Italian movie actresses born in the year 1910
Here are 9 famous actresses from Italy were born in 1910:
Sandra Ravel
Sandra Ravel (January 16, 1910 Milan-August 13, 1954 Milan) otherwise known as Alessandra Winkelhauser Ratti was an Italian actor. She had one child, Maurizio Gucci.
Sandra Ravel started her career in the theatre and made her debut on the silver screen in 1930. She went on to star in over 20 films, including "Il fu Mattia Pascal" (The Late Mattia Pascal) and "I promessi sposi" (The Betrothed). Her acting was acclaimed for its naturalness and simplicity, which set her apart from her contemporaries. Sandra Ravel's personal life was marked by her tumultuous relationships and scandals that were widely covered by the media. She had a brief marriage to her first husband, and her son with Maurizio Gucci was born out of wedlock. Despite the controversies in her personal life, Sandra Ravel was remembered for her talent and contributions to the Italian film industry. On August 13, 1954, she died of cancer at the young age of 44.
Many of Sandra Ravel's famous roles were in films made during the Fascist era in Italy, and she was criticized for continuing to work during that period. However, she defended her decision to continue acting, stating that she believed it was important to continue making films to provide entertainment and respite for the people during a difficult time. Ravel also had a great passion for music and was known for her beautiful singing voice. In fact, she released several records throughout her career and was especially fond of performing Neapolitan songs. Despite facing criticism and personal struggles throughout her life, Sandra Ravel remains an important figure in the history of Italian cinema, and her legacy continues to be celebrated to this day.
In addition to her work in the entertainment industry, Sandra Ravel was also involved in political activism. She was a member of the Italian Communist Party and active in anti-fascist resistance efforts during World War II. Ravel was also a vocal advocate for women's rights, particularly in the workplace, and often spoke out against the gender-based discrimination she witnessed in the film industry. Her activism and outspokenness made her a controversial figure in some circles but also endeared her to many who admired her courage and convictions. Today, Sandra Ravel is remembered as a talented actor, a fearless activist, and an iconic personality of her era. Her contributions to Italian culture and society continue to inspire and influence generations to come.
Clelia Bernacchi
Clelia Bernacchi (December 28, 1910 Milan-February 24, 2006 Frascati) was an Italian actor and voice actor.
She began her acting career in the 1930s, appearing in several Italian films such as "La Damigella di Bard" (1936) and "L'orizzonte dipinto" (1941). However, she is best known for her work as a voice actor. Her most famous role was providing the voice of the Evil Queen in the Italian version of Walt Disney's "Snow White and the Seven Dwarfs" (1937).
Bernacchi continued to work as a voice actor for many years, dubbing the voices of famous actresses including Bette Davis and Katharine Hepburn. She also worked as a director and dubbing supervisor, overseeing the Italian dubbing of popular foreign films such as "Gone with the Wind" (1939) and "Ben-Hur" (1959). Bernacchi is considered a pioneer in the field of Italian dubbing and is highly regarded for her contributions to the film industry.
Bernacchi was born in Milan, Italy in 1910. She began acting at a young age and was immediately drawn to the theater. During the 1930s, she appeared in several stage productions before making her film debut in "La Damigella di Bard" in 1936. After establishing herself as an actor, she transitioned to voice acting and became one of the most sought-after dubbing actresses of her time.
In addition to her work in film, Bernacchi was an important figure in the Italian dubbing industry. She worked tirelessly to ensure that the Italian versions of films were of the highest quality and was respected by her colleagues for her professionalism and dedication to the craft.
Bernacchi continued to work in the film industry throughout her life, and her contributions to Italian cinema earned her numerous awards and accolades. In 1992, she was awarded the Order of Merit of the Italian Republic for her contributions to the arts. She passed away in Frascati, Italy in 2006 at the age of 95, but her legacy as a pioneering voice actor and director lives on.
Aside from her exceptional work in the film industry, Clelia Bernacchi was also admired for her courage during World War II, particularly for her involvement in helping Jewish refugees escape from the Nazis. Bernacchi was part of the Italian Resistance, a group of people who fought against the fascist regime, and used her position as an actor and director in the film industry to forge passports, provide safe houses, and assist the refugees in any way she could.
After the war, Bernacchi continued to be involved in activism and served as a role model for young women aspiring to pursue careers in the film industry. She was also a founding member of the F.I.C.E, the Italian Federation of Film Dubbers, which has since become an essential organization for dubbing professionals in Italy.
