Here are 10 famous musicians from Brazil died at 53:
Olavo Bilac (December 16, 1865 Rio de Janeiro-December 28, 1918 Rio de Janeiro) was a Brazilian writer, journalist and poet.
Olavo Bilac is considered one of the greatest poets in Brazilian literature. He initially studied law but abandoned it to focus on writing. Bilac was part of the "Parnassianism" movement, which emphasized careful craft, formal structure, and the use of traditional poetic devices such as rhyme and meter. He published several collections of poetry, including "Poesias" (1888) and "Tarde" (1919), which were well received by critics and the public alike. Bilac was also known for his journalism and essays, which were often satirical in nature. He was a member of the Brazilian Academy of Letters and played an important role in the establishment of the National Library of Brazil.
In addition to his contributions to Brazilian literature and culture, Olavo Bilac was also involved in politics. He was a strong supporter of the Republican movement and advocated for the separation of church and state in Brazil. Bilac was also involved in the founding of the Brazilian Aviation Association and was a passionate advocate for the development of aviation technology. Despite his achievements, Bilac struggled with alcoholism and mental health issues throughout his life, which ultimately contributed to his premature death at the age of 53. Despite his personal challenges, Olavo Bilac's contributions to Brazilian literature and culture have made him a beloved figure in the country's history.
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Artur Azevedo (July 7, 1855 São Luís-October 22, 1908 Rio de Janeiro) was a Brazilian writer, playwright and journalist.
Azevedo played a key role in the development of Brazilian theatre, with many of his plays being performed to great acclaim in the late 19th century. He is known for his wit and satirical edge, which he brought to bear on a range of social and cultural issues of the time. In addition to his theatre work, Azevedo was also a prolific journalist and author of novels, essays, and other literary works. He is considered one of the most important literary figures of Brazil's Belle Époque period. Today, Azevedo is remembered as a pioneer of Brazilian theatre and a leading voice in the country's cultural and intellectual history.
Azevedo was the son of Portuguese parents, and he spent his early years in São Luís, in northern Brazil. He moved to Rio de Janeiro in his early 20s and began working as a journalist, writing for the country's leading newspapers and magazines. He soon became known for his sharp wit and insightful commentary on Brazilian society and politics.
In the late 1870s, Azevedo turned his attention to the theatre, and began writing plays that tackled issues such as corruption, sexism, and racism. His plays were hugely popular, drawing large audiences to the city's theatres and earning him critical acclaim. Azevedo's work was also instrumental in the development of a distinctly Brazilian style of theatre, which drew on local traditions and culture.
Azevedo's most famous play, "O Mambembe" (The Itinerant), was first performed in 1882 and is still performed in Brazil today. The play tells the story of a troupe of travelling actors who are trying to make a living in a world that doesn't value their art. It is a poignant commentary on the struggles of artists in Brazil at that time.
Despite his success, Azevedo never lost his commitment to social justice and equality. He remained a vocal advocate for women's rights, and was one of the first Brazilian writers to deal with the issue of domestic violence in his work. He also wrote extensively about the lives of the urban poor, using his platform as a journalist to raise awareness of their struggles.
Azevedo's legacy is still felt in Brazil today, and his work continues to be studied and performed by students, scholars, and theatre companies around the country. He is remembered as a pioneering figure in Brazilian literature and theatre, and as a champion of social justice and equality.
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Luís Caetano Pereira Guimarães Júnior (February 17, 1845-May 20, 1898) was a Brazilian writer.
He was born in Rio de Janeiro, Brazil, and began his career as a lawyer before turning to writing. Guimarães Júnior is best known for his novel "O Mulato," which tells the story of a mixed-race man's struggle to find his place in Brazilian society. The novel was controversial for its frank depiction of interracial relationships and was banned by the government for a time. Guimarães Júnior was a prolific writer and also worked as a journalist, founding several publications during his career. He died at the age of 53 in Rio de Janeiro, leaving behind a legacy as one of Brazil's most important literary figures.
