Brazilian movie actors born in the year 1914
Here are 5 famous actors from Brazil were born in 1914:
Silveira Sampaio
Silveira Sampaio (June 8, 1914 Rio de Janeiro-November 23, 1964 Rio de Janeiro) a.k.a. José da Silveira Sampaio was a Brazilian playwright and actor.
He was one of the most acclaimed and influential playwrights in Brazil during the 1940s and 1950s, known for his use of colloquial language and his poignant portrayals of Brazilian society. Throughout his career, Silveira Sampaio wrote about 40 plays, including "O Corcunda de Notre-Dame" and "Asfalto". In addition to his work as a playwright, he also acted in several movies and television productions, including "Tico-Tico no Fubá" and "Leonora dos Sete Mares". Despite his contributions to Brazilian culture, Silveira Sampaio's life was cut short when he died of a heart attack at the age of 50. Today, he is remembered as one of the most important figures in Brazilian theater and an essential voice in the country's cultural history.
Silveira Sampaio was born in Rio de Janeiro to a family of artists, and he developed a love for the theater from a young age. He began his career as an actor in the late 1930s, performing in small theaters and radio shows. In 1943, he wrote his first play, "A Árvore", which garnered critical acclaim and established him as a rising star in the Brazilian theater scene.
Silveira Sampaio's plays were known for their realistic portrayals of working-class life in Brazil, often featuring marginalized characters like street vendors and prostitutes. He was also known for his use of humor and satire to critique Brazilian society and politics.
In addition to his work as a playwright and actor, Silveira Sampaio was an important cultural figure in Brazil. He was a founding member of the Brazilian Society of Dramatic Authors (SBAT) and served as its president from 1951 until his death. He was also a frequent commentator on cultural and political issues in the Brazilian press.
Silveira Sampaio's legacy has continued long after his death. His plays have been performed and adapted numerous times, and his influence on Brazilian culture can still be felt today.
Tom Payne
Tom Payne (October 4, 1914 Lomas de Zamora-September 15, 1996 Alfenas) a.k.a. Thomas Payne was a Brazilian screenwriter, film director and actor. His children are called Vanessa Payne, Vivien Payne and Tommy Payne.
Payne is most well-known for his work as a filmmaker during the Brazilian Cinema Novo movement in the 1960s. He directed and wrote the screenplay for the critically acclaimed film, "Joaquim Pedro de Andrade por ele mesmo" (Joaquim Pedro de Andrade by himself) in 1969. Payne's career in film spanned over four decades and included work in both documentary and feature films. He was also a well-respected actor, appearing in a number of films throughout his career. Payne passed away at the age of 81 in Alfenas, Brazil.
In addition to his work in film, Tom Payne was also a professor of cinema at the Federal University of Minas Gerais. He was a vocal critic of the Brazilian military regime and his political views often reflected in his films. Payne was a founding member of the Brazilian Association of Film Critics and served as its president for five years. He was honored with numerous awards for his contributions to Brazilian cinema, including the Order of Cultural Merit, the highest honor bestowed upon cultural figures in Brazil. Payne's legacy continues to influence Brazilian cinema to this day.
Graça Mello
Graça Mello (April 7, 1914 Rio de Janeiro-November 7, 1979 Rio de Janeiro) also known as Otávio Alves de Graça Mello was a Brazilian actor and television director. He had two children, Guto Graça Mello and Paulo Graça Mello.
Graça Mello began his acting career in theater in the 1930s and later moved on to work in cinema and television. He appeared in more than 30 films throughout his career, including "Carnaval Atlântida" (1952) and "Vai que é Mole" (1978). In addition to acting, he worked as a television director, directing series such as "Tarcisão e seus amigos" (1972) and "O Espigão" (1974).
Mello was known for his talent as a comedian and his ability to bring humor to his roles, which made him a household name in Brazil. He was also an advocate for the rights of performers and helped create the Brazilian Actors Guild.
Mello passed away in 1979 at the age of 65, leaving behind a legacy as one of Brazil's most beloved actors and directors.
In addition to his career in entertainment, Graça Mello was also known for his political activism. He was a member of the Brazilian Communist Party and was arrested and imprisoned multiple times during the military dictatorship that ruled Brazil from 1964 to 1985. Mello was also involved in the creation of the National Union of Actors, which aimed to improve working conditions and protections for actors in Brazil. He was posthumously awarded the Order of Cultural Merit by the Brazilian government in 1986, in recognition of his contributions to Brazilian culture. His sons, Guto and Paulo, also went on to have successful careers in the music industry.
Babaú da Mangueira
Babaú da Mangueira (January 23, 1914 Rio de Janeiro-July 3, 1993 Rio de Janeiro) a.k.a. Waldemiro José da Rocha was a Brazilian actor.
Babaú da Mangueira was also known for his work as a samba musician and composer. He started his career in the 1930s and became famous for his participation in the famous samba schools in Rio de Janeiro, especially Mangueira. He later became an actor and appeared in several Brazilian movies and TV shows. He was also a political activist and was involved in the fight for civil rights during the dictatorship period in Brazil. Babaú da Mangueira is considered one of the most important figures of Brazilian culture and music, and his legacy continues to inspire many artists today.
In addition to his work in samba and acting, Babaú da Mangueira was also a poet, writing many verses about his experiences growing up in the favelas of Rio de Janeiro. He frequently performed his poetry alongside his music and acted as a mentor to many young musicians and poets. Babaú da Mangueira's music and poetry were known for their political and social themes, and he used his platform to speak out against discrimination and inequality in Brazilian society. He received numerous awards and accolades for his contributions to Brazilian culture, including the Order of Cultural Merit from the Brazilian government. Babaú da Mangueira's music and legacy continue to be celebrated in his home country and beyond.
Dorival Caymmi
Dorival Caymmi (April 30, 1914 Salvador-August 16, 2008 Copacabana, Rio de Janeiro) was a Brazilian songwriter, singer and actor. His children are called Dori Caymmi, Nana Caymmi and Danilo Caymmi.
Caymmi is considered one of the most iconic figures in Brazilian music, with a career spanning over six decades. His music style was heavily influenced by the rhythms of Bahia, a state in northeastern Brazil where he was born. He was known for his soulful voice and beautiful compositions, which often reflected the daily life and culture of the Brazilian people.
Over the course of his career, Caymmi recorded over 20 albums, wrote numerous hit songs, and collaborated with many famous Brazilian musicians. His songs have been covered by many artists around the world, and he has been an inspiration for generations of Brazilian musicians.
Aside from his musical career, Caymmi also pursued acting and appeared in several Brazilian films. In recognition of his contributions to Brazilian culture, he was awarded the Order of Cultural Merit by the Brazilian government in 1994. Today, his legacy lives on, and his music continues to be celebrated by people all around the world.
Caymmi's musical journey began with his love for the sea. He spent his early years working as a fisherman and touring the coast of Brazil with his father, who was also a musician. His experiences on the sea and the rhythms of the coast greatly influenced his music style. Some of his most famous songs include "Doralice", "Marina", and "Saudade da Bahia". In addition to his children, many other famous Brazilian musicians, such as João Gilberto and Caetano Veloso, attribute their success to the influence of Caymmi's music. Despite his immense popularity, Caymmi remained humble and grounded, and was always grateful for his success. In interviews, he often spoke of his love for Brazil and his desire to continue to create music that celebrated its culture and people. Even today, his music serves as a tribute to the rich history and traditions of one of the world's most vibrant cultures.