Here are 8 famous musicians from Argentina died at 55:
Roberto María Ortiz (September 24, 1886 Buenos Aires-July 15, 1942 Buenos Aires) also known as Roberto Maria Ortiz was an Argentine lawyer and politician.
Ortiz served as the President of Argentina from 1938 to 1942. Prior to his presidency, he held several important government positions including serving as the Minister of Justice and Public Instruction, and as a member of the Buenos Aires city council. During his presidency, he focused on improving social welfare programs and infrastructure, and promoting economic growth through trade agreements with neighboring countries. Ortiz was also a supporter of the arts, and helped establish the National Symphony Orchestra of Argentina. Despite his successes, Ortiz's presidency was cut short due to his declining health, which ultimately led to his untimely death at the age of 55.
Ortiz was born into a wealthy family in Buenos Aires and received his law degree from the National University of Buenos Aires. He served as a lawyer and judge before entering politics. Ortiz was a member of the Radical Civic Union party and was known for his honesty and integrity. He was elected president in 1937 and took office the following year.
During his time as president, Ortiz worked to modernize the country's infrastructure, improving roads, railways, and ports. He also sought to improve working conditions for laborers and promoted public education. Ortiz's policies helped to stabilize the economy and improve living standards for many Argentines.
In addition to his political achievements, Ortiz was a noted art collector and helped to establish the National Fine Art Museum of Buenos Aires. He was also an avid horseman, and his passion for the sport led him to establish the Palermo racetrack in the city.
Ortiz's death was mourned by many in Argentina, and he is remembered as a leader who worked to improve the lives of his fellow citizens. His legacy continues to inspire generations of Argentines.
Ortiz's presidency was marked by challenges as well. During his term, Argentina remained neutral during World War II, despite pressure from both the Allied and Axis powers to choose a side. Ortiz's health problems also hindered his ability to govern, and he spent much of his time as president battling illness. His declining health led him to resign from office in 1942, only a few months before his death. Despite the challenges he faced, Ortiz remains a respected figure in Argentine history and is remembered for his commitment to social welfare, economic progress, and the arts.
Ortiz's presidency also coincided with a tumultuous time in Argentine politics. In 1943, a military coup overthrew the government and installed a nationalist government. This coup was largely driven by tensions within the military over Argentina's neutral stance during World War II and concerns over the influence of the United States in Argentine affairs. Despite Ortiz's attempts to improve relations with other countries, the nationalist government that followed his presidency would prove hostile to foreign economic interests and would pursue a policy of economic isolationism.
Ortiz's contributions to Argentine society, however, were not forgotten. Today, he is remembered as a statesman who sought to improve the lives of ordinary Argentines through economic and social reforms. His legacy can be seen in the modernization of the country's infrastructure, improvements to labor conditions, and his support for the arts. Ortiz's presidency marked a turning point in Argentine history, and his contributions to the country continue to be celebrated to this day.
He died in diabetes mellitus.
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Omar Oreste Corbatta (March 11, 1936 Daireaux-November 6, 1991 La Plata) was an Argentine personality.
He was a professional football player who played as a right winger for some notable teams in Argentina such as Racing Club and River Plate, as well as the Argentine national team. Corbatta was known for his quickness, technique, and dribbling skills on the field, earning him the nickname "El Gitano" (The Gypsy). He was also known for his eccentric personality off the field, often wearing flamboyant clothing and playing music. After retiring from football, Corbatta struggled with addiction and financial difficulties. He passed away in 1991 at the age of 55.
Despite his financial struggles, Omar Oreste Corbatta remained a beloved figure in Argentine football. He was voted as one of the 100 Greatest Argentine Football players of All Time by a panel of sports journalists in 2015. Corbatta was also recognized for his contributions to the sport by the Daireaux and La Plata municipalities, each of whom named a street after him. In addition to his football career, Corbatta was also an accomplished musician, playing the guitar and composing songs, often with football-related themes. His legacy as a multi-talented and colorful personality continues to be celebrated by football fans and music lovers in Argentina.
