Brazilian movie actresses born in the year 1913
Here are 5 famous actresses from Brazil were born in 1913:
Mariquita Purcell
Mariquita Purcell (June 8, 1913 Rio de Janeiro-October 24, 2009 Kensington) otherwise known as Maraquita Annis or Mara Purcell was a Brazilian actor and singer. She had three children, Francesca Annis, Tony P. Annis and Quenton D. Annis.
Born in Rio de Janeiro to British parents, Mariquita Purcell grew up in Brazil and later moved to England as an adult. She began her career as a singer and appeared in several British films and television shows during the 1940s and 1950s. Purcell was known for her roles in films such as "The Shop at Sly Corner" (1947) and "The Blue Lagoon" (1949). Later in her career, she focused on stage acting and appeared in numerous productions, including "The Boy Friend" and "Sail Away". Purcell was also a talented artist and her paintings were displayed in galleries across England. She passed away at the age of 96 in Kensington, London.
Despite being best known for her acting roles, Mariquita Purcell was also a successful singer. She performed on British radio and in variety shows throughout the 1930s and 1940s, and released several records. Purcell was a versatile performer, able to sing in different languages including English, Spanish, and Portuguese. In addition to her work in the entertainment industry, she was also involved in politics, serving as a Labour Party councillor in the London borough of Kensington and Chelsea in the 1960s. Despite her successful career and political activism, Purcell remained a private person and her personal life was rarely discussed in the media.
Purcell was also a survivor of breast cancer, having been diagnosed with the disease in 1981. She became an advocate for breast cancer awareness and worked to raise funds for research and support for those affected by the disease. In recognition of her advocacy work, Purcell was awarded the Legion d'Honneur by the French government in 1990. Purcell's legacy continues to inspire those in the entertainment industry, particularly women, as she was one of the few female directors in British theatre during her time. Her art and performances are still celebrated today and her children, particularly her daughter Francesca Annis, have followed in her footsteps and have become successful actors themselves.
Mariquita Purcell's talent extended beyond acting and singing; she was also a skilled linguist, able to speak four languages fluently - English, Spanish, Portuguese, and French. Her multilingual abilities allowed her to take on diverse roles from different parts of the world, making her a sought-after performer in the entertainment industry. Purcell's stage career was notable for its longevity, as she continued performing well into her seventies. Her last stage appearance was in 1999 in the play "What Every Woman Knows".
Purcell was married to actor Marius Goring from 1941 until his death in 1998. They first met while appearing in a play together and had a long and happy marriage. Together, they worked on several theatrical productions and were considered to be one of the main power couples in British theatre.
In addition to her theatre and film work, Purcell was also an avid traveller and made frequent visits to Brazil throughout her life. Her love for her home country was evident in her paintings, which often featured Brazilian landscapes and culture. She was also involved in various charitable causes, including organizations that supported children's education and healthcare.
Mariquita Purcell's contributions to the arts, politics, and breast cancer awareness have left a lasting impact on British society. She was a trailblazer for women in the entertainment industry and her dedication to her craft and advocacy work make her an inspiration to generations of performers and activists alike.
Véra Clouzot
Véra Clouzot (December 30, 1913 Rio de Janeiro-December 15, 1960 Paris) also known as Véra Gibson-Amado, Vera Clouzot or Amado Vera Gibson was a Brazilian actor, writer and screenwriter.
She was best known for her work in French cinema, particularly for her roles in the films Les Diaboliques (1955) and The Wages of Fear (1953). Clouzot began her acting career in Brazilian theater before moving to France in the 1940s where she continued her career in film and theater. She met her husband, director Henri-Georges Clouzot, while working on the film The Murderer Lives at Number 21 (1942) and went on to collaborate with him on several films, including Les Diaboliques which she co-wrote. Despite her success as an actor and writer, Clouzot's career was cut short by her sudden death at the age of 46.
Clouzot was born in Rio de Janeiro to a French father and a Brazilian mother. She grew up speaking both Portuguese and French. In the 1930s, she studied law and journalism at the University of Rio de Janeiro, but eventually turned to acting. She began her career in Brazilian theater, working with renowned companies such as the Teatro Brasileiro de Comedia.
