Chinese actors who were born in 1929

Here are 5 famous actors from China were born in 1929:

Cunzhuang Ge

Cunzhuang Ge (January 13, 1929 Raoyang County-) otherwise known as Ge Cuen-Zhuang is a Chinese actor. He has two children, Ge You and Ge Jia.

Cunzhuang Ge began his acting career in the 1950s, performing in various plays and films in China. He is recognized for his versatile acting skills and his ability to portray a wide range of characters. He has acted in numerous films such as "Old Well" (1986), "Farewell My Concubine" (1993), and "To Live" (1994). He has also been awarded several honors for his contribution to the Chinese film industry, including a Lifetime Achievement Award from the China Film Association in 2010. In addition to his successful acting career, Cunzhuang Ge is also known for being the father of renowned Chinese actor Ge You and for influencing his son's decision to pursue acting.

Despite being born in poverty, Cunzhuang Ge's talent and passion for acting helped him rise to fame. He was a member of the prestigious Beijing People's Art Theatre and performed in many notable productions. His breakthrough role came in the 1986 film "Old Well," which was widely praised both domestically and internationally. He continued to act in films and television dramas throughout the 1990s and 2000s, and his performances have earned critical acclaim and numerous awards. In addition, Cunzhuang Ge has also served as a mentor to younger actors and actresses, sharing his knowledge and experience with the next generation of performers. Despite being in his nineties, he remains active in the Chinese film industry and continues to inspire others with his passion for acting.

Cunzhuang Ge's impact on the Chinese film industry extends beyond his own performances. He is credited with encouraging and supporting the careers of other successful actors and actresses, including his son Ge You. In addition, he has also played a key role in mentoring many theater and film directors. His contributions have been recognized by several major awards in China, including the Chinese Film Directors Association Lifetime Achievement Award in 2017. Despite his busy acting career, Cunzhuang Ge has also been involved in philanthropic work and has donated to various charities throughout China. He is highly respected in the Chinese film industry for his talent, generosity and commitment to making great art.

Peter Chen Ho

Peter Chen Ho (July 1, 1929 Shanghai-April 16, 1970 New York City) a.k.a. Hou Chen or Shanghou Chen was a Chinese actor.

Peter Chen Ho began his acting career in Hong Kong in the 1950s and quickly gained fame for his talent in martial arts films. He starred in over 40 films in Hong Kong and Taiwan, including classics such as "The Magnificent Concubine" and "The Lovers". In the 1960s, he moved to the United States where he continued to act in films, including "The Green Berets" with John Wayne.

Aside from his career in film, Peter Chen Ho was also a talented artist and calligrapher. He studied at the Shanghai School of Fine Arts and later became involved in the New York Chinese Calligraphers Association. Chen Ho tragically died at the age of 41 from a heart attack while filming a movie in New York City, leaving behind a legacy in the Hong Kong film industry.

Peter Chen Ho was born on July 1, 1929, in Shanghai, China, and was the eldest of seven siblings. His father was a businessman, and his family was quite well-off. In his teen years, Chen Ho was already showing an interest in the arts, and he started studying at the Shanghai School of Fine Arts. After graduating, he joined the China Art Film Studio, where he began his acting career.

During his early acting years, Chen Ho worked alongside many other renowned actors of his time, including Grace Chang, Lin Dai, and Jimmy Wang Yu. He soon gained a reputation for his exceptional martial arts skills, and many of his popular movies of the 1950s and 1960s were action films.

In the latter part of his career, Chen Ho began acting in American films like "The Green Berets" and "Dimension 5". He was also a talented calligrapher and painter, and his works were widely exhibited in China, Hong Kong, Taiwan, and the United States.

Despite his success, Chen Ho suffered from heart disease throughout his life. He passed away on April 16, 1970, while filming a movie in New York City, leaving behind his wife and two children. Chen Ho's contributions to the world of films, martial arts, and arts are remembered to this day.

Over his career, Peter Chen Ho received several awards and recognitions for his acting and artistic talents. In 1959, he won the Best Supporting Actor Award at the Asia Pacific Film Festival for his role in the film "Orphan Girl". Later in 1966, he won the Golden Horse Award for Best Leading Actor for his role in "Dragon Inn". Chen Ho was also a founding member of the Chinese Performing Artists Association in the United States, where he advocated for greater representation and recognition of Chinese artists in American media.

