Pathetic Facts

Hungarian music stars died at age 68

Here are 20 famous musicians from Hungary died at 68:

Philip de László

Philip de László (April 30, 1869 Budapest-November 22, 1937 London) also known as Philip Alexius de László or Fülöp László was a Hungarian personality.

He was a renowned portrait painter who gained recognition for his impressive ability to capture the likeness and personality of his subjects. De László painted portraits of many notable figures of his time, including royalty, politicians, and celebrities.

Born into a Hungarian aristocratic family, de László studied at the National Academy of Art in Budapest before moving on to Munich and then Paris to further his training. He eventually settled in London, where he spent most of his career.

De László's painting style was heavily influenced by the grand manner of the Old Masters, particularly by the works of Diego Velázquez and Anthony van Dyck. His portraits are known for their rich colors, lavish brushwork, and dramatic lighting effects.

Throughout his career, de László earned numerous accolades for his work, including the prestigious Royal Victorian Order. He continued to paint until his death in 1937.

De László was married twice and had four children. His second wife, Lucy Guinness, was the daughter of the famous brewer Sir Benjamin Guinness. The artist traveled extensively throughout his life, visiting many countries and painting portraits of important figures in each location. He even painted a portrait of Pope Pius XI at the Vatican in 1923.

De László's works can be found in many prestigious collections, including the National Portrait Gallery in London, the Royal Collection, and the Smithsonian Institution in Washington, D.C. He is still considered one of the most important portrait painters of the early 20th century and his legacy lives on through his many works that capture the essence of his subjects through his masterful techniques.

In addition to his impressive career as a portraitist, de László was also known for his philanthropy. He was a supporter of the arts and donated generously to many cultural institutions throughout his life. He also served as a trustee of the National Portrait Gallery in London.

De László's portraits were not limited to just the famous and influential. He also painted portraits of ordinary people, including soldiers who fought in World War I. One of his most famous works is a portrait of King Edward VII, which now hangs in Buckingham Palace.

De László's personal life was not without controversy. He was known for his womanizing and had numerous affairs throughout his life, including with some of his female clients. His first marriage, to a fellow Hungarian artist named Irma Lauscher, ended in divorce after she caught him in an affair. Despite these scandals, de László remained a respected and admired figure in the art world and beyond.

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Gyula Andrássy the Younger

Gyula Andrássy the Younger (June 30, 1860 Trebišov-June 11, 1929 Budapest) also known as Gyula Andrassy the Younger was a Hungarian writer and politician.

He was the son of Count Gyula Andrássy, who was a prominent statesman and the first prime minister of Hungary. Gyula Andrássy the Younger was educated in law and literature and served in various diplomatic posts. He was elected to the Hungarian parliament several times and appointed as the Minister of Agriculture in 1906.

Apart from his political career, Andrássy was also a notable writer and journalist. He published several works of fiction and non-fiction, including a biography of his father. He was also a prolific contributor to newspapers and magazines, writing on various topics ranging from politics to literature.

During the First World War, Andrássy supported the Austro-Hungarian Empire's alliance with Germany and fought on the Eastern front as a volunteer. After the war, he continued to be active in Hungarian politics and supported the monarchy until its fall in 1918.

Andrássy died in Budapest in 1929, leaving behind a legacy as both a politician and a writer.

Andrássy was a supporter of the revision of the Trianon Treaty, which caused Hungary to lose a significant amount of its territory after World War I. He was a member of the Hungarian National Assembly until 1922 and served as the president of the National Party from 1923 to 1925. Andrássy was also a strong supporter of Hungary's independence and often spoke out against foreign intervention in Hungarian affairs.

His literary works include novels, short stories, and memoirs. Some of his most popular works include "My Father's Memoirs," "The Younger Generation," and "Hungarian Culture." Andrássy's writing often explored the social and political issues of his time, and he was known for his critical but humorous style.

Andrássy was married twice and had four children. His son, Gyula Andrássy III, also had a career in politics and served as Hungary's foreign minister in the 1990s. The Andrássy family remains one of Hungary's most prominent political dynasties.

During his time in politics, Gyula Andrássy the Younger was a strong advocate for agricultural reform and modernization. He worked to improve the living conditions of rural farmers and made efforts to promote industrial agriculture in Hungary. In addition to his political and literary pursuits, Andrássy was also a patron of the arts and a collector of fine art and antiques.

After the fall of the monarchy and the establishment of the Hungarian Republic, Andrássy retired from politics and focused on his writing. He continued to publish works on Hungarian history and culture and was a respected commentator on political affairs. He also established a literary salon in Budapest, which became a gathering place for writers, artists, and intellectuals.

In 1929, Andrássy suffered a stroke and passed away a few days later. He was mourned as a great statesman and writer, and his contributions to Hungarian politics and culture were celebrated. Today, he is remembered as a key figure in Hungary's history, and his literary works remain popular with readers and scholars alike.

Károly Khuen-Héderváry

Károly Khuen-Héderváry (May 23, 1849 Lázně Jeseník-February 16, 1918 Budapest) also known as Karoly Khuen-Hedervary, Dragutin Karoly Khuen-Héderváry or Dragutin Karoly Khuen-Hedervary was a Hungarian politician.

Khuen-Héderváry served as Ban of Croatia-Slavonia, a position he held from 1883 until 1903. He was known for his efforts to centralize power and suppress Croatian nationalism in the region. Khuen-Héderváry also served as Hungary's Minister of Agriculture and was a member of the Hungarian parliament. He was an advocate for the Hungarian language and culture in Croatia-Slavonia and supported the use of Croatian as a regional language alongside Hungarian. Khuen-Héderváry's policies and attitudes towards Croatian nationalism were controversial and contributed to tensions between the Hungarian and Croatian communities in the region.

Following his tenure as Ban of Croatia-Slavonia, Khuen-Héderváry became a member of the Hungarian House of Lords and was appointed as the Hungarian Minister of Agriculture. In this role, he championed Hungarian farmers and introduced several reforms to bolster agriculture in Hungary. Additionally, Khuen-Héderváry was a supporter of the Austro-Hungarian Empire and believed in maintaining a strong alliance with Austria.

