Here are 9 famous actors from Brazil were born in 1928:
Nelson Pereira dos Santos (October 22, 1928 São Paulo-) also known as Nelson Pereira is a Brazilian film director, actor, film producer, screenwriter and film editor. He has one child, Ney Santanna.
Nelson Pereira dos Santos is considered one of the most important Brazilian filmmakers of all time. He began his career in the 1950s and is credited as one of the founders of Brazil's Cinema Novo movement, which sought to create films that were socially relevant and politically engaged. Pereira dos Santos' films often tackled themes of poverty, inequality, and social injustice, and he was known for his realistic style and use of non-professional actors.
Throughout his career, Nelson Pereira dos Santos directed more than 20 feature films, including classics such as Vidas Secas (Dry Lives), based on the acclaimed novel by Brazilian writer Graciliano Ramos. He was also a prolific documentary filmmaker, producing films that explored the culture and society of Brazil.
In addition to his work in film, Pereira dos Santos was an influential teacher and mentor to many Brazilian filmmakers, and he served as the head of the Brazilian National Film Institute from 1991 to 1994. He received numerous awards and honors throughout his career, including the Golden Bear at the Berlin International Film Festival and a lifetime achievement award from the Directors Guild of America.
Nelson Pereira dos Santos passed away on April 21, 2018, at the age of 89, leaving behind a rich legacy in Brazilian and international cinema.
In addition to his work in filmmaking, Nelson Pereira dos Santos was also a prolific writer. He penned several books, including "O Amuleto" (The Amulet) and "Carta ao Presidente Eleito" (Letter to the Elected President). He was also a noted intellectual and activist, using his platform to advocate for social justice and political reform in Brazil. Throughout his life, he was known for his unwavering commitment to the arts and his belief in the power of film to effect change in society. Today, he is widely regarded as one of Brazil's most significant cultural icons, and his contributions to the country's film industry continue to inspire new generations of filmmakers.
Some of Nelson Pereira dos Santos' other notable films include "Rio, 40 Graus" (Rio, 100 Degrees), which explored the lives of working-class residents of Rio de Janeiro, and "Como Era Gostoso o Meu Francês" (How Tasty Was My Little Frenchman), a historical drama that reimagines the encounter between French colonizers and indigenous Brazilian tribes.
Throughout his career, Pereira dos Santos collaborated with many of Brazil's most celebrated artists and intellectuals, including writers Jorge Amado and Paulo Emílio Sales Gomes, and musician Chico Buarque.
Pereira dos Santos was also involved in politics throughout his life, and was a member of the Brazilian Communist Party. Despite being arrested and imprisoned during Brazil's military dictatorship in the 1960s and 1970s, he continued to make socially engaged films that challenged the country's political establishment.
Today, Nelson Pereira dos Santos' work continues to be celebrated both in Brazil and around the world, and he is remembered as a pioneering figure in the history of Brazilian cinema.
Maurício do Valle (March 1, 1928 Rio de Janeiro-October 7, 1994 Rio de Janeiro) a.k.a. Mauricio de Valle or Maurício do Vale was a Brazilian actor.
He began his career in the 1950s in theater and later moved on to film and television. Maurício do Valle appeared in over 50 productions throughout his career and is particularly well-known for his roles in crime and action films. Some of his most notable roles include the character of "Coronel Farias" in the film "O Cangaceiro" (1953) and "Carandiru" (1986). He won the Best Actor award at the Festival de Brasília for his performance in "Asa Branca - Um Sonho Brasileiro" (1981). Maurício do Valle is regarded as one of Brazil's most influential actors and continues to be revered in the industry to this day.
In addition to his acting career, Maurício do Valle was also a professor at the Federal University of Rio de Janeiro, where he taught acting. He was known for his dedication to both teaching and performing, and his students often spoke of his passion for the craft. Maurício do Valle was also involved in politics and was an advocate for workers' rights in Brazil. He was a member of the Brazilian Communist Party and was arrested multiple times for his political activities, including during the military dictatorship in Brazil in the 1960s and 1970s. Despite facing persecution for his beliefs, Maurício do Valle remained committed to his activism and continued to advocate for social justice throughout his life. Today, he is remembered as both a talented actor and a dedicated political activist who used his platform to speak out for causes he believed in.
Maurício do Valle also played a key role in the development of Brazilian cinema. He was a driving force behind the Cinema Novo movement, which was a cultural and political movement that emerged in the 1960s in Brazil. This movement was focused on social issues and aimed to create a new kind of cinema that was more focused on realism and the everyday experiences of ordinary people. Maurício do Valle was a key figure in this movement and worked closely with some of Brazil's most famous filmmakers, including Glauber Rocha and Nelson Pereira dos Santos. His work helped to establish Brazilian cinema as a force on the world stage, and his legacy continues to inspire future generations of filmmakers and actors.
