Armenian musicians died at 71

Here are 9 famous musicians from Armenia died at 71:

Yakov Zarobyan

Yakov Zarobyan (September 25, 1908 Artvin-April 11, 1980) was an Armenian politician.

He began his political career in the Armenian National Union and became one of the leaders of the Armenian Revolutionary Federation (Dashnaktsutyun) party in Turkey. During the Armenian Genocide, Zarobyan was able to flee to Romania where he continued his activism as a member of the Armenian delegation at the Paris Peace Conference in 1919.

In 1921, Zarobyan immigrated to the United States and continued his involvement in Armenian politics. He worked as the editor of the Armenian Review and later became the chief editor of the Hairenik Daily newspaper. Zarobyan was also a member of the Armenian National Council, the governing body that oversaw the short-lived First Armenian Republic in 1918-1920.

Throughout his life, Zarobyan devoted himself to the Armenian cause and played an instrumental role in raising awareness for the Armenian Genocide, which he himself had survived. His activism helped bring attention to the plight of the Armenian people and their struggle for recognition and justice.

In addition to his political career, Yakov Zarobyan was also a prolific writer and intellectual. He authored several books, including "Armenia and Europe" and "The Armenian Question and the Great Powers," which helped to shape the discourse surrounding the Armenian Genocide and the broader Armenian nationalist movement. Zarobyan was also a co-founder of the Armenian National Institute, which aimed to promote scholarship and education related to Armenian history and culture.

Zarobyan was recognized for his contributions to Armenian politics and culture, receiving numerous awards and honors throughout his life. In 1965, he was awarded the Movses Khorenatsi Medal, the highest honor given by the Soviet Republic of Armenia. He was also recognized by the government of Lebanon for his contributions to the Armenian community there.

Yakov Zarobyan's legacy continues to inspire Armenian activists and intellectuals, who see him as a model for the kind of principled and dedicated advocacy needed to secure recognition and justice for the Armenian people.

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Benjamin Markarian

Benjamin Markarian (November 29, 1913-September 29, 1985) was an Armenian personality.

He was born in the city of Yerevan, which was then part of the Russian Empire. Markarian was a talented painter and studied at the Yerevan State Academy of Fine Arts. He later became a professor at the academy and taught many prominent Armenian artists.

In addition to his work as an artist, Markarian was also a writer, poet, and translator. He published several books on art, including "The Crossroads of Armenian Art" and "Armenian Painting." Markarian also translated the works of famous Russian poets, such as Alexander Pushkin and Boris Pasternak, into Armenian.

Markarian was a prominent figure in Armenian cultural circles and helped to promote and preserve Armenian arts and culture. He was an active member of the Armenian Writers' Union and the Union of Soviet Artists. In 1966, he was awarded the title of Honored Artist of the Armenian SSR.

Markarian died in Yerevan in 1985 and was buried at the Komitas Pantheon. Today, he is remembered as a pioneer in Armenian art and literature, and his legacy continues to inspire new generations of artists and writers.

Markarian's artistic style was heavily influenced by Armenian culture and history, as well as the natural beauty of Armenia's landscapes. He often incorporated traditional Armenian motifs and symbols into his paintings, earning him a reputation as one of the leading figures of the Armenian School of painting.

In addition to his work in the arts, Markarian was also actively involved in politics. He served as a member of the Supreme Soviet of the Armenian SSR from 1959 to 1963 and was a deputy to the Supreme Soviet of the USSR from 1958 to 1962.

Markarian's contributions to Armenian culture were recognized posthumously with the establishment of the Benjamin Markarian Fund, which aims to support and promote Armenian artists and writers. His artworks are also exhibited in numerous museums and galleries in Armenia and around the world.

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Mushegh Sarvarian

Mushegh Sarvarian (February 15, 1910-August 13, 1981) also known as Mushegh Soroori was an Armenian film director, screenwriter, film producer, actor and special effects supervisor.

He was born in Tabriz, Iran and began his career in the film industry in the 1930s. His first feature film, "Abu Casem's Slippers," was released in 1944 and established him as a pioneer of Iranian cinema. Sarvarian went on to direct and produce over 30 films throughout his career, many of which were critical successes and received international recognition. In addition to his work in film, Sarvarian was also a trained musician and composed the score for several of his films. He passed away in Tehran, Iran in 1981, leaving behind a legacy as one of the most influential figures in Iranian cinema.

