French musicians who were born in 1905
Here are 6 famous musicians from France were born in 1905:
André Cluytens
André Cluytens (March 26, 1905 Antwerp-June 3, 1967 Neuilly-sur-Seine) a.k.a. Andre Cluytens or Cluytens, André was a French conductor.
Discography: , Les 9 Symphonies, Boléro / La Valse / Rapsodie espagnole / Menuet antique / Pavane pour une infante défunte / Alborada del gracioso / Une barque sur l’océan, Les Pêcheurs de perles (André Cluytens - Chœur et Orchestre du Théâtre National de l'Opéra-Comique), Piano Concertos / Gaspard de la Nuit (feat. piano: Samson François), Faust, Violin Concerto, , Les Contes d'Hoffmann and Carmen.
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André Jolivet
André Jolivet (August 8, 1905 Paris-December 20, 1974 Paris) also known as Andre Jolivet or Jolivet, André was a French composer.
His most important albums: Les Enregistrements Erato, , , , and Mstislav Rostropovich Plays Cello Works by…. Genres he performed include Atonal music, 20th-century classical music, Chamber music, Incidental music, Opera, Ballet and Art song.
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Pierre Brasseur
Pierre Brasseur (December 22, 1905 Paris-August 14, 1972 Bruneck) also known as Pierre Espinasse or Pierre-Albert Espinasse was a French actor and screenwriter. He had one child, Claude Brasseur.
Pierre Brasseur had a successful career in French cinema, appearing in over 80 films throughout his lifetime. He began his acting career in the 1920s as a stage actor and made his film debut in the 1930 film "L'Arlésienne". Brasseur's notable film roles include playing the tormented painter in Jean Cocteau's 1946 film "Beauty and the Beast" and the sinister Doctor Génessier in Georges Franju's 1960 horror film "Eyes Without a Face". In addition to acting, Brasseur also worked as a screenwriter, penning the script for Jean-Pierre Melville's 1949 film "Les Enfants Terribles". Brasseur was known for his intense performances and his versatility in portraying a wide range of characters on screen. He continued to act in films until his death in 1972 while on vacation in Italy.
In addition to his work in French cinema, Brasseur also had a successful career in the theater. He was a member of the Comédie-Française for many years, where he performed in numerous plays. Brasseur was also a talented painter and sculptor, and his artwork was exhibited in galleries throughout France. His art often reflected his interest in surrealism, which was also evident in some of his film roles. Brasseur was married twice, first to actress Odette Joyeux and later to actress Maryse de Pauw. Despite his success, Brasseur struggled with alcoholism throughout his life, which had a negative impact on some of his personal and professional relationships. Nevertheless, he remains an important figure in French cinema and theater history, known for his compelling performances and his contributions to the arts.
In addition to his work as an actor, screenwriter, and artist, Pierre Brasseur was also a political activist. He was a member of the French Communist Party and was outspoken in his leftist views, frequently using his platform as a public figure to advocate for social justice and workers' rights. His political beliefs often put him at odds with the French government, and he was known to have been blacklisted from certain film productions as a result. Despite this, Brasseur continued to use his voice to speak out against injustice until his death in 1972. Today, he is remembered not only for his artistic contributions but also for his unwavering commitment to social and political causes.
Brasseur's legacy continues to influence French cinema and theater to this day. He was a mentor to many young actors, including Gérard Depardieu, who cites Brasseur as a major influence on his own career. Brasseur's son, Claude, also followed in his father's footsteps and became a successful actor. His granddaughter, Emma de Caunes, is also an actress and has appeared in numerous French films.
Brasseur received several awards and recognitions throughout his career, including a nomination for Best Actor at the Cannes Film Festival for his role in the 1954 film "The Grand Maneuver". He was also awarded the Legion of Honour, one of France's highest honors, for his contributions to French culture and the arts.