Corbatta was born in Daireaux, Buenos Aires Province, Argentina. He started his professional football career at the age of 18 with Racing Club, where he won the Argentine Primera Division in 1958. Corbatta then moved on to play for River Plate, where he helped the team win the league title in 1959. He also played for other clubs in Argentina, including Huracan, San Lorenzo, and Platense.
Corbatta's talent was not limited to the football field. In addition to singing and playing guitar, he was also an accomplished dancer. He often entertained his fellow players with his performances and was even known to dance during halftime shows.
Despite his success on the field, Corbatta struggled with addiction and financial difficulties after retiring from football. He was known to gamble and spent time in rehabilitation centers. In 1991, Corbatta died of a heart attack at the age of 55.
Corbatta's legacy continues to be celebrated in Argentina. In addition to the streets named after him, there is a sculpture of him in his hometown of Daireaux. He is remembered not only for his footballing skills but also for his vibrant personality and contributions to music and dance.
Corbatta's impact on Argentine football extended beyond his playing career. He was known for pioneering the use of the "painted boots", which he used to match his flashy outfits on and off the field. This became a trend among many football players around the world.
Corbatta's eccentric personality and flamboyant style of play also made him a favorite among fans. He was one of the first Argentine players to capture the hearts of both the affluent and working-class communities.
Despite his struggles with addiction and financial difficulties, Corbatta remained admired by his peers and fans alike. His funeral was attended by thousands, including legendary football players such as Mario Kempes and Daniel Passarella.
In 2018, a biographical film entitled "El Gitano: The Omar Corbatta Story" was released in Argentina. The film chronicled his life and career, shedding light on the unique personality that left a lasting impact on Argentine football and culture.
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Juan Marvezzi (November 16, 1915 San Miguel de Tucumán-April 4, 1971 Munro, Buenos Aires) was an Argentine personality.
He was a lawyer, politician, journalist, and writer who played a significant role in the political and cultural life of Argentina. Marvezzi was a prominent member of the Radical Civic Union party and held various political posts throughout his career, including serving as a representative in the National Congress.
Apart from his political activities, Marvezzi was also a renowned journalist and writer. He edited several newspapers and magazines, including "El Norte" and "El Diario" in the Tucumán Province. He was also the founder and director of "La Tarde", a daily newspaper that became one of the most prestigious newspapers in Argentina.
Marvezzi was a prolific writer who authored several works, including "Cerca del Hombre", "La Palabra Estrangulada", and "Cuadernos de la Tierra". His literary works were critically acclaimed, and he was awarded several literary prizes for his contributions to Argentine literature.
Juan Marvezzi was a well-respected and influential figure in Argentina, and his legacy continues to inspire generations of politicians, journalists, and writers in the country.
Marvezzi was born into a politically active family, and his father, Juan Francisco Marvezzi, was a prominent leader in the Radical Civic Union party. Inspired by his father's political activism, Marvezzi pursued a career in law and earned his degree from the National University of Tucumán.
As a politician, Marvezzi was known for his progressive and reformist views. He fought for social justice, workers' rights, and democracy, and was a vocal advocate for the rights of women and minorities. He was a strong supporter of President Arturo Frondizi's government and helped to implement several progressive policies, including the National Commission for Atomic Energy and the Argentine Nuclear Plan.
Marvezzi was also a promoter of cultural activities and initiatives, and founded several cultural organizations, including the Tucumán Labor University, the National Institute of Argentine Literature, and the National Fund for the Arts. His contributions to Argentine culture were recognized with several awards, including the Gran Premio de Honor de la Sociedad Argentina de Escritores.
Marvezzi's life was tragically cut short when he died in a car accident in 1971. However, his legacy continues to live on through his writings, political activism, and cultural contributions, which have inspired generations of Argentinians.
