Here are 8 famous musicians from Argentina died at 51:
José Hernández (November 10, 1834 San Martín, Buenos Aires-October 21, 1886 Belgrano, Buenos Aires) a.k.a. José Rafael Hernández y Pueyrredón or Jose Hernandez was an Argentine writer, journalist, poet and politician.
He is best known for his epic poem "Martín Fierro," which has become a national symbol of Argentine literature. The poem tells the story of a gaucho who fights against the injustices of the Argentine government and the landowners who exploit the gauchos. "Martín Fierro" is considered a masterpiece of Latin American literature and has been translated into many languages.
In addition to his literary works, Hernández was also involved in politics. He was a member of the Argentine Congress and served as governor of the province of Buenos Aires for a brief period. He was a strong advocate for the rights of the gauchos and fought against their mistreatment by the government and the landowners.
Hernández's legacy has endured long after his death. He is revered in Argentina as a national hero and his image appears on the country's 10-peso bill. Many cultural and educational institutions in Argentina have been named in his honor, including the José Hernández Museum in Buenos Aires.
Despite his successes, José Hernández experienced difficulty in his personal life. His father passed away when he was just two years old, and his mother remarried a French lawyer who did not want José to continue his education. This caused Hernández to leave home at a young age and work various jobs to support himself. He eventually became a journalist and began expressing his political beliefs through his writing.
Hernández also had a passion for horseback riding and the tradition of the gaucho. He was deeply connected to Argentine culture and used his literature to promote its values and traditions. His work greatly influenced the gaucho genre of literature and helped shape Argentine identity.
José Hernández died at the age of 51 from tuberculosis, leaving behind a lasting impact on Argentine literature and culture.
In addition to his literary and political pursuits, José Hernández was also a dedicated family man. He was married to Amelia Lafuente and they had six children together. Despite his busy schedule, Hernández made sure to prioritize his family and was known for being a loving and attentive father. He often incorporated his family into his writing, using his personal experiences and relationships to add depth and authenticity to his characters.
Hernández's commitment to social justice and equality was reflected not only in his writing and politics but also in his personal life. He was an advocate for women's rights and worked to promote education and economic opportunities for women. He also supported the rights of Indigenous peoples in Argentina, recognizing the importance of their cultural heritage and the need for greater understanding and reconciliation.
Today, José Hernández is remembered as a trailblazer in Argentine literature, politics, and social justice. His commitment to promoting the values of Argentine culture and fighting against inequality and injustice continue to inspire and influence generations.
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Héctor Yazalde (May 29, 1946 Avellaneda-June 18, 1997 Buenos Aires) also known as Hector Yazalde was an Argentine personality.
He is best known for his career as a football player, having played as a forward for various clubs including Independiente, where he won four league titles and the Copa Libertadores. Yazalde also played for the Argentine national team, scoring 21 goals in 31 appearances.
After retiring from football, Yazalde worked as a coach and sports commentator. He also had a brief stint in politics as a member of the Radical Civic Union party.
Yazalde's legacy in Argentine football is immense, as he continues to be remembered as one of the greatest forwards in the country's history. In 2011, the Argentine Football Association posthumously awarded him the "Football Legend" award in recognition of his achievements and contributions to the sport.
Yazalde was born in Avellaneda, a city in the province of Buenos Aires, and began his professional football career with Club Atlético Banfield in 1964. He then moved to Club Atlético Independiente, where he quickly became a key player and helped the team win multiple titles.
In 1970, he was transferred to Spanish club Sporting de Lisboa, where he became the top scorer of the 1973-74 Primeira Liga season with 46 goals, breaking the previous record held by the legendary Eusébio. Yazalde also helped Sporting win the league title that season, and was awarded the European Golden Boot.
Yazalde returned to Argentina in 1974 and played for several more clubs before retiring in 1982. He then pursued a career in coaching, but was unable to replicate his success on the field.
