Pathetic Facts

Argentine music stars who deceased at age 42

Here are 9 famous musicians from Argentina died at 42:

José Antonio Balseiro

José Antonio Balseiro (March 29, 1919-March 26, 1962) also known as Jose Antonio Balseiro was an Argentine physicist and scientist.

He is considered a pioneer in the field of nuclear energy in Argentina, having played a key role in the construction of the country's first nuclear reactor. Balseiro was born in the city of Córdoba and obtained his degree in Physics at the National University of Córdoba. He later traveled to the United States to continue his studies and obtained his doctorate in Physics from the Massachusetts Institute of Technology. Upon his return to Argentina, he became a professor at the National University of Cuyo and was instrumental in the founding of the Bariloche Atomic Centre. Balseiro's legacy is commemorated through the National Atomic Energy Commission's Award for Scientific and Technological Merit, which now bears his name.

Balseiro was a prominent scientist and a leader in the field of nuclear energy not just in Argentina, but across the world. In addition to his contributions to the Bariloche Atomic Centre, he was also instrumental in the development of the atomic reactor at Atucha, the first-ever nuclear power plant in Argentina. Balseiro was also a key participant in the founding of the International Atomic Energy Agency, an organization that serves to promote the peaceful use of nuclear energy globally.

Despite his many successes, Balseiro's life was cut tragically short when he died at the age of 42. He was on board an Air France flight that crashed in the Azores, killing all 131 people on board. In honor of his legacy and contributions to the field of nuclear energy, the Balseiro Institute was established in his hometown of Bariloche. Today, the institute is one of Argentina's leading research centers and plays a critical role in the nation's scientific and technological advancement.

Francisco Narciso de Laprida

Francisco Narciso de Laprida (October 28, 1786 San Juan Province, Argentina-September 22, 1829) was an Argentine lawyer.

He was one of the signatories of the Argentine Declaration of Independence on July 9, 1816, and he also participated in the creation of the Argentine Constitution of 1826. Laprida was a prominent figure in the early independence movement of Argentina and was known for his eloquent speeches and political writings. In addition to his political work, Laprida served as a professor at the National University of Buenos Aires and was a member of several academic and cultural societies. He died in 1829 at the age of 42, leaving behind a legacy as one of the most important figures of the Argentine independence movement.

Laprida came from a noble and wealthy family in San Juan Province in Argentina. He studied law at the University of Buenos Aires and soon became involved in the independence movement. As a member of the First Junta, a group of revolutionaries who took control of Buenos Aires from the Spanish, Laprida was appointed as a judge and also worked as a diplomat to build alliances with neighboring countries.

After the declaration of independence in 1816, Laprida continued to play a significant role in shaping the political landscape of Argentina. He was instrumental in the drafting of the Argentine Constitution of 1826, which established a federal government and was seen as a major step forward for democracy in Argentina.

Laprida's contributions to Argentine politics were not limited to his work as a government official. He also played a significant role in the cultural and intellectual life of the country. He was a member of the first literary society in Argentina, the Sociedad de Amantes de la Libertad, and wrote several essays and speeches on topics ranging from politics to literature.

Despite his accomplishments, Laprida's life was cut short when he died suddenly in 1829. His death was widely mourned, and he was remembered as a hero of the Argentine independence movement. To this day, Laprida is honored as one of the founding fathers of Argentina and his legacy continues to inspire generations of Argentineans.

Juan Héctor Guidi

Juan Héctor Guidi (July 4, 1930 Avellaneda-February 8, 1973) was an Argentine personality.

He was a film director, screenwriter, and film editor known for his contributions to the Argentine film industry during the 1950s and 1960s. Guidi was the son of an Italian immigrant and experienced a difficult childhood marked by poverty and political instability. Despite this, he developed a passion for cinema and began his career as an assistant director on various film projects. He was eventually given the opportunity to direct his own films, which often dealt with themes of social injustice and political oppression, reflecting his own experiences. Among his most notable works are "Tierra Violenta" (1958) and "Los Tallos Amargos" (1956), which has been hailed as a classic of Argentine cinema. Guidi's life was tragically cut short when he died at the age of 42 due to a heart attack, leaving behind a legacy of impactful films and a lasting influence on the Argentine film industry.

Guidi's commitment to challenging societal norms through his work was evident in his filmography. He was known for delving into complex issues concerning the working class and the political climate of Argentina during his time. In his films, he featured some of the biggest stars of Argentine cinema, including Elsa Daniel, Carlos Cores, and Vittorio Gassman, among others.

In addition to his cinematic work, Guidi was also an active member of the Peronist movement, a political force that sought to establish a more just and equitable society in Argentina. He was often critical of the government and the military dictatorship that ruled the country during his lifetime, and his commentary can be seen in his films. His activism and commitment to social justice caused him to be persecuted and harassed by the authorities, further demonstrating his dedication to using his work to effect real change.