Maurício do Valle was also known for his personal life. He was married to the actress Rose Rondelli and the couple had two children together. He was known for his warm personality and his dedication to his family and friends. Despite his success as an actor, he remained humble and grounded, and was always willing to help other actors and filmmakers in their careers. He died in 1994 at the age of 66, but his legacy lives on in the countless films and performances he left behind, and in the many students and young actors he mentored throughout his career.
Aldo César (December 20, 1928 São Paulo-January 5, 2001 São Paulo) a.k.a. Aldo da Silva Cezar was a Brazilian actor and voice actor. He had one child, Leonardo Gonçalves César.
Aldo César was best known for his work in Brazilian telenovelas, having appeared in over 50 of them throughout his career. He began his acting career in the early 1950s, and became a prominent figure in the Brazilian entertainment industry during the 1960s and 70s. Along with his work in television, he also appeared in a number of Brazilian films.
César was also a well-respected voice actor, having provided the voices for a number of animated characters in Brazil. He was particularly well-known for his work as the voice of Scooby-Doo in the Brazilian version of the popular children's cartoon.
In addition to his work in entertainment, César was also a respected activist for the rights of performing artists in Brazil. He was a founding member of the Brazilian Actors' Association, and fought for better working conditions and pay for actors throughout his career.
César passed away on January 5, 2001, at the age of 72, due to complications from pneumonia. He was remembered fondly by fans and colleagues alike for his contributions to Brazilian entertainment and his dedication to his craft.
Throughout his career, Aldo César received several awards and recognitions for his work in Brazilian television and cinema, including the Best Supporting Actor award at the Festival de Cinema Brasileiro in 1975, for his role in the film "Ovelha Negra". He was also named Best Supporting Actor at the Festival de Cinema de Gramado in 1988, for his work in the film "Redentor". In addition to his on-screen work, he was also a talented stage actor, having performed in numerous plays in São Paulo and other cities across Brazil.
César's contributions to the Brazilian entertainment industry were not limited to his acting and voice work. He was also a writer and director, having written several plays and directed a number of telenovelas and films. In 1998, he published his autobiography, "Aldo César: Uma Vida de Atores", which chronicled his life and career in the Brazilian entertainment industry.
Despite his success, Aldo César remained humble and dedicated to his craft throughout his career. He was known for his professionalism, kindness, and generosity towards his colleagues and fans. His legacy as an actor and voice actor in Brazil continues to be celebrated and remembered to this day.
In addition to his impressive career in entertainment, Aldo César was also known for his philanthropic work. He was a passionate advocate for children's rights and was actively involved in several charitable organizations that worked to improve the lives of disadvantaged children in Brazil. He was particularly devoted to supporting organizations that provided healthcare and education to children in need. In recognition of his humanitarian efforts, he was awarded the Order of Merit of the Brazilian Association of Volunteers in 1999.
César's dedication to his craft and his advocacy for the rights of performing artists in Brazil have made him a beloved figure in the Brazilian entertainment industry. His contributions to Brazilian television, film, and theater have had a lasting impact on the art form in Brazil, and his legacy continues to inspire new generations of actors and artists.
Lineu Dias (October 5, 1928 Santana do Livramento-August 3, 2002 Rio de Janeiro) also known as Lineu Moreira Dias, Linneu Dias or Linneu Moreira Dias was a Brazilian actor and author. His child is called Júlia Lemmertz.
Lineu Dias started his acting career in the mid-1950s and acted in over 60 films during his career. He was known for his performances in popular Brazilian films like "Assault on the Pay Train" (1962) and "Tent of Miracles" (1977). Along with acting, he also contributed to Brazilian literature, writing books such as "Material de Construção" and "Vivendo na Morte". In addition to being a prolific actor and writer, Lineu Dias was also involved in politics and supported left-wing movements in Brazil during the 1960s and 1970s. He passed away in 2002 due to complications from lung cancer.
Lineu Dias was born in the city of Santana do Livramento, in the state of Rio Grande do Sul, Brazil. He began his acting education at the College of Dramatic Art in Porto Alegre, later he went to work at the theater group "Os comediantes". His successful stage career led him to star in his first film "A Casa de Teresa" in 1955. Over the years, he became one of the most respected actors in Brazilian cinema, participating in important titles such as "Os Fuzis" (1964), directed by Ruy Guerra and "Quem É Beta?" (1972), directed by Nelson Pereira dos Santos. In recognition of his work, Lineu Dias won several prizes from Brazilian film festivals, including a Best Actor award for his role in "O Quatrilho" (1994), directed by Fábio Barreto. In addition, he was nominated for Best Supporting Actor in the movie "Índia - A Filha do Sol" (1982) at the Cannes Film Festival.
