Argentine actors who were born in 1920
Here are 5 famous actors from Argentina were born in 1920:
Ricardo Castro Ríos
Ricardo Castro Ríos (April 2, 1920 Vigo-January 21, 2001 Buenos Aires) also known as Richard Castro Rios or Manuel Francisco Castro Ríos was an Argentine actor.
Castro Ríos began his acting career in Argentina in the 1940s, and quickly gained popularity for his dramatic roles. He became known for his work in theater, film, and television, and was considered one of the most influential actors of his time. Throughout his career, he played a variety of roles, from heroic characters to sinister villains. He was also known for his strong, baritone voice, which he used to great effect in both spoken and sung roles. Outside of his work in entertainment, Castro Ríos was involved in various charitable causes, including efforts to provide aid to victims of natural disasters. He passed away in Buenos Aires in 2001 at the age of 80.
Castro Ríos was born in Vigo, Spain in 1920, but he emigrated to Argentina with his family at a young age. He studied acting at the National Conservatory of Dramatic Art in Buenos Aires, where he quickly developed a reputation for his talent and dedication. His breakthrough role came in the 1946 film "Los Tres Berretines," which was a box office success and helped to solidify his place as one of Argentina's most promising young actors.
Over the course of his career, Castro Ríos appeared in more than 50 films, including "La Mentira," "La Patagonia rebelde," and "Crimen a full." He also starred in numerous television programs and stage productions, earning critical acclaim for his performances across all mediums.
In addition to his acting work, Castro Ríos was a beloved public figure who was known for his generosity and philanthropy. He was involved with several charities, including the Red Cross and the Argentine Association for Children with Cancer, and was a vocal advocate for social causes throughout his life.
Despite his success, Castro Ríos remained humble and dedicated to his craft, continuing to work in film and television up until his death in 2001. His legacy as one of Argentina's greatest actors is still celebrated today, and his contributions to the arts and broader society continue to be remembered and appreciated.
Castro Ríos was also a talented singer and performed in various musical productions throughout his career. He released several albums, including "Richard Castro Rios canta" in 1967. He was also a skilled pianist and often incorporated music into his performances.
In addition to his charitable work, Castro Ríos was an advocate for the LGBTQ+ community and was known to have been a supporter of their rights. He was also a strong believer in democracy and human rights, and was a vocal opponent of the military dictatorship that ruled Argentina from 1976-1983.
Castro Ríos received numerous awards and accolades throughout his career, including the Konex Platinum Award in 1981 for his contributions to Argentine theater. He was also recognized by the Argentine National Film Institute in 1991 for his outstanding contributions to the film industry.
His death in 2001 was met with widespread sorrow and tributes from fans and colleagues alike. He is remembered as a talented and dedicated actor, as well as a compassionate and generous humanitarian who devoted his life to helping others.
Robin Hughes
Robin Hughes (June 7, 1920 Buenos Aires-December 10, 1989 Los Angeles) was an Argentine actor.
He began his career in Argentine films in the 1940s, but eventually moved to the United States in the 1950s to pursue his acting career. Hughes appeared in over 100 films and television shows, often portraying exotic or foreign characters due to his European appearance and fluency in several languages. Some of his notable film credits include "The Three Musketeers" (1948), "The Egyptian" (1954), and "The Manchurian Candidate" (1962). Hughes also made guest appearances on popular TV series such as "Perry Mason," "Adventures in Paradise," and "The Beverly Hillbillies." In addition to his acting career, he was also a licensed pilot and served in the Royal Air Force during World War II.
Later in his career, Robin Hughes also became a well-respected acting teacher, founding the Robin Hughes Acting Academy in Los Angeles. He taught aspiring actors for over 25 years and his students included many successful actors such as Sharon Stone and Richard Dreyfuss. Hughes was also active in the Screen Actors Guild (SAG) and served as a board member for several years. He was known for his dedication to promoting the rights of actors and improving working conditions in the film and television industry. Despite his success in Hollywood, Hughes remained proud of his Argentine roots and often spoke of his love for his home country. He passed away in Los Angeles in 1989 at the age of 69.
Hughes was born as Robin Hughes Mariner in Buenos Aires, Argentina. His father was a British businessman and his mother was of Spanish and Italian descent. Hughes spent his early childhood in South America before his family moved to England when he was a teenager. During World War II, he joined the Royal Air Force and was trained as a pilot. After the war, he returned to Argentina and started his acting career in the local film industry.
