Pathetic Facts

Brazilian musicians died when they were 58

Here are 8 famous musicians from Brazil died at 58:

João Goulart

João Goulart (March 1, 1918 São Borja-December 6, 1976 Mercedes) a.k.a. Joao Goulart, Jango, João Belchior Marques Goulart or Janguinho was a Brazilian lawyer and politician. His children are called Denize Goulart and João Vicente Goulart.

Goulart served as the 24th President of Brazil from 1961 until he was overthrown in a military coup in 1964. He was known for advocating for social and political reforms, supporting workers' rights, and having close ties to labor unions. During his presidency, he implemented several policies aimed at reducing income inequality and improving access to education and healthcare for the poor. However, his leftist policies were seen as a threat to the military and business interests, leading to his ouster in 1964. Goulart went into exile in Uruguay until his death in 1976. Despite his short presidency and controversial legacy, Goulart remains a celebrated figure among many left-wing politicians and activists in Brazil.

Goulart began his political career in the 1940s as a member of the Brazilian Labor Party, and later joined the Brazilian Democratic Movement. He was elected to the National Congress in 1946 and quickly rose through the ranks to become a prominent figure in Brazilian politics.

In the early 1960s, Goulart faced mounting opposition from conservatives and military leaders who saw him as a threat to democracy and national security. He was often accused of being a communist sympathizer and undermining the country's democratic institutions.

Despite these challenges, Goulart continued to push for progressive policies and was widely admired by Brazil's working class and rural poor. He advocated for land reform, higher wages for workers, and improved social services for marginalized communities.

Goulart's presidency came to an abrupt end in 1964 when a military coup ousted him from power. He fled to Uruguay with his family and continued to advocate for democracy and social justice from abroad until his death.

Today, Goulart is remembered as a champion of progressive politics and an important figure in Brazil's struggle for democracy and social equality. Many Brazilians view him as a hero who fought against injustice and stood up for the rights of the working class.

In addition to his political career, João Goulart was a passionate advocate for Brazilian culture and the arts. He was an avid supporter of Brazilian music, particularly samba, and often invited musicians to perform at presidential events. Goulart was also a collector of art, amassing an impressive collection of Brazilian art that he displayed at the presidential palace.

Goulart's presidency was also marked by significant foreign policy challenges. He pursued a policy of non-alignment towards the United States and the Soviet Union, which drew criticism from both sides. He also faced diplomatic tensions with neighboring countries, particularly Uruguay, over land disputes and economic policies.

After his ouster, Goulart remained politically active from his exile in Uruguay. He founded the Brazilian Liberation Front, a leftist opposition group dedicated to restoring democracy in Brazil. He also continued to advocate for progressive policies and social justice until his death from a heart attack in 1976.

Despite his controversial legacy, João Goulart remains an important figure in Brazilian history and his policies continue to inspire progressive movements in the country. His commitment to social justice and democracy continue to be celebrated by Brazilians who share his vision for a more equitable society.

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Alexandre Rodrigues Ferreira

Alexandre Rodrigues Ferreira (April 27, 1756 Salvador-April 23, 1815 Lisbon) was a Brazilian scientist.

Alexandre Rodrigues Ferreira was a naturalist, explorer, and botanist who conducted scientific expeditions throughout the Amazon rainforest from 1783 to 1792. He was appointed by the Portuguese crown to lead an expedition to gather knowledge of the natural resources and peoples of the region. During his travels, Ferreira extensively studied the flora and fauna, collected hundreds of specimens, and recorded detailed observations of the Amazonian culture and way of life of the native tribes. His pioneering work helped lay the foundations for modern ethnobotany and remains an essential source of information for ecologists and historians. Ferreira's legacy includes the collection of specimens deposited in the National Museum of Brazil and the creation of several published works that documented his expeditions.

In addition to his scientific work, Alexandre Rodrigues Ferreira was also an advocate for the rights of indigenous people. He recognized the devastating impact of colonialism on these communities and worked to document and preserve their cultures. Ferreira also served as a judge and prefect in Pará, Brazil, where he implemented policies to improve the living conditions of the local population. Despite his significant contributions, Ferreira's work was largely forgotten after his death, and his collections were neglected for many years. However, in recent decades, there has been renewed interest in Ferreira's expeditions, and efforts are underway to digitize and preserve his extensive collection of specimens and writings. Today, he is remembered as one of the most important naturalists and explorers of the Amazon and a pioneer in the field of ethnobotany.