Off the field, Yazalde was known for his humble personality and dedication to his family. He died in 1997 at the age of 51 due to complications from diabetes.
Today, Yazalde is widely regarded as one of the best Argentine footballers of all time, and his name remains synonymous with the sport in his home country.
Yazalde's impact on Argentine football can be seen in the numerous honors he received throughout his career. In addition to the Football Legend award, he was also inducted into the Argentine Football Hall of Fame in 2015.
Yazalde's success as a player was due in part to his unique style of play. He was known for his exceptional speed and agility, as well as his ability to score goals from a variety of positions on the field. His talent was recognized by football legends such as Pelé, who once referred to him as "the best number nine in the world".
Despite his many accomplishments, Yazalde remained humble and dedicated to his family and community throughout his life. He was known for his philanthropic work, including the establishment of the Fundacion Hector Yazalde, which provides support and resources for children with diabetes.
Overall, Hector Yazalde's impact on Argentine football, both on and off the field, has left a lasting legacy and continues to inspire future generations of players and fans alike.
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Emilio Sagi Liñán (March 15, 1900 Bolívar Partido-May 25, 1951 Barcelona) also known as Emilio Sagi Linan was an Argentine personality.
He was a writer, journalist, and film critic. Sagi Liñán was one of the co-founders of the newspaper "Sur," which was a leading literary and cultural publication in Argentina. He was also involved in organizing cultural events and promoting Argentine art both in his country and abroad. In 1936, he moved to Spain, where he continued his work as a journalist and writer. Sagi Liñán was an important figure in the Spanish intellectual scene of his time, and he contributed to the dissemination of Argentine culture in Spain. He died in Barcelona, Spain, in 1951, at the age of 51.
During his time in Spain, Emilio Sagi Liñán wrote extensively on Spanish and Latin American literature and culture. He collaborated with prominent writers such as Federico García Lorca and Miguel Hernández, and he also organized cultural events in Barcelona. Sagi Liñán was a member of several intellectual and cultural organizations, including the Spanish Center of the PEN Club and the Ateneo of Barcelona. In addition to his work as a critic and journalist, Sagi Liñán also published several books, including "Cervantes y Shakespeare" (1948) and "Hacia una estética del teatro" (1950). He is remembered as an important figure in the history of Argentine and Spanish literature and culture.
Sagi Liñán's contributions to Argentine and Spanish culture were not limited to his work as a writer and journalist. He also worked as a translator, introducing Spanish readers to works of English-language authors such as William Faulkner and James Joyce. In addition, he was a collector of art and literature, amassing a significant collection of books, paintings, and sculptures, which he donated to various cultural institutions in Argentina and Spain.
Sagi Liñán's legacy continued after his death, as his work and ideas continued to inspire future generations of writers and intellectuals. In 1971, the Argentine government posthumously awarded him the National Prize of Argentine Letters in recognition of his contributions to Argentine culture. His name is honored in the Emilio Sagi Liñán Cultural Center, a cultural institution in the city of Bolívar in Argentina.
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José Antonio Cabrera (November 28, 1768 Argentina-April 14, 1820) a.k.a. Jose Antonio Cabrera was an Argentine lawyer.
He played an important role in the Argentine War of Independence and later became governor of the province of Tucumán. Cabrera was also a member of the Congress of Tucumán, which declared the independence of Argentina on July 9, 1816. In addition to his political career, he was a prolific writer and authored several books on law and politics. Despite his prominent role in Argentine history, Cabrera's legacy has been somewhat overshadowed by that of other independence heroes such as José de San Martín and Simón Bolívar. Nonetheless, he remains an important figure in the country's history and is remembered as a patriot and champion of the people's rights.
Cabrera was born in the city of Santiago del Estero, which was part of the Royal Audience of Charcas, a colonial region that included parts of present-day Argentina, Bolivia, Chile and Peru. He pursued his education at the National University of Córdoba, where he earned a degree in law. After completing his studies, he practiced law in his hometown and quickly gained a reputation as a skilled lawyer.