In the 1950s, Hughes decided to try his luck in Hollywood and moved to the United States. He quickly found work in films and television shows, often playing suave and sophisticated characters. Hughes was known for his versatility and his ability to speak multiple languages, which made him a popular choice for international roles. He also had a memorable cameo as the voice of a park ranger in the film, "Westworld" (1973).
In addition to his successful career as an actor, Hughes was also passionate about teaching acting to others. He founded the Robin Hughes Acting Academy in Los Angeles in the 1960s and taught there until his death. His teaching style emphasized the importance of emotional honesty and authenticity in acting, which helped him to produce many successful students.
Overall, Robin Hughes was a talented actor and teacher who made significant contributions to both the film industry and the world of acting education.
Tito Gómez
Tito Gómez (August 19, 1920 Córdoba-December 11, 2000) otherwise known as Mario Horacio Gómez Alzuarena was an Argentine actor.
He began his career as a theater actor and appeared in over 100 films during the golden age of Argentine cinema. He is particularly well-known for his performances in the films "El Jefe" (1958), "La Patota" (1960), and "La Valija" (1963). In addition to his film work, he also appeared on television and in radio dramas. He received numerous awards for his contributions to Argentine theater and cinema, including the Konex Award in 1981. Outside of his acting career, Gómez was a passionate musician and played the guitar and sang in folk music groups. He passed away in 2000 at the age of 80.
Gómez was born in Córdoba, Argentina, and at the age of 18, he moved to Buenos Aires to pursue his passion for acting. He made his theater debut in 1942 with the play, "Alta Cebada". He quickly became a well-known figure in the Argentine theater scene and worked with notable directors such as Armando Discépolo and Narciso Ibáñez Menta.
Gómez's film career began in the 1940s, and he appeared in numerous films throughout the 1950s and 1960s. He was often cast in supporting roles and played a range of characters, from villains to comedic sidekicks. He also worked with renowned Argentine directors such as Leopoldo Torre Nilsson and Hugo del Carril.
Despite his success in film and theater, Gómez struggled with alcoholism throughout his life, which impacted his personal and professional relationships. However, he was able to overcome his addiction in the 1980s and continued to work in the entertainment industry until his death.
Gómez's legacy in Argentine cinema and theater has been celebrated by many scholars and critics. He is remembered as a talented actor who brought depth and complexity to his roles. Additionally, his contribution to Argentine music has also been recognized, as he was a respected folk musician who played an important role in popularizing traditional Argentine music.
In addition to his work in film, theater, and music, Tito Gómez was also known for his political activism. He was a member of the Communist Party in Argentina and used his platform as an actor to bring attention to social and political issues. Gómez was arrested and imprisoned during the 1970s under Argentina's military dictatorship, but was eventually released and continued to advocate for social justice. He was a vocal supporter of workers' rights and participated in protests and demonstrations throughout his life.
Gómez was also a mentor and teacher to many young actors in Argentina. He taught acting classes and worked with aspiring actors through the National Institute of Theater. Many of his students went on to have successful careers in the entertainment industry, and they credit Gómez with helping to shape their approach to acting.
Today, Tito Gómez is remembered as a pioneer in Argentine cinema and theater, as well as a passionate advocate for social justice. His contributions to the arts and his dedication to his beliefs have left a lasting impact on Argentine culture.
Zelmar Gueñol
Zelmar Gueñol (July 21, 1920 Buenos Aires-May 9, 1985 Buenos Aires) a.k.a. Zelmar José Daniel Guégnolle or Los Grandes del Buen Humor was an Argentine actor.
He started his acting career in the 1940s and appeared in several films during the Golden Age of Argentine Cinema. Apart from his acting career, he worked as a scriptwriter and director for radio and television. He gained widespread recognition for his role in the 1971 comedy film 'Mingo y Aníbal contra los fantasmas', which became a cult classic. Gueñol was also known for his work in theater, where he starred in several productions including 'El conventillo de la Paloma', 'M'enamoré d'una Georgiana', and 'El loro político'. He was the recipient of several awards for his contribution to the arts, including the Konex Award in 1981 for popular comic performance. Gueñol died in Buenos Aires in 1985 at the age of 64.