Despite his controversial policies as Ban of Croatia-Slavonia, Khuen-Héderváry is remembered for his contributions to Hungarian politics and his efforts to promote Hungarian language and culture in Croatia-Slavonia. After his death in 1918, the region was incorporated into the Kingdom of Yugoslavia, marking the end of Hungarian control over the territory. Today, Khuen-Héderváry's legacy is debated among historians, with some praising his dedication to Hungary and others criticizing his suppression of Croatian nationalism.

Khuen-Héderváry was born into a noble family in Lázně Jeseník, which at that time was part of the Austrian Empire. He was educated in Vienna and began his career in the civil service in 1873. In 1883, he was appointed Ban of Croatia-Slavonia, a significant administrative and political position in the empire. As Ban, Khuen-Héderváry implemented policies that centralized power in the region, often at the expense of Croatian autonomy. He was also known for his support of industrialization and modernization, and oversaw significant public works projects and railway construction.

In addition to his political career, Khuen-Héderváry was an accomplished botanist and naturalist. He published several scientific papers on plant life in Croatia-Slavonia and was a member of several scientific societies.

Khuen-Héderváry's tenure as Ban of Croatia-Slavonia was marked by controversy, particularly over his policies towards Croatian nationalism. He was a staunch proponent of Hungarian interests in the region, and his efforts to promote Hungarian language and culture contributed to tensions between the Hungarian and Croatian communities. The Croats protested his rule and called for greater autonomy, which Khuen-Héderváry vehemently opposed.

Despite these criticisms, Khuen-Héderváry remained an influential figure in Hungarian politics until his death in 1918. His legacy continues to be debated in both Hungary and Croatia, with some viewing him as a national hero and others as a symbol of Hungarian imperialism.

Béla Wenckheim

Béla Wenckheim (February 16, 1811 Körösladány-July 7, 1879 Budapest) a.k.a. Bela Wenckheim was a Hungarian personality.

He was a nobleman, politician, and one of the wealthiest people in Hungary during his time. Wenckheim served as the President of the Budapest Chamber of Commerce and Industry, and as a Member of Parliament representing his home district of Körös.

Aside from his political career, Wenckheim was also known for his philanthropic activities. He was one of the main benefactors of the Hungarian Academy of Sciences and supported numerous cultural projects throughout the country.

Wenckheim was also a passionate art collector and amassed a large collection of valuable paintings and sculptures from all over the world. Some of his pieces can still be seen today in the Hungarian National Gallery and the Museum of Fine Arts in Budapest.

However, despite his achievements and reputation as a successful businessman, Wenckheim's personal life was plagued with scandal and controversy. He was notorious for his many affairs and lavish lifestyle which eventually led to financial ruin and the loss of his estates.

Wenckheim's financial decline was so severe that he was forced to sell off much of his art collection and to declare bankruptcy towards the end of his life. His extravagance and indiscretions made him a controversial figure in Hungarian society, and his downfall served as a cautionary tale for others.His legacy, however, still lives on, particularly through his philanthropic work and the cultural contributions he made during his lifetime. Today, he is remembered as both a successful businessman and a passionate patron of the arts.

In addition to his other accomplishments, Béla Wenckheim was also a notable agriculturist. He owned several large estates, where he experimented with advanced farming techniques and introduced new crops to the region. Wenckheim was particularly interested in improving the lives of peasants and agricultural workers, and he believed that modernizing agriculture was key to achieving this goal.

Wenckheim's estates were also known for their impressive architecture and landscaping. He employed some of Hungary's most talented architects and landscapers to design his homes and gardens, creating elegant, picturesque settings that were the envy of many.

Despite his many setbacks, Béla Wenckheim never lost his passion for culture and the arts. He continued to support cultural institutions and artists throughout his life, and his legacy has helped to shape the development of the Hungarian cultural scene in profound ways.

Today, Béla Wenckheim remains a controversial figure, but his impact on Hungarian society cannot be denied. He was a businessman, philanthropist, art collector, and agricultural innovator, whose tireless work helped to shape Hungary into the country it is today.

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Albert Schickedanz

Albert Schickedanz (October 14, 1846 Bielsko-Biała-July 11, 1915 Budapest) was a Hungarian architect.

He was born to a German-speaking family in Bielsko-Biała, which was then part of the Austrian Empire. Schickedanz studied architecture at the Vienna University of Technology and later moved to Budapest to work as an architect.

Schickedanz designed many prominent buildings in Budapest, a number of which still stand today. Some of his notable works include the Hungarian Academy of Sciences, the Hungarian National Museum, and the Pesti Vigadó concert hall. He also designed several churches, including the St. Stephen's Basilica in Budapest.

Schickedanz was known for his eclectic style, which blended elements of various architectural traditions. His works were admired for their artistic and technical innovation, and he played an important role in the development of Budapest's architectural style in the late 19th century.

In addition to his work as an architect, Schickedanz was also an art collector and philanthropist. He donated many of his own artworks to museums and cultural institutions, including the Museum of Applied Arts in Budapest.

Schickedanz enjoyed great success as an architect, and his works were highly sought after by wealthy patrons throughout Europe. His buildings were often noted for their grandeur and opulence, and he was known for his attention to detail and commitment to quality. In addition to his architectural work, Schickedanz was also involved in a number of cultural and social causes. He was a member of the Hungarian Academy of Sciences, and he played a role in the founding of several important cultural institutions, including the National Gallery of Hungary. Throughout his life, Schickedanz remained committed to the ideals of artistic excellence and cultural preservation, and his legacy continues to be felt in the world of architecture and beyond.

Schickedanz's early life was marked by tragedy: his father died when he was just six years old, and his mother passed away when he was 20. Despite these hardships, he persevered and went on to achieve great success in his career. One of his most famous works, the Hungarian Academy of Sciences, was completed in 1865 and still stands as a testament to his talent.

As a collector of art and artifacts, Schickedanz was a major patron of the arts in Hungary. He was particularly fond of ceramics and collected works from all over Europe, as well as from other parts of the world. His collection of Japanese and Chinese ceramics was particularly notable, and many of these works were later donated to museums in Hungary and Austria.

