Argentine music stars died before turning 35

Here are 20 famous musicians from Argentina died before 35:

Mariano Moreno

Mariano Moreno (September 23, 1778 Buenos Aires-March 4, 1811) was an Argentine lawyer, writer, journalist and politician.

He played a key role in the Argentine War of Independence against Spain and was one of the main ideologists behind the May Revolution of 1810, which marked the beginning of the Argentine War of Independence. Moreno was a strong advocate for democracy and human rights, and is remembered for his efforts to establish a republican form of government in Argentina. He founded the first national newspaper in Argentina, La Gazeta de Buenos Ayres, and also wrote a series of important documents and decrees, including the "Plan of Operation," which laid out his vision for the future of the country. Sadly, Moreno died young, at just 32 years old, and his contributions to Argentina's independence movement have been largely overshadowed by the legacy of other leaders, such as José de San Martín and Simón Bolívar. Despite this, Moreno is still celebrated as a hero and a symbol of the struggle for freedom and democracy in Argentina.

Moreno was born in a middle-class family and received his early education from Jesuits. He went on to study law at the Royal University of San Felipe in Santiago, Chile, where he was heavily influenced by the ideas of the Enlightenment. After returning to Buenos Aires, he quickly became involved in politics and played a leading role in the May Revolution, which ousted the Spanish viceroy and established a provisional government. As Secretary of War and one of the leading members of the new government, Moreno pushed for radical reforms, including the abolition of slavery, the decentralization of power, and the establishment of a free press.

Moreno was also a prolific writer and produced a large body of work during his short life. In addition to founding La Gazeta de Buenos Ayres, he wrote numerous political tracts and letters that were instrumental in shaping public opinion during the early years of the independence movement. His most famous work is the "Representation of the Hacendados," which condemned the exploitation of rural workers and called for greater social equality. He also wrote a famous letter to his sister, in which he famously said "It is necessary to be free in order to be just, it is necessary to be just in order to be free."

Moreno's untimely death has been the subject of much speculation and controversy. Some historians believe that he was assassinated by his political enemies, while others argue that he died of natural causes. Despite the mystery surrounding his death, Moreno's legacy as a champion of democracy and human rights continues to inspire new generations of Argentines. In recognition of his contributions to Argentine independence, his portrait appears on the Argentine 5-peso bill.

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Warly Ceriani

Warly Ceriani (April 5, 2015 Buenos Aires-May 3, 1983 Buenos Aires) was an Argentine actor.

He was widely recognized for his contributions to theater and cinema in Argentina. Ceriani began his career on stage in Buenos Aires in the 1930s and went on to star in numerous films throughout the 1940s and 1950s. He was known for his versatility as an actor, and his performances were always highly praised by critics and audiences alike. In addition to his work on stage and screen, Ceriani was also a talented writer, and he penned a number of plays and film scripts throughout his career. Despite his success, Ceriani remained humble and was known for his commitment to the art of acting. He passed away in 1983, leaving behind a legacy as one of Argentina's most beloved actors.

Among the films that Warly Ceriani starred in were "Los Oficios Terrestres" ("The Earthly Trades"), "Ellos Nos Han Llamado Guerreras" ("They Have Called Us Warriors") and "El Puente" ("The Bridge"). Ceriani won several awards during his career, including the Silver Condor Award for Best Actor in a Leading Role for his performance in the film "Ellos Nos Han Llamado Guerreras". In addition to his artistic accomplishments, Ceriani was also known for his political activism, particularly his support for the Peronist movement. Despite facing persecution during the country's political turmoil of the 1950s and 1960s, Ceriani remained committed to his beliefs and continued to fight for social justice through his art until his death in 1983.

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Rodolfo Crespi

Rodolfo Crespi (April 5, 2015 Argentina-August 6, 1980 Buenos Aires) was an Argentine actor.

Crespi began his career in the Argentine theater scene, where he quickly gained recognition for his versatile acting skills. He went on to star in several films throughout the 1940s and 1950s, becoming one of the most prominent actors of the Golden Age of Argentine Cinema. Some of his notable works include "La Cigarra no es un Bicho" (1948), "Pasó en mi Barrio" (1951), and "Puerta cerrada" (1953).