Sarvarian's impact on Iranian cinema was not limited to his prolific filmography. He was also a leading figure in the Iranian film industry, serving as the president of the Iranian Motion Picture Association and as a member of the Board of Directors of the Tehran International Film Festival. Sarvarian was also known for his commitment to promoting and supporting young filmmakers in Iran, and he mentored several aspiring directors throughout his career. He was a vocal advocate for the importance of Iranian cinema, both as an art form and as a means of preserving and promoting Iranian culture. In recognition of his contributions to Iranian cinema, Sarvarian was posthumously awarded the First-Class Order of Culture and Art by the Iranian government.

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Michel Ter-Pogossian

Michel Ter-Pogossian (April 21, 1925-June 19, 1996) was an Armenian physicist.

He was born in Iran and raised in Syria and Lebanon before moving to the United States in 1947 to study physics at the University of Illinois. Ter-Pogossian went on to earn his doctorate in physics from the Washington University in St. Louis in 1954. He was a pioneer in nuclear medicine and played a key role in the development of Positron Emission Tomography (PET), which is now widely used in the diagnosing of cancer and neurodegenerative diseases. Ter-Pogossian was honored with numerous awards and honors throughout his career, including the National Medal of Science in 1988.

In addition to his groundbreaking work in nuclear medicine, Michel Ter-Pogossian also made significant contributions to medical imaging, specifically in the field of computed tomography (CT). He was a professor of radiology and physics at Washington University in St. Louis, where he established the first PET Center in the world in 1975. He also served as the director of the Mallinckrodt Institute of Radiology at Washington University. Ter-Pogossian was widely respected by colleagues for his intelligence, kindness, and dedication to his work. He passed away in 1996 due to complications from heart surgery. Despite his untimely death, his contributions to medical science have had a lasting impact and continue to benefit countless people around the world.

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Nicholas Adontz

Nicholas Adontz (January 10, 1871 Brnakot-January 27, 1942 Brussels) was an Armenian personality.

He was a historian and philologist who specialized in the study of Armenian history, language, and culture. Adontz was born in Brnakot, a village in the Erivan Governorate of the Russian Empire. He received his education in St. Petersburg and later taught at Yerevan State University and the University of Brussels. Adontz published numerous books and articles on Armenian history, including "The Armenian Question and the Young Turks" which was groundbreaking in its analysis of the Armenian Genocide. In addition to his academic work, Adontz was an active member of the Armenian revolutionary movement and played a role in the establishment of the First Republic of Armenia. He spent the last years of his life in Brussels, where he passed away in 1942.

Adontz's academic work was widely respected and he made significant contributions to our understanding of Armenian history. He was particularly interested in the early medieval period and the Karen Pahlav family that ruled Armenia during this time. Adontz was also known for his extensive research on the history of the Armenian Church and the development of the Armenian language.

In addition to his scholarly pursuits, Adontz was actively involved in the Armenian community and played an important role in the political affairs of his country. He was a member of the Armenian Revolutionary Federation and participated in the establishment of the First Republic of Armenia in 1918.

Adontz was forced to flee Armenia in 1920 following the Bolshevik takeover, and he spent the remaining years of his life in Europe. Despite being away from Armenia, Adontz remained an important figure in Armenian intellectual circles and continued to publish academic works on Armenian history and culture. His legacy continues to inspire Armenian scholars and activists today.

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Hamazasp Babadzhanian

Hamazasp Babadzhanian (February 18, 1906 Çardaqlı, Shamkir-November 1, 1977 Moscow) was an Armenian personality.

He was a prominent composer and pianist, known for his contributions to Armenian classical music. Babadzhanian studied music at Yerevan State Conservatory and later became a professor at the institution. He composed numerous pieces, including symphonies, concertos, and chamber music, but is perhaps best remembered for his piano works, including "Elegy" and "Piano Trio in F sharp minor".

Babadzhanian was highly respected in the Soviet Union for his musical talent and was awarded several prestigious honors, including the title of People's Artist of the USSR. He also worked as a music critic and served as the head of the Armenian Composers' Union. Despite his success, Babadzhanian remained humble and dedicated to his craft, often saying that music was his only passion and that he lived solely for it. His legacy continues to influence contemporary Armenian classical music.

Babadzhanian's compositions often blended traditional Armenian folk themes with classical music styles, creating a unique sound that was deeply rooted in his cultural heritage. He also incorporated elements of modernism into his works, which set him apart from his contemporaries. Alongside his composing career, Babadzhanian was celebrated for his virtuosic piano playing. He frequently performed his own works and was known for his rhythmic precision and technical brilliance.