Marvezzi's contributions to Argentina were not limited to his political and cultural activities. He was also a prominent member of the Argentine Bar Association and contributed significantly to the legal profession in the country. Marvezzi was a respected lawyer who fought for the protection of workers' rights and the rights of the disenfranchised. He was a vocal opponent of the military dictatorship that ruled Argentina from 1966 to 1973 and was imprisoned for his political views. Marvezzi's political activism and support for democratic values earned him the respect and admiration of many Argentinians, who saw him as a symbol of hope and progress in a tumultuous political climate. His commitment to justice, democracy, and cultural development continues to inspire many in Argentina, and his contributions to the country's political and cultural landscape are celebrated to this day.
In addition to his other accomplishments, Juan Marvezzi was also an accomplished athlete. He was a skilled football player and competed in several amateur competitions throughout his youth. Marvezzi also played tennis and was a member of the Tucumán Lawn Tennis Club. His athletic abilities complemented his dedication to physical fitness, which he believed was essential to maintaining a healthy and productive lifestyle. Marvezzi's commitment to both physical and intellectual pursuits exemplified his balanced approach to life, and his legacy as a multi-talented individual continues to inspire many in Argentina.
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Eduardo Luján Manera (August 22, 1944 Concepción del Uruguay-August 15, 2000) was an Argentine personality.
He was a playwright, scriptwriter, director, and actor. Manera began his career in the arts as a journalist, working for various newspapers and magazines. He later branched out into theater, writing and directing plays that explored political and social themes. Many of his works were critical of the government and establishment, and he became known for his sharp satire and biting wit.
Manera was also a prolific writer for television and film, working on a number of popular programs and movies throughout his career. He was especially well-known for his work on telenovelas, or soap operas, which were extremely popular in Latin America during the 1970s and 80s.
In addition to his work as a writer and director, Manera was also an accomplished actor. He appeared in several films and television shows throughout his career, including the popular Argentine comedy series "Los Campanelli."
Despite his success and popularity, Manera maintained a low profile and shied away from the spotlight. He was known for his humility and dedication to his craft, and was admired by his colleagues and fans alike. After his death in 2000, he was remembered as one of Argentina's most influential and talented cultural figures.
Manera's career spanned several decades, during which he was recognized with numerous awards and accolades for his contributions to the arts. In 1984, he received the Konex Award, one of Argentina's most prestigious cultural honors, for his work in television. He was also awarded the ACE Award three times, which recognizes excellence in Argentine theater.
Manera's legacy continues to be felt in the world of entertainment today. Many of his plays have been adapted for new productions or staged in retrospectives, and his contributions to the telenovela genre helped to shape the industry in Argentina and beyond. His work lives on as a testament to his talent, creativity, and unwavering commitment to speaking truth to power through the arts.
Manera's most famous play is "El Conventillo de la Paloma," a satire that explores the lives of working-class people in Buenos Aires. The play was first performed in 1968 and is still considered a classic of Argentine theater. It has been adapted for television, film, and stage productions throughout Latin America and beyond. His other notable works include "Pinocho and Co.," "El Complejo de Cenicienta," and "El Osito del Circo." Manera was also an activist and supporter of leftist political causes, and his works often reflected this political stance. He was a member of the Communist Party of Argentina and was jailed during the military dictatorship in the country from 1976 to 1983. Despite this persecution, Manera continued to fight for social justice and democracy through his art. His contributions to Argentine culture have been recognized with several posthumous honors, including the renaming of a theater in Buenos Aires in his honor.
In addition to his artistic and political pursuits, Eduardo Luján Manera was also deeply committed to education. He founded the Escuela de Arte Escénico de Buenos Aires, a school for the performing arts, in 1987. The school aimed to provide high-quality training to aspiring actors, directors, and writers and was a reflection of Manera's belief in the transformative power of the arts. Many of the school's graduates went on to successful careers in the entertainment industry, carrying on Manera's legacy of excellence and social consciousness. Manera's dedication to education and mentorship was recognized with a posthumous award from the Ministry of Culture of Buenos Aires, which cited his tireless efforts to promote the arts and support young talent. Today, the Escuela de Arte Escénico de Buenos Aires remains a vibrant institution that continues to honor Manera's visionary spirit.