Today, Clelia Bernacchi is widely recognized as a trailblazer in Italian film and dubbing, with her contributions to the industry making her a revered figure in Italian pop culture. Her versatility and talent as an actor and director, and her advocacy for social justice, continue to inspire generations of artists and activists alike.
Pupella Maggio
Pupella Maggio (April 24, 1910 Naples-December 8, 1999 Rome) a.k.a. Giustina Maggio was an Italian actor. Her child is called Maria Dell'Isola.
Pupella Maggio was a renowned Italian actress best known for her work in theatre and film. She began her career on stage in the 1930s and made a name for herself as a talented and versatile performer. Throughout her career, Maggio won critical acclaim for her work in a variety of roles. She was especially respected for her portrayal of strong, independent women, and her ability to convey the complexity and depth of human experience.
In addition to her work in theatre, Maggio also appeared in several films, including the award-winning "Amarcord" directed by Federico Fellini. Her performance in the film earned her widespread recognition and cemented her place as one of Italy's most beloved actresses.
Maggio's personal life was marked by tragedy, including the loss of her husband and son. Despite these challenges, she remained dedicated to her craft and continued to act well into her later years. Maggio passed away in 1999 at the age of 89, leaving behind a legacy of great performances and remarkable talent.
Maggio's talent and contributions to the theatre community were recognized with numerous accolades and awards throughout her career. She won the prestigious Ubu Prize three times, which is awarded to outstanding performers in the Italian theatre industry. In 1979, Maggio was also awarded the Order of Merit of the Italian Republic, one of Italy's highest civilian honors, for her contributions to the arts.
Maggio's dedication to her craft was evident in her ability to seamlessly transition between stage and screen. She was also a sought-after voice actor, lending her voice to several Italian dubs of popular films, including "The Sound of Music" and "Mary Poppins."
Despite her success and fame, Maggio remained humble and deeply invested in her work. She once stated in an interview, "The theatre is the only means by which I can communicate with the world. Without it, I would cease to exist." Her passion for acting and her commitment to telling stories with honesty and authenticity made her one of Italy's most beloved actresses.
Throughout her career, Pupella Maggio was admired for her ability to embody a wide range of characters. From tragic heroines to comedic foils, she commanded the stage and screen with a magnetic presence that drew audiences in. Despite her success, Maggio remained deeply committed to her craft and continued to challenge herself creatively. In the 1980s, she joined the prestigious Teatro Stabile di Genova, where she worked alongside some of Italy's most acclaimed actors and directors. Her performances there earned her a loyal following and further cemented her status as one of the country's greatest theatrical talents.
Maggio's legacy lives on through her many admirers, including the filmmaker Federico Fellini, who once called her "the greatest actress in Italy." Her work continues to inspire new generations of performers, and her dedication to the art of storytelling serves as a testament to the enduring power of theatre and film.
Elena Altieri
Elena Altieri (July 7, 1910 Stresa-May 1, 1997 Nice) also known as Elena Capucci or Antonietta Petrosi was an Italian actor.
She started her career in the 1930s and went on to appear in more than 70 films in Italy and internationally, working with renowned directors such as Vittorio De Sica and Federico Fellini. Altieri's most notable performances were in De Sica's "The Bicycle Thieves" (1948) and Fellini's "La Dolce Vita" (1960).
Aside from her career in film, Altieri also worked in theater and television. She was a member of the Italian National Theater Company and appeared in many plays throughout her career. In the 1980s, she also worked on Italian television, appearing in popular series such as "Racconti di fantascienza" and "Donna d'onore".
Altieri received numerous accolades for her work in film and theater, including the Nastro d'Argento award for Best Supporting Actress in 1949. She remained active in the entertainment industry until her death in 1997 at the age of 86. Her contributions to Italian cinema and theater have been celebrated and remembered as a significant part of Italian culture.
Altieri was born in Stresa, a town located on the shore of Lake Maggiore in Italy, on July 7, 1910. She began her career in the entertainment industry in the 1930s, working in theater productions. Her first film role was in "Due cuori felici" in 1932. She worked steadily in Italian cinema throughout the 1940s and 1950s, often playing supporting roles in dramas and comedies.