In addition to his creative pursuits, Chen Ho was also known for his philanthropic efforts. He often donated his time and resources to support charitable causes and organizations, particularly those that focused on education and public health in his native China. His legacy lives on, not just through his contributions to entertainment and art but also through his dedication to serving others.

Paul Wei Ping-ao

Paul Wei Ping-ao (November 29, 1929 Nanjing-December 3, 1989 Hong Kong) also known as Ngai Ping Ngo, Ping-Ao Wei, Wei Pin Au, Yue Ping Au, Paul Wei Ping-Ao, Wei Ping-Aou, Newton Wei, Ping-Ou Wei, Wei Ping-Ao, Paul Wei, Ngai6 Ping4-ou3 or Wei Ping'ao was a Chinese actor.

He started his career in the film industry during the 1950s, appearing in over 70 films in Hong Kong and Taiwan. He is perhaps best remembered for his roles in martial arts films, particularly those directed by King Hu, such as "Dragon Inn" and "A Touch of Zen". In addition to acting, he also worked as a stunt choreographer.

Wei Ping-ao was a versatile actor, known for his ability to play both heroic and villainous roles with equal skill. He was also a skilled martial artist, having trained in various styles including Tai Chi and Wushu. Wei Ping-ao's contributions to the film industry earned him several accolades, including the Golden Horse Award for Best Supporting Actor in 1971 and the Lifetime Achievement Award from the Hong Kong Film Awards in 1989.

Wei Ping-ao passed away on December 3, 1989, at the age of 60. He left behind a legacy as one of the most respected actors and martial artists in the history of Chinese cinema.

Wei Ping-ao was born in Nanjing, China, and grew up in a family that was involved in the arts. His father was a musician and his mother was an actress, which likely influenced his interest in the film industry. After completing his education, Wei Ping-ao began his acting career in the 1950s, working for studios in Hong Kong and Taiwan.

His talent was quickly recognized and he became known for his roles in martial arts films. Wei Ping-ao worked with some of the most acclaimed directors and actors of his time, including King Hu and Bruce Lee. In addition to being an accomplished actor, Wei Ping-ao was also a gifted stunt choreographer, and his skills were highly sought-after in the industry.

Outside of his work in film, Wei Ping-ao was known for his philanthropy and community service. He was involved in several charities and social organizations, and was highly respected for his dedication to helping others.

Wei Ping-ao's contributions to the film industry were recognized with numerous awards and honors throughout his career. Even after his passing, his legacy continues to influence and inspire generations of actors and martial artists in China and around the world.

Wei Ping-ao was known for his dedication to his craft, often putting in long hours and going to great lengths to perfect his performances. He was also deeply committed to his country and was a vocal advocate for Chinese culture and identity, promoting these ideals through his work in film and his involvement in cultural organizations.

Despite his success, Wei Ping-ao remained humble and was respected by his colleagues for his professionalism and kindness. He was known for his generosity and would often share his expertise with younger and less experienced actors.

After his death, Wei Ping-ao's legacy continued to grow, with many of his films becoming cult classics and his influence on the martial arts genre being widely acknowledged. His contributions to Chinese cinema were also recognized with posthumous honors, including induction into the Hong Kong Film Awards Hall of Fame.

Today, Wei Ping-ao is remembered as a legend of Chinese cinema, whose talent, dedication, and passion for his craft continue to inspire and influence actors and film-makers around the world.

Ying Ruocheng

Ying Ruocheng (June 21, 1929 Beijing-December 27, 2003 Beijing) a.k.a. Ying Ruocheng or Ruocheng Ying was a Chinese actor, playwright, politician and translator. He had one child, Da Ying.

Ying Ruocheng was well-known for his role in the 1987 film "The Last Emperor" directed by Bernardo Bertolucci, where he played the character of the Governor of the Imperial City. He was also a respected stage actor in China and was the Vice Minister of Culture in China. Apart from acting and politics, Ying was also a prolific writer and translator, particularly known for his translations of Shakespeare's plays into Chinese. Furthermore, Ying played a significant role in bringing traditional Chinese theater to the west, with productions like "Teahouse" and "Rickshaw Boy". He was awarded several honors throughout his career, including the Lifetime Achievement Award at the 16th Tokyo International Film Festival.