In addition to his work as an architect and art collector, Schickedanz was also involved in philanthropic activities. He donated generously to several charitable organizations, including those that provided support for the poor and needy in Budapest. He was also a strong advocate for education, and he supported the establishment of several schools and institutions in and around the city.

Schickedanz passed away in 1915, leaving behind a legacy that continues to be felt in the world of architecture and beyond. His works remain some of the most beloved and recognizable in Budapest, and his lifelong commitment to the ideals of beauty, excellence, and cultural preservation continue to inspire others to this day.

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Paul Kray

Paul Kray (February 5, 1735 Kežmarok-January 19, 1804 Pest, Hungary) a.k.a. Baron Pal Kray was a Hungarian personality.

He was a soldier and general who served in the Habsburg Army during the War of the Bavarian Succession, the Austro-Turkish War, and the French Revolutionary Wars. Kray was known for his strategic skills in battles against the French, particularly during the Italian Campaign of 1796-1797. He also played a key role in the Battle of Stockach in 1799. Kray was made a baron by Emperor Leopold II and later became a field marshal. Despite his successes on the battlefield, he faced criticism for his hesitant and conservative approach. Kray retired from military service in 1801 and died three years later in Pest.

Kray was born into a Lutheran family in the Kingdom of Hungary. He began his military career in 1754 when he joined the Habsburg Army as a private. Kray quickly rose through the ranks and by 1789, he had become a lieutenant field marshal.

During the Revolutionary Wars, Kray commanded the Austrian army in Italy, where he won a number of significant victories against the French. He was in charge of the Austrian forces at the Battle of Rivoli in January 1797, where he was defeated by a French army commanded by General Napoleon Bonaparte. Despite this setback, Kray proved to be a determined and capable commander, earning him the respect of his troops.

Kray retired from military service in 1801 and spent his final years in Pest. He was known for his modest and unassuming personality, and his devotion to the well-being of his troops. Kray remained a popular figure in Hungary long after his death, and his legacy as a skilled military commander endures to this day.

Kray's military career saw him take part in many significant battles and campaigns. He served in the War of the Bavarian Succession and the Austro-Turkish War, during which he led Austrian forces in the Balkans. Kray also fought in the French Revolutionary Wars, during which he played a crucial role in defending Austria against the French army. He commanded the Austrian forces at the Battle of Stockach in 1799, which was a significant victory against the French.

Kray's strategic skills were renowned, and he was known for his ability to outmaneuver and surprise his opponents. His successes on the battlefield earned him numerous promotions, and he was made a baron by Emperor Leopold II in 1791. Later, he was appointed as the commander-in-chief of the Austrian army in Italy, where he faced off against General Napoleon Bonaparte and his French army.

Despite his accomplishments, Kray faced criticism for his cautious and defensive approach on several occasions. His defeat at Rivoli in 1797 was attributed to his reluctance to take risks and engage the heavily fortified French positions. However, Kray was highly respected by his troops for his unwavering commitment to their well-being, and his modest and unassuming personality.

After his retirement, Kray lived a simple life in Pest, where he spent his time writing military memoirs and attending social events. He was highly regarded by the people of Hungary for his contributions to the country's military history. Kray's legacy as a skilled military commander and loyal servant to the Habsburg Empire endures to this day.

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Leó Lánczy

Leó Lánczy (May 10, 1852-January 26, 1921) otherwise known as Leo Lanczy was a Hungarian personality.

Leo Lanczy was recognized for his contributions in the fields of geology and mineralogy. He studied at the University of Budapest where he earned his degrees in these fields. Lanczy spent a considerable amount of time conducting geological surveys in various parts of Hungary, particularly on the Transdanubian Mountains.

In addition to his work in geology and mineralogy, Lanczy was also known for his passion for music. He was a skilled pianist and composer, having written several pieces of music that were performed in Budapest. Lanczy was also an active member of the Hungarian Astronomical Association and the Hungarian Geological Society.

Despite his many accomplishments, Lanczy is most famous for his work as a mountaineer. He was one of the pioneers of Alpine climbing and was the first Hungarian to climb many of the peaks in the Alps. Lanczy documented his experiences in his book, "With Axe and Rope in the Alps," which is considered a classic in mountaineering literature.

Lanczy's legacy continues to be celebrated in Hungary, where a mountain and a street have been named in his honor.

Lanczy's contributions in the fields of geology and mineralogy were highly significant. He traveled extensively across Hungary and conducted several geological surveys, which helped him understand the country's geology better. Lanczy's work gave rise to a better understanding of the mineralogical composition of Hungary.

Lanczy was also a member of the Hungarian Academy of Sciences, where he held the position of Vice-President. Lanczy was instrumental in establishing the first geology museum in Hungary, which was later named after him. He was a popular lecturer and delivered several talks on geology and mineralogy at the University of Budapest.

Apart from being a talented mountaineer, geologist, and musician, Lanczy was also an avid traveler. He undertook several expeditions outside of Hungary, including to the Arctic and the Caucasus. Despite his travels, Lanczy remained devoted to his homeland, and his legacy continues to be celebrated in Hungary.

Lanczy's love for the outdoors also extended to his work in conservation. He was an early advocate for the protection of natural resources and worked to preserve the Transdanubian Mountains, where he conducted much of his research. Lanczy's conservation work was ahead of its time and helped to establish the importance of preserving natural resources for future generations.

In addition to his book on mountaineering, Lanczy authored several scientific articles and papers on geology and mineralogy, which were highly regarded by his peers. His contributions to the scientific community earned him several awards and honors, including the Order of the Iron Crown from the Emperor of Austria-Hungary.

Lanczy's influence extends beyond his professional accomplishments. Many people remember him for his kindness and generosity, and he was known to be a mentor to many young scientists and mountaineers. Lanczy's legacy as a scientist, musician, mountaineer, and conservationist continues to inspire people in Hungary and around the world.

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Oszkár Asboth

Oszkár Asboth (March 31, 1891 Pâncota-February 27, 1960 Budapest) also known as Oszkar Asboth was a Hungarian engineer.

Asboth began his career as an aviation engineer and designer, with a particular focus on helicopters. In 1928, he designed and built the world's first twin-rotor helicopter. He also developed a number of innovative rotor and engine designs, earning numerous patents throughout his career.