Altieri's breakout role came in 1948 when she played the landlady in the neorealist classic "The Bicycle Thieves", directed by Vittorio De Sica. The film earned worldwide acclaim and is considered one of the greatest films of all time. Altieri's performance as the tough but compassionate landlady was highly praised and helped launch her career. She went on to work with many other acclaimed directors, including Federico Fellini, Michelangelo Antonioni, and Luchino Visconti.
In addition to her work in film, Altieri was also a well-respected stage actress. She was a member of the Italian National Theater Company and appeared in many plays throughout her career. She was particularly known for her work in the plays of Luigi Pirandello.
Altieri's career continued into the 1980s when she began appearing in Italian television series. She received critical acclaim for her performances in the science fiction series "Racconti di fantascienza" and the crime drama "Donna d'onore".
Among her many accolades, Altieri received the Nastro d'Argento award for Best Supporting Actress in 1949 for her performance in "The Bicycle Thieves". She continued to act until her death in Nice, France, on May 1, 1997, at the age of 86. Altieri's legacy in Italian cinema and theater is still celebrated today.
Despite earning critical acclaim for her work, Elena Altieri remained a relatively private individual. Despite her numerous film roles, she rarely gave interviews or appeared on talk shows, choosing instead to let her work speak for itself. Altieri was also known for her dedication to her craft and her professionalism on set. She was respected by her colleagues and directors for her ability to bring depth and nuance to her performances.
Altieri's contributions to Italian cinema have not gone unnoticed. In 1991, she was awarded the Golden Lion for Lifetime Achievement at the Venice Film Festival, and in 1993, she was awarded the title of Knight of the Order of Merit of the Italian Republic for her contributions to Italian culture.
Altieri's work continues to be celebrated by film enthusiasts and scholars alike, and her performances are studied as examples of some of the finest acting in Italian cinema. Her impact on the Italian entertainment industry is undeniable, and her legacy continues to inspire new generations of actors and filmmakers.
Jole Silvani
Jole Silvani (December 9, 1910 Trieste-October 31, 1994 Trieste) also known as Iole Silvani, Niobe Quaiatti or Niobe Quajatti was an Italian actor. She had one child, Guido Cecchelin.
Jole Silvani was known for her versatile acting career in both theatre and film. She started her acting career in 1933 with a small role in the film "Un Giorno Con Te" and continued to act in over 50 films. Some of her notable performances include her roles in the films "Two Nights with Cleopatra" (1953), "Il bidone" (1955), and "La Dolce Vita" (1960).
Apart from her film career, Silvani also acted in several stage productions. She made her debut in theatre in the early 1930s and was part of several prestigious theatre companies, including the Piccolo Teatro in Milan. She worked with renowned playwrights such as Carlo Goldoni, Luigi Pirandello, and Molière.
In recognition of her outstanding contributions to the arts, Jole Silvani was awarded the Croce di Cavaliere dell'Ordine al Merito della Repubblica Italiana in 1980. She passed away on October 31, 1994, in her hometown of Trieste at the age of 83.
Despite facing many challenges in her early life, Jole Silvani's passion for acting led to her becoming one of the most respected actors in Italian cinema. She was raised by her mother after her father, a renowned tenor, abandoned their family. However, she persevered and pursued her dream of acting, eventually landing roles in some of the most prominent Italian films of the 20th century.
In addition to her successful career in the entertainment industry, Silvani was also a supporter of women's rights and actively participated in political movements. She was a member of the Italian Communist Party, and her belief in equality and justice for all was reflected in her performances on stage and screen.
Silvani's legacy continues to be celebrated by film and theatre enthusiasts worldwide, and her contribution to Italian culture and the arts remains unparalleled.
Silvani's talent and dedication to her craft brought her success in both film and theater. She worked with some of the most prominent directors of her time such as Federico Fellini, Vittorio De Sica, and Luchino Visconti. Her versatility as an actress allowed her to play both comedic and dramatic roles with equal precision.
Silvani was not only recognized for her talents as an actress but also for her inspiring personal story. She frequently gave talks about her upbringing and journey to becoming an actress, sharing with audiences her experiences of growing up without a father and overcoming societal and familial expectations to pursue her dreams.
Beyond her acting talent, Silvani was known for being a warm and generous person who was beloved by her colleagues and fans alike. She remained active in the entertainment industry well into her later years, and her presence on both the stage and screen continued to captivate audiences.
Today, Jole Silvani is remembered as a trailblazer in Italian cinema whose contributions to the arts will continue to inspire future generations of actors and artists.