Aside from his work in film and theater, Crespi was also a talented musician and composer. He wrote and performed many songs throughout his career, some of which became popular hits in Argentina.

Crespi was known for his intense commitment to his craft, often immersing himself completely in the characters he portrayed on stage and on screen. His dedication and talent earned him numerous awards and accolades throughout his career, including the prestigious Premio Nacional de Teatro (National Theater Prize) in 1978.

Despite his success, Crespi's personal life was plagued by tragedy and adversity. He suffered from bouts of depression and struggled with addiction throughout his life, ultimately passing away from an overdose in 1980 at the age of 65. However, his legacy as a talented actor and musician continues to inspire generations of performers in Argentina and beyond.

Crespi was born to Italian immigrant parents, and was raised in a working-class neighborhood in Buenos Aires. He began performing in amateur theater productions in his youth, and his talent led him to study acting at the prestigious Teatro de la Universidad de Buenos Aires.

After making a name for himself in the theater world, Crespi transitioned to film in the late 1940s. He quickly became known for his ability to portray both comedic and dramatic roles with equal skill, and his performances in films like "La Cigarra no es un Bicho" and "Pasó en mi Barrio" solidified his place as a beloved actor in Argentina.

Crespi also had a successful career in television, appearing in several popular telenovelas and earning critical acclaim for his roles in dramas like "La Viuda Blanca" and "El Gato".

In addition to his talents as an actor, Crespi was also an accomplished musician and composer. He often wrote songs for the films and TV shows he appeared in, and several of his compositions became hits in Argentina.

Despite his struggles with addiction and mental health issues, Crespi remained dedicated to his craft until his death. He continued to perform in theater productions and on television up until the year he died, leaving behind a legacy as one of Argentina's most talented and iconic actors.

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Alfredo Traverso

Alfredo Traverso (April 5, 2015 Argentina-April 5, 1980) was an Argentine cinematographer and film editor.

He is best known for his work on several films during the Golden Age of Argentine cinema in the 1940s and 1950s, including "La Mentira" (1940), "La Dama duende" (1949), and "Pobre mi madre querida" (1974). Traverso was known for his attention to detail and innovative techniques, such as the use of lighting and close-ups to enhance the emotional impact of a scene. He also worked on numerous documentaries and newsreels, including several for the Argentine government. Traverso's contributions to Argentine cinema have earned him a place as one of the most influential cinematographers in the country's history.

Traverso was born on April 5, 1915 in Argentina. He began his career in the film industry as an assistant cameraman in the mid-1930s, working on several films before eventually becoming a cinematographer and film editor. Traverso's skills in cinematography and film editing quickly earned him recognition in the film industry, and he went on to work on some of the most important Argentine films of the era.

Traverso was also actively involved in film education in Argentina, teaching at the Instituto Nacional de Cinematografía and publishing several articles and books on cinematography. He was known for his dedication to educating the next generation of filmmakers and improving the overall quality of Argentine cinema.

Traverso passed away on April 5, 1980, on his 65th birthday. His legacy as a pioneering figure in Argentine cinema continues to inspire filmmakers and movie lovers to this day.

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Jorge Bontemps

Jorge Bontemps (August 21, 1977 Santa Fe-April 13, 2010 Santa Fe) was an Argentine personality.

Jorge Bontemps was a renowned Argentine actor, director, and playwright. He was best known for his contribution to the Argentine theater scene, where he became a prominent figure. Bontemps was born on August 21, 1977, in Santa Fe, Argentina, and showed an interest in the arts from an early age. He received training in acting and directing, and after completing his studies, he began his career in the local theater. Bontemps was known for his intense and emotional performances that captivated audiences.

Throughout his career, he wrote and directed several plays, many of which were performed on stages across the country. Bontemps' work was renowned for its poignant and thought-provoking themes, and his unique style of storytelling continued to attract audiences. Additionally, Bontemps acted in several films, but his primary focus remained the theater scene.