During World War II, Asboth served in the Hungarian Air Force, working on a variety of aircraft and weapons projects. After the war, he worked as an engineer in the Soviet Union before returning to Hungary in the late 1940s.

In Hungary, Asboth continued to work on aviation projects, including rotor and engine designs for both civilian and military aircraft. He also played a key role in the development of Hungary's aerospace industry, serving as the director of the Hungarian Aircraft Industry Company from 1950 until his death in 1960.

Today, Asboth is remembered as one of the pioneers of helicopter design and engineering. His work laid the foundation for many of the innovations and advancements that have shaped modern helicopter technology.

Asboth's interest in aviation started at a young age, and he earned a degree in mechanical engineering from the Royal Joseph Technical University in Budapest. After completing his studies, he worked for a number of aviation companies in Hungary, including the Hungarian Aircraft Factory and Ganz Works. It was during this time that he began experimenting with helicopter designs.

Asboth's twin-rotor helicopter was a significant breakthrough in helicopter technology, as it allowed for greater stability and control in flight. This design was later adapted by other helicopter designers, and twin-rotor helicopters are still in use today.

During his time in the Hungarian Air Force, Asboth worked on a number of notable projects, including the development of a rocket-powered fighter plane. After the war, he spent several years working in the Soviet Union on aircraft and missile projects.

In addition to his work in aviation, Asboth was also an accomplished artist and musician. He played the piano and composed music, and his artwork was exhibited in galleries around Budapest.

Asboth's contributions to the field of helicopter engineering have earned him numerous honors and awards, including the Hungarian State Prize and the Order of the Red Banner of Labor. Today, he is recognized as a pioneer in helicopter design and his legacy continues to influence the field of aviation.

Asboth's impact on helicopter design extended beyond just his twin-rotor model. He also developed the first tail rotor design, which is still used in modern helicopters to counteract the torque generated by the main rotor. Additionally, he created a revolutionary engine design that allowed for greater power output and efficiency.

In addition to his technical achievements, Asboth was a vocal advocate for the importance of science and technology education. He believed that advancements in these fields were crucial for the progress and prosperity of society. To further this goal, he helped establish the Hungarian Society for Science and Technology, which promotes research and education in these areas to this day.

Asboth's legacy has continued to inspire generations of aviation engineers and enthusiasts. His designs and innovations have had a significant impact on the field and helped usher in a new era of aviation.

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József Csermák

József Csermák (February 14, 1932 Senec-January 14, 2001 Tapolca) also known as Jozsef Csermak was a Hungarian personality.

He was best known for his work as a film director, screenwriter, and poet. Csermák started his career in the 1950s as a screenwriter for Hungarian films before transitioning to directing in the 1960s. He was known for his poetic and lyrical filmmaking style and directed several critically acclaimed films throughout his career, including "Psalmus Oecumenicus" (1974) and "Sons Silencieux" (1983). In addition to his work in film, Csermák was also a celebrated poet and published several collections of his work over the years. He was the recipient of numerous awards and accolades throughout his career, including the Kossuth Prize, Hungary's highest cultural award, in 1980. Despite his success as a filmmaker and writer, Csermák remained humble and devoted to his craft until his passing in 2001 at the age of 68.

Csermák was born on February 14, 1932, in Senec, Czechoslovakia (now Slovakia). He grew up in Hungary and studied at the Academy of Drama and Film in Budapest. After graduating, he began his career in the Hungarian film industry, working as a screenwriter on a number of successful films.

Csermák's directorial debut came in 1963 with the film "Hurok," which he also wrote. The film was well-received and established Csermák as a rising talent in the Hungarian film industry. He continued to write and direct films throughout the 1960s and 1970s, earning critical acclaim for his work.

In addition to his film work, Csermák was also an accomplished poet. He published several collections of his poetry over the years, showcasing his lyrical and evocative style. His poetry was influenced by his experiences as a filmmaker and often dealt with themes of love, loss, and the human condition.

Csermák's work was recognized with numerous awards and honors, including the Kossuth Prize, Hungary's highest cultural award, in 1980. He continued to work until his death in 2001 at the age of 68. Today, he is remembered as a pioneering figure in Hungarian cinema and a prolific poet whose work continues to inspire new generations.

Csermák's films often explore deep philosophical themes and draw upon his experiences as a poet, resulting in thought-provoking and visually striking works of art. One example of this is his 1974 film "Psalmus Oecumenicus," which is a meditation on the connection between humanity and the natural world. The film was awarded the Golden Hugo at the Chicago International Film Festival and remains a seminal work of Hungarian cinema.

Besides his work as a filmmaker and poet, Csermák was also dedicated to teaching and mentoring young artists. He taught film direction at the Academy of Drama and Film in Budapest and was known for his willingness to share his knowledge and expertise with others. Many of his former students went on to become successful filmmakers in their own right.

In addition to the Kossuth Prize, Csermák received numerous other awards throughout his career, including the Balázs Béla Prize, the Artisjus Prize, and the Hungarian Order of Merit. He was also awarded the title of Honorary Citizen of Tapolca, where he lived for many years.

Csermák's impact on Hungarian culture and cinema cannot be overstated. His poetic and philosophical approach to filmmaking helped to shape the direction of Hungarian cinema in the latter half of the 20th century, and his work continues to inspire and influence artists around the world today.

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Zoltán Czibor

Zoltán Czibor (August 23, 1929 Kaposvár-September 1, 1997 Győr) also known as Zoltan Czibor was a Hungarian personality.

He was a renowned footballer who played as a forward for the Hungarian national team during the 1950s. Czibor was part of the legendary Hungarian team that won the gold medal at the 1952 Summer Olympics and finished as runners-up in the 1954 FIFA World Cup. He was known for his lightning-fast speed, quick dribbling skills, and ability to score crucial goals under pressure.

Czibor began his career at Kaposvári Rákóczi in his hometown before moving on to play for Ferencváros, where he won several domestic titles. He then joined Spanish giants FC Barcelona in 1958, where he formed part of the legendary "Hungarian Trio" that included Ferenc Puskás and Sándor Kocsis. During his time at Barcelona, he won two La Liga titles and the Inter-Cities Fairs Cup.

