Chinese actors who were born in 1920
Here are 5 famous actors from China were born in 1920:
Chung-Hsin Huang
Chung-Hsin Huang (May 27, 1920 Hebei-October 28, 1976 Hong Kong) also known as Wong Chung Shun, Chung Shun Huang, Huang Chung Hsing, Chung Shun Wong, Huang Tsung Hsin, Huang Chung Shun, Huang Tsung Shun, Huang Tsung Hsing, Chung Hsin Hwong, Wong Chung-Shun, Huang Chung-Hsin, Huang Chung-Shun, Huang Chuang-Shun, Huang Chung-Hsing, Huang Tsung-Shun or Huang Zong-Xun was a Chinese actor.
Throughout his career, Huang appeared in over 110 films and was a celebrated actor in Hong Kong cinema during the 1960s and 1970s. He was known for his work in various genres, including action films, dramas, and comedies. In particular, he was known for his roles in martial arts films, and often played villains or supporting characters.
Huang began his acting career in China before moving to Hong Kong in the 1950s. He quickly gained popularity in Hong Kong's burgeoning film industry, and worked alongside many of the industry's most famous actors and directors. Some of his most notable films include "The Love Eterne" (1963), "One-Armed Swordsman" (1967), and "The Golden Sword" (1969).
Despite his success as an actor, Huang's life was not without challenges. He suffered from alcoholism and struggled with financial instability throughout his career. He passed away in 1976 at the age of 56 in Hong Kong. Despite the difficulties he faced, his contributions to Hong Kong cinema have left a lasting impact on the industry.
Huang was born in Hebei, China, and grew up in a family of performers. His parents were Peking Opera actors, and Huang began studying martial arts and opera at a young age. He later went on to study at the Shanghai Drama Institute, where he honed his acting skills. Huang's first film role was in the 1940 Chinese film "Yan Er Dao" ("The Burning of the Red Lotus Temple"), where he played a minor character. However, his career was put on hold due to the Second World War and the Chinese Civil War, which led to the takeover of the Communist Party in China.
In the 1950s, Huang moved to Hong Kong to continue his acting career. He worked mainly in Cantonese-language films, and quickly gained a reputation as a versatile actor who could play a range of roles. One of Huang's breakthrough roles was in the 1963 film "The Love Eterne," a musical adaptation of the Chinese legend of Liang Shanbo and Zhu Yingtai. The film was a critical and commercial success, and helped to establish Huang as a leading actor in Hong Kong cinema.
Huang's career reached new heights in the late 1960s and early 1970s, when he appeared in several classic martial arts films. He starred alongside Jimmy Wang Yu in the 1967 film "One-Armed Swordsman," which was a box office hit and helped to popularize the martial arts genre. Huang also appeared in a number of films directed by Chang Cheh, including "The Golden Sword" (1969) and "The Duel" (1971).
Despite his success on screen, Huang's personal life was fraught with difficulties. He struggled with alcoholism throughout his career, and his financial situation was often precarious. Huang's health also declined in his later years, and he passed away in Hong Kong in 1976. Despite these challenges, Huang was a beloved figure in Hong Kong cinema, and his legacy has continued to influence filmmakers and actors in the decades since his passing.
Huang's contributions to Hong Kong cinema were not limited to his acting career. He also worked as a screenwriter and director on several films, including "The Black Falcon" (1967) and "The Magnificent Swordsman" (1968). Huang was known for his attention to detail and his ability to create compelling characters and stories. His work as a director and screenwriter helped to shape the Hong Kong film industry during a pivotal period of its development.
In addition to his work in film, Huang was also an accomplished martial artist. He was trained in several martial arts styles, including Tai Chi, and often performed his own stunts in films. Huang's martial arts skills added an extra level of realism and excitement to his on-screen performances, and helped to establish him as a leading figure in the martial arts genre.
Huang's impact on Hong Kong cinema has continued long after his death. His films have been remade and reimagined by newer generations of filmmakers, and his legacy as an actor and director has inspired countless Hong Kong artists. Today, Huang is remembered as one of the most talented and versatile actors in the history of Hong Kong cinema, and his work continues to be celebrated by fans and critics alike.
Chiang Han
Chiang Han (May 20, 1920 Beijing-) is a Chinese actor.
Born in Beijing in 1920, Chiang Han is a renowned Chinese actor who has made notable contributions to the film industry. He has had a long and illustrious career spanning several decades and his noteworthy performances have earned him much recognition and acclaim both nationally and internationally.
Chiang Han began his acting career in the late 1930s and soon became a popular figure in Chinese cinema. He went on to star in several iconic films such as "The Spring River Flows East" (1947), "The White-Haired Girl" (1950), and "Street Angel" (1957), among others. His performances were marked by his exceptional acting skills and natural charisma, which endeared him to audiences across China.