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Rubén Luis di Palma (October 27, 1944-September 30, 2000) was an Argentine race car driver.
Di Palma was born in Arrecifes, Buenos Aires, Argentina. He began his racing career in 1962, competing in various categories such as Turismo de Carretera, Formula 2, and Formula 1. Among his career highlights, he won the Turismo de Carretera championship in 1971, 1972, and 1974.
Di Palma was known for his skill and aggressive style on the track, which earned him the nickname "El Mono" (the monkey). He was also a fan favorite and a national icon in Argentina.
Di Palma tragically died in a helicopter crash on September 30, 2000, while traveling to a race track with two other people. He was 55 years old at the time of his death. Despite his untimely passing, his legacy in Argentine motorsport continues to this day, and he is remembered as one of the greatest drivers in the country's history.
Di Palma was part of a well-known motorsport family in Argentina, with his brothers Luis and Jorge also achieving success on the race track. He was often considered the most talented of the three brothers, and his accomplishments solidified his status as a motorsport legend. In addition to his success in Turismo de Carretera, Di Palma also competed in Formula 2 and Formula 1 races, earning several podium finishes. He became one of the few Argentine drivers to compete in Formula 1, driving for the Brabham team in the 1972 season. Di Palma's success and popularity helped to elevate the profile of motorsport in Argentina, and his legacy continues to inspire aspiring drivers in the country. Away from the track, he was known for his outgoing personality and love of music, often performing as a singer in addition to his racing career. Today, a statue of Di Palma stands in his hometown of Arrecifes as a tribute to his legacy.
Moreover, Rubén Luis di Palma's impact was not only limited to Argentina but also expanded to the international motorsport community. He was the first Argentine driver to compete in the prestigious Daytona 500 NASCAR race in the United States. In that race, he finished in a respectable fourth place, becoming the first driver from outside the United States to finish in the top five. This accomplishment solidified his reputation as a versatile and world-class driver. Di Palma's success and influence even extended beyond his career. He was known for his altruistic work, particularly in the field of road safety. After losing his friend and fellow racer Carlos Pairetti in a car accident, Di Palma became a vocal advocate for driver safety and helped to establish the Luchemos por la Vida ("Let's Fight for Life") campaign, which aimed to reduce the number of road accidents in Argentina. Di Palma's passion for motorsports, his generosity, and his unwavering commitment to promoting road safety continue to be remembered by his fans, colleagues, and admirers.
Di Palma's impact on motorsport also extended to his family, as his son Marcos also became a successful race car driver, winning the Turismo Carretera championship six times. Marcos has continued his father's legacy, and has even established a museum dedicated to the di Palma family's motorsport achievements. As a tribute to his father, Marcos has also organized an annual race called the Gran Premio Ruben Luis di Palma, which attracts thousands of fans each year. Di Palma's influence can be felt not just in motorsports, but also in Argentine culture as a whole. He remains a beloved figure to this day and is widely regarded as one of Argentina's greatest sporting legends.
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Ricardo Garijo (December 1, 1953 Tandil-October 3, 2009) was an Argentine personality.
He was known for his work as a journalist and television presenter. Garijo began his career in the 1970s, working for various newspapers and radio stations in Argentina before eventually moving into television. He hosted several popular programs throughout his career, including "El Show de la Mañana" and "Gente de Primera" which became cultural landmarks in the country.
In addition to his work as a broadcaster, Garijo was also involved in politics, serving as a deputy in the Buenos Aires Provincial Legislature in the 1990s. He was known for his outspoken and progressive views, particularly on issues related to human rights and freedom of the press.
Garijo's sudden death in 2009 was widely mourned in Argentina, with many paying tribute to his contributions to journalism and broadcasting in the country.
Garijo was also a prolific writer and published several books throughout his career, including "La Ultima Palabra" and "La Escuela de la Vida." He was recognized for his contributions to journalism and broadcasting with numerous awards, including the Konex Award in 1987 and the Martín Fierro Award in 1999.