In addition to "O Mulato," Guimarães Júnior wrote several other novels, short stories, and plays, many of which focused on the social issues of his time. He was known for his realistic portrayals of Brazilian society, particularly its racial and class divisions. Guimarães Júnior was also involved in politics, serving as a councilor in his hometown for a time. He was a member of several literary and cultural societies and was recognized as a leading intellectual of his day. Despite his success during his lifetime, Guimarães Júnior's reputation faded in the decades following his death. However, in recent years, his work has undergone a revival, and he is now considered an important and influential figure in Brazilian literature.
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Lúcio Soares (May 31, 1934 Manhuaçu-April 5, 1988) was a Brazilian personality.
He was best known for being a singer, songwriter, and composer. Lúcio started his career in the 1950s when he joined a local band in his hometown. He moved to Rio de Janeiro in the 1960s to pursue his passion for music and soon became a sought-after composer and performer.
Lúcio wrote and recorded several popular songs throughout his career, including "Feche os Olhos", "Os Verdes Campos da Minha Terra", and "Carta ao Tom 74". He was also known for infusing traditional Brazilian rhythms such as samba and bossa nova in his music.
Apart from his musical career, Lúcio was also actively involved in politics and was a member of the Brazilian Communist Party. He strongly advocated for social justice and equality in his music and believed that art should serve as a means of bringing about change in society.
Despite his untimely death at the age of 53, Lúcio Soares remains a revered figure in Brazilian music and culture. His contributions to the music industry and activism continue to inspire many today.
Lúcio was born into a family with a musical background - his father was a musician and his mother a singer. Growing up, he was exposed to various genres of music, including Brazilian folk music, which would ultimately influence his own musical style. In addition to his work as a songwriter and performer, Lúcio also worked as a music producer, helping to launch the careers of several other Brazilian musicians. He collaborated with many other artists throughout his career, including Chico Buarque, Tom Jobim, and Elis Regina.
Lúcio's political beliefs were integral to his artistic output. His music often conveyed messages of social justice and addressed issues such as poverty, inequality, and government corruption. His 1978 album "Aos Vivos Agora" directly criticized the Brazilian dictatorship, which was in power at the time. Lúcio remained an activist until his death, participating in protests and rallies and using his platform to speak out against political and social injustices. He passed away in 1988 from a heart attack, but his legacy as a musician and political figure lives on. In 2014, a documentary about his life and career, called "Lúcio Soares - Uma Voz Pela Igualdade" was released.
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Sérgio Pereira da Silva Porto (January 19, 1926 Brazil-June 21, 1979) was a Brazilian personality.
He was a famous comedian, television host, and actor. He started his career by performing in the theater during the 1950s and became a beloved figure in Brazil's entertainment industry. Sérgio Porto is best known for creating the character "Stanislaw Ponte Preta," a humorous, satirical figure in Brazilian pop culture. He wrote columns, books, and plays under this pseudonym, using his quick wit and sharp observations to comment on society, politics, and everyday life in Brazil. Sérgio Porto was a pioneer in the use of humor as a tool for social and political critique in Brazil, and his work remains relevant and influential today.
In addition to his work as a comedian and writer, Sérgio Porto also had a successful career as a television host. He hosted several popular TV shows, including "Boca Livre," which featured music, comedy, and interviews with famous Brazilian figures. Sérgio Porto was admired for his ability to connect with audiences and make them laugh while also addressing important issues. He was particularly vocal in his criticism of Brazil's military dictatorship in the 1960s and 70s, using his platform to speak out against censorship and oppression. Despite facing persecution from government authorities for his outspokenness, Sérgio Porto remained committed to using humor as a means of promoting social justice and change. His enduring legacy has made him a beloved figure in Brazilian history and culture.
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Marcelo Déda (March 11, 1960 Simão Dias-December 2, 2013 São Paulo) was a Brazilian politician.