When the Argentine War of Independence broke out in 1810, Cabrera joined the revolutionary forces and fought against the Spanish colonial authorities. He participated in several key battles, including the Battle of Tucumán in 1812, which resulted in a significant victory for the patriots. Cabrera's military achievements earned him a high rank in the rebel army, and he was appointed as governor of the province of Tucumán in 1814.
As governor, Cabrera oversaw numerous political and social reforms aimed at improving the lives of the people of Tucumán. He also played a crucial role in the Congress of Tucumán, where he helped draft and sign the Declaration of Independence of Argentina. After the country's independence was secured, he continued to serve in various political positions until his death in 1820.
Cabrera's writings on law and politics were highly influential during his time and continue to be studied by scholars today. His most famous work, "El Pampero Argentino," is a collection of essays on the history, geography, and culture of Argentina. In recognition of his contributions to Argentine independence and culture, the city of Buenos Aires named a street and a neighborhood after him.
In addition, Cabrera was known for his support of indigenous peoples in Argentina. He worked to improve their education and living conditions and advocated for their rights to their ancestral lands. His work in this regard earned him the nickname "Protector of the Indians." Cabrera also fought against slavery and was instrumental in passing laws that abolished the practice in several provinces.
Cabrera's legacy as a champion of the people and defender of their rights continues to be admired in Argentina. He is remembered for his bravery, leadership, and contributions to the country's independence and development. In his honor, the city of Santiago del Estero built a monument to him in 1946, and several other cities and towns have streets and plazas named after him.
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Carlos Salguero (June 10, 1955 Guaymallén Department-December 26, 2006 United States of America) was an Argentine personality.
He was best known for his work in the entertainment industry as a film producer, talent agent, and public relations specialist. Salguero began his career in the late 1970s, working as an assistant to film director Carlos Saura, before starting his own production company, 10th Dimension Films, in the 1980s.
Over the course of his career, Salguero produced a number of successful films, including "The Tango Lesson" and "Savage Grace," and worked as a talent agent for several prominent actors and directors, including Antonio Banderas, Emma Thompson, and Pedro Almodovar. In addition, he was known for his expertise in public relations, and was often sought out by companies and organizations looking to promote their products and services.
Salguero passed away in 2006 at the age of 51, leaving behind a legacy as one of Argentina's most talented and influential personalities in the entertainment industry.
Salguero's work as a film producer and talent agent earned him numerous awards and accolades throughout his career, including the Golden Globe Award for Best Motion Picture - Musical or Comedy for "The Tango Lesson" in 1998. He was also a founding partner of the production company El Deseo, which was responsible for some of the most successful and critically acclaimed films to come out of Spain in the 1990s.Salguero was deeply committed to promoting the arts and culture of Argentina, and was a staunch advocate for the country's film industry. He was instrumental in establishing the Mendoza International Film Festival, which has become one of the most important film festivals in Latin America.In addition to his work in the entertainment industry, Salguero was also a philanthropist and humanitarian, and was involved in several charitable organizations. He was particularly passionate about helping children and young people in need, and established the Carlos Salguero Foundation to provide support and resources for disadvantaged youth.Salguero's legacy continues to be celebrated in Argentina and around the world, and his contributions to the arts and culture of his home country remain an inspiration to many.
In addition to his achievements in the entertainment industry and philanthropy, Salguero was also a passionate advocate for LGBT rights. He came out as gay later in life and used his platform to promote acceptance and equality for the LGBTQ+ community. Salguero was especially proud of his work on the film "Savage Grace," which portrayed the life of a wealthy American family with a closeted gay son. The film received critical acclaim and was praised for its brave exploration of taboo subjects.Salguero's impact on the entertainment industry and his advocacy for social justice have made him a role model and inspiration for many people around the world. His legacy serves as a reminder of the power of art and the importance of using one's platform to create positive change.