Today, Guidi is remembered as a powerful and innovative figure in Argentine cinema. His contributions to the industry continue to inspire filmmakers and audiences alike, and his influence can be seen in the work of contemporary filmmakers. The Juan Héctor Guidi Foundation was established in his honor to promote young filmmakers and strive towards a more egalitarian society, carrying on the legacy of a filmmaker who used his art to effect meaningful social change.

Read more about Juan Héctor Guidi on Wikipedia »

Pablo Birger

Pablo Birger (January 7, 1924 Buenos Aires-March 9, 1966 Buenos Aires) was an Argentine race car driver.

He competed in various races in the 1950s and 1960s, including the Argentine Grand Prix and the 24 Hours of Le Mans. Birger first began racing in 1947 and quickly gained a reputation for his skill behind the wheel. In 1952, he won the Turismo Carretera championship, which cemented his status as one of Argentina's top racing drivers.

Birger also worked as a journalist, writing about racing for several newspapers and magazines. He was known for his bold and daring driving style, which sometimes led to accidents and injuries. Tragically, Birger died in a car crash in 1966 at the age of 42, while driving in a local race in Buenos Aires. Despite his short career, Birger is remembered as one of Argentina's greatest racing drivers.

Birger was born in Buenos Aires, Argentina, on January 7, 1924. He was the son of Russian immigrants who owned a textile factory. He grew up in a wealthy family and was educated at the Escuela Nacional de Comercio.

After receiving his degree, Birger began racing in local competitions. He quickly proved to be a talented driver and soon caught the attention of the racing world. In 1952, he won the Turismo Carretera championship driving a Chevrolet, which made him one of the most celebrated sportsmen in Argentina.

Birger continued to participate in various domestic competitions and also made appearances in international racing events, including the 24 Hours of Le Mans and the Argentine Grand Prix. Despite facing stiff competition from the likes of Juan Manuel Fangio, Birger was known for his fearless approach to driving and his ability to push his car to the limit.

In addition to his driving career, Birger was also a respected journalist. He contributed to several newspapers and magazines, including El Gráfico, where he wrote about racing and other sports. Birger was known for his insightful analysis and his ability to convey his excitement for racing to his readers.

On March 9, 1966, Birger was driving in a local race in Buenos Aires when he crashed his car and was killed instantly. He was 42 years old. His death was a great loss to the racing community, and he is remembered as one of Argentina's greatest racing drivers.

Read more about Pablo Birger on Wikipedia »

Jorge Zaffino

Jorge Zaffino (April 5, 1960 Argentina-July 12, 2002 Buenos Aires) was an Argentine personality.

He was a highly respected comic book artist and illustrator, best known for his work on the Batman: Black and White series. Zaffino also worked on several other major comic book titles such as Judge Dredd, The Punisher, and The Shadow. Despite his relatively short career in the industry, his unique style of artwork had a substantial impact on the comic book world, and he is still remembered today as a master of his craft. In addition to his work in the comic book industry, Jorge Zaffino was also an accomplished painter and graphic designer, creating works that were featured in exhibitions around the world. His contributions to the art world continue to inspire new generations of artists in Argentina and beyond.

After completing his studies in Fine Arts, Zaffino began his career in the late 1980s by collaborating with Argentine comic book publishers such as Record and Cova. In 1991, Zaffino moved to the United States and became an independent artist, which gained him a more prominent reputation in the American comic book industry. He worked for Marvel Comics for most of the 1990s, creating artwork for popular titles such as Daredevil, Wolverine, and Ghost Rider. Zaffino's art style was characterized by his use of heavy lines and bold shading, which gave his illustrations a distinctive and powerful look.

Despite his success, Zaffino stayed true to his roots and often created artwork that reflected his Argentine identity. Some of his most celebrated pieces were his depictions of tango dancers and figures from Argentine folklore, which he painted in a hyperrealistic style. Although Zaffino's life was tragically cut short by cancer, his contributions to the comic book and art worlds continue to be celebrated to this day.

Read more about Jorge Zaffino on Wikipedia »

Roberto Arlt

Roberto Arlt (April 2, 1900 Buenos Aires-July 26, 1942 Buenos Aires) also known as Roberto Godofredo Christophersen Arlt was an Argentine novelist and journalist. His children are Mirta Electra Arlt and Roberto Arlt.

Arlt is considered to be one of the most important writers in Argentine literature, credited for bringing a new level of realism to Argentine fiction in the 20th century. He is best known for his novels "El juguete rabioso," "Los siete locos" and "Los lanzallamas," which depict the lives of working-class people in Buenos Aires during his time.

In addition to his literary work, Arlt was a prolific journalist, writing for various newspapers throughout his career. He was known for his controversial writing style and his criticism of the Argentine government and society. Arlt was also involved in leftist politics and was a member of the Communist Party.