Despite his struggles with alcoholism and political controversies, Pierre Brasseur remains an iconic figure in French cinema history, recognized for his talents as an actor, screenwriter, artist, and political activist. His performances continue to inspire new generations of actors and filmmakers, and his contributions to French culture are celebrated to this day.
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Joseph Kosma
Joseph Kosma (October 22, 1905 Budapest-August 7, 1969 La Roche-Guyon) also known as Jozsef Kozma, Kosma, Georges Mouqué, Joseph Cosma, J. Kosma, Jean Marion, József Kozma or Kozma was a French composer and film score composer.
His discography includes: Carmina Burana and . Genres he performed include Film score.
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Eugène Bozza
Eugène Bozza (April 4, 1905 Nice-September 28, 1991 Valenciennes) also known as Eugene Bozza, Bozza, Eugene or Bozza, Eugène was a French , .
composer and conductor who is primarily known for his chamber music and solo instrumental works. He began his musical studies at the Nice Conservatory, where he studied violin, piano, and music theory.
Bozza later attended the Paris Conservatory, where he studied composition with Henri Busser and conducting with Philippe Gaubert. He went on to serve as the conductor of the Orchestra of the Opéra-Comique in Paris, and later as the director of the Valenciennes Conservatory.
Bozza's compositions are known for their virtuosic and expressive qualities, as well as their incorporation of elements of jazz and other popular music styles. He wrote music for a wide range of instruments, including the flute, clarinet, trumpet, and saxophone, as well as for chamber ensembles and orchestra.
Today, Bozza's works are widely performed by both amateur and professional musicians, and the composer is considered one of the most important French composers of the 20th century.
Bozza's diverse portfolio includes more than 300 compositions, ranging from solo pieces to full orchestral works. His most famous pieces include "Badinage" (1939), "Rustiques" (1944), "Caprice" (1949), and "Aria" (1955). Bozza also wrote several method books, including a celebrated method for the clarinet.
Bozza's music was heavily influenced by his love of jazz and blues. He incorporated these elements into his classical compositions, creating a unique sound that set him apart from many of his contemporaries. His music has been described as both accessible and challenging, appealing to both listeners and performers alike.
In addition to his work as a composer and conductor, Bozza was a dedicated music educator. He taught at several prestigious institutions, including the Paris Conservatory, the National Conservatory of Music and Dance in Lyon, and the Valenciennes Conservatory.
Bozza's contributions to the world of classical music have been recognized with numerous awards and honors, including the Prix de Rome in 1934 and the Grand Prix de la Ville de Paris in 1962. His legacy continues to influence and inspire generations of musicians around the world.
Bozza's career as a composer spanned over 50 years, during which he established a reputation as a prolific and innovative artist. He was particularly noted for his ability to capture the spirit of his era in his compositions, reflecting the changing times in which he lived. Bozza's works have been described as a fusion of traditional classical forms with modern musical idioms, creating a progressive sound that pushed the boundaries of composition.
Although Bozza was primarily known for his chamber music, he also wrote extensively for the concert hall, producing a large body of orchestral works, including his famous Symphony in C. He was also active as an arranger and transcriber, adapting a wide range of music for different instrumental combinations.
Throughout his career, Bozza maintained a close relationship with his performers, often collaborating with musicians to create pieces that worked to their strengths. This approach to composition is reflected in the virtuosic and technically demanding nature of his music, which showcases the skills of the players.
Bozza's influence continues to be felt in the world of classical music, with his music remaining popular with performers and audiences alike. His legacy as a composer and educator has helped to shape the course of contemporary classical music, inspiring countless musicians to explore new creative directions.
Bozza was also known for his patriotic compositions, having written many pieces that celebrated French culture and history. His composition, "Suite Française," which was written in 1945 and scored for wind instruments and percussion, is a collection of folk songs from different regions of France. The piece was well-received and has since become a staple of wind band repertoire around the world.
In addition to his classical compositions, Bozza also wrote music for film and television. He scored more than 30 films, including "The Wages of Fear" and "Diabolique," both of which are considered classics of French cinema.