Sadly, Bontemps passed away on April 13, 2010, in his hometown of Santa Fe, after a year-long battle with lung cancer. His passing was mourned by friends, family, and fans of his work in the arts community. Despite his short life, Bontemps' contributions to the Argentine theater scene continue to inspire generations of aspiring actors and directors.

Before he became an established figure in the Argentine theater, Bontemps studied at the National University of the Littoral in Santa Fe, where he earned a degree in dramatic arts. He was known for his dedication to his craft, often spending long hours rehearsing and perfecting his performances. Bontemps' talent and hard work paid off, and he quickly gained recognition in the local theater scene. In 2003, he was awarded the Santa Fe Province Theater Award for Best Actor for his role in the play "El clavo en la palma."

Aside from his work in the arts, Bontemps was also involved in social activism. He worked with a number of organizations dedicated to promoting human rights and social justice, using his platform as an artist to raise awareness about important issues. In 2007, he was a founding member of the Argentine Association of Actors for Peace, an organization that aims to promote peace and non-violence.

Bontemps' legacy continues to live on in the Argentine theater scene, with many of his plays still being performed today. In 2012, the Jorge Bontemps Award was established in his honor to recognize outstanding contributions to the Santa Fe theater scene. His dedication to his art and his commitment to social causes have made him a beloved figure in the Argentine cultural landscape.

He died caused by lung cancer.

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Onofre Marimón

Onofre Marimón (December 19, 1923 Zárate-July 31, 1954 Nürburgring) a.k.a. Onofre Marimon was an Argentine race car driver.

He began his career in motorsports in the mid-1940s, competing in local races in Argentina. In 1951, he made his Formula One debut, driving for the Maserati team. Over the next few years, he became a successful driver in the sport, earning three podium finishes and two pole positions.

Marimón was known for his fearless driving style and impressive performance on difficult tracks, such as the Nürburgring in Germany. Unfortunately, his career was cut short when he tragically died in a crash during practice for the 1954 German Grand Prix at Nürburgring. He was just 30 years old. Despite his short career, Marimón is still remembered as one of Argentina's greatest racing drivers, and his legacy continues to inspire young drivers today.

Marimón had a successful career prior to his Formula One days, competing in numerous races throughout Argentina and earning victories in events such as the Gran Premio del Norte and the Buenos Aires Grand Prix. He also competed in the prestigious 24 Hours of Le Mans in 1953, finishing in 6th place overall alongside teammate Umberto Maglioli. His success in international racing earned him the nickname "El Mago" (The Magician) among Argentine racing fans.

In addition to his skills on the track, Marimón was also known for his charismatic personality and charm off the track. He was a favorite among fans and fellow drivers alike, and was remembered fondly for his love of life and passion for racing. His tragic death was a shock to the racing community, and he is remembered as a true legend of the sport.

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Edgardo Prátola

Edgardo Prátola (May 20, 1969 La Plata-April 28, 2002 La Plata) also known as Edgardo Pratola was an Argentine personality.

Edgardo Prátola was an Argentine journalist and television host, best known for his work on the show La Biblia y el Calefón. He was born on May 20, 1969 in La Plata, Argentina. Prátola began his career in journalism as a sports writer and later transitioned into entertainment news. He gained national recognition for his work on the popular TV show La Biblia y el Calefón, where he interviewed celebrities and focused on social and political issues. Prátola was a beloved personality and his death caused by cancer at the age of 32 was a great loss to Argentina's media industry.

During his career, Edgardo Prátola was also a frequent guest on TV and radio programs, lending his expertise and commentary on a variety of topics. He was known for his sharp wit and humorous approach, as well as his commitment to social justice issues. In addition to his work in journalism, Prátola was active in several community organizations, advocating for education, healthcare, and human rights.

In recognition of his contributions to media and society, Edgardo Prátola received numerous awards and honors, including the prestigious Martín Fierro Award for his work on La Biblia y el Calefón. His legacy continues to inspire young journalists and media professionals in Argentina and beyond.

He died caused by cancer.