Aside from his career and political involvements, Garijo was known for his philanthropic work. He was a longtime supporter of children's and humanitarian causes and was involved in several nonprofit organizations in Argentina. Garijo was also a dedicated family man and was survived by his wife and two children.
His legacy continues to inspire many in the journalism and broadcasting fields in Argentina, and he is remembered as a fierce advocate for press freedom and social justice.
Garijo's career in journalism began in Tandil, where he worked as a reporter for the local newspaper. He then moved to Buenos Aires and joined the radio station Continental, where he hosted the popular program "La Vuelta de Rocha" in the 1980s. In 1983, he became the host of "El Show de la Mañana," which quickly became one of the most watched television programs in Argentina.
Throughout his career, Garijo interviewed countless political figures, celebrities, and ordinary people, earning a reputation for his in-depth and insightful style of journalism. He was particularly passionate about issues related to human rights, and he spoke out against government censorship and repression.
In addition to his work in journalism, Garijo was active in politics. In 1993, he was elected to the Buenos Aires Provincial Legislature as a member of the center-left party, the Frente Grande. During his time in office, he focused on issues related to civil rights and was a strong advocate for the LGBT community.
Despite facing health challenges in the final years of his life, Garijo remained committed to his work and continued to host his radio program, "Gente de Primera," until his death. He passed away at the age of 55, leaving behind a legacy as one of the most influential journalists and broadcasters in Argentina's history.
Throughout his career, Garijo received numerous recognitions for his contributions to journalism and broadcasting. In 1987, he was awarded the Konex Award for his work in television, and in 1999, he won the prestigious Martín Fierro Award. Garijo's impact on the media industry in Argentina was significant, as he paved the way for many other journalists and broadcasters to follow in his footsteps.
Garijo was also a noteworthy author and penned several books throughout his career. Some of his most famous works include "La Ultima Palabra," a collection of interviews with political figures, and "La Escuela de la Vida," a personal reflection on his experiences as a journalist and public figure.
In addition to his professional accomplishments, Garijo was also known for his philanthropic work. He was a passionate advocate for children's causes and was involved with several nonprofit organizations in Argentina, including the Fundación Manos Abiertas and Fundación de Campaña Nacional por los Derechos de Niños, Niñas y Adolescentes.
Garijo's sudden death in 2009 was a shock to the country, and his passing was widely mourned by many. He left behind his wife and two children, as well as a legacy as one of the most influential figures in the history of Argentine journalism and broadcasting. His commitment to press freedom, human rights, and social justice continue to inspire journalists and activists in Argentina and around the world.
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Gustavo Cerati (August 11, 1959 Buenos Aires-September 4, 2014 Buenos Aires) a.k.a. Cerati, Gustavo, Gustavo Adrián Cerati Clark or Cerati was an Argentine guitarist, musician, singer-songwriter, composer, record producer, singer and songwriter. He had two children, Lisa Cerati Amenábar and Benito Cerati Amenábar.
His albums: Amor Amarillo, Bocanada, Siempre Es Hoy, Canciones Elegidas 93-04, Ahí Vamos, Reversiones: Siempre es hoy, Plan V, +Bien, 11 Episodios Sinfónicos and Fuerza natural. Genres he performed: Pop music, New Wave, Rock music, Pop rock, Electronic rock, Electronic music, Post-punk, Alternative rock, Experimental rock, Art rock, Indie rock, Neo-psychedelia, Power pop and Deep house.
He died in respiratory arrest.
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Amado Alonso (September 13, 1896 Lerín-May 26, 1952 Arlington) was an Argentine personality.
Amado Alonso was a prominent Argentine linguist, philologist, and literary critic. He is considered one of the most important figures in the field of Hispanic linguistics and is particularly known for his work on the syntax of Spanish. Alonso received his doctorate in Romance philology in Argentina and later went on to study at the University of Madrid in Spain. He was a professor at several universities in Argentina and Spain, including the University of Buenos Aires and the University of Madrid, and was a member of the Argentine Academy of Letters. Alonso published numerous works on language and literature, including a famous study on the language of Cervantes. He was a vocal opponent of fascism and was exiled to the United States during the Spanish Civil War. Alonso continued his scholarship in the United States, teaching at universities such as Columbia University and publishing works on Spanish literature and linguistics until his death in 1952.
