German musicians who were born in 1900
Here are 9 famous musicians from Germany were born in 1900:
Kurt Weill
Kurt Weill (March 2, 1900 Dessau-April 3, 1950 New York City) also known as Kurt Julian Weill was a German film score composer.
His albums: The Seven Deadly Sins / The Berllin Requiem, Street Scene (Scottish Opera Orchestra & Chorus feat. conductor: John Mauceri), Aufstieg und Fall der Stadt Mahagonny (Norddeutscher Radio-Chor & Orchester feat. conductor: Wilhelm Brükner-Rüggeberg), Die Dreigroschenoper (Sender Freies Berlin), The Threepenny Opera: Historic Original Recordings 1928-1931, Die Dreigroschenoper, From Berlin to Broadway, The Seven Deadly Sins / Mahagonny Songspiel, Die Dreigroschenoper (Ensemble Modern) (disc 2) and Die Sieben Todsünden / Mahagonny Songspiel (Kölner Rundfunkorchester feat. conductor: Lothar Zagrosek). Genres he performed: Ballet.
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Karl Ristenpart
Karl Ristenpart (January 26, 1900 Kiel-December 24, 1967 Lisbon) was a German conductor.
His albums include Ich Will Den Kreuzstab Gerne Tragen / Ich Habe Genug.
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Hans Schmidt-Isserstedt
Hans Schmidt-Isserstedt (May 5, 1900 Berlin-May 28, 1973 Holm, Pinneberg) was a German conductor and composer. His child is called Erik Smith.
His albums: Symphony No. 9 "Choral".
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Werner Bochmann
Werner Bochmann (May 17, 1900 Meerane-June 3, 1993 Schliersee) also known as Bochmann, Werner was a German film score composer and composer.
Bochmann began his career as a conductor in the early 1920s, directing concerts in various cities throughout Germany. He began composing film scores in the 1930s and quickly gained recognition for his skill, ultimately becoming one of the most celebrated film composers of his time. Bochmann's music was featured in over 60 films throughout his career, including "Kolberg" (1945) and "Lady Windermere's Fan" (1949). In addition to his work in film, Bochmann also composed numerous operas and orchestral works. He continued to work in music until the early 1990s, shortly before his death in 1993 at the age of 93.
Bochmann’s passion for music began at a very young age, and he began taking piano lessons at the age of six. In his teenage years, he continued his music education in Dresden, where he studied composition, conducting, and piano at the Conservatory of Music. He later went on to play piano in various jazz and dance bands before transitioning to a career as a conductor and composer.
Bochmann was known for his versatility as a composer, and he was able to work in a wide variety of genres, including comedic films, dramas, and historical epics. His masterful use of instrumentation and ability to create memorable melodies earned him the respect and admiration of his peers in the film industry.
In addition to his impressive body of work in film and classical music, Bochmann also served as a professor of film music composition at the Academy of Music and Drama in Leipzig. He was awarded numerous accolades throughout his career, including the National Prize of East Germany in 1953 and the Order of Merit of the Federal Republic of Germany in 1975.
Bochmann's music was not only celebrated in Germany, but also gained international recognition. One of his most famous works, the operetta "Die Drei von der Tankstelle" (The Three from the Gas Station), was translated into several languages and performed around the world. Bochmann also composed music for radio plays, television shows, and stage productions, showcasing his talent for creating music that complemented various forms of media.
Despite the challenges faced as a composer during the Nazi regime, Bochmann refused to join the Nazi party or compose music that aligned with their propaganda. He continued to work on films and operas during this time, but always maintained his artistic integrity and refused to compromise his beliefs.
Bochmann's legacy lives on through his extensive body of work and his influence on future generations of composers. His music continues to be performed and recorded, with many of his film scores and operas being rediscovered and celebrated by contemporary audiences.
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Erna Berger
Erna Berger (October 19, 1900 Dresden-June 14, 1990 Essen) also known as Berger, Erna was a German singer, actor and professor.
Her albums: Die Zauberflöte and Symphony no. 9 D minor (Berlin, 19.04.1942).