Ferreira's expeditions through the Amazon also provided valuable information about the economic potential of the region. He noted the abundance of rubber and recognized its importance as a valuable export. His observations and reports eventually helped to establish the rubber industry in Brazil, which became a major part of the country's economy for many years.

In addition to his scientific and advocacy work, Ferreira was also a skilled artist and draughtsman. He produced numerous detailed illustrations of the plants and animals he encountered during his expeditions, many of which were later reproduced in his published works.

Ferreira's expeditions proved to be both physically and mentally exhausting. He endured treacherous journeys through dense forests, dangerous encounters with wild animals, and harsh weather conditions. Despite these challenges, he remained committed to his work and continued to produce groundbreaking research throughout his travels.

Today, Ferreira's legacy lives on through his extensive collection of specimens and writings, which continue to inform and inspire scientists and researchers around the world. His pioneering work in the field of ethnobotany and his dedication to the rights of indigenous peoples have earned him a place in the history of science and exploration.

Cândido Portinari

Cândido Portinari (December 29, 1903 Brodowski-February 6, 1962 Rio de Janeiro) also known as Candido Torquato Portinari was a Brazilian artist, painter and visual artist.

He was one of the most prominent artists of the Brazilian Modernist movement, and his works often featured vivid colors and emotional, sometimes political, themes. Portinari's early years were marked by poverty and hardship, and he worked as a coffee picker to support his family. Despite these challenges, he showed an early aptitude for art and won a scholarship to study in Rio de Janeiro. Portinari went on to become one of Brazil's most celebrated painters, receiving numerous awards and accolades throughout his career. He is particularly known for his iconic murals, which can be seen in public buildings throughout Brazil and the United States. Portinari's work continues to be influential and inspiring to artists around the world.

Throughout his life, Cândido Portinari remained committed to social and political causes, and his art often reflected this. He was passionate about using his talent to raise awareness of the plight of workers, particularly in the rural areas of Brazil. One of his most famous works, "Bread," depicts the harsh reality of poverty and hunger in the countryside, and is now considered a masterpiece of social realism.

Portinari's art also reflected his deep love for his homeland and its people. He was especially drawn to the vibrant culture and music of Brazil, and his paintings often portrayed scenes of everyday life, such as street parties and carnival celebrations. In addition to his murals and paintings, Portinari also created sculptures and stained glass works, and collaborated with architects to design public spaces that showcased his unique vision.

Despite his successes, Cândido Portinari faced many challenges throughout his life. He battled ill health and financial difficulties, and was also targeted by Brazil's authoritarian regime for his political views. Nevertheless, he remained a tireless advocate for social justice until his death in 1962, and his legacy continues to inspire new generations of artists and activists.

In addition to his artistic achievements, Portinari was also a dedicated philanthropist. He founded the Cândido Portinari Foundation to promote the arts and education in Brazil, and he donated many of his own works to museums and cultural institutions throughout the country. Portinari's legacy has been recognized with numerous posthumous awards and honors, including a museum dedicated to his life and work in his hometown of Brodowski. His paintings continue to be highly sought after by collectors around the world, and his influence can be seen in the work of many contemporary Brazilian artists. Today, Portinari is remembered not only as a great painter, but also as a champion of social justice and a pioneer of modern Brazilian art.

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Mário Rodrigues Filho

Mário Rodrigues Filho (June 3, 1908-September 17, 1966) also known as Mário Filho Rodrigues or Mário Filho was a Brazilian writer and journalist.

He was born in Recife, Pernambuco, Brazil and grew up in Rio de Janeiro. Mário Filho was known for his reporting on sports, especially football (soccer), and was a strong advocate for the sport in Brazil. He wrote for several newspapers in Rio de Janeiro, including O Mundo, Jornal dos Sports, and A Noite.

Mário Filho is also recognized for his contributions to the history and culture of Rio de Janeiro. He wrote several books on the subject, including "Cortiços e Famílias", which documented the lives of poor families living in the city’s tenement buildings, and "O Negro no Futebol Brasileiro" (The Black in Brazilian Football), which chronicled the role of black players in Brazilian football.

In addition, Mário Filho was a key figure in the construction of the Maracanã Stadium in Rio de Janeiro, which was built for the 1950 FIFA World Cup. He was a vocal supporter of the stadium’s construction and used his platform as a journalist to rally public support for the project.