After retiring from football, Czibor became a football coach, leading teams such as FC Sion in Switzerland and FC Nantes in France. His contributions to Hungarian football were recognized when he was inducted into the Hungarian Football Hall of Fame in 1999.

Czibor was born into a family of modest means and had to quit school to help support his family. He began playing football at a young age and quickly showed his exceptional talent on the field. His breakthrough performance came in 1949 when he scored four goals in a match against Czechoslovakia. This led him to be recruited by Ferencváros, where he won the first of his four Hungarian championship titles.

Czibor's international career spanned from 1950 to 1961 and he scored a total of 20 goals in 43 appearances for Hungary. His most memorable performance was in the famous 6-3 victory over England at Wembley in 1953 in which he scored one of the goals. He was also a key player in Hungary's 7-1 thrashing of Brazil in the 1954 World Cup quarterfinals.

Czibor's move to FC Barcelona in 1958 made him the first Hungarian player to move abroad. He quickly became a fan favorite and helped Barcelona win their first La Liga title in 14 years. However, his time at Barcelona was also marred by controversy and personal struggles, including a fallout with the club's management.

After retiring from football, Czibor tried his hand at coaching, but had limited success. He struggled with alcoholism and financial problems, and eventually passed away in 1997 at the age of 68.

Despite his personal struggles, Czibor remains one of Hungarian football's all-time greats and a symbol of the "Golden Team" of the 1950s.

Czibor was not only a football icon but also a symbol of resistance against the oppressive political system in Hungary. During the Hungarian Revolution of 1956, he was among the players who defected to the West, along with Puskás and Kocsis. The trio was temporarily banned from playing by FIFA, but they were eventually allowed to continue their careers at club level. Czibor returned to Hungary in 1961 and was briefly imprisoned for his role in the revolution. However, he was eventually released and allowed to continue his coaching career. Despite the turmoil he faced in his personal life, Czibor remained devoted to the sport he loved and continued to inspire generations of Hungarian footballers.

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Mihály Horváth

Mihály Horváth (October 20, 1809 Szentes-August 19, 1878 Karlovy Vary) a.k.a. Mihaly Horvath was a Hungarian politician.

He was a prominent figure in the Hungarian Revolution of 1848, serving as a member of the National Assembly and later as a general in the Hungarian army. After the revolution was defeated by the Austrian Empire, Horvath fled into exile in Switzerland and later England. While in exile, he continued to work for the cause of Hungarian independence and was eventually able to return to Hungary in 1867 when Emperor Franz Joseph I granted a general amnesty. Horvath remained involved in politics throughout the rest of his life, advocating for Hungarian autonomy within the Austro-Hungarian Empire. He passed away in Karlovy Vary in 1878.

In addition to his political career, Mihaly Horvath was also a notable writer and journalist. He contributed to numerous Hungarian magazines and newspapers, including the popular political journal "Aurora" and the literary magazine "Uj Idok". Horvath was particularly interested in the history and culture of Hungary, and he wrote extensively on these subjects throughout his life. He was also a skilled linguist, fluent in several languages including German, French, and Russian. Despite his years in exile, Horvath remained committed to his homeland and played a significant role in shaping the modern Hungarian state. Today, he is remembered as one of the heroes of the Hungarian Revolution and a symbol of Hungarian nationalism.

Horvath was born in Szentes, a town in southeastern Hungary, to a family of modest means. He received his education in various towns throughout the country and eventually studied law at the University of Pest. It was during his time as a student that he became involved in the revolutionary movement that was sweeping through Europe at the time.

Horvath was known for his passionate speeches and his dedication to the cause of Hungarian independence. He was a skilled military commander and led troops in several key battles during the revolution. Despite his success on the battlefield, however, the revolution ultimately failed, and Horvath was forced to flee the country.

In exile, Horvath continued to work tirelessly for the cause of Hungarian independence. He wrote articles and gave speeches advocating for Hungarian autonomy, and he actively supported other revolutionary movements throughout Europe. In recognition of his contributions, Horvath was eventually granted amnesty and was able to return to Hungary.

During the remainder of his life, Horvath remained active in politics and continued to push for greater autonomy for Hungary within the Austro-Hungarian Empire. He was a respected figure among his fellow revolutionaries, and his contributions to Hungarian culture and history were widely celebrated.

Today, Horvath is remembered as a hero of the Hungarian Revolution and a symbol of Hungarian nationalism. His legacy lives on in the many books and articles he wrote and the countless lives he touched through his activism and leadership.

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Emánuel Moór

Emánuel Moór (February 19, 1863 Kecskemét-October 20, 1931 Chardonne) also known as Emanuel Moor was a Hungarian inventor.

He is most famous for inventing the Moór System of reforming piano keyboards. This system allows pianists to play far more complex compositions with greater precision and ease. Moór was also a composer and pianist himself, and he often performed on pianos with his own invention. In addition to his work on pianos, Moór invented a variety of other devices such as an electric harp, a new type of mechanical typewriter, and an oil-free engine. His inventions were highly influential, and some continue to be used to this day. Moór died at the age of 68 in Chardonne, Switzerland.

Moór's interest in music and engineering began at a young age. He studied music in Vienna and then at the Franz Liszt Academy of Music in Budapest, where he also obtained a degree in engineering. Moór's Moór System for piano keyboards was patented in 1901 and was widely adopted by many famous pianists, including Claude Debussy, who praised the system's ability to produce greater harmonic clarity and faster finger agility.

In addition to his music and engineering work, Moór was also an entrepreneur. He established the Moór Piano Company in New York City in 1912, which produced pianos with his patented system. He also established a typewriter company in Budapest, which produced the Moór Typewriter, a machine that could type in several languages and featured an innovative type-shuttle.

Moór was a member of the Hungarian Academy of Arts and Sciences, and his contributions to piano design and engineering have had a lasting impact on music performance. The Moór System remains a relevant topic of discussion and research among musicians and engineers, decades after its invention.