Aside from his successful acting career, Lineu Dias was also a talented writer. He published his first book, "Material de Construção" in 1963, which was based on his personal experiences in construction work before he became an actor. He also wrote other books, such as "Vivendo na Morte" (Living in Death) which explored the psychological aspects of death and dying. Dias was known for his introspective and philosophical writing style, which reflected his interest in existentialism.
In addition to his artistic endeavors, Lineu Dias was also politically active. During the 1960s and 1970s, he was a member of the Brazilian communist party and participated in various left-wing movements. He was also vocal in his opposition to Brazil's military dictatorship at the time.
Lineu Dias was married to actress Lilian Lemmertz, with whom he had a daughter, Júlia Lemmertz, who followed in her parents' footsteps and became an actress as well. Despite his passing in 2002, Lineu Dias is remembered as a talented and influential figure in Brazilian cinema and literature.
Jardel Filho (July 24, 1928 São Paulo-February 19, 1983 Rio de Janeiro) otherwise known as Jardel Frederico Bôscoli was a Brazilian actor. He had two children, Tania Boscoli and Adriana de Boscoli.
Jardel Filho began his acting career in the late 1940s, and quickly established himself as one of Brazil's most talented actors. He appeared in numerous films, plays, and television shows, receiving critical acclaim for his performances throughout his career.
One of his most famous roles was in the 1964 film "Black God, White Devil," which was directed by Glauber Rocha and is considered a classic of Brazilian cinema. He also appeared in numerous other films, including "The Given Word," "The Red Light Bandit," and "Pecado Mortal."
In addition to his work in film, Jardel Filho was also a talented stage actor. He appeared in numerous productions throughout Brazil, and was particularly well-known for his performances in plays by modernist playwrights such as Nelson Rodrigues.
Jardel Filho passed away in 1983 at the age of 54, leaving behind a legacy as one of Brazil's greatest and most beloved actors. Today, he is remembered as a pioneer of Brazilian cinema and theater, and his contributions to the arts continue to be celebrated by fans and scholars alike.
Jardel Filho was not only a talented actor, but also a gifted writer. Throughout his career, he wrote several books, including the novel "O Diabo Marinho" and the memoir "Memórias de Jardel Filho." He was also a prominent voice in the cultural and political scene of Brazil, and was known for his activism and support of progressive causes.
In addition to his work in the arts and politics, Jardel Filho was also a professor of acting and drama, and taught at several universities throughout Brazil. He was a passionate advocate for the importance of arts education, and believed strongly in the power of drama to promote social change and inspire audiences.
Today, Jardel Filho is revered as one of Brazil's greatest cultural icons, and his legacy continues to inspire future generations of actors, writers, and artists. His contributions to Brazilian cinema and theater have solidified his place in the national consciousness, and his enduring influence is a testament to his remarkable talent and drive.
Throughout his career, Jardel Filho received numerous awards and honors for his contributions to the arts. In 1963, he won the Best Actor award at the Cannes Film Festival for his role in "The Given Word," becoming the first Brazilian actor to receive the honor. He also won the Best Actor award at the Brasília Film Festival for his performance in "Black God, White Devil," and was recognized by the São Paulo Association of Art Critics as the Best Stage Actor of 1978. In 1982, he was awarded the National Order of Merit by the Brazilian government, in recognition of his contributions to Brazilian culture.
Jardel Filho's impact on Brazilian cinema and theater cannot be overstated, and his legacy continues to influence the creative and cultural landscapes of Brazil today. His commitment to social justice and activism, as well as his belief in the transformative power of the arts, serve as an enduring inspiration to artists and audiences alike.
Wilson Viana (February 27, 1928 Rio de Janeiro-May 3, 2003 Bonito) also known as Wilson Vianna or Capitão Aza was a Brazilian actor.
Viana began his acting career on the stage and later transitioned to television and film. He appeared in over 50 films in Brazil, including "Rio, 40 Graus" (1955), "Cidade Ameaçada" (1960), and "O Torturador" (2005). He is also known for his role in the television series "Saramandaia" (1976). Viana was widely recognized for his talent and dedication to acting, receiving numerous awards throughout his career, including the Grande Prêmio do Cinema Brasileiro for Best Supporting Actor in 2000 for his role in the film "O Auto da Compadecida". Outside of acting, Viana was an avid artist and declared himself to be an eternal student, always striving to learn something new. He passed away in 2003 at the age of 75.