Mário Filho passed away on September 17, 1966, at the age of 58. The Maracanã Stadium was renamed the Estádio Jornalista Mário Filho in his honor in 1966.

Furthermore, Mário Filho was also involved in the cultural and political spheres of Rio de Janeiro. He was a member of the Brazilian Communist Party and was arrested several times for his political beliefs during the dictatorship of Getúlio Vargas. He also wrote extensively on the cultural traditions of Rio de Janeiro, including samba music and carnival. His book "O Mundo que o Carnaval Criou" (The World Created by Carnival) is considered a seminal work on the subject. Even after his passing, Mário Filho continued to be a celebrated figure in Brazilian journalism and sports. In 2000, the annual Campeonato Carioca football tournament was named the Taça Mario Filho in his honor, and in 2021, he was posthumously inducted into the Brazilian Football Museum Hall of Fame.

Mário Filho left an indelible mark on Brazilian journalism through his writing and advocacy for sports and social causes. As a journalist, he was known for his eloquence and passion for his subjects, and he used his platform to bring attention to issues that mattered to him, such as the unjust treatment of poor families and the contributions of black players to Brazilian football. His work helped to shape the cultural landscape of Rio de Janeiro and cemented his legacy as a pioneering journalist and writer. Despite his untimely passing, Mário Filho's contributions to Brazilian culture continue to be celebrated today, and he is regarded as a hero in the world of sports and journalism.

João Nogueira

João Nogueira (November 12, 1941 Rio de Janeiro-June 5, 2000 Rio de Janeiro) also known as João Noguiera, Joao Nogueira or Nogueira, João was a Brazilian singer and composer. His child is Diogo Nogueira.

His most recognized albums: Meus Momentos, Clube Do Samba, , , Além Do Que Os Olhos Podem Ver and .

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Ubiratan Pereira Maciel

Ubiratan Pereira Maciel (January 18, 1944 São Paulo-July 17, 2002 Brasília) was a Brazilian personality.

He was a legendary basketball player, considered one of the best players in Brazilian basketball history. At a height of 2.06 meters (6'9"), he played as a center and was known for his powerful shots and physical presence on the court. Maciel won several titles throughout his career, including four Brazilian men's basketball championships and a gold medal at the 1963 FIBA Americas Championship. Following his retirement from playing, he went on to become a successful coach and sports commentator. In 2000, he was inducted into the Brazilian Basketball Hall of Fame. Maciel passed away from a heart attack at the age of 58.

In addition to his achievements in basketball, Ubiratan was also a lawyer and a politician. After retiring from playing, he obtained his law degree and became a city councilman in São Paulo. He later served as a state representative and was elected to the Brazilian Federal Congress in 1994, where he was an advocate for sports and education. Maciel also worked as a sports commentator for several Brazilian television networks and was known for his insightful analysis and colorful commentary. His legacy in Brazilian sports continues to be celebrated, and he is remembered as a beloved figure and inspiration to many young athletes.

In addition to his professional pursuits, Ubiratan Pereira Maciel also made significant contributions to social causes in Brazil. He was a vocal advocate for racial equality and worked to promote education and sports opportunities for underprivileged children. Maciel established the Ubiratan Maciel Institute, which aimed to provide access to sports and education for children in low-income communities. The institute continues to operate today, helping to shape the lives of young people across Brazil. Maciel was also recognized for his philanthropy and was awarded the Citizen of the Year Award in São Paulo in 1995. His impact on Brazilian culture and society has made him a revered figure and role model for generations to come.

Bernardo Guimarães

Bernardo Guimarães (August 15, 1825 Ouro Preto-March 10, 1884 Ouro Preto) a.k.a. Bernardo Guimaraes or Bernardo Joaquim da Silva Guimarães was a Brazilian poet, novelist, teacher and writer. He had eight children, João Nabor Guimarães, Horário Guimarães, Constança Guimarães, Isabel Guimarães, Affonso Guimarães, José Guimarães, Bernardo Guimarães and Pedro Guimarães.

Guimarães is known as one of the founders of the Brazilian Romanticism literary movement. He was educated in law and initially worked as a public prosecutor, but soon found his true passion in writing. His most famous work is the novel "A Escrava Isaura" (Isaura the Slave), which was later adapted into a popular soap opera in Brazil. Guimarães also wrote numerous other novels, stories, and poetry collections, many of which explored themes of love, nature, and social justice. In addition to his literary work, he was also a respected teacher and held several positions in government service. Guimarães passed away in his hometown of Ouro Preto at the age of 58.