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Barry Norton (June 16, 1905 Buenos Aires-August 24, 1956 Hollywood) also known as Alfredo Carlos Birabén was an Argentine actor and ballroom dancer. He had one child, Sharon Biraben Rider.
Barry Norton began his career as a dancer in Argentina, performing in local ballrooms. He later moved to the United States to pursue his passion for acting and made his debut in the film world with "The Devil's Cabaret" in 1930. He achieved great success in Hollywood, appearing in over 70 films throughout the 1930s and 1940s. He often played suave, debonair characters in films such as "The Sea Bat" (1930), "Hell's Angels" (1930), and "Wings in the Dark" (1935).
In addition to his career in films, Norton was also a popular stage actor, making his Broadway debut in "Allá en el Rancho Grande" in 1936. He continued to perform on stage throughout his career, even receiving critical acclaim for his role in the 1954 Broadway production of "Can-Can".
Despite his success in Hollywood, Norton also faced personal struggles throughout his life. He was married several times and struggled with alcoholism, which contributed to his decline in popularity in the 1950s. However, his contributions to the world of film and dance continue to be remembered and celebrated to this day.
Barry Norton was also known for being a multilingual actor, able to act in Spanish, English, Italian, and Portuguese. His ability to speak multiple languages allowed him to portray diverse roles and characters in different countries, making him a popular and sought-after actor. In the 1940s, Norton briefly left Hollywood to act in Mexican films, including "El Zorro de Jalisco" (1941) and "El Jorobado" (1943). He also acted in several Italian films, including "La Figlia del Corsaro Verde" (1940) and "La Peccatrice" (1940).
Norton's talent extended beyond acting and dancing. He was also a skilled pilot and owned his own plane, which he flew to various film locations. He even performed a daring stunt flying a plane through a hangar in the film "Tailspin Tommy" (1934).
Although his career declined in the 1950s, Norton continued to work in the entertainment industry. He hosted a television show called "Latin-American Serenade" and made appearances in the popular TV series "The Adventures of Kit Carson" and "The Adventures of Wild Bill Hickok".
Today, Norton is remembered as a talented actor and dancer who made significant contributions to the entertainment industry. His films and performances continue to be enjoyed by audiences around the world.
Barry Norton's talent and skills made him stand out in the entertainment industry not only as an actor and dancer but also as a linguist, pilot, and TV personality. Despite his personal struggles, he remained committed to his craft and remained active in his profession until his untimely death at the age of 51. His legacy lives on through his films and performances, which continue to inspire and captivate audiences worldwide. In recognition of his contributions to the industry, Norton was posthumously inducted into the Hollywood Walk of Fame in 1960.
He died caused by myocardial infarction.
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María Rosa Lida de Malkiel (November 7, 1910 Buenos Aires-September 25, 1962 Oakland) a.k.a. María-Rosa Lida Malkiel or Maria Rosa Lida was an Argentine personality.
She was a renowned scholar and linguist who specialized in Medieval and Renaissance literature. Lida studied at the University of Buenos Aires before earning a scholarship to pursue graduate studies at Columbia University in New York. Her research focused on the Spanish epic poem, El Cid, and she published a critical edition of the work that is still widely used today.
After finishing her studies, Lida became a professor at Wellesley College in Massachusetts where she remained until 1960. During her time there, she became a leading authority on Spanish and Portuguese literature and co-authored several important books on the subject. In 1953, she was awarded the Guggenheim Fellowship for Humanities.
Lida was known for her pioneering research on women writers of the Golden Age and was a strong advocate for gender equality in academia. She worked tirelessly to promote the study of Romance languages and literature in the United States and helped to establish the field of Hispanic studies as a respected academic discipline.
Unfortunately, Lida's life and career were cut short when she died of cancer at the age of 51. Despite her untimely death, her contributions to the study of Spanish and Portuguese literature continue to be revered by scholars today.