In 1940, Clouzot moved to Paris to pursue her acting career in French cinema. She quickly made a name for herself, appearing in films such as The Murderer Lives at Number 21 and Le Corbeau (1943). In 1953, she starred in the thriller The Wages of Fear, which won the Palme d'Or at the Cannes Film Festival that year.
But it was her role in Henri-Georges Clouzot's Les Diaboliques that cemented her status as a French cinema icon. The film, in which she starred alongside Simone Signoret, is now considered a classic of the genre.
In addition to acting, Clouzot was also a talented writer. She wrote the screenplay for The Wages of Fear and co-wrote Les Diaboliques with her husband. She also wrote a novel, Les Fiancés du Pont Macdonald, which was published in 1951.
Despite her success, Clouzot battled with health issues for much of her life. She suffered from tuberculosis as a young woman and later developed heart problems. She died suddenly of a heart attack at the age of 46. Her death was a great loss to French cinema and to the world of acting and writing.
After Vera Clouzot's death, her husband stopped making movies and suffered from depression. However, he returned to filmmaking for a final project, L'Enfer, which was never completed due to his deteriorating health. In 1994, director Claude Chabrol made a film based on the screenplay titled La Femme Infidele (The Unfaithful Wife) as a tribute to Clouzot.
Clouzot's legacy continues to inspire new generations of actors and filmmakers around the world. In 2013, the Cinémathèque Française in Paris paid tribute to her with a retrospective of her work. The event showcased her films, including Les Diaboliques and The Wages of Fear, and celebrated her life and contributions to French cinema. Clouzot's work is still celebrated today for its boldness, creativity, and lasting impact on the film world.
Clouzot was known for her intense and captivating performances, which often portrayed complex and emotionally charged characters. Her talent and versatility as an actor ensured that she was in high demand throughout her career.
Aside from her creative pursuits, Clouzot was also a devoted wife and mother. She met her husband Henri-Georges Clouzot while working on The Murderer Lives at Number 21, and the couple later married in 1948. They had two children together, a daughter named Veronique and a son named Bertrand.
In addition to her work in cinema, Clouzot was also a passionate advocate for human rights and social justice. She was involved in various grassroots organizations and fought for the rights of marginalized communities throughout her life.
Despite her untimely death, Clouzot's legacy lives on through her inspiring body of work and her continued influence on the world of cinema. Her contributions to French cinema have cemented her status as one of the greats, and her impact on the art form will be felt for generations to come.
Lu Marival
Lu Marival (December 13, 1913 São Paulo-February 3, 2000 Brazil) also known as Lucília Lima Albuquerque was a Brazilian actor.
She started her acting career in the 1930s in Brazilian cinema and soon became a popular actress known for her versatility and talent. Marival performed in a wide range of films, including dramas, comedies, and musicals, becoming a household name for her acting prowess.
In addition to her acting career, Lu Marival was also a renowned fashion designer, creating her own fashion label and designing costumes for plays and films. She was known for her innovative designs and became a trendsetter in the fashion industry in Brazil.
Lu Marival received several awards for her contributions to Brazilian cinema, including the Best Actress award at the 1952 International Festival of Rio de Janeiro for her role in the film "Caiçara". She continued acting until the 1990s, with her last appearance in the Brazilian TV series "A Próxima Vítima" in 1995.
Marival's legacy continues to be celebrated in Brazil, with her contributions to both the film and fashion industries remembered and admired to this day.
Lu Marival's family was also involved in the arts, with her mother being an opera singer and her father a playwright. Marival's interest in acting was sparked at a young age, and she began taking classes at the age of 16. She made her film debut in 1934 in the film "Favela Dos Meus Amores" and went on to appear in over 50 films throughout her career.
Marival was also a trailblazer for women in the film industry, not only for her talent but for her outspokenness on gender inequality in the industry. She advocated for more opportunities for women both in front of and behind the camera.