Babadzhanian's contributions to Armenian music were recognized beyond the Soviet Union, and his works were performed by orchestras and ensembles all over the world. He also served as a mentor to numerous Armenian composers who followed in his footsteps, including Tigran Mansurian and Eduard Mirzoyan.

Babadzhanian's personal life was marked by tragedy. His son, also a composer and pianist, died young, and his wife perished in the Armenian earthquake of 1988. Nevertheless, Babadzhanian remained devoted to his music until his death in 1977. His contributions to Armenian classical music continue to inspire musicians and listeners alike.

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Ghazaros Aghayan

Ghazaros Aghayan (April 5, 1840 Georgia-June 20, 1911) was an Armenian writer.

He was born in Tiflis, Georgia in 1840 and grew up in a family of intellectuals. He was fluent in Armenian, Russian, and Persian, and began writing poetry and literature at a young age. In 1863 he moved to Yerevan, Armenia where he became heavily involved in social and cultural movements, and began publishing his works in local newspapers and magazines.

Aghayan is considered one of the most important figures in Armenian literature, and his works often explored themes of national identity, politics, and culture. He wrote poetry, novels, short stories, and plays, and was known for his use of colloquial Armenian and his vivid descriptions of Armenian life and landscapes.

In addition to his literary achievements, Aghayan was also a teacher and scholar, and helped found several educational institutions in Armenia. He was a member of the Armenian National Assembly and played a significant role in the Armenian national liberation movement. Despite facing persecution and exile during his lifetime, Aghayan's legacy continues to inspire artists and activists in Armenia and beyond.

One of Aghayan's most notable works is his collection of short stories, "Anlreli Zangakatun" (The Tales from the High Plateau), which explores the lives of ordinary Armenian villagers in the late 19th century. The collection is hailed for its realistic and accurate portrayal of Armenian rural life and customs, and has been translated into numerous languages. Aghayan was also a keen collector of Armenian folklore, and his efforts to preserve traditional Armenian stories and songs played an important role in the development of Armenian folklore studies. In addition to his literary accomplishments, Aghayan was a respected public figure and played a leading role in the establishment of the Armenian General Benevolent Union (AGBU), an organization dedicated to the promotion of Armenian culture, education, and charitable works. Today, Aghayan's contributions to Armenian literature and culture are celebrated through various events and awards, including the annual Ghazaros Aghayan Medal, which honors outstanding achievement in Armenian literature and arts.

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Drastamat Kanayan

Drastamat Kanayan (May 31, 1884 Erivan Governorate-March 8, 1956 Boston) was an Armenian personality.

He was also known as Dro, which means "teacher" in Armenian. Kanayan was a military commander and a key figure in the Armenian national liberation movement during the early 20th century. He served as the commander of the Armenian forces during World War I and played a significant role in leading the defense of the Armenian population during the Armenian Genocide. After the war, he was involved in political activities and worked towards the establishment of an independent Armenian republic. In 1923, he was arrested by the Soviet authorities and spent 14 years in prison camps. Kanayan was released in 1937 and went to live in the United States, where he continued his political activities and worked towards the international recognition of the Armenian Genocide. He died in Boston in 1956 and was buried in Fresno, California. Today, he is considered a hero and a symbol of the Armenian struggle for independence and freedom.

Kanayan was born into a family of Armenian nationalists who were actively involved in political and cultural activities. He received his education in Tiflis (now Tbilisi) and later studied military tactics in Russia. In 1907, he joined the Armenian Revolutionary Federation, a political organization that was dedicated to the establishment of an independent Armenian state.

During World War I, Kanayan led the Armenian volunteer units in the Caucasus region and played a crucial role in defending the Armenian population against Ottoman forces. He also participated in the Battle of Bash Abaran, where his leadership and military tactics resulted in a decisive victory for the Armenian forces.

After the war, Kanayan became involved in political activities and worked towards the establishment of an independent Armenian republic. However, his efforts were hindered by the Soviet occupation of Armenia in 1920. In 1923, he was arrested by the Soviet authorities and sentenced to death. His sentence was later commuted to 14 years in prison camps.

Kanayan was released in 1937 and spent the rest of his life in the United States. He continued his political activities and worked tirelessly towards the recognition of the Armenian Genocide by the international community. He also founded the Armenian National Movement, an organization that aimed to promote Armenian culture and identity.

Today, Kanayan is honored as a national hero in Armenia and is remembered for his unwavering commitment to the Armenian cause. His legacy continues to inspire generations of Armenians around the world.

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Hampartsoum Limondjian

Hampartsoum Limondjian (April 5, 1768 Istanbul-June 29, 1839) was an Armenian personality.

His related genres: Ottoman classical music.

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