Some of Amado Alonso's most significant contributions to the field of Hispanic linguistics include his research on the concept of syntactic movement and his study of the Spanish language's evolution throughout history. Alonso also famously criticized the traditional views on Spanish grammar and syntax, promoting an approach based on the history and usage of the language rather than on grammatical rules. Besides his academic career, Alonso was also a champion of the democratic ideals of education and culture. He believed in the importance of language and literature in the formation of a nation's identity, and he actively advocated for education reforms in Argentina during his tenure at the University of Buenos Aires. Amado Alonso was also an accomplished translator, having translated several important works of literature from German, Italian, and English into Spanish, among them, Shakespeare's plays, Goethe's Faust, and Dante's Divine Comedy. His legacy continues to inspire scholars of linguistics and literature in the Spanish-speaking world to this day.
Amado Alonso’s groundbreaking contributions to Hispanic linguistics and literary criticism have had a significant impact on the field, inspiring generations of scholars to approach the Spanish language and its literature with a renewed sense of understanding and appreciation. His work helped pave the way for a more interdisciplinary and nuanced approach to the study of language, culture, and literature, emphasizing the essential role of context and history in understanding linguistic and literary phenomena.
In addition to his scholarly achievements, Alonso was also highly regarded as a pedagogue and mentor, establishing long-lasting relationships with many of his students who went on to become prominent figures in their own right. His legacy as an educator continues to inspire new generations of scholars who seek to follow in his path, promoting a more inclusive, multidisciplinary, and participatory approach to the study of language, literature, and culture.
Despite the challenges he faced in life, including political persecution and exile, Alonso's commitment to the values of democracy, education, and culture never faltered. His life and work demonstrate the power of knowledge and learning to transform individuals and societies, inspiring us to think critically, empathetically, and creatively about the world around us.
Amado Alonso was born in Lerín, a small town in Navarre, Spain but grew up in Argentina, where his family had emigrated when he was five years old. During his childhood, he showed a passion for literature and languages, which led him to study Romance philology at the University of Buenos Aires. Alonso was a brilliant and dedicated student, and his academic achievements earned him a scholarship to continue his studies in Europe.
In 1920, Alonso traveled to Spain, where he attended the University of Madrid and worked closely with renowned linguists and literary critics, including Ramón Menéndez Pidal, the founder of modern Hispanic philology. Alonso's experience in Spain had a profound impact on his intellectual development and shaped his approach to language and literature. He became interested in the historical and cultural factors that shape linguistic phenomena and criticized the prescriptive approach to language that dominated Spanish grammar and syntax textbooks at the time.
After completing his doctorate in 1925, Alonso returned to Argentina, where he taught at the University of Buenos Aires and established himself as a leading scholar in the field of Hispanic linguistics. He published numerous articles and books on the history, structure, and usage of the Spanish language, which challenged the prevailing views on grammar and syntax and emphasized the importance of context and usage in understanding linguistic phenomena.
Alonso's scholarly achievements earned him international recognition, and he was invited to teach at several universities in Europe and the United States. However, his involvement in left-wing politics and his opposition to the fascist regime of General Francisco Franco in Spain made him a target of repression. In 1936, shortly after the outbreak of the Spanish Civil War, Alonso was forced to flee to Argentina, where he continued his scholarship and teaching.
Alonso's exile marked a turning point in his intellectual trajectory, prompting him to engage with a broader range of issues, including education, culture, and human rights. He became increasingly involved in the democratic and cultural movements of his time, participating in debates, conferences, and other public activities aimed at promoting a more inclusive and pluralistic vision of Argentine society.
Despite his health problems, Alonso continued to work tirelessly until his untimely death in 1952. He left behind a rich legacy of scholarship, pedagogy, and political activism that continues to inspire scholars, artists, and activists in the Hispanic world and beyond.
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