After her passing, her colleagues and students continued to honor her legacy by creating the Maria Rosa Lida de Malkiel Memorial Lectureship which brings distinguished scholars to Wellesley College to give lectures on topics in Hispanic Studies. In addition, the University of California, Berkeley, where Lida's husband worked as a professor, named a lecture room after her in the Dwinelle Hall building. Lida's intellectual curiosity and commitment to gender equality in education have continued to inspire generations of scholars, particularly women, and her work remains an important influence in the field of Romance language and literature studies.
Lida was also a polyglot who spoke Spanish, French, English, Italian, and Portuguese fluently. Her linguistic skills greatly contributed to her research and allowed her to analyze literature from multiple perspectives. In addition to her academic work, Lida was an active member of literary societies and was involved in promoting cultural exchange between the United States and Latin America. She wrote for several Spanish-language newspapers and was a frequent speaker at conferences and lectures on Hispanic culture.
Lida was married to the noted Hispanist André M. Lida de Malkiel, with whom she had two children. Her husband also became a well-respected academic and the couple often collaborated on research projects together. After her death, André worked tirelessly to compile and publish his wife's unfinished manuscripts in honor of her legacy.
Throughout her career, Lida received numerous honors and awards for her contributions to the field of Hispanic studies. In addition to the Guggenheim Fellowship, she was awarded the Cruz del Sur Order by the government of Argentina and received honorary degrees from several universities in the United States and Latin America. Her dedication to the study of literature and commitment to gender equality continue to inspire scholars to this day.
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Nelo Cosimi (April 5, 1894 Macerata-October 5, 1945 Buenos Aires) was an Argentine screenwriter, film director and actor.
He began his career as a journalist but soon moved on to filmmaking in the early days of Argentine cinema. He directed and wrote the script for his first film, "The Valley of Tears" in 1917, which was a great success. Over the course of his career, he directed and wrote scripts for over 40 films. Cosimi was known for his creativity and artistry in his filmmaking, and his works often explored complex social and political issues. In addition to his film work, he was also a member of the Argentine Civil Association for Intellectual Development and a professor at the Institute of Cinematography. Cosimi's contributions to Argentine cinema were significant, and he remains an important figure in the history of Argentine cinema.
Cosimi's films were known to depict the harsh conditions of urban life in Buenos Aires, representing the struggles of the working class. His 1920 film, "The Earth Trembles," explored the aftermath of the earthquake that hit the city, focusing on the social and economic impacts on the people living there. Cosimi's films also featured strong female characters, breaking away from the traditional portrayal of women in Argentine cinema at that time. Some of his notable works include "The White Slave" (1919), "The Honeymoon Trip" (1920), and "The Curse of the Charrúa" (1933). In addition to his creative work, Cosimi was also involved in the establishment of the National Film Archive of Argentina. Despite his successes, Cosimi's life was cut short when he passed away at the age of 51 due to heart failure. His contributions to Argentine cinema have been recognized with the Nelo Cosimi Award given out by the Argentine Film Critics Association for excellence in Argentine cinema.
Cosimi's impact on Argentine cinema went beyond his own directing and screenwriting career. He was also instrumental in supporting and discovering new talent in the industry. One of the notable figures he mentored was Juan Carlos Thorry, who went on to become a successful actor and director.
Cosimi was not afraid of tackling controversial subjects in his films. His 1933 film "The Curse of the Charrúa" explored the treatment of indigenous people in Argentina and the conflicts that arose from colonization. Despite facing censorship and backlash, the film became a critical success and was praised for its unflinching portrayal of the issue.
In addition to his work in cinema, Cosimi was also involved in politics. He was a member of the Socialist Party and ran for a seat in the Argentine Chamber of Deputies in 1935, but was not elected.
Cosimi's legacy continues to live on in Argentine cinema, with his films still being studied and celebrated today. His dedication to exploring social and political issues through the medium of film was ahead of his time and paved the way for future filmmakers in the country.
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