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Chilean musicians died at 70

Here are 7 famous musicians from Chile died at 70:

Marta Brunet

Marta Brunet (August 9, 1897 Chile-October 27, 1967) was a Chilean writer.

She was born in Chillán, Chile, and belonged to a family of intellectuals. With a passion for writing from a young age, Brunet's work often explored the complexities of Chilean society, particularly in relation to gender roles and the experiences of rural and indigenous communities. Her most well-known work is the short story collection "Maria Nadie" (1938), which earned her widespread critical acclaim and established her as a pioneering feminist voice in Chilean literature. Brunet was also an active member of the Communist Party and used her writing to advocate for social justice and political change. Despite facing censorship and persecution during her lifetime, her contributions to Chilean literature and politics have continued to inspire generations of writers and activists.

In addition to her writing and activism, Marta Brunet was a prominent figure in Chilean cultural circles. She was a founding member of the Chilean Academy of Language and also served as the director of the National Library in Santiago. Brunet's work as a librarian was particularly influential, as she strove to make books and other resources more accessible to marginalized communities in Chile. Her dedication to promoting literacy and education earned her the nickname "the Lady of the Books." In 1959, Brunet was awarded the National Prize for Literature in Chile, making her the first woman to receive the honor. Throughout her career, Marta Brunet worked tirelessly to elevate the voices of those who were often overlooked in Chilean society, and her legacy continues to inspire social change and literary innovation to this day.

Despite her many achievements, Marta Brunet remained a somewhat enigmatic figure throughout her life. She was known to be intensely private, rarely granting interviews or appearing in public. Some speculate that this was due to the political climate of Chile during her time, as the country was marked by periods of dictatorship and censorship. However, others suggest that Brunet was simply a reserved person by nature, preferring to let her writing speak for itself. Regardless of the reasons for her reticence, Marta Brunet remains one of Chile's most celebrated literary figures, known not only for her groundbreaking feminist perspectives and politically engaged writing, but also for her dedication to promoting access to literature and knowledge for all.

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Carlos F. Borcosque

Carlos F. Borcosque (September 9, 1894 Valparaíso-September 5, 1965 Buenos Aires) also known as Carlos Borcosque, Carlos Francisco Borcosque or Carlos Francisco Borcosque Sánchez was a Chilean screenwriter and film director. His child is called Carlos Borcosque Jr..

Borcosque began his career in the film industry as a screenwriter before transitioning to directing. He worked in both Argentina and Chile, directing and writing for numerous films. Some of his most notable works include "The Story of a Poor Young Man" (1934), "Santos Vega" (1940), and "Don Bildigerno de Saavedra" (1940).

Borcosque was known for his ability to bring humor and wit to his films, often exploring the complexities of human relationships. He was also a pioneer in the use of sound in Latin American cinema, recognizing its potential to enhance the emotional impact of a film.

Despite his success in the film industry, Borcosque faced censorship and persecution due to his leftist political beliefs. He was even expelled from Argentina for a period of time. However, his contribution to the cultural landscape of Latin America remains enduring.

Borcosque's illustrious career in the film industry spanned over three decades, during which he directed more than 30 films. His directorial skills were regularly applauded by critics and audiences alike. In recognition of his contribution to Latin American cinema, Borcosque was awarded the Diploma de Honor by the Argentine Academy of Cinematography Arts and Sciences in 1950.

Apart from his work in cinema, Borcosque was a lover of literature and poetry, and he often incorporated his interests into his films. He was a close friend of renowned Chilean poet Pablo Neruda and worked with him on several projects.

Borcosque's legacy has continued posthumously, with several of his films being restored and screened at film festivals across the world. In 2010, the Chilean government declared him a National Historic Figure, cementing his position as one of the most important filmmakers in the history of Latin American cinema.

Borcosque's influence was not limited to his own cinematic works. He was also a mentor to several Chilean and Argentinean filmmakers who would go on to make significant contributions to the industry. Among his mentees were Lautaro Murúa, Leopoldo Torre Nilsson, and Ricardo Luna.Throughout his career, Borcosque demonstrated a commitment to advancing the art of filmmaking in Latin America. He was instrumental in establishing the University of Chile's School of Cinema in 1947, which was the first school of its kind in the region. Later, in Argentina, he helped found the Escuela de Cine in 1956, which would train several generations of filmmakers.Borcosque's life and work serve as a testament to the power of art in shaping culture and society. His films continue to captivate audiences and inspire filmmakers around the world.

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Monna Bell

Monna Bell (January 23, 1938 Santiago-April 22, 2008) also known as Bell, Monna was a Chilean personality.

