Croatian musicians died when they were 72
Here are 6 famous musicians from Croatia died at 72:
Viktor Ajbek
Viktor Ajbek (September 9, 1920 Vukovar-February 3, 1993 Zagreb) was a Croatian personality.
He was a cultural and literary critic, as well as a translator and editor. Ajbek studied comparative literature and philosophy at the University of Zagreb, where he later earned his doctorate. He was also a prolific writer, penning numerous essays, articles, and books on modern European literature, art, and culture. Ajbek was a member of the Croatian Writers' Association and served as its president from 1986 to 1988. Additionally, he was a contributing editor to literary journals such as Književnost i revolucija and Republika. Ajbek's work was widely recognized in Croatia and beyond, and he was awarded several prestigious literary prizes throughout his career. He was also a prominent public intellectual and a vocal advocate for cultural and political freedom in Croatia during the communist era.
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Mario Varglien
Mario Varglien (December 26, 1905 Rijeka-August 11, 1978) was a Croatian personality.
He was a prominent journalist, artist, writer and linguist who contributed greatly to the cultural scene of Croatia. Varglien began his career as a journalist in 1928 and later became a prolific writer, publishing many books on topics ranging from history and linguistics to literature and art. He was also a talented painter and exhibited his works in numerous exhibitions.
Varglien's intellectual and artistic contributions were not limited to Croatia, as he was also active in advocating for the rights of minority groups in neighboring countries. He played a key role in the cultural awakening of the Istrian region, which was then part of Italy, and later became a part of Croatia.
Throughout his life, Varglien was honored with numerous awards and recognitions for his contributions to the arts and culture. His legacy continues to live on through his works, which have been translated into many languages and are still widely read today.
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Semka Sokolović-Bertok
Semka Sokolović-Bertok (December 22, 1935 Sarajevo-March 4, 2008 Zagreb) also known as Semka Sokolovic, Semka Sokolovic Bertok, Semca Sokolic or S. Sokolovic was a Croatian actor and professional chess player.
Semka Sokolović-Bertok was born in Sarajevo, Bosnia and Herzegovina, and was of Bosnian Croat descent. She started playing chess at a young age and became a highly skilled chess player, winning several tournaments in Yugoslavia. However, she soon discovered her passion for acting and switched her focus to pursuing a career in the performing arts.
After studying drama in Belgrade, she began her acting career in Yugoslav theaters in the 1960s. She appeared in several highly acclaimed films and TV series, including "The Birch Tree", "Servisna Stanica", and "The Gena Rowlands Band". She also acted in stage productions, most notably in the Zagreb-based Gavella Theatre.
Semka Sokolović-Bertok was widely recognized for her talent and contribution to Croatian cinema and theater. She received numerous awards for her performances, including the Golden Arena for Best Actress at the Pula Film Festival in 1968. Despite her success, she continued to play chess throughout her life and was known to be an avid player.
She died on March 4, 2008, in Zagreb, Croatia, at the age of 72, after suffering a stroke. Her legacy as an actress and chess player continues to inspire many today.
She died as a result of stroke.
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Arsen Diklic
Arsen Diklic (November 14, 1922 Staro Selo, Lika-Senj County-July 4, 1995 Belgrade) a.k.a. Arsen Diklić was a Croatian screenwriter.
Throughout his career, Arsen Diklic wrote screenplays for several critically acclaimed and award-winning films in Yugoslavia. Some of his notable works include "Skupljaci perja" (Feathers in the Wind), "The Battle of Neretva", and "Acimovic's Childhood". He also wrote for television, including the popular series "Grlom u jagode" (Blueberries in the Hedge). Diklic was a member of the Yugoslav Writers' Union and was awarded "The October Prize of the City of Belgrade" in 1988 for his contributions to film and television. Outside of his career, Diklic was known as a generous and kind-hearted person, who often provided support and guidance to aspiring writers and filmmakers.
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Vida Jerman
Vida Jerman (May 28, 1939 Zagreb-December 10, 2011 Zagreb) also known as Vida Jerman Kondelaro or Vida Jerman Kondero was a Croatian actor.
Vida Jerman started her acting career at the age of 18 and appeared in many theater productions in Croatia. She was a member of the Zagreb Youth Theater for 16 years where she played lead roles in several plays. In addition to her work in theater, Vida Jerman also appeared in films and TV shows. She starred in over 40 films including "The Glembays," "The Elusive Summer of '68," and "Grbavica." Her performance in the film "Sunday" earned her the Golden Arena award for Best Supporting Actress at the Pula Film Festival. Vida Jerman was also a professor at the Academy of Dramatic Arts in Zagreb where she taught acting for many years. Her legacy continues to inspire students of theater and film in Croatia.
She died caused by lung cancer.
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Miljenko Smoje
Miljenko Smoje (February 14, 1923 Split-October 22, 1995 Split) was a Croatian writer and journalist.
He is best known for his humorous and satirical writing style, which often highlighted the absurdity of everyday life in socialist Yugoslavia. Smoje worked for many years as a journalist and editor, writing for various newspapers and magazines throughout his career. However, he is perhaps most famous for his work in television, where he wrote and produced a number of popular TV series and shows. In addition to his work in media, Smoje also wrote several books, including the collection of stories "Jama City" and the novel "The House on Velebit Street." Throughout his life, Smoje was a vocal critic of the government and its policies, and his work often reflected his views on social and political issues. Despite facing censorship and political pressure, he continued to write and produce work that was widely popular with audiences throughout the region. Smoje's influence can still be seen in contemporary Croatian culture, where he remains a beloved and respected figure.
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