Déda served as the Governor of the Brazilian state of Sergipe from 2007 until his death in 2013. He was a member of the Workers' Party and had previously served as a federal deputy and mayor of the city of Aracaju. During his political career, Marcelo Déda was known for his progressive policies and commitment to social welfare programs. He was also an advocate for environmental conservation, implementing policies aimed at preserving the Cotinguiba River Basin and promoting sustainable development in the state. Marcelo Déda was widely respected for his leadership and dedication to improving the lives of the people of Sergipe.
Marcelo Déda was born in the state of Sergipe, Brazil. He obtained a law degree from the Federal University of Sergipe and later a Master's degree in Law from the Federal University of Pernambuco. In 1982, he joined the Workers' Party and became involved in politics at a young age.
Déda began his political career as a municipal lawmaker and served as the mayor of his hometown, Simão Dias, from 1989 to 1992. He was then elected to the position of federal deputy in the Brazilian National Congress and served for three terms. In 2000, he was elected as the mayor of the city of Aracaju, the capital of Sergipe, and served in that position until 2006.
As governor of Sergipe, Marcelo Déda implemented policies to boost economic growth, improve public education, and expand access to healthcare. He also focused on social issues such as poverty reduction, gender equality, and racial justice. Déda was a strong advocate for the rights of indigenous peoples and Afro-Brazilians and worked to promote their inclusion in society.
In addition to his work in politics, Marcelo Déda was also a writer and a professor of law. He wrote several books on political and social issues and was a respected academic in his field.
Marcelo Déda's legacy continues to inspire many in Brazil. He is remembered as a passionate and committed leader who fought for social justice and equality throughout his career.
He died as a result of cancer.
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Glauco Villas Boas (March 10, 1957 Jandaia do Sul-March 12, 2010 Osasco) was a Brazilian cartoonist and designer.
He was best known for his work as a character designer for numerous animated TV shows and movies in Brazil. Glauco's career began in the 1970s, where he worked as a cartoonist for various Brazilian newspapers and magazines. He created a popular comic strip called "Los Tres Amigos" which became a cultural icon for many Brazilians. Later on, Glauco became known for his work on TV shows such as "Os Trapalhões" and "X-Tudo". He also designed characters for Brazil's first feature-length 3D animated movie, "Uma História de Amor e Fúria". Unfortunately, Glauco was tragically murdered in his home in 2010, leaving behind a legacy of impressive animated creations and a large following of fans.
Glauco Villas Boas was born in Jandaia do Sul, Paraná, Brazil, and spent most of his life in the city of Osasco, São Paulo. He was the son of Brazilian journalist and writer Villas-Bôas Corrêa and the brother of journalist and television presenter, Henrique Villas-Boas.
Aside from his work in animation and cartooning, Glauco was also a member of Brazil's hemp legalization movement, advocating for the legalization of marijuana and other drugs. He was a founder of the magazine "Chapa Quente," which addressed drug culture and other controversial topics.
Glauco's legacy continues to be celebrated in Brazil, and his work remains an important part of the country's animation and cartooning history.
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Mário de Alencar (January 30, 1872 Rio de Janeiro-December 8, 1925 Rio de Janeiro) otherwise known as Mário Cochrane de Alencar or John Alone was a Brazilian poet, lawyer, journalist and writer.
Mário de Alencar was born into a family of artists and intellectuals, being the son of famous writer José de Alencar. He studied Law, but his real passion was literature. He initially worked as a journalist and wrote for newspapers and magazines, such as O Pais, A Republica, and Kosmos. His poetry and prose, written under the alias of "John Alone", were highly regarded by his contemporaries and earned him a place among the modernist writers of Brazil. He published his first book of poetry, "Brisas outonais" ("Autumnal Breezes"), in 1910, which was followed by several collections of poems, short stories, and essays. Mário de Alencar was an important figure in the literary and artistic circles of Rio de Janeiro, associating with other prominent figures of the time, such as Villa-Lobos and Manuel Bandeira. He died at the age of 53, leaving behind a rich and diverse body of work that greatly influenced Brazilian Modernism.