Monna Bell was a renowned singer, actress, and television presenter. She started her career as a child singer and her talent was quickly recognized by many in Chile. Monna Bell went on to become a popular figure throughout Latin America and Spain, touring extensively throughout her career.

Aside from her singing talent, Monna Bell was also a successful actress, appearing in films like "El Casto Susano" and "La Verdad Desnuda". She was also well-known for her work in television, hosting shows such as "El Show de Monna Bell" and "Las Estrellas del Año".

Monna Bell is remembered not only for her immense talent but also for her philanthropic work. She was a strong advocate for animal rights and was involved with several organizations dedicated to their welfare.

Despite facing many ups and downs in her personal life, Monna Bell continued to pour her heart and soul into her work. Her music and performances touched the hearts of many and earned her several prestigious awards throughout her career. Monna Bell also remained an inspiration for several aspiring singers and performers in Latin America and Spain. Her legacy continues to live on, with several of her songs and performances still enjoyed by fans all over the world. Her philanthropic work also inspired many to follow in her footsteps, making her an icon in both the entertainment and animal welfare industries.

Monna Bell was born as Nora Escobar, but she later changed her name to Monna Bell to pursue her career in music. Her upbringing was difficult, as she was raised in poverty and grew up singing on the streets to support her family. However, her talent was undeniable, and she was soon discovered by a music producer who saw her perform.

Monna Bell began her music career at the age of nine, and by the time she was a teenager, she was already a well-known singer throughout Chile. She was particularly famous for her performances of bolero and tango music, which became her signature genres. Her singing style was characterized by her powerful voice and emotional expression, which captivated audiences wherever she performed.

In the 1950s, Monna Bell expanded her career beyond Chile and went on to become a star in Latin America and Spain. She recorded numerous albums and performed in many concerts and festivals, receiving critical acclaim for her work. Her popularity reached its height in the 1960s, when she became a regular performer on television shows and movies.

Throughout her career, Monna Bell faced many personal struggles, including a turbulent marriage and health issues. However, she remained dedicated to her music and her fans, and continued to inspire others through her work. After her death, she was mourned by many of her fans and colleagues, who remembered her as a talented and compassionate artist.

She died as a result of stroke.

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Raúl Ruiz

Raúl Ruiz (July 25, 1941 Puerto Montt-August 19, 2011 Paris) also known as Raúl Ernesto Ruiz Pino, Raul Ruiz, Raúl Ruis, Raul Ruíz, Raoul Ruiz or Raul Ruiz Pino was a Chilean film director, screenwriter, television director, writer, film producer, film editor, actor, cinematographer and production designer.

Throughout his career, Raúl Ruiz directed over 100 films, which made him one of the most prolific filmmakers of his time. He was best known for his avant-garde approach to cinema, often blurring the lines between reality and fiction. His notable works include "Three Lives and Only One Death," "Genealogies of a Crime," and "Mysteries of Lisbon." Ruiz started his career in Chile but was exiled due to his political views. He lived and worked in various countries throughout his life, including France and the United States, where he taught film at Harvard University. In recognition of his contributions to cinema, he received numerous awards, including the Lifetime Achievement Award from the Locarno International Film Festival in 2010.

Ruiz was born in Puerto Montt, Chile, and spent his childhood in southern Chile. He studied theology and law before turning to filmmaking. His first feature film, "Three Sad Tigers," was released in 1968, and it quickly established him as a key figure in the New Chilean Cinema movement. However, following the military coup in Chile in 1973, Ruiz was forced to flee the country and went into exile in France.

In France, Ruiz continued to produce an impressive body of work, often collaborating with French cinematographer and longtime friend, Bruno Delbonnel. His films were known for their dreamlike imagery, complex narratives, and surrealist elements. Ruiz also developed a reputation as a master of the "metaphysical thriller" genre. His films often explored themes related to identity, memory, and the subconscious.

In addition to his prolific career as a filmmaker, Ruiz was also an accomplished author, having published numerous novels, plays, and essays. He was a highly respected figure in the world of cinema, and his work has had a significant influence on generations of filmmakers who have followed in his footsteps.

Despite his success and acclaim, Ruiz remained a humble and unassuming figure throughout his life. He once said in an interview, "I'm just someone who makes films. I'm happy to be able to do this, and I hope that people enjoy them."