In addition to her fashion label, Marival also opened a beauty salon in the 1960s, which became a popular destination for celebrities and fashion icons. She was known for her signature hair and makeup looks, which were often featured in magazines and newspapers.
Lu Marival's contributions to Brazilian culture have been recognized through various tributes and homages, including a posthumous exhibit of her fashion designs at the Museum of Image and Sound in São Paulo.
Lu Marival was married twice, first to fellow actor Jaime Costa and later to businessman Antonio Sampaio. She had two children, a son and a daughter, both of whom went on to have successful careers in the fashion industry. Marival's influence on Brazilian fashion and culture can still be seen today, with her designs and acting performances inspiring a new generation of artists and creatives. Despite her passing, Lu Marival's legacy continues to be celebrated in Brazil and around the world, solidifying her place as a pioneer and icon in both the film and fashion industries.
Lu Marival was also known for her activism and charitable work. She was a supporter of various organizations that aimed to improve the lives of women and children in Brazil, including SOS Children's Villages and Women for Peace. Marival was also a vocal advocate for the rights of artists and worked to improve working conditions and wages in the film industry.
In addition to her acting and fashion careers, Lu Marival was also a talented singer and dancer. She often incorporated these skills into her film roles, adding to her versatility and range as an actress.
Lu Marival's impact on Brazilian culture was not limited to her artistic contributions. She was also an inspiration to many for her strength and resilience in the face of personal challenges, including a battle with cancer later in her life.
Today, Lu Marival is remembered as a true icon of Brazilian cinema and fashion, whose legacy continues to inspire generations of artists and creatives. Her pioneering spirit, talent, and dedication to improving the lives of others are an inspiration to all.
Eleonor Bruno
Eleonor Bruno (October 6, 1913 Niterói-December 24, 2004 Rio de Janeiro) was a Brazilian actor. She had one child, Nicete Bruno.
Eleonor Bruno was a renowned Brazilian stage, film, and television actress who started her acting career during the 1930s. Born on 6th October 1913, in the city of Niterói, Brazil, Eleonor was passionate about acting from a young age. With her hard work and dedication, she soon became one of the most popular actors in the Brazilian entertainment industry.
She acted in numerous popular Brazilian soap operas, films, and plays during her six-decade-long career. Some of her notable works include the movies O Sobrado (1956), Cara a Cara (1967), and O Cabeleireiro do Presidente (1978); and the TV series Venha Ver o Sol na Estrada (1966) and Bicho do Mato (1972). She was particularly known for her dramatic roles and was considered one of the finest actresses of her time.
Apart from acting, Eleonor was also a noted philanthropist and was associated with many charitable organizations. She had one child, Nicete Bruno, who is also an actress and a well-known personality in Brazilian entertainment. Eleonor passed away on 24th December 2004 in Rio de Janeiro, leaving behind a rich legacy in Brazilian theater, television, and cinema.
In addition to her successful acting career and philanthropic efforts, Eleonor Bruno was also a trailblazer for women in Brazilian entertainment. She was one of the first female actors in Brazil to perform in plays that involved nudity and sex scenes, breaking down barriers and paving the way for future generations of performers. Eleonor was also a respected acting teacher and taught at the Escola de Arte Dramática in São Paulo, sharing her skills and knowledge with aspiring actors. Her legacy continues to inspire and influence the Brazilian entertainment industry today.
Eleonor Bruno's passion for acting and dedication to her craft earned her numerous accolades and awards throughout her career. In 1953, she was awarded the Best Supporting Actress trophy at the Brazilian Cinema Festival for her performance in the movie Luz dos Seus Olhos. She was also awarded the prestigious Molière Trophy for her role in the play A Dama do Cachorrinho in 1971, and in 2001, she received the Brazilian Order of Cultural Merit for her services to Brazilian theater and television.
In addition to her acting and teaching career, Eleonor Bruno also authored two books about her experiences in the entertainment industry - "Eu e as vedetes" (Me and the Showgirls) and "Eu, a Nicete e o Jogo da Vida" (Me, Nicete, and the Game of Life).
