was also a respected director and screenwriter. He directed several films, including "El Asesino Invisible" (1963) and "Santo Contra el Rey del Crimen" (1961). He also wrote screenplays for a number of successful Mexican films, including "The Skeleton of Mrs. Morales" (1960) and "Una Familia de Tantas" (1949).
Throughout his life, López Moctezuma was deeply committed to promoting the arts and supporting emerging talent in Mexican cinema. He was renowned for his generosity and his dedication to mentoring young actors and filmmakers. Today, he is remembered as one of the most influential and respected figures in the history of Mexican cinema.
Miguel Suárez
Miguel Suárez (October 21, 1909 Toluca-November 5, 1993 Mexico City) was a Mexican actor.
Suárez began his acting career in the 1930s and appeared in over 250 films throughout his career. He was known for his versatility and could play a wide range of characters, from comedic to dramatic roles. Some of his most memorable films include "El Rey del Barrio" (1949), "El Bruto" (1953), and "El Ángel Exterminador" (1962), among many others. Suárez received multiple awards and nominations for his performances, including two Ariel Awards, Mexico's top film award. In addition to acting, Suárez also worked as a screenwriter and director. He was a key figure in the Golden Age of Mexican cinema and his contributions to the industry are still celebrated today.
Suárez's talent and work ethic made him a beloved figure in the film industry. He was admired by fellow actors and his directors, who often praised his ability to improvise and bring depth into his characters. Apart from his work in film, Suárez was also a professor of acting, teaching at the National Institute of Fine Arts for several years. He was passionate about passing on his knowledge and experience to future generations of actors. Throughout his career, Suárez remained dedicated to his craft, constantly honing his skills and seeking out new challenges. He is regarded as one of the greatest actors in Mexican cinema history, and his legacy lives on through his films and the actors he inspired.
Jesús Murcielago Velázquez
Jesús Murcielago Velázquez (October 30, 1909 Hidalgo-May 26, 1972 Mexico City) otherwise known as Jesús Velázquez, Murcielago Velázquez, Jesus Velazquez 'El Murcielago', Jesus Velazquez Quintero, 'Murcielago' Velasquez, Murcielago Velasquez, 'Murcielago' Velazquez, Jesus 'Murcielago' Velazquez, Jesus Velazquez, Jesús 'Murcielago' Velazquez, Murcielago Velazquez, Jesús Velásquez, Jesús 'Murcielago' Velázquez or Jesús 'Murciélago' Velázquez was a Mexican actor, screenwriter and writer.
Velázquez began his career in the Mexican film industry in the 1930s and quickly gained popularity for his acting skills in action and adventure films. He was known for his "tough-guy" persona and often played the role of a hero or anti-hero in his films. In addition to acting, he also wrote scripts for several films, including "Seductora" (1946) and "Las Abandonadas" (1945). Velázquez continued to work in the film industry until his death in 1972. He is considered one of the most iconic actors of the Golden Age of Mexican Cinema.
Outside of his acting and writing career, Jesús Murcielago Velázquez was a skilled boxer and even participated in several professional boxing matches. He was also an accomplished musician and played the guitar, accordion, and piano. Despite his tough on-screen persona, Velázquez was known to be a kind and gentle man off-screen. He was married three times and had seven children. In his later years, Velázquez suffered from health problems, including diabetes, and passed away in Mexico City in 1972 at the age of 62. His legacy as an actor and writer continues to be celebrated in Mexico and around the world.
Augusto Benedico
Augusto Benedico (December 20, 1909 Alicante-January 19, 1992 Mexico City) also known as Augusto Pérez Lías was a Mexican actor and writer.
Benedico began his acting career in Spain, but fled to Mexico during the Spanish Civil War. He appeared in over 120 film and television productions, often playing character roles or supporting roles, and was known for his versatility as an actor. Benedico also wrote several plays and screenplays, including the famous Mexican film Nosotros los pobres (We, the Poor) which is considered a classic of Mexican cinema. Despite his success in Mexico, he remained connected to his Spanish roots, directing and acting in productions at the Spanish Theatre in Mexico City. Benedico's contributions to Mexican cinema and theater have been celebrated by critics and audiences alike.
In addition to his work in film and theater, Augusto Benedico was also a well-known television actor. He starred in several popular Mexican telenovelas, including "El Extraño Retorno de Diana Salazar" and "El Maleficio". In recognition of his distinguished career, he was awarded the prestigious Ariel Award for Best Supporting Actor four times throughout his career. Benedico was also a member of the National Association of Actors in Mexico and served as the organization's secretary general for several years. He continued to act and write until his death in 1992 at the age of 82 in Mexico City. Today, his legacy lives on as one of the most prominent Spanish actors in the history of Mexican cinema and theater.