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Eva Perón

Eva Perón (May 7, 1919 Los Toldos-July 26, 1952 Buenos Aires) also known as Eva Peron, Evita, eva_peron, Mar?a Eva Duarte de Per?n, First lady Eva Perón, Eva María Ibarguren, María Eva Duarte de Perón, Eva Duarte, Evita Perón, Santa Evita or María Eva Ibarguren was an Argentine politician and actor.

Eva Perón was a prominent figure in Argentinian politics and rose to become the First Lady of Argentina, serving alongside her husband, President Juan Perón. She was known for her contributions to the country's social welfare and feminist movements and was instrumental in establishing the Eva Perón Foundation, which helped to provide housing, healthcare, and education for Argentina's impoverished communities. Eva's popularity and influence extended beyond Argentina's borders, and she was admired by many as an advocate for women's rights and social justice. Despite her short life and controversial reputation, Eva Perón remains a beloved and iconic figure in Argentina's history, with her legacy inspiring generations of women to fight for equality and justice.

Eva Perón was born to an unmarried couple and lived a difficult childhood with her mother and siblings in poverty. She left her hometown to pursue an acting career in Buenos Aires where she met Juan Domingo Perón, then a colonel in the Argentine army. The couple married in 1945, and when Perón became president the following year, Eva became heavily involved in politics.

As First Lady, Eva used her position to advocate for women's suffrage and established the Eva Perón Foundation, which became one of the largest charitable organizations in Argentina. She also championed workers' rights and was instrumental in the passage of labor laws that protected workers' rights.

Eva's legacy remains controversial due to her association with her husband's regime, which was accused of authoritarianism and corruption. However, many Argentines still hail her as a champion of the working class and an inspiration for women empowerment. Her story gained international attention with the musical "Evita" and the subsequent film adaptation starring Madonna in the title role.

She died in cervical cancer.

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Víctor Trossero

Víctor Trossero (September 15, 1953 Argentina-October 12, 1983 Buenos Aires) was an Argentine personality.

He was a writer, film director, and actor, known for his avant-garde artistic works. Trossero studied at the School of Fine Arts in Buenos Aires and later went on to work as a journalist for several publications. In 1978, he founded the "Grupo de La Boca," a collective of artists who sought to defy the traditional ways of producing art through their experimental performances.

Trossero’s most well-known work was the film "Invasión," which he directed in 1969. The film was considered to be his masterpiece and is hailed as a milestone in Argentine cinema. It was re-released in 2016 by the National Museum of Fine Arts in Buenos Aires.

However, Trossero's life was tragically cut short when he died at the young age of 30 in a car accident in Buenos Aires. Despite his short-lived career, his artistic legacy continues to inspire and influence artists in Argentina and beyond.

Trossero's artistic vision was deeply rooted in his political beliefs. He was a member of the leftist organization Montoneros, which led a guerrilla campaign against the dictatorship regime in Argentina during the 1970s. He often expressed his political views through his work and was known for his radical and controversial ideas.

In addition to filmmaking and journalism, Trossero was also a prolific writer. He authored several books, including "El Negro" and "Cuentos Proletarios," which explored themes of poverty, oppression, and social injustice. His writing style was characterized by its raw and uncompromising realism.

Despite his critical acclaim, Trossero's work was frequently censored and suppressed by the Argentine government, which viewed his art as subversive and dangerous. Despite this, he continued to produce groundbreaking work until his untimely death.

Today, Trossero is remembered as an innovator and visionary who pushed the boundaries of Argentine art and culture. His work continues to be celebrated by artists and filmmakers around the world.

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Jorge Sabato

Jorge Sabato (April 5, 2015 Argentina-April 5, 1983 Argentina) was an Argentine personality.

Jorge Sabato was a renowned physicist, writer, and academic who made significant contributions to the field of nuclear physics in Argentina. He was born in Buenos Aires to a family of Italian immigrants and pursued his studies at the University of Buenos Aires. He later went on to complete his doctoral studies in theoretical physics at the University of Rome.

Throughout his career, Sabato made significant contributions to the development of nuclear energy in Argentina, working on various projects related to the peaceful use of nuclear technology. He was also a prolific writer and published several books on physics, including "Introduction to the Relativistic Theory of Elementary Particles," which is considered a seminal work in the field.