As a young man, Ying Ruocheng studied at the Central Academy of Drama in Beijing and later on at the Royal Academy of Dramatic Art in London, where he further honed his skills in acting. During the Cultural Revolution in China, Ying had to temporarily abandon his career in entertainment and instead worked in fields and factories to avoid being persecuted. Despite this, he was able to return to acting after the revolution and became a prominent figure in the burgeoning Chinese film industry.

Aside from his work in theater and film, Ying also had a deep interest in politics. In 1983, he served as China’s Deputy Minister of Culture, a position he held until 1989. He remained an important political figure in China for the rest of his life, and was a key player in the country’s efforts to modernize its cultural institutions.

Throughout his career, Ying was regarded as one of China’s greatest actors, and was widely respected both in China and abroad. In addition to his work in film and theater, he was also an accomplished calligrapher and a passionate collector of Chinese art.

Ying passed away in 2003 at the age of 74 due to lung cancer. He is remembered as a trailblazer who helped to bridge the gap between Chinese and Western culture, and as one of the most talented performers of his generation.

Ying Ruocheng was not just talented in acting and politics, but he was also a polyglot. He was fluent in English, French, and Japanese in addition to his native Chinese. This skill allowed him to work on international film sets with ease and helped him to translate works from different languages into Chinese. Ying was a dedicated teacher and mentor to many aspiring actors as well. He taught drama at the Central Academy of Drama in Beijing, where he had studied years earlier, and he also taught at the University of California, Berkeley, where he became a visiting professor in 1987.Ying's contribution to Chinese and world cinema is immeasurable. He was a proud ambassador of Chinese culture, introducing it to broader audiences worldwide, and he is remembered as one of China's greatest actors and cultural figures.

Fu Chi

Fu Chi (May 24, 1929 Kangping County-) also known as Fu Qi, Foo Kei, Fu Che or Fu Guo-Liang is a Chinese film producer and actor. His child is called Gigi Fu.

Fu Chi started his career as an actor in the 1950s, working in both films and television dramas. He later transitioned into producing, and has been involved in the production of over 100 films throughout his career. Some of his most notable productions include "The Killer" (1989), "Hard Boiled" (1992), and "Red Cliff" (2008).

Aside from his work in film, Fu Chi is also known for his philanthropy. He has donated millions of dollars for various causes, including disaster relief efforts and education initiatives. He has also served as a member of the Chinese People's Political Consultative Conference, a political advisory body in China.

Fu Chi was born on May 24, 1929, in Kangping County, Liaoning, China. He first became interested in acting as a teenager and went on to study drama at the Northeast Drama Academy. After graduating, he began his career as an actor in the 1950s, appearing in a number of films and TV dramas. He gained recognition for his performances in films such as "Street Angel" (1957) and "The Big Road" (1960).

In the late 1960s, Fu Chi started to produce films, and his first production was the film "Little Black Mountain" (1969). He went on to produce many successful films, including "The Killer" (1989), which was directed by John Woo and starred Chow Yun-fat, and "Hard Boiled" (1992), another John Woo film featuring Chow Yun-fat in the lead role. Fu Chi's most expensive production was "Red Cliff" (2008), a historical epic directed by John Woo that had a budget of over $80 million.

Aside from his work in the film industry, Fu Chi has been involved in many philanthropic endeavors. He has donated millions of dollars to various charities and causes in China, including disaster relief efforts, education initiatives, and cultural preservation projects. He has also served as a member of the Chinese People's Political Consultative Conference, an advisory body to the Chinese government.

Fu Chi has been recognized for his contributions to the film industry with numerous awards, including the Lifetime Achievement Award at the Hong Kong Film Awards in 2009.

In addition to his successful career and philanthropic efforts, Fu Chi has also been a mentor to many young filmmakers in China. He has established programs to support and train aspiring filmmakers, and has been instrumental in promoting the Chinese film industry both domestically and internationally. Despite his age, Fu Chi remains active in the film industry and continues to produce films. He is widely respected in China as a cultural icon and a leading figure in the film industry.

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