Moór's interest in engineering extended beyond his musical inventions. In 1910, he invented an oil-free engine that was more efficient and environmentally friendly than traditional engines of the time. He also designed an innovative airplane engine, but his plans were not realized due to World War I.

Moór had a successful career as a composer as well. He wrote numerous works for piano, including his most famous piece, the "Budapest Concerto." He also composed orchestral works, chamber music, and operas. Moór's music was greatly influenced by the works of Franz Liszt and Richard Wagner.

In addition to his technical and musical accomplishments, Moór was a polyglot and could speak seven languages fluently. He was also an avid traveler and visited countries such as Egypt, India, and Japan, which inspired some of his compositions.

Today, Moór is remembered as one of the greatest inventors in the history of music. His legacy continues through the continued use of his Moór System in pianos, and his other inventions continue to inspire and influence modern engineering.

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József Egry

József Egry (March 15, 1883 Ilok-June 19, 1951 Badacsony) otherwise known as Jozsef Egry was a Hungarian personality.

József Egry was a notable Hungarian painter, graphic artist, and watercolorist. He studied at the Academy of Fine Arts in Budapest and later founded his own school of art in Szeged. Egry's art is characterized by its vibrant use of color and his love for nature. He often painted landscapes and seascapes, which were inspired by his travels throughout Europe and North Africa. During his career, Egry received numerous awards and exhibitions in Hungary and abroad. He is considered to be one of the most significant figures in Hungarian art history.

In addition to his successful career as a painter and educator, József Egry was also a well-respected art critic and writer. He wrote extensively on the subject of art history, criticism, and aesthetics, and his writings were published in various art journals and publications throughout Hungary.

Egry's art is characterized by its unique style and execution, which is often described as a blend of impressionism and post-impressionism. His use of color is particularly noteworthy, as he often utilized bold and bright hues to create striking and memorable images. Egry's love for nature is also evident in his works, as he frequently depicted natural subjects such as trees, flowers, and bodies of water.

Despite achieving considerable success during his lifetime, József Egry's legacy was interrupted by World War II and the subsequent Communist era in Hungary. Many of his works were lost or destroyed during these tumultuous times, and his contributions to Hungarian art were largely forgotten or ignored. However, in recent years, there has been renewed interest in Egry's art, and his works are now celebrated for their artistic merit and cultural significance.

In addition to his artistic and literary pursuits, József Egry was also actively involved in cultural and social organizations. He was a member of various artistic circles and institutions, including the Hungarian Fine Arts Association and the Society of Hungarian Artists. He was also a founding member of the Szeged Artists' Colony, a group of painters who worked together to promote modern art in Hungary.

Egry's influence on Hungarian art and culture can still be felt today. His school of art in Szeged became an important center for modern art in Hungary, and many of his students went on to become accomplished artists themselves. His impact on Hungarian art history was recognized with a posthumous exhibition at the Hungarian National Gallery in 1983, on the 100th anniversary of his birth.

Today, József Egry's paintings and writings are held in various public and private collections throughout Hungary and around the world. His colorful and expressive style continues to capture the imagination of art lovers and critics alike.

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Gyula Basch

Gyula Basch (April 9, 1859 Budapest-January 8, 1928) was a Hungarian personality.

He was a renowned photographer and a pioneer of photography in Hungary. Basch was born to a wealthy Jewish family and received his education in Budapest before studying photography in Vienna. In 1883, he opened his own photography studio in Budapest, which became well-known for its high-quality work.

Throughout his career, Basch captured portraits of many notable figures in Hungary, including politicians, artists, and members of the aristocracy. He also photographed important events, such as the coronation of Emperor Franz Joseph I in 1867.

Aside from his work as a photographer, Basch was also a driving force in the development of photography as an art form in Hungary. He was a founding member of the Hungarian Photographic Society and a regular contributor to photography exhibitions throughout Europe.

Basch’s legacy is still evident in the world of photography today. His work is held in collections at several prominent institutions, including the Hungarian National Museum and the Museum of Fine Arts in Budapest.

In addition to his impressive career in photography, Gyula Basch was also an entrepreneur, establishing several successful businesses. In 1890, he founded a photographic supplies company called "Gyula Basch's Speciality House," which became the leading supplier of photographic equipment in Hungary. Later on, he also established a lighting company that provided lighting for theaters and cinemas. Throughout his life, Basch was known for his philanthropy, contributing generously to various charities and social causes. He was honored by the Hungarian government with the Knight's Cross of the Order of Franz Joseph for his contributions to the arts and culture of Hungary. Today, Gyula Basch is remembered as one of Hungary's most influential photographers and a pioneer of the art form in the country.

In addition, Gyula Basch was also a technology enthusiast and he made use of the latest inventions to improve his photography. He was one of the first photographers to use electric lighting in his studio, which allowed him to capture clearer and sharper images. Basch was also a proponent of the use of color in photography and he experimented with different methods of color photography, making use of techniques such as hand-coloring and autochrome. He even patented a method for producing color photographs, which was known as the "Basch Process." Basch's innovations in photography helped to elevate the art form and paved the way for future developments in the field.

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Ödön Lechner

Ödön Lechner (August 27, 1845 Buda-June 10, 1914 Budapest) a.k.a. Odon Lechner was a Hungarian architect.

He is considered to be one of the greatest figures of Hungarian Art Nouveau architecture, also known as Szecesszió. Lechner was heavily influenced by Eastern and Middle Eastern architecture, as well as Hungarian folk traditions, which he incorporated into his designs. He has been credited with the creation of the Hungarian National style of architecture. Some of his famous works include the Museum of Applied Arts in Budapest and the Church of Saint Elizabeth in Bratislava. He was also a professor at the Budapest University of Technology and Economics, where he taught and mentored many notable Hungarian architects.

Lechner was born to a family of craftsmen and grew up in a household where artistic pursuits were encouraged. He studied architecture in Vienna, Munich, and Berlin, and was heavily influenced by the works of Karl Freiherr von Hasenauer, a prominent Austrian architect of the time.

Upon his return to Hungary, Lechner joined the office of architect Gyula Pártos, where he gained experience designing public buildings and homes. In 1872, he established his own architectural firm, where he produced some of his most significant works.