During his lifetime, Bernardo Guimarães wrote over 40 books and is considered to be one of the most important Brazilian writers of the 19th century. In addition to romanticism, his writing was also influenced by the naturalism movement, which sought to depict reality in a more accurate and objective way. Guimarães' works often portrayed the society of his time, including the country's problems with slavery and inequality. He was also an advocate for women's education and empowerment, and his books often featured strong female characters. In addition to his literary legacy, Guimarães is remembered for his contributions as a politician and member of the Brazilian Consulate in Portugal. Today, many of his works are still widely read and studied in Brazilian schools and universities, and he is recognized as an important figure in the country's literary history.

Guimarães began his writing career as a poet, publishing his first collection of poetry at the age of 20. However, it was his romantic novels that gained him widespread recognition and popularity among readers. Besides "A Escrava Isaura", his other notable works include "O Seminarista" (The Seminarian), "O Garimpeiro" (The Gold Digger), and "O Seminarista" (The Seminarist).

Guimarães was also an active and vocal member of the Abolitionist movement in Brazil, advocating for the end of slavery and the equal treatment of all citizens regardless of race or gender. He used his writing to address social issues and injustices, and his works often depicted the harsh realities of life for many people in Brazil at the time.

In addition to his literary and political pursuits, Guimarães was also a prominent member of his community, serving as a member of the municipal council and as the president of the historical and geographical institute of Ouro Preto.

Today, Guimarães' legacy continues to be celebrated in Brazil, with numerous streets, schools, and cultural institutions named in his honor. His works remain an important part of the country's literary canon and have been translated into multiple languages, making him a widely recognized and influential figure in Brazilian literature.

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Eliezer Gomes

Eliezer Gomes (April 2, 1920 Conceição de Macabu-February 12, 1979 Rio de Janeiro) was a Brazilian actor.

Gomes began his acting career in theater, working with the Brazilian director Ziembinski. He later transitioned to film and television, becoming a well-known actor in Brazil during the 1950s and 1960s. He appeared in over 50 films, including the critically acclaimed "Vidas Secas" (1963) and "Terra em Transe" (1967). Gomes was also a talented singer and performed in several musical productions throughout his career. He received several awards for his work in film and theater, including the Governor's Award for Best Actor at the São Paulo Art Biennial in 1971. Despite his success, Gomes struggled with alcoholism and died at the age of 58. His legacy as an actor and singer continues to be celebrated in Brazil.

Throughout his career, Eliezer Gomes was known for his versatility and ability to play a wide range of characters, from comedic to dramatic roles. In addition to his work in film, theater, and music, Gomes was also involved in Brazilian politics and was a vocal advocate for workers' rights. He was a member of the Communist Party of Brazil and participated in several protests and demonstrations during his lifetime. Despite his political affiliations, Gomes is remembered primarily for his contributions to Brazilian arts and culture. His performances in films like "Vidas Secas" and "Terra em Transe" are regarded as some of the best in Brazilian cinema history. To this day, he is celebrated as one of the country's most iconic actors.

Eliezer Gomes was born in a poor family in Conceição de Macabu, a small city in the state of Rio de Janeiro. He worked in several jobs, including as a mail carrier and factory worker, before pursuing his passion for acting. Gomes' career took off after his performance in the play "Orfeu da Conceição" by Vinicius de Moraes, which was later adapted into a film. He quickly became one of Brazil's most sought-after actors and worked with some of the country's most prominent directors, including Glauber Rocha and Nelson Pereira dos Santos.

Gomes was known for his dedication to his craft and often went to great lengths to prepare for his roles. For his role in "Vidas Secas," he lived on a farm for several weeks to understand the daily life and struggles of the characters he was portraying. Similarly, for his role in "Terra em Transe," he spent months researching Brazilian politics and history to fully embody his character.

Despite his reputation as a serious actor, Gomes was also known for his sense of humor and playful personality offstage. He was popular among his colleagues and was known to lift the spirits of those around him with his infectious laughter.

Gomes' impact on Brazilian culture can be seen in the numerous tributes and homages that have been paid to him since his death. In 1980, the Eliezer Gomes Theater was opened in his honor in Uberaba, a city in the state of Minas Gerais. In 2001, he was posthumously awarded the Order of Cultural Merit by the Brazilian government, recognizing his contributions to the arts.

He died as a result of cerebral hemorrhage.

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