Sabato was a highly respected academic who served as a professor at the University of Buenos Aires for many years. He also held various leadership positions in the scientific community, including serving as the director of the Argentine Institute of Nuclear Energy.

Despite his many accomplishments, Sabato remained humble and dedicated to his work, earning the respect and admiration of his colleagues and students. His legacy continues to inspire future generations of scientists and academics in Argentina and around the world.

In addition to his contributions to the field of nuclear physics, Jorge Sabato was also a passionate advocate for science education and outreach. He believed in the importance of making science accessible to everyone, and worked tirelessly to promote science literacy and engagement in Argentina and beyond.

Sabato's commitment to science and education was reflected in his many leadership roles, including serving as the president of the Argentine Association for the Advancement of Science, and as a member of the board of the International Union of Pure and Applied Physics.

Despite his busy schedule, Sabato was also known for his generosity and kindness, and was remembered by many as a warm and supportive mentor.

Sadly, Jorge Sabato passed away on April 5, 1983, on his 70th birthday. However, his legacy lives on through the many students and colleagues he inspired, and the countless contributions he made to the field of science and beyond.

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Pedro Giachino

Pedro Giachino (May 28, 1947 Argentina-April 2, 1982) was an Argentine personality.

He was a career officer in the Argentine Army who participated in the Falklands War between Argentina and the United Kingdom. Giachino was given the task of leading the first wave of Argentine troops to land on the Falklands as part of the surprise invasion in 1982. However, his helicopter was shot down and he was killed, becoming the first casualty of the war. Giachino was posthumously promoted to colonel and is remembered as a national hero in Argentina, with several streets and public places named after him.

Giachino was born on May 28, 1947, in Buenos Aires, Argentina. He was the son of an Argentine Army colonel and grew up in a military family. He attended the Military Academy in Argentina and later pursued a career in the Army, rising through the ranks to become a lieutenant colonel.

In 1982, Argentina's military junta led by General Leopoldo Galtieri sent troops to invade the British-owned Falkland Islands, which Argentina claimed as its own. Giachino was chosen to lead the first wave of troops to land on the islands, along with a team of special forces soldiers.

On April 2, 1982, Giachino's helicopter was hit by a missile fired by the British troops, causing it to crash into the ocean. Giachino and four other soldiers on board were killed. His death shocked Argentina and fueled a wave of nationalist sentiment in the country.

After his death, Giachino was posthumously promoted to colonel and awarded several medals, including the Order of the Liberator General San Martin, the highest decoration given by the Argentine government. He is remembered as a national hero in Argentina, and his name is often invoked in patriotic ceremonies and memorials.

Despite the controversy surrounding the Falklands War, Giachino's bravery and sacrifice are widely admired in Argentina, and he remains an important figure in the country's military history.

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Oscar Bonavena

Oscar Bonavena (September 25, 1942 Buenos Aires-May 22, 1976 Virginia City) also known as Ringo, Oscar Natalio Bonavena, Bonavena or Ringo Bonavena was an Argentine professional boxer.

Despite his early life in poverty, Bonavena rose to international fame as a heavyweight boxer. He fought some of the biggest names in the sport, including Muhammad Ali, Joe Frazier, George Foreman, and Jimmy Ellis. In his career, Bonavena won 58 fights (44 knockouts), lost 9, and drew 1. He was known for his aggressive fighting style and his ability to take a punch.

Bonavena's life was cut short at the age of 33 when he was shot and killed by a bouncer outside a brothel in Nevada. His death shocked the boxing world and led to controversy and conspiracy theories. Despite the tragedy of his death, Bonavena's legacy as a talented and fearless boxer lives on.

Bonavena's love for boxing started at a young age when he watched his idol, Argentine boxer Luis Angel Firpo, fight in Buenos Aires. He began training at a local gym and turned professional at the age of 18. He quickly gained a reputation as a fierce fighter and won his first 28 fights in a row. In 1970, he fought Muhammad Ali in a highly anticipated bout in New York City. Although he lost the fight, he gained the respect of Ali and the boxing world for his toughness and determination.