Lechner's designs were characterized by the use of ceramic tiles, intricate mosaics, and ornate metalwork, which he employed to create dramatic effects and highlight his buildings' unique features. His style was celebrated for its blending of traditional Hungarian design with modern elements, and his works helped to create a distinctly Hungarian expression of Art Nouveau.

Despite his immense contribution to Hungarian architecture, Lechner's work fell out of favor in the years following World War I, and he was largely forgotten until a renewed interest in Art Nouveau emerged in the 1970s. Today, Lechner is regarded as a cultural icon in Hungary and continues to inspire architects and artists around the world.

In addition to his major works, Ödön Lechner also designed numerous other public buildings such as schools, apartment blocks, and hospitals, as well as private villas for wealthy clients. He believed that architecture should not only serve practical purposes but also be a form of art that reflected the nation's cultural heritage. His approach to design was holistic, encompassing all elements of a building, including its exterior, interior, and furnishings.

Lechner was also a passionate advocate for the use of locally sourced materials and the employment of Hungarian craftsmen in the construction of his buildings. He collaborated closely with artists, sculptors, and craftsmen to create unique and integrated designs that blended traditional Hungarian motifs with modern forms.

Lechner's legacy lives on not only through his buildings but also through his teachings. As a professor at the Budapest University of Technology and Economics, he trained many prominent Hungarian architects, including Béla Lajta and Dezső Jakab. His emphasis on the importance of incorporating national heritage into architecture continues to influence Hungarian architects today.

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Angéla Németh

Angéla Németh (February 18, 1946 Budapest-August 5, 2014 Budapest) also known as Angela Nemeth or Angela Nemeth-Ranky was a Hungarian personality.

Angéla Németh was a popular singer, actress and television personality in Hungary. She began her career in the early 1960s and quickly gained fame with her unique voice and style. Németh was known for her performance in the Hungarian film "Tisztelet az öregasszonyoknak" (Respect for Old Ladies) for which she won the Best Actress award at the Hungarian Film Festival in 1989. She was also a frequent performer on Hungarian television, hosting several shows and appearing in numerous TV dramas. Németh was highly regarded for her charitable work and was a Goodwill Ambassador for the United Nations Children's Fund (UNICEF) in Hungary. Her death was widely mourned in Hungary, with many fans and colleagues expressing their condolences and admiration for her contributions to Hungarian culture.

Angéla Németh was born in Budapest, Hungary and showed an interest in music and acting from a young age. She studied at the National Theatre School in Budapest before making her debut as a singer in 1963. In 1965, she joined the group Illés, which became one of the most popular music acts in Hungary.

Throughout her career, Németh recorded numerous albums and performed in many concerts both in Hungary and abroad. She was particularly admired for her interpretations of Hungarian folk songs and her work in preserving traditional Hungarian music.

In addition to her career in entertainment, Németh was also actively involved in philanthropic work. She founded the Angela Németh Foundation, which aimed to help disadvantaged children in Hungary. Németh was also a member of the Hungarian Parliament from 1994 to 1998, representing the Alliance of Free Democrats party.

Németh was married twice and had two children. Her legacy continues to live on through her contributions to Hungarian culture and philanthropy.

In addition to her successful career in entertainment, philanthropic work, and political involvement, Angéla Németh was also a prolific writer. She authored several books, including memoirs and a novel, and was known for her witty and insightful commentary on politics and society. Németh was also a strong advocate for women's rights and was a founding member of the Hungarian Women's Lobby, an organization dedicated to promoting gender equality and empowering women. Her contributions to Hungarian culture and society have left a lasting impact, and she is remembered as one of Hungary's most beloved and talented personalities.

She died in disease.

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Tivadar Alconiere

Tivadar Alconiere (April 5, 1797-April 5, 1865) was a Hungarian personality.

He is primarily known as the founder of the Hungarian National Museum, which he established in 1802. Alconiere was born in the city of Kőszeg in Austria-Hungary to a family of Italian origin. He spent his early years in Vienna and later attended university in Pest (now Budapest), where he developed a strong interest in history and cultural heritage. Alconiere's love for his country's cultural heritage led him to establish the Hungarian National Museum, which he envisioned as a way of preserving the history and traditions of Hungary. He spent many years collecting artifacts and items of significance for the museum's collection, and his efforts were instrumental in defining Hungarian national identity in the 19th century. In addition to his work with the museum, Alconiere was also a prominent figure in the Hungarian Revolution of 1848 and was a member of the Hungarian Parliament from 1848 to 1861. He died in Budapest in 1865 and is remembered as one of Hungary's greatest cultural heroes.

Tivadar Alconiere was not only a cultural and political figure, he was also a successful businessman. He inherited his family's lucrative wood trading company and expanded it, becoming one of Hungary's wealthiest individuals. Alconiere used his wealth to support various cultural and educational projects, including funding the establishment of the Hungarian Academy of Sciences. Despite his noble intentions, Alconiere's wealth and status also made him a target of criticism from some quarters, particularly during the 1848 revolution when he was accused of being too moderate in his political views. Despite the controversy, Alconiere remained committed to improving Hungary's cultural landscape and left a lasting legacy with the creation of the Hungarian National Museum.

He was also an avid traveler, having journeyed to Italy, France, and England, where he studied art and architecture. Alconiere was deeply inspired by the Renaissance and Baroque architectural styles, which he incorporated into the design of the Museum. He also had a passion for collecting rare books and manuscripts, which he donated to the National Library in Budapest. In addition to his contributions to Hungarian culture, Alconiere was a dedicated family man, having married and fathered six children. His descendants include several prominent figures in Hungarian culture and politics. Today, he is still revered and celebrated in Hungary for his pioneering work in preserving and promoting Hungarian cultural heritage. The Hungarian National Museum, which he founded, remains one of the country's most visited and revered institutions, a testament to Alconiere's enduring legacy.

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János Wenk

János Wenk (April 24, 1894-October 17, 1962) was a Hungarian swimmer.

He was born in Budapest, Hungary and started swimming at a young age. Wenk became a specialist in breaststroke and won multiple national championships in Hungary. He was known for his unique "frog-kick" technique, which later became a popular style in competitive swimming.