In addition to his work in film and theater, Zelmar Gueñol was also a prolific voice actor, lending his voice to numerous animated films and television shows in Argentina. He was particularly known for his portrayal of Papa Pitufo (Papa Smurf) in the Argentinian dub of 'The Smurfs' television series. Gueñol was also a beloved figure in Argentina for his humorous and satirical take on politics and current events, often appearing on television shows and in newspaper columns to share his opinions with the public. He was widely regarded as one of Argentina's greatest comedic actors and his legacy continues to influence the country's entertainment industry to this day.
Gueñol's career spanned several decades and he was an influential figure in the entertainment industry in Argentina. He began his acting career on the stage in the 1940s, performing in plays such as 'La zapatera prodigiosa' and 'La vida es sueño'. Gueñol was known for his versatility as an actor and his ability to play a variety of roles, from comedic to dramatic.
In addition to his acting and voice-over work, Gueñol was a prolific author and playwright. He wrote several books, including 'Pachorra', a collection of humorous stories, and 'Los locos del Dientes'' a play that was adapted into a successful film in 1964. Gueñol was also a respected director and producer, responsible for several successful television shows and films.
Despite his success, Gueñol remained humble and dedicated to his craft throughout his career. He was known for his generous spirit and willingness to mentor young actors and writers. Many of his colleagues and fans remember him fondly as a kind and talented individual, whose contributions to Argentine culture will continue to be celebrated for generations to come.
León Ferrari
León Ferrari (September 3, 1920 Buenos Aires-July 25, 2013 Buenos Aires) otherwise known as Leon Ferrari was an Argentine artist, visual artist and actor.
His career spanned over five decades and his artworks are known for their controversial themes, particularly those related to religion and politics. He was a pioneer of conceptual art in Latin America and was one of the most important artists of the 20th century in Argentina.
Ferrari initially trained as an engineer but turned to art in his early twenties. He studied painting, sculpture, and ceramics before delving into conceptual art. His early works were abstract and minimalist, but he soon started incorporating political themes into his art. He gained international recognition in the 1960s for his "violent" objects, which were made of steel and resembled weapons.
Ferrari's provocative art caused controversy throughout his life, and he faced censorship and censorship attempts in Argentina and other countries. Despite this, he continued to create politically charged works, often commenting on the injustices of the Argentine government and the Catholic Church.
In addition to his art, Ferrari was known for his activism and was one of the founders of the Argentine Anti-Institutional Art Movement. In his later years, he also worked as an actor and appeared in several films and plays.
Ferrari's legacy continues to have an impact on the art world, and his works are held in the collections of major museums around the world.
Ferrari's art was not confined to one medium or style, as he worked with a variety of materials including found objects, paper, and even meat. Some of his most famous works include his collage series "Western Christendom," which juxtaposed images of Christ with images of war and violence, and his sculpture "La Civilización Occidental y Cristiana" (The Western and Christian Civilization), which featured a life-sized Christ figure crucified on a US fighter plane.
In addition to his visual art, Ferrari also wrote extensively on religion and politics, and his writings were often published in local and international newspapers and magazines. He received numerous awards throughout his career, including the Golden Lion Lifetime Achievement Award at the 52nd Venice Biennale in 2007.
Ferrari's impact on conceptual art in Latin America cannot be overstated, and his lasting influence can be seen in the work of contemporary artists who continue to tackle social and political issues in their art.
Ferrari's art was not limited to his homeland, as he exhibited his works in major international galleries and museums in Europe and the United States. One of his most significant exhibitions was held in Brazil in 1970, where he presented a work titled "Heliografías," which used the sun to transfer images onto photographic paper, creating a series of abstract and beautiful images.
Despite his controversial reputation, Ferrari was celebrated for his artistic contributions, and his work was the subject of many retrospectives and exhibitions during his lifetime. In later years, he became increasingly interested in exploring new media, such as digital art and video, which allowed him to continue his political message in innovative ways.
In addition to his impact on the art world, Ferrari's activism extended to human rights issues. He worked tirelessly to raise awareness about the "disappeared" during Argentina's military dictatorship and spoke out against the country's human rights abuses.
Ferrari continued to create art and speak out against injustice until his death in 2013 at the age of 92. His legacy remains an essential part of Latin American art history, and his contributions continue to inspire the next generation of artists who seek to create change and provoke thought through their work.