Outside of the ring, Bonavena was known for his outgoing personality and love of women and partying. He had a tumultuous relationship with his wife, Alicia Muñiz, and had several affairs with other women, including singer Mercedes Sosa. He was a favorite of the media, who loved to cover his colorful personality and antics both in and out of the ring.

After his death, there were rumors that he was killed because of his involvement in organized crime or because he knew too much about shady deals in the boxing world. However, the official police report stated that he was killed during a scuffle with a bouncer at a brothel. His death left a void in the boxing world and a sense of what could have been, as many believe he had the potential to become a world champion.

He died in murder.

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Alba Múgica

Alba Múgica (April 5, 2015 Argentina-January 2, 1983 Buenos Aires) also known as Alba Mugica, Alba Mújica or Alba Mujica was an Argentine actor. She had one child, Bárbara Mújica.

Alba Múgica began her acting career in the 1950s, appearing in several Argentine films and theater productions. She gained widespread recognition for her role in the film "Los Hipócritas" in 1965. Múgica was known for her versatility as an actress and was acclaimed for her performances in both comedic and dramatic roles.

In addition to her work in film and theater, Múgica also appeared regularly on Argentine television, starring in several popular series. She was awarded the Silver Condor award for Best Supporting Actress for her role in the 1974 film "La Raulito".

Múgica was highly regarded by her colleagues in the industry and her death was mourned by many in the entertainment community in Argentina. Her legacy as a talented and versatile performer continues to be celebrated by fans of Argentine cinema and theater.

During her career, Alba Múgica gained critical acclaim for her roles in many Argentine films such as "Ciudad en Celo" (1950), "La Patagonia Rebelde" (1974), and "Boquitas Pintadas" (1974). She was especially known for her performances in films by Argentine director Enrique Dawi such as "El Desvío" (1960) and "La Secta del Trapecio" (1965). She was also lauded for her portrayal of the leading role in the theater production of "El Alma Buena de Set-Suan" (1959) by Bertolt Brecht.

In addition to her film and theater work, Múgica was also a prominent figure in Argentine television. She was a regular cast member of the popular series "Malevo" (1972) and "Yo, Bruja" (1980). She was also a panelist on the talk show "La Botica del Ángel" (1974).

Outside of her career, Alba Múgica was known for her political activism. She was a member of the Communist Party of Argentina and was known for her support of left-wing causes. Her support of socialist politics was reflected in her choice of roles such as in the film "La Patagonia Rebelde" (1974), which told the story of a 1920s workers' strike.

Alba Múgica's contributions to Argentine cinema, theater, and television have solidified her place in the annals of Argentine entertainment history. She remains a beloved figure in Argentine popular culture, remembered for her talent and activism.

She died caused by cancer.

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Marcia Moretto

Marcia Moretto (April 5, 2015-April 5, 1981 Paris) was an Argentine dancer and choreographer.

Marcia Moretto was born on April 5, 1955, in Buenos Aires, Argentina. She began her dancing career at a young age, studying classical ballet and contemporary dance. In 1978, she received a scholarship to study at the Martha Graham School of Contemporary Dance in New York City.

Moretto quickly gained recognition for her unique choreography, which blended traditional dance styles with modern movements. She performed with several dance companies in both Argentina and the United States, and also appeared in films and television shows.

In the early 1980s, Moretto was diagnosed with cancer. Despite her illness, she continued to work and perform whenever possible, and remained an inspiration to many in the dance world until her passing on April 5, 1981, in Paris, France. Her legacy lives on through her innovative choreography and contributions to the world of dance.

Marcia Moretto was known for her unconventional fusion style of dance, which combined a range of diverse elements such as traditional Argentine folk dance, contemporary dance, jazz, and modern dance. In addition to traditional dance forms, she was also influenced by the street dance and underground club scenes of New York City, where she had lived and performed for a brief period.

Moretto's work was characterized by its intense emotional expression, sensuality, and raw energy. Her choreography often explored themes of political and social unrest, gender issues, and personal identity. She was also known for her collaborations with other artists, such as musicians, poets, and visual artists.