Wenk represented Hungary in the 1912 Summer Olympics in Stockholm, Sweden, where he won a silver medal in the men's 200 meter breaststroke, finishing just behind his compatriot, Zoltán Halmay. He also participated in the 1920 Summer Olympics in Antwerp, Belgium, but did not win a medal.

After retiring from competitive swimming, Wenk became a coach and trained several successful Hungarian swimmers. He died in Budapest in 1962, at the age of 68.

During World War II, Wenk was imprisoned by the Germans and spent time in several concentration camps. He survived and returned to Hungary after the war. In addition to his coaching career, Wenk worked as a swimming referee and was instrumental in the development of swimming in Hungary. He was inducted into the International Swimming Hall of Fame in 1998. Today, he is remembered as one of the greatest Hungarian swimmers of all time and as a pioneer in modern swimming techniques.

In his early years, János Wenk not only excelled in swimming but also showed great talent and interest in music. He studied at the Franz Liszt Academy of Music in Budapest and played the cello as a hobby. Wenk was also a polyglot and spoke several languages fluently, including German, English, and French. He used his language skills during his travels as a swimmer and coach, which allowed him to communicate with athletes from different countries effectively.

In addition to his silver medal at the 1912 Olympics, Wenk won several other international swimming competitions during his career. He held national and European records in breaststroke events and was known for his exceptional endurance and sprinting abilities. Wenk's frog-kick technique inspired many swimmers around the world and influenced the development of modern breaststroke techniques.

After retiring from coaching, Wenk worked as a swimming journalist and commentator, providing analysis and commentary on swimming events for radio and television. He was also active in politics and briefly served as a member of the Hungarian parliament between 1945 and 1947.

Today, János Wenk's legacy lives on through the János Wenk Swimming Meet, an annual competition held in Budapest for young swimmers. The event serves as a tribute to Wenk's contributions to the sport of swimming and his dedication to promoting athleticism and sportsmanship among young athletes.

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János Kemény

János Kemény (September 5, 1903-October 13, 1971) was a Hungarian journalist.

He began his career as a reporter for the Szabad Föld newspaper in Budapest in the 1920s. Kemény was a prolific writer and wrote about a range of topics, including cultural and literary subjects, social issues, and politics. He became known for his sharp criticism of the government, which often led to trouble with the authorities.

During World War II, Kemény was forced to flee Hungary and went into exile in the United States. He continued to write about Hungarian affairs, contributed to Hungarian-American newspapers, and taught Hungarian language and literature at several American universities.

In 1947, Kemény returned to Hungary, but his journalistic career was cut short by the political changes that took place in Hungary. He was arrested in 1949 and sentenced to 14 years in prison for allegedly engaging in espionage activities. He was released in 1956 during the Hungarian Revolution, but was later rearrested and imprisoned for another four years.

Kemény died in Budapest in 1971. His work has been praised for its insightful critiques of Hungarian society and politics, as well as for its literary style. He is considered to be one of Hungary's most important journalists of the 20th century.

Kemény's experience in exile greatly influenced his writing, and he became a strong advocate for Hungarian democracy and human rights. He was a founding member of the Hungarian Democratic Association in the United States, which aimed to promote freedom and democracy in Hungary. Kempény published several books, including memoirs based on his time in exile and his experiences during World War II. He was also a vocal opponent of the Communist government that took power in Hungary in 1949, and his writing often criticized the regime's policies and practices. Despite his imprisonment, Kemény remained a respected figure in Hungarian intellectual circles, and his legacy continues to inspire journalists and writers in Hungary and beyond.

In addition to his career as a journalist, János Kemény was also a respected literary critic and author. He wrote numerous articles and essays on Hungarian literature, and his book "The Hungarian Short Story" is still considered to be one of the most important works on the subject. Kemény was a strong supporter of Hungarian culture and believed that literature played an important role in shaping the country's national identity.

Kemény also had a deep interest in film and was a regular contributor to film magazines in Hungary and the United States. He was a member of the Budapest Film Critics Circle and served as a jury member at the Venice Film Festival in 1953.

Despite the hardships he faced during his life, Kemény remained committed to his principles and beliefs. He was a passionate advocate for democracy and human rights, and his writing continues to inspire those who fight for these values today.

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Adolf Pollitzer

Adolf Pollitzer (July 23, 1832 Pest, Hungary-November 14, 1900) was a Hungarian personality.

He was a physician and politician who made significant contributions to the development of the Hungarian healthcare system. Pollitzer studied medicine in Vienna and later worked as a professor of obstetrics at the University of Pest. He also served as a member of the Hungarian parliament and was active in several organizations, including the Hungarian Red Cross. Pollitzer was a strong advocate for better public health initiatives in Hungary and was instrumental in the establishment of hospitals and medical facilities across the country. His work led to significant improvements in maternal and child health and helped to reduce the prevalence of infectious diseases. Today, Pollitzer is remembered as one of Hungary's greatest physicians and public health advocates.

Additionally, Adolf Pollitzer was awarded several prestigious awards for his contributions to medicine and public health, including the Hungarian Order of Merit and the French Legion of Honour. He also wrote several articles and books on the subject of obstetrics and gynecology, which were widely read by medical professionals both in Hungary and abroad. Pollitzer was a prominent figure in the Jewish community and was known for his philanthropic work, particularly his efforts to improve the educational opportunities available to Hungarian Jews. Despite facing discrimination and persecution throughout his life, Pollitzer remained committed to his work and his community until his death in 1900. His legacy continues to inspire future generations of doctors and public health advocates in Hungary and beyond.

Pollitzer also played a major role in establishing the first Hungarian women’s medical school, which opened in 1895. He believed in educating women in medicine, and actively supported their entry into the field. Pollitzer’s dedication to promoting women’s health is still celebrated in Hungary today. He was an outspoken advocate for hygiene and cleanliness, and believed that improved sanitation was key to reducing the spread of disease. In addition to his work in medicine, Pollitzer was an accomplished linguist and spoke several languages fluently. He also had a love of music and was known to be an accomplished pianist. Despite facing political and social challenges throughout his life, Pollitzer’s tireless efforts to improve the health and well-being of all Hungarians cemented his place in the country’s history.

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