Throughout his career, Raúl Ruiz was known for his unique and unconventional approach to filmmaking. He was famous for his use of long takes, complex camera movements, and nonlinear storytelling. His films often had multiple storylines that intersected and characters that were not always what they seemed. Ruiz was also known for his use of allegory and symbolism to explore deeper philosophical themes. He was a filmmaker who never shied away from pushing the boundaries of the medium, and his films continue to be studied and admired by critics and cinephiles around the world.

In addition to his work as a filmmaker and author, Ruiz was also a respected teacher of cinema. He held positions at universities and institutions around the world, including Harvard University, Le Fresnoy Studio National des Arts Contemporains in France, and the University of Chile. He was known for his generosity and kindness towards his students and for his ability to inspire and encourage young filmmakers.

In recognition of his contributions to cinema, Ruiz received numerous awards and honors throughout his career. In addition to the Lifetime Achievement Award from the Locarno International Film Festival, he also received the Orson Welles Award from the Sitges International Fantastic Film Festival, the International Critics' Prize at the Cannes Film Festival, and the Grand Prix at the Venice Film Festival, among others.

Raúl Ruiz's legacy continues to inspire and influence filmmakers around the world. His films are notable for their daring and experimental approach to storytelling, and for their ability to challenge audiences to think beyond the surface of the narrative. Despite his passing, his impact on cinema remains profound, and his work will continue to be celebrated for years to come.

He died caused by lung infection.

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Mario Góngora del Campo

Mario Góngora del Campo (June 22, 1915 Santiago-November 18, 1985 Santiago) a.k.a. Mario Góngora was a Chilean personality.

He was a prominent historian, academic, and writer, specializing in the social, political, and economic history of Chile. Góngora received his education at the University of Chile, where he went on to become a professor of history. He went on to hold numerous academic positions and served as a visiting professor at several universities in Europe and the United States.

In addition to his academic accomplishments, Góngora was also a political activist involved in the socialist movement in Chile. He was a founding member of the Chilean Socialist Party and held various government positions under the presidency of Salvador Allende.

Góngora was a prolific writer and his works include several influential books on Chilean history including "La agonía de una democracia: la democracia cristiana y el gobierno de Allende" and "La historiografía chilena en el siglo XX." His works not only shed light on Chilean history but also shaped critical approaches to Latin American historiography.

In recognition of his contributions to Chilean society and culture, Góngora was awarded the National Prize for Humanities and Social Sciences in 1984.

Mario Góngora remains an important figure in Chilean history and his legacy continues to have an impact on the country's social, political, and intellectual landscape.

Throughout his career, Góngora was known for his critical and non-dogmatic approach to history, which set him apart from many of his contemporaries. He believed that history should not simply be a record of events but must be understood in the socio-economic and political context of the time. As a result, he was able to provide insightful analyses of Chilean history that challenged prevailing narratives and provided new perspectives.

Góngora's political activism continued throughout his life, and he remained committed to socialist principles despite the political turmoil and violence that characterized Chile in the 1970s. He was persecuted by the Pinochet dictatorship, which forced him to go into exile in 1973. He returned to Chile in 1983 and continued to write and teach until his death in 1985.

His contributions to Chilean and Latin American historiography continue to be recognized, and his work is still read and studied by scholars in the region and beyond. His ideas and insights into the complex and often difficult history of Chile have helped to shape a more nuanced and critical understanding of the country's past and present.

Góngora's influence on Chilean historiography extended beyond the academic sphere. He was also involved in the cultural and artistic world of Chile, using his knowledge of history to inform and inspire creative works. He was involved in the creation and management of cultural centers such as the Casa de las Américas in Santiago and the Casa del Escritor in Valparaíso. He also acted as a mentor to younger writers and intellectuals, encouraging them to embrace a critical and non-dogmatic approach to their work.In addition to his contributions to the study of Chilean history, Góngora was also a passionate advocate for democracy and social justice throughout Latin America. He believed that historical knowledge could be used as a tool for social change and encouraged his students and colleagues to use their work to shed light on the struggles and aspirations of the region's people. Góngora's legacy continues to inspire those who seek to understand and transform the historical, social, and political realities of Latin America.

Rafael Frontaura

Rafael Frontaura (February 7, 1896 Valparaíso-August 15, 1966 Santiago) also known as Rafael Fontaura, Rafael Frontura or Rafael Frontaura de la Fuente was a Chilean actor and screenwriter.

Frontaura was one of the pioneers of Chilean cinema, acting in and writing scripts for a number of films during the 1920s and 1930s. He began his acting career in theater in the early 1900s before transitioning to film. Some of his most notable film roles include "Los Compadres" (1925), "El Húsar de la Muerte" (1925), and "Manuel Rodríguez" (1942).