Viana was born in Rio de Janeiro to a family of musicians. His father was a trombonist in a renowned Brazilian orchestra, and this exposure to music influenced him from a young age. However, Viana's passion for acting was sparked when he was a teenager after seeing a play at the National Theater in Rio. He then joined a local theater group and began performing in various productions.
Apart from acting, Viana was also dedicated to promoting Brazilian theater and was involved in the creation of several theater groups in Brazil. He was also an accomplished writer and director, having written numerous plays and directed many stage productions.
Throughout his career, Viana was an active proponent of political and social causes, and he used his influence as an actor to speak out against injustice and inequality. He was a member of the Brazilian Communist Party and supported their political views. Viana's acting career spanned over five decades, and he continued to work until his death, leaving behind a rich legacy in Brazilian cinema and television.
Viana was not only a talented artist, but he was also dedicated to passing on his skills to the next generation of actors. He taught acting classes at several universities in Brazil and mentored many aspiring actors throughout his career. Viana's contribution to Brazilian culture was recognized in 2008 when he was posthumously awarded the Ordem do Mérito Cultural, one of Brazil's most prestigious awards for contributions to the arts and culture. Additionally, in 2012, the Bonito Municipal Theater was renamed the Wilson Viana Theater in his honor. Viana's legacy continues to inspire generations of Brazilian actors and artists, who remember him not only for his talent but his commitment to social justice and promoting the arts in Brazil.
Ivon Curi (June 5, 1928 Caxambu-June 24, 1995 Rio de Janeiro) also known as Ivon Cury was a Brazilian actor, composer, singer and businessperson. He had four children, Ivan Curi, Ivana Curi, Ivna Curi and Ivo Curi.
Ivon Curi began his career as a radio announcer in Belo Horizonte before moving to Rio de Janeiro to pursue his love for music. He gained popularity in the 1950s and 60s as a sertanejo (Brazilian country-style music) singer and composer, with hits such as "A Vaca Já Foi Pro Brejo" and "Música da Saudade". He also acted in several films and telenovelas throughout his career, including the popular novela "Mulheres de Areia" in 1973.
In addition to his artistic career, Ivon Curi was also a businessman, owning a chain of supermarkets in Rio de Janeiro. He was known for his philanthropy and dedication to helping those in need, particularly in the areas of education and healthcare.
Despite his success, Ivon Curi faced a number of personal difficulties, including financial struggles and battles with alcoholism. He passed away in 1995 at the age of 67, leaving behind a legacy as a talented and multifaceted artist and a compassionate and dedicated humanitarian.
Ivon Curi was born in Caxambu, Minas Gerais, Brazil, and was one of seven siblings. He grew up in a musical family and began singing and playing the guitar at a young age. He learned to play the accordion while working as a telegraphist for the Brazilian Postal and Telegraph Company.
Curi's musical talent and charisma helped him to become a popular performer and a cultural icon in Brazil. A natural storyteller, he was known for his vivid and humorous lyrics and his ability to connect with audiences through his music. He recorded over 400 songs throughout his career and collaborated with some of Brazil's most famous musicians, including Luiz Gonzaga and Zé Gonzaga.
In addition to his work in music and entertainment, Ivon Curi was also a committed entrepreneur. He founded the supermarket chain G. Barbosa in 1955, which quickly became one of the largest retail chains in Brazil. Curi was also a pioneer in the area of corporate social responsibility, and used his business success to support several charitable causes.
Throughout his life, Ivon Curi faced a number of personal challenges, including struggles with alcoholism and financial difficulties. However, he remained committed to his art and to helping others, and his legacy continues to inspire generations of Brazilians. He is remembered as an important figure in Brazilian popular culture and as a passionate advocate for social justice and humanitarian causes.
He was also known for his pioneering work in promoting the sertanejo style of music in Brazil. During a time when samba and other styles of music dominated the Brazilian music scene, Ivon Curi helped to popularize and bring attention to the traditional music of rural Brazil. His musical influence extended beyond his own performances, as he also mentored a number of other sertanejo musicians and helped to launch their careers.
Despite his success as a businessman and musician, Ivon Curi remained deeply committed to philanthropy and social justice. He was involved in a number of charitable organizations throughout his life, including the Brazilian Red Cross, and worked tirelessly to promote education and healthcare initiatives in his community.
In recognition of his many accomplishments, Ivon Curi was posthumously inducted into the Brazilian Music Hall of Fame in 1998. Today, he is remembered as one of Brazil's most beloved and talented artists, whose legacy continues to inspire countless musicians and performers around the world.