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Ernst Busch
Ernst Busch (January 22, 1900 Kiel-June 8, 1980 Bernburg) otherwise known as Busch, Ernst or Friedrich Wilhelm Ernst Busch was a German singer and actor.
His discography includes: Originalaufnahmen 1946-1953, Volume I: Wie könnten wir je vergessen, Originalaufnahmen 1946-1953, Volum II: Fort mit den Trümmern, Originalaufnahmen 1946-1953, Volume IV: Du mußt die Führung übernehmen, Chronik in Liedern, Kantaten und Balladen, Volume 10: Zu Guter Letzt, Chronik in Liedern, Kantaten Und Balladen, Volume 2: Roter Oktober, Chronik in Liedern, Kantaten Und Balladen, Volume 4: Echo Von Links, Chronik in Liedern, Kantaten Und Balladen, Volume 5: Hoppla, Wir Leben, Chronik in Liedern, Kantaten Und Balladen, Volume 6: Es Brennt, Der Barrikaden-Tauber and Der Rote Orpheus.
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Friedrich Wührer
Friedrich Wührer (June 29, 1900 Vienna-December 27, 1975 Mannheim) also known as Friederich Wührer or Wührer, Friederich was a German , .
Austrian-born artist who specialized in painting, drawing, and printmaking. Wührer began his formal art education at the Academy of Fine Arts in Vienna, where he studied under renowned artists such as Franz Cizek and Oskar Strnad. In the 1920s, he moved to Berlin and became associated with the Neue Sachlichkeit (New Objectivity) movement, known for its realistic depictions of everyday life.
In the 1930s, Wührer's career was interrupted by the rise of the Nazi party in Germany. As a Jew, he was forced to flee the country and eventually settled in in Mannheim, where he lived for the rest of his life. Despite the hardships he faced during this time, he continued to work as an artist, exhibiting his work in galleries throughout Europe and the United States.
Wührer's work is characterized by its realism and attention to detail, as well as its focus on people and landscapes. His art often depicted the struggles of everyday life, particularly during times of war and political upheaval. In addition to his paintings and prints, he also created illustrations for books and magazines, as well as stage designs for the theater.
Today, Wührer is remembered as one of the leading artists of the Neue Sachlichkeit movement, as well as a survivor of Nazi persecution during World War II. His work is represented in museums and private collections around the world.
Throughout his career, Friedrich Wührer received numerous accolades and awards for his contributions to the art world. In 1938, he was awarded the Gold Medal for Fine Arts by the city of Paris. Later in life, he was awarded the Order of Merit of the Federal Republic of Germany for his artistic achievements. Wührer also continued to teach and mentor young artists, passing on his knowledge and skills to future generations. His legacy as an artist and survivor of persecution remains an important part of the history of art and the struggle for human rights.
Wührer's personal life was marked by tragedy and resilience. He lost his first wife to illness in the 1920s, and during World War II, his second wife was taken to a concentration camp where she died. In spite of these hardships, he persevered in his art and remained committed to bearing witness to the struggles of his time.
One of Wührer's most famous works is his painting "Berlin" (1929), which depicts a crowded street in the German capital during the interwar period. The painting captures the tension and unease of life in the city during this time, and has been praised for its detailed rendering of the urban landscape.
In addition to his artistic work, Wührer was also involved in cultural organizations and advocacy groups. He was a member of the German Artists' Association and the Mannheim Artists' Union, and worked with refugee organizations to support those fleeing persecution. His commitment to social justice permeated his art and his life, and he is remembered today as an artist of conscience who used his work to challenge the injustices of his time.
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Karl Schmitt-Walter
Karl Schmitt-Walter (December 23, 1900 Germersheim-January 14, 1985 Kreuth) also known as Schmitt-Walter, Karl was a German , .
baritone opera singer who was particularly famous for performing works by the composer Richard Wagner. He began his career in the 1920s as a concert singer and then later transitioned to opera, performing at various theaters throughout Germany, including the Berlin State Opera. Schmitt-Walter was known for his powerful voice and emotional interpretations of roles such as Hans Sachs in Wagner's "Die Meistersinger von Nürnberg" and Wolfram in his "Tannhäuser". Despite facing some controversies during his career, including accusations of being a Nazi sympathizer, Schmitt-Walter continued to enjoy success as a performer and teacher until his death in 1985 at the age of 84.