Eleonor's impact on Brazilian entertainment extends beyond her own career. Her daughter, Nicete Bruno, followed in her footsteps and became a successful actress in her own right. Nicete and Eleonor acted together in several plays, movies, and soap operas, and the two women were known for their close relationship both on and off the stage.
Eleonor Bruno's contributions to Brazilian theater, television, and cinema have cemented her place in the annals of Brazilian entertainment history. She will always be remembered as a trailblazing actress, beloved teacher, and philanthropist who dedicated her life to her craft and to helping others.
Eleonor Bruno was also known for her activism and vocal stance on political issues. Throughout her career, she spoke out against censorship, particularly in the arts, and was a strong advocate for freedom of expression. She also supported feminist causes and was a founding member of the Brazilian Women's Union. Eleonor was a firm believer in using her platform as an actress to make a positive impact on society.At the age of 91, Eleonor Bruno was honored with a retrospective at the Rio Film Festival, with screenings of some of her most iconic films and plays. The tribute showcased the enduring legacy of this remarkable actress and the impact she had on Brazilian entertainment.In summary, Eleonor Bruno was a Brazilian actress, teacher, author, and philanthropist. She had a six-decade-long career and acted in numerous popular Brazilian soap operas, films, and plays. Along with acting, Eleonor was also an advocate for political issues, censorship, and feminist causes. She received many accolades and awards, authored two books, and left behind a rich legacy that continues to inspire and influence the Brazilian entertainment industry today.
Dona Zica
Dona Zica (February 5, 1913 Rio de Janeiro-January 22, 2003 Rio de Janeiro) also known as Euzébia Silva do Nascimento was a Brazilian actor.
She was best known for her roles in Brazilian telenovelas and for her work in local theater. Zica began her career in the arts by working as a seamstress for a theater company, and soon became involved in acting. She appeared in over 20 telenovelas during her career, and was a beloved figure in the Brazilian TV and film industry. Aside from acting, Zica was also an active member of her community, and was known for her work advocating for the rights of the underprivileged. Her legacy continues to be celebrated by fans of Brazilian television and theater.
Throughout her career, Dona Zica played a variety of roles, including strong and independent women, as well as traditional matriarchs. She was also known for her comedic timing and ability to bring laughter to her audiences. In addition to acting, Zica was also a talented singer, and often sang in choirs and community events. She was a trailblazer for Afro-Brazilian representation in the entertainment industry, and broke barriers for actors of color in Brazil. Later in life, Zica became a mentor to other aspiring actors, and was known for her generosity and kind spirit. Her legacy continues to inspire aspiring actors and community organizers.
Additionally, Dona Zica was a devout Catholic and often credited her faith as a source of strength and inspiration throughout her life. She was married to a fellow actor, and the couple had one son together. Despite her success in the industry, Zica remained humble and grounded, and was always grateful for the opportunities that came her way. She was also passionate about preserving Brazilian culture and traditions, and often participated in cultural events and festivals. Dona Zica's impact on Brazilian television and theater cannot be overstated, and she remains an icon in the industry to this day. Her contributions to Afro-Brazilian representation and advocacy for social justice continue to inspire and empower future generations.
Dona Zica was born into a family of samba musicians and grew up immersed in Rio de Janeiro's vibrant music and culture scene. She often performed samba and other traditional Brazilian music throughout her life, both on stage and in public events. Zica's love for music extended to her acting roles as well, and she often incorporated singing and dancing into her performances. She was known for bringing a unique blend of music and acting to the Brazilian entertainment industry.
In addition to her artistic pursuits, Dona Zica was also an activist for social justice and equality, particularly for women and people of color. She often spoke out against the discrimination and inequality faced by marginalized communities in Brazil, and was involved in various organizations dedicated to advancing social causes. Zica's advocacy work was rooted in her own experiences as a Black woman in a society that often marginalized and silenced her community. She used her platform as a popular actress and public figure to raise awareness about important social issues and effect change.
Dona Zica's legacy as an actor, musician, and activist continues to inspire and influence the Brazilian entertainment industry and beyond. She remains an important figure in the fight for greater representation and equality for marginalized communities, and her impact continues to be felt by those who seek to follow in her footsteps.