His most famous book is "Os novos" ("The New Ones"), published in 1914, which challenged the traditional literary conventions of the time and helped usher in a new era of Brazilian literature. He also wrote plays, including "O encontro do passado" ("The Meeting of the Past"), which was well received by critics. In addition to his literary pursuits, Mário de Alencar was a respected lawyer with a successful career. He was known for his progressive ideas and his advocacy for the rights of marginalized groups, such as women and the African-Brazilian community. Mário de Alencar was married to Adalgisa Nery, also a noted writer and journalist, and they had two children together. Despite his relatively short life, Mário de Alencar's contributions to Brazilian literature and society have continued to be celebrated and studied.
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Antônio Vicente da Fontoura (June 16, 1807 Rio Pardo-October 20, 1860) was a Brazilian politician.
He was an important figure in the Rio Grande do Sul Province during the Brazilian empire. Fontoura served as a deputy in both the Provincial Assembly and the General Assembly, where he was known for his fiery speeches and advocacy for the rights of the people of Rio Grande do Sul. He also served as the interim president of Rio Grande do Sul in 1855. A staunch supporter of the Brazilian monarchy, Fontoura was a key player in the political and military conflicts that rocked the region during his time in office. He played a significant role in the Farrapos War, a rebellion of farmers and ranchers against the central government, which sought greater autonomy for the province. Fontoura's legacy remains an important part of Rio Grande do Sul history and he is remembered for his commitment to the people of the region.
In addition to his political career, Antônio Vicente da Fontoura was also a prominent lawyer and journalist. He founded several newspapers in Rio Grande do Sul, including O Constitutionalista, which was known for its progressive and liberal views. Fontoura was also deeply involved in education and helped to establish several schools in the province. He believed that education was key to achieving social and political reform in Brazil. Fontoura's contributions to Brazilian politics and society were recognized by his contemporaries and continue to be celebrated today. Several schools and public buildings in Rio Grande do Sul are named in his honor, and he is remembered as a champion of democracy, freedom, and justice.
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Mussum (April 7, 1941 Lins de Vasconcelos-July 29, 1994 São Paulo) also known as Antonio Carlos Bernardes Gomes, Mumu da Mangueira or Os Trapalhões was a Brazilian actor, musician and comedian. He had four children, Mussunzinho, Augusto Gomes, Paula Gomes and Sandro Gomes.
Mussum rose to fame in the 1960s and 70s as a member of the popular Brazilian musical group "Os Originais do Samba". He later became part of the comedy group "Os Trapalhões", which was one of Brazil's most popular TV shows during the 70s and 80s. Mussum was known for his quick wit, physical comedy, and unique way of speaking, which combined African Portuguese slang with humor.
Despite his success as a comedian, Mussum was also a talented musician, playing various instruments including the cavaquinho, guitar, and percussion. He released several albums throughout his career, including "Mussum" and "Mussunko Samba".
In addition to his work in entertainment, Mussum was also a philanthropist, supporting various causes in Brazil, including education and the arts. He was loved by many and his death was mourned by the nation. Today, he is remembered as one of Brazil's most beloved comedians and cultural icons.
Despite being born into poverty, Mussum had a strong work ethic and pursued a successful career in entertainment. In addition to his work with "Os Originais do Samba" and "Os Trapalhões", Mussum also acted in several films such as "O Trapalhão nas Minas do Rei Salomão" and "O Bom Marido". He was also a regular on Brazilian TV, appearing in numerous shows and commercials throughout his career.
Mussum was well-known for his love of samba music and was one of the most important figures in the genre. He collaborated with many legendary samba musicians, such as Almir Guineto and Arlindo Cruz. He also participated in several samba schools during Rio de Janeiro's Carnival, including Portela and Mangueira, the latter of which he was a member for over 20 years.
Throughout his life, Mussum was committed to giving back to his community. He supported numerous charities and organizations that aimed to improve the lives of underprivileged individuals in Brazil. In recognition of his contributions, he was posthumously awarded the Order of Cultural Merit by the Brazilian government.
Mussum's legacy continues to be celebrated in Brazil and beyond. He is considered a pioneer in Brazilian comedy and his unique humor and distinct speaking style continue to inspire generations of comedians and entertainers.
He died caused by heart failure.
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