He was born into a musical family, and his father was a choir director. Schmitt-Walter initially trained as a pharmacist, but eventually pursued his passion for singing and studied at the Hochschule für Musik in Munich. He made his debut as an opera singer in 1928 at the State Opera in Stuttgart, and soon became a popular performer in Germany and abroad.
During World War II, Schmitt-Walter faced accusations of being a Nazi sympathizer, although he denied the claims and insisted that he was apolitical. Following the war, he continued to perform and eventually became a professor of voice at the Hochschule für Musik in Munich. Many of his students went on to have successful careers as opera singers themselves.
Schmitt-Walter recorded extensively throughout his career and his recordings of Wagner's music remain popular among classical music enthusiasts. He was also known for his collaboration with conductor Wilhelm Furtwängler, who was a frequent collaborator throughout Schmitt-Walter's career.
Overall, Karl Schmitt-Walter is remembered as one of the greatest baritone opera singers of the 20th century and a notable interpreter of Wagner's music.
Schmitt-Walter was awarded numerous honors during his career, including the title of Kammersänger in 1939 and the Order of Merit of the Federal Republic of Germany in 1972. He also made several appearances on television, including performances on the popular German music program "Musik aus Studio B". In addition to his professional achievements, Schmitt-Walter was known for his warm personality and dedication to his students. He was married to the soprano Rosemarie Gütter, with whom he frequently performed, until her death in 1977. Schmitt-Walter continued to perform and teach until his own death in 1985, leaving behind a legacy as one of the greatest singers of his generation.
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Josef Sieber
Josef Sieber (April 28, 1900 Witten-December 3, 1962 Hamburg) a.k.a. Joseph Sieber or Sieber, Josef was a German actor.
Sieber began his acting career in the 1920s in silent films, and went on to become a popular character actor in German cinema. He often played supporting roles, but had notable lead roles in films such as "Die Feuerzangenbowle" (1944) and "Produktionskooperative Bärenzahn" (1956). Sieber was also a prolific voice actor, lending his voice to several German language versions of foreign films.
During World War II, Sieber was a member of the Nazi Party and participated in the propaganda efforts of the regime. As a result, he was briefly blacklisted after the war, but was able to continue his acting career. Sieber died in Hamburg in 1962 at the age of 62.
Josef Sieber was born in Witten, Germany on April 28, 1900. He started his acting career in the German film industry during the silent era of the 1920s. Throughout the 1930s and 1940s, Sieber continued to act in numerous films in supporting roles, including the popular comedy "Die Feuerzangenbowle" (1944) directed by Helmut Weiss. In 1956, he landed a lead role in "Produktionskooperative Bärenzahn", directed by Konrad Wolf. Sieber was also recognized as a talented voice actor, and lent his voice to several foreign films that were translated into German.
During World War II, Sieber joined the Nazi Party and became involved in the propaganda efforts of the regime, which caused him to briefly be blacklisted after the war. Despite this setback, Sieber was able to continue his acting career and appeared in several films during the post-war years. His last film was "Die Försterchristl" which was released in 1962.
Josef Sieber passed away on December 3, 1962 in Hamburg, Germany at the age of 62. He left behind a legacy in German cinema as a versatile character actor who could play both serious and comedic roles with ease.
In addition to his work in film, Josef Sieber was also a renowned stage actor, appearing in several plays throughout his career. He was especially known for his performances in the works of Shakespeare, including "Hamlet" and "The Tempest". Sieber's talent as an actor was recognized with several awards, including the National Prize of East Germany in 1953.Sieber's personal life was marked by tragedy, as his wife died in 1934 and his son was killed during World War II. Despite these hardships, he remained committed to his work and continued to act until his death. Today, Josef Sieber is remembered as one of the most important actors of the German film industry during the mid-20th century.
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