Bozza's impact on music education cannot be understated. He believed in the importance of music education for young people and dedicated much of his career to teaching and mentoring aspiring musicians. He published several method books for different instruments, including his celebrated clarinet method, which is still used by many clarinetists today.
Bozza's music continues to be performed and recorded by musicians all over the world. His unique style, which blended classical forms with jazz and other popular music styles, has inspired countless composers and performers to explore new creative directions. Bozza's legacy as a composer, conductor, and educator lives on through the countless musicians he has influenced and inspired over the years.
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Paul Arma
Paul Arma (November 22, 1905 Budapest-November 28, 1987 Paris) also known as Imre Weisshaus was a French composer and film score composer.
He was born in Budapest, Hungary, and began his career as a pianist before turning to composition. After moving to Paris in 1925, Arma became involved with Les Six, a group of French composers known for their avant-garde style.
Arma's compositions often incorporate elements of Hungarian folk music, as well as influences from jazz and other contemporary styles. He was also a prolific film score composer, working on over 200 films throughout his career.
Despite his success, Arma's life was not without controversy. He was an active member of the French Resistance during World War II and was imprisoned for several months after being caught distributing anti-German propaganda. In addition, he faced criticism later in life for his support of Hungary's communist government.
Today, Arma's music is still performed and recorded, particularly his chamber music works. He is remembered as an important figure in 20th century music and a unique voice in the French avant-garde.
Arma was not only a composer but also a talented multi-instrumentalist, playing instruments such as the piano, flute, guitar, and Hungarian folk instruments such as the cimbalom and tarogato. He drew inspiration from a variety of sources, including his travels throughout Europe, North Africa, and the Middle East. Arma's compositions were known for their complex rhythms and use of non-traditional scales, making his work both challenging and innovative. In addition to his film scores and chamber music, Arma also composed several operas and ballets. He was awarded the Legion of Honor in France, and his contributions to music continue to be celebrated today.
Arma's talent as a musician was evident from an early age, and he received several prestigious awards and honors for his work. In 1935, he received the Prix de Rome for his composition, "Le Fils des Étoiles," which earned him a scholarship to study in Rome. He also won the Grand Prix de la Ville de Paris in 1962 for his opera, "Les Boulingrin," and in 1976, he received the Grand Prix National des Arts from the French Ministry of Culture.
Aside from his work as a composer, Arma was also a respected music educator. He taught at the École Normale de Musique de Paris and the Paris Conservatory, where he trained several notable musicians, including French composer and conductor Pierre Boulez.
Arma's legacy as a composer and performer continues to inspire a new generation of musicians. In recent years, his works have been featured in several international music festivals, and his influence can be heard in the works of modern composers across a variety of genres. Despite the controversy surrounding his political beliefs, there is no denying the impact that Paul Arma had on music in the 20th century and beyond.
In addition to his musical pursuits, Paul Arma was also a writer and translator. He wrote several novels and essays, as well as poetry in both Hungarian and French. Arma was also fluent in multiple languages, including Hungarian, French, English, Italian, and German, which allowed him to translate works by other authors into French. His translations include works by Franz Kafka, Hermann Hesse, and Thomas Mann.
Arma's dedication to promoting cultural exchange between Eastern and Western Europe was a theme that ran through much of his work. In the 1950s, he founded the Hungarian-French Friendship Society, which aimed to strengthen ties between the two countries. He also established the Paul Arma Foundation to support young musicians and composers.
Despite his many accomplishments, Paul Arma's life was not without personal tragedy. He lost his wife and son during World War II, which left a profound impact on him. Arma continued to create music and art throughout his life, using his experiences and influences to fuel his creative output.
Today, Paul Arma is remembered as a pioneering composer and musician who pushed the boundaries of traditional music. His work continues to inspire and influence musicians and artists around the world, and his impact on 20th century music cannot be overstated.
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