Clementino Kelé (April 8, 1928 Salvador-) otherwise known as Clementino Luiz de Jesus or Kelé is a Brazilian actor. He has three children, Christina de Jesus, Izabela de Jesus and Clementino de Jesus Júnior.
Kelé began his acting career in the late 1950s, appearing in theater productions before transitioning to films and television. He gained recognition for his roles in the 1972 film, "Os Deuses e os Mortos" and the 1986 telenovela, "Rainha da Sucata." Kelé has also worked as a voice actor, dubbing foreign films and cartoons into Portuguese. In addition to acting, he is also a musician and has released several albums of traditional Brazilian music. Kelé has received numerous awards for his contributions to Brazilian culture, including the Ordem do Mérito Cultural in 2004. He continues to act and perform music to this day, and is regarded as one of the most respected and talented Brazilian performers of his generation.
Kelé was born and raised in Salvador, Bahia, Brazil. He began his career in the arts as a musician, playing the pandeiro and other percussion instruments. He later became interested in acting and began performing in local theater productions. Kelé quickly gained a reputation for his talent and was soon cast in small roles in Brazilian films.
In the 1970s, Kelé became a prominent figure in Brazil's film industry, appearing in a number of successful movies. He also began working in television, starring in popular telenovelas such as "Rainha da Sucata" and "Tropicaliente." Kelé's ability to convey complex emotions with subtle gestures and expressions made him a favorite among audiences and critics alike.
In addition to his work in film and television, Kelé has had a successful career as a voice actor. He has lent his voice to numerous foreign films and cartoons, helping to bring these works to a wider Brazilian audience.
Kelé has also been recognized for his contributions to Brazilian culture. In 2004, he was awarded the Ordem do Mérito Cultural, Brazil's highest honor for cultural achievement. Kelé continues to act and perform music, and is admired for his talent, dedication, and contributions to the arts in Brazil.
Kelé's musical career has been just as successful as his acting career. He has released several albums of traditional Brazilian music, including samba and bossa nova. Kelé's music often combines percussion with guitar and other traditional instruments, creating a unique sound that is both energetic and soulful. He has performed at festivals throughout Brazil and has toured internationally, bringing his music to audiences around the world.
Aside from his artistic achievements, Kelé is also known for his activism and support of social causes. He has spoken out about the importance of preserving Afro-Brazilian culture and history, and has been an advocate for the rights of marginalized communities in Brazil. Kelé has also been involved in efforts to improve education and healthcare for underserved populations.
At the age of 93, Kelé remains active and involved in the arts and social activism. He continues to inspire and entertain audiences with his performances, and his contributions to Brazilian culture have made him a beloved figure throughout the country.
Jorge Cherques (July 25, 1928 Rio de Janeiro-March 11, 2011 Rio de Janeiro) a.k.a. George Cherques was a Brazilian actor.
He began his career in the theater, working with renowned directors such as Ziembinski and Adolfo Celi. Cherques also acted in several films, including "Rio, 40 Graus" and "Também Somos Irmãos", and was a regular on Brazilian television, appearing in soap operas and miniseries. He was known for his versatility as an actor, playing both comedic and dramatic roles. Cherques also directed several plays and was a respected acting teacher. He passed away in 2011 at the age of 82.
In addition to his work as an actor, Jorge Cherques was a prominent figure in Brazilian society. He was known for his passionate activism, particularly in the areas of environmental protection and civil rights. He founded several organizations dedicated to these causes, including the George Cherques Institute for Environmental Protection and the Brazilian Association for Civil Rights. Cherques was also a prominent advocate for the preservation of Brazilian cultural heritage, and worked tirelessly to protect historic buildings and landmarks in Rio de Janeiro. Outside of his professional and social endeavors, Cherques was an accomplished artist, with his paintings and sculptures exhibited in galleries throughout Brazil. His legacy as both an actor and activist continues to inspire generations of Brazilians.
Throughout his career, Jorge Cherques received several awards and honors for his contributions to the arts and society. He won the Molière award for best actor for his performance in the play "A Ratoeira" and was nominated for a Candango trophy for his role in the film "O Anjo Nasceu." Cherques also received the Order of Cultural Merit from the Brazilian government in recognition of his contributions to Brazilian culture.
In addition to his professional and social work, Cherques was also a devoted family man. He was married for over 50 years and had three children, all of whom pursued careers in the arts.
Jorge Cherques' legacy continues to be celebrated in Brazil, not only for his contributions to the arts and society but also for his unwavering dedication to making the world a better place. His commitment to environmental protection, civil rights, and cultural preservation serve as an inspiration for generations to come.