Despite his contributions to Argentine literature, Arlt struggled to make a living as a writer during his lifetime. He worked in various jobs throughout his life to support himself and his family, including as a manual laborer, a factory worker, and a salesman. Arlt passed away from a heart attack at the age of 42, leaving behind a legacy as one of Argentina's most influential writers.

Arlt's writing style was characterized by experimentation with language and narrative structure. His works were often dark and gritty, exploring themes such as poverty, social inequality, and urbanization. Arlt's depiction of the lives of working-class people was groundbreaking for its time and helped to shape Argentine literature for future generations.

Despite the challenges he faced in his lifetime, Arlt's impact on Argentine literature has endured. His works continue to be read and studied in universities and literary circles throughout the country. In 1979, the Argentine National Congress declared Arlt's works to be of national importance, cementing his place in the country's literary canon. Today, Arlt is remembered as a writer who gave voice to those who were often overlooked in Argentine society and who pushed the boundaries of what was considered acceptable in literature.

Read more about Roberto Arlt on Wikipedia »

Waldo de los Rios

Waldo de los Rios (September 7, 1934 Buenos Aires-March 28, 1977 Madrid) also known as Waldo de los Ríos, Osvaldo Nicholas Ferrara or W. de los Rios was an Argentine film score composer, conductor and music arranger.

His albums include Golden Sounds of, Corales, Operas, Seguimos Bailando Folklore, Sinfonías - Mozartmanía, Classics, Mozart in the Seventies, Symphonies, Who Can Kill a Child? / The House that Screamed and A Town Called Hell / Savage Pampas. Genres he performed: Classical music and Film score.

He died as a result of suicide.

Read more about Waldo de los Rios on Wikipedia »

Néstor Osvaldo Perlongher

Néstor Osvaldo Perlongher (December 24, 1949 Avellaneda-November 26, 1992 São Paulo) was an Argentine personality.

Perlongher was a poet, anthropologist, sociologist, and activist who played a significant role in the Argentine cultural scene in the 1970s and 1980s. He was known for his avant-garde style of writing, which often explored themes related to queer identity, politics, and culture. Perlongher was also an active member of the leftist movement in Argentina, and his work reflected his strong commitment to social justice and equality. In the 1980s, he moved to Brazil, where he continued to write and publish until his death from AIDS-related complications in 1992. Today, Perlongher is remembered as an important representative of the Latin American literary and political movements of the late 20th century.

During his time as a student at the University of Buenos Aires, Perlongher joined the Trotskyist movement and became involved in various leftist groups. In the mid-1970s, after the military coup in Argentina, Perlongher went into hiding and continued his activism from underground. He also began to publish his poetry and critical essays, which garnered him a reputation as an innovative and provocative writer.

In 1984, Perlongher relocated to São Paulo, Brazil, where he worked at the Universidade Estadual de Campinas (Unicamp) as a professor of anthropology. He continued to publish and participate in political and cultural events, both in Brazil and internationally. In 1992, he passed away due to complications from AIDS, which he had contracted several years earlier.

Perlongher's influence can still be seen in the work of many contemporary Latin American writers and activists. His legacy is particularly important for the LGBTQ+ community and for those fighting for social justice and equality. In 2012, the Néstor Perlongher Prize was established in his honor, which recognizes writers for their contributions to LGBTQ+ literature in the Spanish language.

María Turgenova

María Turgenova (April 5, 2015 Spain-June 27, 1972 Buenos Aires) was an Argentine vedette, actor, dancer and singer.

Born in Spain, María Turgenova had a successful career in Argentina in the 1940s and 1950s as a prominent vedette, or cabaret performer known for her glamorous and sensual style. In addition to her work on stage, she also appeared in several films and television programs throughout her career. Turgenova was also a talented dancer and singer, and she often incorporated these skills into her performances. Despite experiencing personal and professional challenges later in life, she remained a beloved and influential figure in Argentine entertainment until her death in 1972.

Turgenova began her career in show business performing in theater productions in Spain. She later moved to Argentina in the 1930s and quickly made a name for herself as a vedette. With her stunning looks and charismatic stage presence, Turgenova became a sought-after performer, appearing in numerous revues and variety shows.

Throughout her career, Turgenova went through various ups and downs, experiencing both personal and professional challenges. However, she remained dedicated to her craft and continued to work in the entertainment industry until her death. In addition to her work on stage, she also appeared in several films and television programs, including "La Sangre y la Semilla" and "Moralidad".

Turgenova's legacy as one of Argentina's most iconic vedettes is still celebrated today. Her influence on the country's entertainment industry has been felt for decades, and she remains a beloved figure among fans of cabaret and musical theater.

Read more about María Turgenova on Wikipedia »