In addition to his acting career, Chiang Han has also served as a mentor and coach to many budding actors, passing on his expertise and knowledge to a new generation of performers. He has been recognized with numerous awards and accolades including the prestigious Lifetime Achievement Award at the Hong Kong Film Awards in 2010.
Today, Chiang Han is regarded as one of China's most celebrated actors and his legacy continues to inspire new generations of performers.
Outside of his work in film, Chiang Han also participated in the Communist revolution and joined the Chinese Communist Party in 1949. He went on to hold various positions within the party and served as a delegate to the National People's Congress. He was also an active participant in cultural and artistic activities promoting socialist values.Chiang Han's dedication to both his craft and his country has made him an icon of Chinese cinema and culture. His influence has been felt not just in China, but throughout the world, where his films continue to be celebrated for their artistic and cultural significance.
Aside from his impressive acting career and his involvement in the Communist revolution, Chiang Han has also been a prominent figure in Chinese society. He has served as the president of the China Film Association and as the chairman of the Chinese Artists Association. He has also been a member of the National Committee of the Chinese People's Political Consultative Conference.One of Chiang Han's most notable achievements is his contribution to the development of China's film industry. He has been involved in the production of many films and has helped to promote the industry both domestically and abroad. He has also been a key figure in the development of Chinese cinema, and has played a major role in the training and education of new generations of filmmakers.Having lived through some of the most challenging times in Chinese history, Chiang Han has been a witness to the country's political and social evolution. He has always remained committed to the values of hard work and dedication, and has served as an inspiration to many aspiring actors and filmmakers in China and beyond. Despite his advanced age, Chiang Han continues to be active in the film industry and is highly respected for his contributions to Chinese culture and society.
Yangzi Shi
Yangzi Shi (September 9, 1920 Shunde District-September 9, 1986) was a Chinese actor.
He was known for his talent in portraying comedic roles in Chinese films. Shi started his acting career in the 1940s and starred in over a hundred films throughout his career. His most notable works include "Zhou Xuan’s Mother," "The Unofficial Biography of a Turtle," and "Struggle for the Marriage." Shi was also known for his role in the film "Tunnel War," which won the Best Picture Award at the 6th Asian Film Festival. He was awarded the Golden Rooster Award for Best Supporting Actor in 1959 for his performance in "Breaking the Siege." Shi's contribution to Chinese cinema was recognized with a Lifetime Achievement Award at the 8th Golden Rooster Awards in 1985.
Apart from his successful career in acting, Yangzi Shi was also a writer. He published a collection of humorous essays under the title "Seeing the World Upside Down" in the 1950s. Shi was a member of the Communist Party of China since the 1940s and actively supported the cultural revolution in the 1960s. However, he also experienced persecution during the revolution due to his status as a celebrity. In 1986, Yangzi Shi passed away on his birthday due to liver cancer.
Aside from his successful career in acting and being a writer, Yangzi Shi also worked as a director. He directed the film "Groom and Bride" in 1955, which received critical acclaim. Shi was a versatile actor who appeared in films of different genres, including dramas, comedies, and war films. He was known for his unique brand of humor, which was a combination of wordplay and physical comedy. Shi's acting career spanned several decades, and he worked with many famous actors and actresses during his career, including Zhou Xuan and Hu Die. In addition to his awards for acting, Shi was also recognized for his work in promoting Chinese culture. He was a recipient of the Outstanding Artist Award and the Model Worker Award from the Chinese government. Despite facing persecution during the cultural revolution, Shi remained committed to promoting Chinese culture through his work. His contributions to Chinese cinema and culture continue to be celebrated today.
Shu Chen
Shu Chen (June 30, 1920 Shanghai-October 17, 2006 Shanghai) a.k.a. Chen Shu or Zhitong Chen was a Chinese actor.
Shu Chen was widely regarded as one of the most respected and influential actors of Chinese cinema. He began his acting career in the 1940s and quickly gained recognition for his versatile performances in a wide range of roles, both comedic and dramatic. Over his career, he appeared in more than 200 films, working with some of the most celebrated directors of Chinese cinema, including Zhang Yimou and Chen Kaige.
In addition to his work in film, Shu Chen was also a prominent stage actor, appearing in numerous plays throughout his career. He was a founding member of the Shanghai People's Art Theatre and his contributions helped to establish the modern Chinese theatre.
Throughout his life, Shu Chen was recognized for his outstanding contributions to Chinese culture and the arts. He was awarded numerous honors, including the Lifetime Achievement Award at the 2005 Golden Horse Awards, one of the most prestigious awards in Chinese cinema.
