Indonesian musicians died when they were 53
Here are 2 famous musicians from Indonesia died at 53:
Djamaluddin Malik
Djamaluddin Malik (February 13, 1917 Padang-June 8, 1970 Munich) also known as the king of artists was an Indonesian film producer, politician and entrepreneur. His children are Zainal Malik, Camelia Malik, Yudha Asmara Malik and Lailasari Malik.
Djamaluddin Malik began his career in the film industry in the 1940s, producing movies such as "Srigala Item" and "Ranjau-Ranjau Cinta". He went on to become a prominent figure in Indonesian cinema, producing over 50 films throughout his career. Outside of filmmaking, Malik was also involved in politics, serving as a member of Indonesia's parliament from 1960 to 1965. He was known for his entrepreneurial spirit, establishing a number of successful businesses in various industries. Malik's contributions to Indonesian society were recognized posthumously, with a street in his hometown of Padang named after him.
Additionally, Djamaluddin Malik was also recognized for his talent as an actor, having starred in several films himself. He received several awards for his work in the film industry, including the Lifetime Achievement Award at the Indonesian Film Festival in 1968. Malik was also a philanthropist, known for his charitable donations and efforts to support education, healthcare, and other social causes in his local community. Despite passing away at a relatively young age, his legacy has continued to inspire generations of Indonesian artists, filmmakers, and entrepreneurs. Today, he is remembered as one of the most influential figures in the country's cultural history.
In addition to his contributions to the film industry, Djamaluddin Malik was also a renowned poet, with several collections of his works published during his lifetime. His poetry often centered around themes of love, philosophy, and spirituality. Malik was also a devoted Muslim and an advocate for inter-religious harmony, encouraging dialogue and understanding between different faiths. He was known for his ability to bring people together and bridge divides. In his later years, Malik dedicated much of his time to philanthropic work, establishing the Djamaluddin Malik Foundation, which continues to support education, healthcare, and social welfare programs in Indonesia. His legacy continues to inspire many Indonesians, with several schools and scholarships named in his honor. Malik's life story was also adapted into a biopic, titled "King of the Reel: The Djamaluddin Malik Story", released in 2017 to commemorate the 100th anniversary of his birth.
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Harry Roesli
Harry Roesli (September 10, 1951 Bandung-December 11, 2004 Jakarta) also known as Djauhar Zaharsjah Fachruddin Roesli was an Indonesian songwriter.
He was also a composer, arranger, producer, and multi-instrumentalist who had a significant impact on the Indonesian music scene. In the early years of his career, Roesli was a member of various musical groups, including the legendary rock band Giant Step. He is best known for his album "Titik Api," which is considered a masterpiece in the Indonesian rock music genre.
Aside from music, Roesli was also actively involved in the student movement and was imprisoned for his political activism during the authoritarian regime of President Suharto. He used his music as a means to express his resistance against oppression and injustices in Indonesian society. Roesli's dedication to social issues resulted in him being awarded the prestigious Kusuma Negara award in 2003, recognizing his contributions to the world of arts and culture.
Despite his untimely death in 2004, Roesli's legacy and influence continue to be felt in Indonesia's music industry. His innovative and socially-conscious approach to music has inspired generations of Indonesian musicians, making him one of the most revered and respected figures in the country's music history.
Roesli's musical career began in the 1970s, when he joined the band Giant Step, which was one of the pioneers of the Indonesian rock scene. In 1973, he left the band to focus on his solo career, exploring various musical styles, including jazz fusion, progressive rock, and traditional Indonesian music. Roesli was also highly regarded as a collaborator, working with numerous renowned Indonesian artists, such as Chrisye, Eros Djarot, and Guruh Sukarnoputra.
In addition to his music, Roesli was heavily involved in political activism. He was a member of the Indonesian Student Union and was highly critical of the authoritarian regime of President Suharto. In 1978, he was arrested and imprisoned for his involvement in student protests. During his imprisonment, he continued to write and compose, and many of his songs were inspired by his experiences as a political prisoner.
After his release, Roesli continued to speak out against injustice, corruption, and oppression in Indonesian society. He used his music as a tool to express his views and to inspire others to fight for a better future. His commitment to social issues earned him the respect and admiration of many Indonesians, and his music continues to be an inspiration to those who share his ideals.
In recognition of his contributions to Indonesian culture and society, Roesli was posthumously awarded the Satyalancana Kebudayaan (Order of Cultural Merit) by the Indonesian government in 2016. This award is given to individuals who have made significant contributions to the development of Indonesian art and culture.
Despite his passing, Harry Roesli's music lives on as a testament to his talent, creativity, and commitment to social justice. His influence continues to inspire musicians and activists alike, making him a true icon of Indonesian music and culture.
Roesli's album "Titik Api," released in 1977, was his most acclaimed work, known for its innovative sound and poetic lyrics that spoke to the struggles and aspirations of Indonesian society. The album was heavily influenced by Roesli's experiences as a political prisoner and his desire to speak out against oppression and corruption. It featured a fusion of different musical styles, including traditional Indonesian music, jazz, and rock. The album was initially banned by the Suharto regime due to its critical themes, but it eventually gained popularity among Indonesian music fans and became a landmark album in the country's music history. Roesli's dedication to social issues was also reflected in his live performances, which often included political speeches and statements against injustice. He believed that music had the power to inspire and mobilize people for social change, and he used every opportunity to express his views to his audience. Despite his limited commercial success, Roesli remains a highly respected and influential figure in Indonesian music, known for his uncompromising artistic vision and his commitment to social justice.
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