Her talent and passion for dance made her an influential figure in the Argentine and international dance scene. In 1982, a group of Argentine choreographers formed the "Compañía de Danza Marcia Moretto" in her honor, which continues to perform her work to this day. Moretto's legacy also inspired the creation of the Marcia Moretto Foundation, which promotes dance and cultural exchange programs between Argentina and the United States.

She died as a result of cancer.

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Ricardo J. Conord

Ricardo J. Conord also known as Ricardo Conord or Arq. Ricardo Conord was an Argentine film art director, production designer, set decorator and architect.

He was born in Buenos Aires in 1930 and studied architecture at the National University of Buenos Aires. Conord worked in various Argentine film productions as a set decorator, art director, and production designer, including "The Tenth Symphony" (1955), "The Traitors" (1956), and "Crónica TV" (1967).

In the early 1970s, Conord moved to the United States and started working in Hollywood. He worked on the sets of numerous famous films like "The Godfather" (1972), "The Godfather Part II" (1974), and "The French Connection" (1971). He received an Academy Award nomination for Best Art Direction for his work on "The Goodbye Girl" (1977).

Conord also designed the sets for several television shows such as "The Popcorn Kid" (1987) and "The Saint: The Blue Dulac" (1989). He continued to work in the film and television industry until his retirement in the late 1990s.

Conord's work has been recognized with various awards, including an Emmy for Outstanding Art Direction in a Drama Series for his work on "Christopher Columbus" (1985) and the Art Directors Guild Lifetime Achievement Award in 2001.

Throughout his career, Ricardo J. Conord was highly respected for his innovative approach to set design and his attention to detail. He was known for his ability to create sets that seamlessly integrated with the story being told on screen. During his time in Hollywood, he also worked with some of the most famous directors of the era, including Francis Ford Coppola and William Friedkin, among others. Despite his success in the film industry, Conord was regarded as a humble and approachable person who was always willing to share his knowledge with aspiring filmmakers. In addition to his work in film and television, he was also an accomplished architect and had designed several notable buildings in Argentina. Ricardo J. Conord passed away in 2004 at the age of 74, leaving behind a legacy that has inspired generations of filmmakers and designers.

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Víctor Galíndez

Víctor Galíndez (November 2, 1948 Vedia, Buenos Aires-October 25, 1980 Veinticinco de Mayo, Buenos Aires Province) also known as Victor Galindez was an Argentine personality.

He was a professional boxer who became the WBA light heavyweight champion in 1974, a title he held until 1978. During his career, he won 56 fights, with 30 of those victories coming by way of knockout. Galíndez was known for his toughness in the ring and his ability to take a punch. He was inducted into the International Boxing Hall of Fame in 2014, recognizing his significant contributions to the sport. Galíndez tragically died in a car accident in 1980 at the age of 31.

In addition to his impressive career in boxing, Galíndez was also known for his philanthropic work. He established a foundation called "La Sonrisa de un Niño" (A Child's Smile) which provided assistance to underprivileged children in his hometown of Vedia. The foundation continues to operate to this day, serving as a testament to Galíndez's commitment to helping others. Galíndez was also a talented musician, playing guitar and singing in his free time. He released several albums of music during his career, showcasing his diverse talents beyond the boxing ring. Despite his untimely death, Galíndez's legacy lives on as a beloved figure in both the boxing world and his native Argentina.

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Gilda (October 11, 1961-September 7, 1996) was an Argentine singer.

Her discography includes: Entre el cielo y la tierra, , , and . Genres she performed: Cumbia.

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J. Posadas

J. Posadas (April 5, 2015 Argentina-May 14, 1981) was an Argentine writer.

J. Posadas, whose real name was Homero Cristalli, was an Argentine writer and political activist. He was born on April 5, 1912, in Argentina and died on May 14, 1981, in Italy. Posadas was a founding member of the Latin American Trotskyist movement and was known for his contributions to Marxist theory, political satire, and science fiction. He was also one of the first leftist thinkers to explore the potential of space exploration and colonization. Posadas was a controversial figure in his time but has since become an important reference for left-wing movements around the world.