In addition to his work in film, Frontaura was also a well-known figure in Chilean society. He was a member of the Chilean Academy of Fine Arts and a respected journalist and writer. Frontaura's contributions to Chilean culture were recognized with the National Prize for Art and Culture in 1949.

After a long and distinguished career, Frontaura passed away in Santiago in 1966, leaving behind a legacy as one of Chile's most significant cultural figures.

Frontaura was born in Valparaíso and grew up in a family of artists. His mother was a pianist and his father was a painter, so he was naturally drawn to the arts from a young age. He studied at the National Conservatory of Music in Santiago and later traveled to Europe to further his studies in theater and opera.

When he returned to Chile, Frontaura joined the National Theater Company and performed in a number of plays, quickly establishing himself as a talented actor. He made his film debut in "El Último Húsar" (1919), a silent film that was one of the first produced in Chile.

Frontaura's talents as a writer also came to the fore, and he was soon writing scripts for films as well as acting in them. He co-wrote the script for "El Húsar de la Muerte", a film that is considered a milestone in Chilean cinema history, and played the leading role in the film.

In addition to his work in film and theater, Frontaura was a noted journalist and writer. He wrote for several newspapers and magazines, including El Mercurio and Zig-Zag, and published several books on cinema, theater, and art.

Frontaura's contributions to Chilean arts and culture were significant and enduring. He inspired and influenced many actors and filmmakers who followed in his footsteps, and his legacy lives on in the film and theater productions of Chile today.

Frontaura was a versatile artist who was not only an accomplished actor, screenwriter, and journalist but also a painter and a poet. He was a member of the University of Chile's faculty of fine arts and taught painting for several years. As a poet, he published two books of poetry, "Elegías" and "La Timidez Rebelde," that showcased his poetic sensibility and mastery of verse.

Frontaura's artistic sensibility was shaped by his travels to Europe, where he was exposed to avant-garde European art movements such as expressionism and surrealism. He brought back these influences to Chile and was instrumental in introducing new artistic currents into the country's cultural scene.

Frontaura's work was not only influential in Chile but also recognized internationally. He was invited to participate in several international film festivals, where his work was received with critical acclaim. He was also recognized with the Order of the Legion of Honor by the French government for his contributions to the arts.

Frontaura's legacy continues to be celebrated in Chile, where he is regarded as one of the country's most important cultural figures. The Rafael Frontaura Foundation was established in his honor to promote and preserve his work and legacy.

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José Miguel Barriga Castro

José Miguel Barriga Castro (June 14, 1816 Los Andes-September 3, 1886) was a Chilean personality.

He was a lawyer, journalist, and politician who played a significant role in the political history of Chile. He was one of the framers of the Chilean Constitution of 1833 and served as a member of the Chamber of Deputies from 1855 to 1864. He also held various positions in the government, including Minister of Finance and Minister of Foreign Affairs. Barriga was a prominent member of the Conservative Party and supported the conservative president Manuel Montt during his administration from 1851 to 1861. Additionally, he founded and directed several newspapers, including El Mercurio de Valparaíso, one of the oldest and most influential newspapers in Chile. Barriga was regarded as an intellectual and a defender of the ideas of Catholic conservatism, and his contributions to Chilean politics and journalism have had a lasting impact on the country.

Apart from his political and journalistic career, Barriga was also a prolific writer and scholar. He published several books, including a biography of the Chilean president Bernardo O'Higgins and a history of the War of the Pacific. He was a member of the Chilean Academy of Language and was recognized as one of the most prominent intellectuals of his time.

Barriga was also known for his philanthropy and social activism. He was one of the founders of the Hospice of the Immaculate Conception, a charity institution that provided free medical care and shelter to the poor and the sick. He also supported education and was involved in the creation of several schools and cultural institutions in Chile.

Barriga's legacy continues to be celebrated in Chile as a champion of conservatism, cultural heritage, and social justice. His contributions to journalism, politics, and literature have made him one of the most revered figures in Chilean history.

In addition to his political and intellectual pursuits, José Miguel Barriga Castro was a devoted family man. He married Felicitas Hurtado, and they had several children together. His son, José Miguel Barriga Hortal, also became a prominent politician and was a member of the Chilean Senate. Barriga's home in Santiago, known as the Casa Barriga, was a gathering place for intellectuals and elites of his time and has since been recognized as a National Monument of Chile. Today, Barriga is remembered as a key figure in shaping the political and cultural landscape of Chile in the 19th century, and his contributions continue to be studied and celebrated by historians and scholars.