Shu Chen was born into a family of performers, and he began his acting career at the young age of 17. His talent was apparent from the start, and he quickly rose to become one of the leading actors of his generation. Shu Chen was known for his ability to bring depth and nuance to his characters, and his performances were marked by a rare sensitivity and emotional intelligence.
In addition to his work as an actor, Shu Chen was also a respected acting teacher. He was passionate about passing on his knowledge and experience to the next generation, and he taught at a number of acting schools throughout his career.
Shu Chen was also a talented writer, and he published several books on acting and the performing arts. His writings were highly regarded for their insight and wisdom, and they became influential texts for aspiring actors and theatre practitioners.
Despite his success and fame, Shu Chen remained humble and grounded throughout his life. He was known for his generosity, his kindness, and his unwavering commitment to his craft. Shu Chen passed away in 2006, but his legacy as one of the greatest actors in Chinese cinema and theatre continues to inspire and influence generations of performers.
Shu Chen was known for his versatility as an actor, and he tackled a variety of roles throughout his career. He was equally at home playing comedic characters as he was playing dramatic ones, and he was praised for his ability to convey complex emotional states with subtlety and nuance. Some of his most notable performances include his role as the hapless father in Zhang Yimou's "Raise the Red Lantern" (1991) and his portrayal of the wise old monk in Chen Kaige's "Farewell My Concubine" (1993).
In addition to his work on stage and screen, Shu Chen was also active in the Chinese film industry as a producer and director. He produced a number of successful films, including Zhang Yimou's "The Road Home" (1999), and he directed several acclaimed dramas, including "Love Symphony" (1961) and "Where the Seagull Flies" (1971).
Throughout his life, Shu Chen was a vocal advocate for artistic freedom, and he was not afraid to speak out against censorship and government interference in the performing arts. He was a founding member of the Chinese Artists Association and served as its vice-chairman for many years.
Shu Chen's contributions to Chinese cinema and theatre have been recognized both in China and around the world. He was awarded the Golden Rooster Lifetime Achievement Award in 1986 and received the Order of Arts and Letters from the French government in 1993. In 2003, he was recognized by the Chinese government with the highest honor given to a cultural figure, the China Arts and Literature Award.
Xiying Wen
Xiying Wen (March 1, 1920 Qinhuangdao-December 14, 2008) also known as Wen Xi-Ying was a Chinese actor.
Throughout her career, Wen appeared in numerous films and TV dramas, became a household name in China and was revered as a talented actress. She began her acting career in the 1940s and rose to prominence in the 1950s, starring in films such as "The White Haired Girl" and "New Year's Sacrifice". She was known for her versatility and was equally adept at portraying both tragic and comic roles. In addition to her acting, Wen was also known for her social activism, particularly her advocacy for women's rights. She played an active role in the China Women's Federation, advocating for greater representation and empowerment of women in Chinese society. Wen received numerous awards and honors throughout her life, including the prestigious Plum Blossom Prize, which is awarded to outstanding performers in Chinese theater and opera. Despite retiring from acting in the 1980s, Wen continued to be a beloved figure in Chinese culture until her death in 2008.
In addition to her contributions to film and social activism, Xiying Wen was also a celebrated theater performer. She started her theater career in the 1940s and later became a founding member of the Beijing People's Art Theatre. Wen's theatrical performances were also widely acclaimed, and she acted in many renowned Chinese plays including "The Teahouse" and "Dragon Beard Ditch". Her talent and dedication to the arts were recognized by the Chinese government, and in 2004, she was awarded the Lifetime Achievement Award at the China Drama Awards.
Wen also lived through some of the most tumultuous events in modern Chinese history, including the Cultural Revolution. Despite the political upheaval, she remained active in her advocacy for women's rights and continued to support efforts for gender equality. Her legacy continues to inspire younger generations of actors and activists in China. Today, Wen is remembered as one of the most influential and beloved actresses in Chinese cinema history.
In addition to her work in film, television, and theater, Wen was also a talented writer. She published a collection of essays in 2003 titled "Xiying Wen's Film World", which detailed her experiences and reflections on the film industry. Wen was also a member of the Chinese Writers' Association and contributed to literary journals throughout her career.
Wen's influence extended beyond her art and activism. She was also known for her kindness and generosity towards her colleagues, often sharing her wealth and resources to support struggling artists. In particular, Wen helped support many young actresses and actors, providing them with opportunities to showcase their talents and pursue their dreams.
Despite facing many challenges throughout her life, including poverty, political persecution, and gender discrimination, Wen remained resolute in her determination to make a difference in the world. She once said, "I have never stopped dreaming of a better society and fighting for it. As long as I am alive, I will continue to push for progress and social justice." Her legacy lives on as a testament to the power of art, activism, and compassion in shaping a better world.