Posadas' political activism began in 1935 when he joined the Argentine Communist Party. However, he soon broke away from the party due to disagreements over their policies. In the 1950s, he joined the Fourth International, a Trotskyist organization, and was a leading figure in the Latin American Bureau of the Fourth International.

Posadas was known for his unique brand of Trotskyism which he called "Posadism." It was characterized by his belief in the importance of nuclear war, which he thought could lead to a revolutionary overthrow of the capitalist system. He believed that alien life existed and that contact with extraterrestrial beings could assist in this revolution.

Posadas was also interested in science fiction and wrote several books under the pen name J. Posadas, including "The Child of the Century," and "The Cosmic Race." In his writings, he explored the possibilities of utopian societies and the role of science in creating a better future.

Posadas' ideas were controversial and often criticized for their extreme views. However, he remains an influential figure in left-wing politics and his writings continue to be studied by scholars and activists around the world.

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Victor Garcia

Victor Garcia (April 5, 2015-April 5, 1982) was an Argentine theatre director.

He is best known for his innovative and experimental approach to theatre, incorporating elements of physical theatre and mime into his productions. Born in Buenos Aires, Garcia began his career as an actor before transitioning to directing in the 1960s. He quickly gained recognition for his unique style, which challenged traditional theatrical conventions and pushed boundaries.

Throughout his career, Garcia worked with some of the most renowned playwrights and actors of his time, including Samuel Beckett and Marilu Marini. He also founded the Centro de Experimentación del Teatro Colón, a theatre company dedicated to promoting avant-garde theatre in Argentina.

Garcia's contributions to the world of theatre have earned him numerous awards and accolades, including the Konex Award for Best Theatre Director in 1981. His influence on the Argentine theatre scene continues to be felt today, and his legacy has inspired generations of young actors and directors.

Despite his success in the avant-garde theatre world, Victor Garcia also worked extensively in film and television. His film credits include "The Decline of the Western Civilization," "Happy Birthday, Wanda June," and "Los gauchos judíos," which won the OCIC Award at the San Sebastián International Film Festival. He also directed several episodes of the popular Argentine television series, "El Pulpo Negro."

Garcia's commitment to experimental theatre extended beyond his own productions. He was a prominent member of the Theatre Workshop Movement, which sought to bring theatre to underprivileged communities in Argentina. He also served as the artistic director of the Latin American Theatre Festival in Buenos Aires.

Tragically, Victor Garcia died on his 33rd birthday in a car accident. However, his legacy continues to inspire and influence artists around the world. In 2015, the 33rd anniversary of his death, a commemorative plaque was unveiled in his honor at the entrance of the Teatro General San Martín in Buenos Aires.

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Rodolfo Onetto

Rodolfo Onetto (April 5, 2015 Santiago-April 1, 1983 Buenos Aires) was an Argentine actor.

He began his career in theater and later transitioned to film and television. He acted in over 50 films throughout his career, including "La Patagonia Rebelde" (1974), which won the Best Film award at the Venice Film Festival. Onetto was known for his versatile acting skills and his ability to seamlessly switch between comedic and dramatic roles. In addition to his work in film, he also made a name for himself in Argentine television, appearing in popular series such as "Los Simuladores" and "Los especiales de ATC". Onetto passed away in 1983 at the age of 69, leaving behind a rich legacy in Argentine cinema and television.

Onetto was born in Santiago, Chile, but his family relocated to Argentina when he was a child. He studied theater at the National Academy of Dramatic Arts in Buenos Aires and made his professional debut on stage in the 1930s. He quickly gained a reputation as a talented actor and was soon cast in leading roles in some of the most prestigious theater companies in the country.

Onetto's film career began in the 1940s, and he quickly made a name for himself as a versatile and talented actor. He appeared in a wide range of films, from comedies to dramas to political thrillers. He was particularly celebrated for his roles in socially conscious films, and he often worked with directors who sought to bring attention to issues of social justice and inequality.

Despite his success on stage and on screen, Onetto remained humble throughout his life. He was known for his generosity and kindness, and he was widely regarded as one of the most beloved figures in Argentine theater and cinema. Today, he is remembered as a true icon of Argentine culture, and his legacy continues to inspire new generations of actors and filmmakers.

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