Fernando Cortés
Fernando Cortés (October 4, 1909 San Juan-November 5, 1979 Mexico City) otherwise known as Frédéric Corte, Fernando J. Cortes or Fernando Cortes was a Mexican film director, screenwriter, film producer and actor.
He was born to an Argentine father and a Mexican mother and began his career in the film industry as an extra. He eventually became one of the most prominent directors of Mexico's Golden Age of cinema, directing over 70 films from the 1940s to the 1970s. Cortés received critical acclaim for his films, which often tackled social issues such as poverty and injustice. He was awarded the Ariel Award for Best Director three times and also received the Salvador Toscano Medal, the highest honor in Mexican filmmaking. In addition to directing, Cortés also acted in several films and was known for his charismatic on-screen presence. He passed away in 1979 at the age of 70, leaving behind a legacy as one of Mexico's most important filmmakers.
Cortés collaborated with some of Mexico's most celebrated actors, including Pedro Infante, María Félix, and Joaquín Pardavé. One of his most successful films was "Los tres García" (1947), a comedy that starred Pardavé alongside popular music duo Los Hermanos Soler. Cortés was also known for his work with child actors, such as with the film "Niño perdido" (1947), which addressed the issue of child abandonment.
Aside from filmmaking, Cortés was also involved in politics and activism. He participated in the student movement of 1968 and was a member of the National Liberation Front (FLN), a left-wing political organization that fought against the ruling Institutional Revolutionary Party (PRI). This political involvement led to tensions with the authorities and Cortés faced censorship and persecution throughout his career. Despite this, he continued to make films that addressed social issues and pushed boundaries.
Cortés' films continue to be celebrated today for their artistic and political significance, and he is remembered as one of Mexico's most influential filmmakers.
Enrique Cancino
Enrique Cancino (December 3, 1909 Durango-) is a Mexican actor.
He began his acting career in the early 1930s, appearing in various Mexican films. Cancino was known for his versatility in playing a wide range of roles, from comedic to dramatic. He worked with some of the most famous filmmakers of his time, such as Emilio Fernández and Luis Buñuel. Cancino also had a successful career in theater, performing in productions all over Mexico. He was a member of the National Association of Actors and received several awards throughout his career, including the Ariel Award for Best Supporting Actor in 1960. Despite retiring from acting in the 1970s, Cancino remains a beloved figure in Mexican cinema and theater history.
Cancino's early life was marked by tragedy, as his parents both passed away when he was just a child. Despite the challenges he faced, Cancino showed an early interest in the arts and pursued acting as a career. He made his big screen debut in the 1934 film Cruz Diablo, marking the beginning of a long and successful career in film. In addition to his work in the entertainment industry, Cancino was also known for his philanthropic efforts. He was a passionate advocate for social justice, and supported a number of charitable organizations throughout his life. Today, he is remembered as one of Mexico's most talented actors and an important figure in the history of Mexican cinema.
Ramón Armengod
Ramón Armengod (October 10, 1909 Veracruz-October 31, 1976 Chilpancingo) also known as Ramon Armengod or El Chansonnier de moda was a Mexican singer and actor.
Armengod's career began in the 1930s during the golden age of Mexican cinema, and he appeared in over 30 films throughout his career. In addition to his acting, Armengod was also known for his baritone singing voice, performing in numerous cabarets and nightclubs throughout Mexico.
Armengod gained popularity in the 1940s with his romantic ballads, including "Rayando el Sol" and "Señora Tentación". He continued to release successful albums in the following decades and became known as one of Mexico's most beloved and enduring singers.
Throughout his career, Armengod also appeared on television programs and in theater productions. He was known for his charismatic stage presence and his skillful interpretation of romantic boleros and rancheras.
Armengod passed away in 1976 at the age of 67, but his music and legacy continue to be celebrated in Mexico and around the world.
Armengod was born in Veracruz and grew up in a musically-inclined family. He learned to sing and play guitar at a young age and later studied music at the National Conservatory of Music in Mexico City. In addition to his film and music career, Armengod was also an accomplished painter and sculptor, often incorporating his art into his live performances.
Armengod was known for his passionate and emotional performances, and his music often dealt with themes of love and heartbreak. He had a distinctive style that combined elements of traditional Mexican music with influences from jazz and swing. His music and vocal style were highly influential and many later Mexican musicians cite him as an inspiration.
In addition to his prolific music and film career, Armengod was also a philanthropist, using his fame and success to support numerous charitable causes throughout Mexico. He was known for his generosity and his commitment to helping those in need.
Armengod's legacy continues to live on in Mexican culture, and he is remembered as one of the country's most talented and influential musicians and actors. His music and films continue to be widely enjoyed and celebrated, and his impact on Mexican culture can still be felt today.