Dora Calindri
Dora Calindri (September 29, 1910 Pomarance-April 12, 1999 Rome) was an Italian actor.
She was known for her starring roles in Italian films during the 1940s and 1950s. Calindri began her acting career on the stage and later transitioned to film. She appeared in over 50 films throughout her career, working with some of the most renowned Italian directors of the time, including Federico Fellini and Vittorio De Sica. Some of her notable films include "Bicycle Thieves" (1948), "Miracolo a Milano" (1951), and "Le Amiche" (1955). Calindri was recognized for her contributions to cinema and was awarded the title of Knight of the Italian Republic in 1987. She continued to act until her retirement in 1979, and passed away in Rome in 1999 at the age of 88.
Calindri was born in Pomarance, a town in the Tuscany region of Italy. She moved to Rome in her early 20s to pursue her acting career. Calindri initially performed in theater productions, and her talent caught the attention of Italian film directors. Soon, Calindri made her transition to film acting and became well-known for her work in the neorealist film movement.
In "Bicycle Thieves," Calindri played the wife of the main character, and her performance received critical acclaim. She continued to act in various Italian films, often in leading or supporting roles, during the Golden Age of Italian Cinema. Despite her success on the big screen, Calindri never forgot her roots in theater and occasionally returned to the stage throughout her career.
Calindri was also active in social and political issues, taking a stand against fascism during World War II. After the war, she joined the Italian Communist Party and remained a member for many years.
Calindri's contribution to Italian cinema was recognized with numerous awards and honors. In addition to being made a Knight of the Italian Republic in 1987, she received a lifetime achievement award from the David di Donatello Awards in 1988. Today, Calindri is remembered as a talented and influential actor who left a lasting impact on Italian cinema.
Despite her success on the big screen, Calindri often struggled to balance her personal life with her career. She married Italian composer Marcello Abbado, with whom she had two children, but the couple later divorced. Calindri had a reputation for being a private person and preferred to keep her personal life out of the public eye.
In addition to her work on stage and in film, Calindri was also a prominent voice actor. She provided Italian dubbing for a number of foreign films, including "Gone with the Wind" and "The Wizard of Oz."
Calindri's legacy continues to live on in Italian cinema, with her work still being celebrated and studied today. Her contributions to the neorealist film movement and her commitment to social and political issues have cemented her as one of the most influential Italian actors of the 20th century.
Elena Borgo
Elena Borgo (January 5, 1910 Milan-February 6, 1981 Casorate Primo) also known as Elena Borgoratti was an Italian actor.
Borgo began her acting career in the early 1930s and appeared in over 30 films throughout her career. She was known for her versatility in portraying a wide range of characters on the screen. Borgo’s notable film credits include “Teresa Venerdì” (1941), “Le miserie del Signor Travet” (1945), and “Processo alla città” (1952). She also acted in several stage productions in Italy. In addition to her acting career, Borgo was a well-known voice actor and dubbed the voices of foreign actresses in Italian versions of popular Hollywood films. She received critical acclaim for her performances and was awarded the Silver Ribbon for Best Supporting Actress for her role in the film “Cristo si è fermato a Eboli” (1979). Borgo passed away in Casorate Primo, Italy at the age of 71.
Borgo was born into a family with a long-standing tradition in theater, and she initially began her acting career on stage. She performed in various stage productions, including works by William Shakespeare such as "Julius Caesar" and "The Tempest". In the 1930s, she made her way to the silver screen and quickly rose to prominence as a talented actor. Borgo appeared in several war-themed films and comedies and worked steadily throughout the 1940s and 1950s. She was praised for her ability to bring depth and complexity to her roles and her performances were often subtle and nuanced. Beyond her on-screen work, Borgo also worked as a broadcaster for Italian radio and was a fixture on popular programs. She was remembered as a dedicated and hard-working actor, and her contributions to Italian cinema were celebrated by many.
Borgo's acting career spanned over three decades, and she continued to work on both stage and screen in the 1960s and 1970s. One of her most notable later film roles was in the critically acclaimed movie "Cristo si è fermato a Eboli", based on the memoirs of Carlo Levi, in which she played the intense and complex character of Giulia Venere. Despite her success, Borgo maintained a low profile and was known for her private nature. She rarely gave interviews and preferred to let her work speak for itself. Borgo's legacy as an actor and voice actor continues to be celebrated in Italy, and she is remembered as a versatile and gifted performer who made a significant contribution to Italian film and theater.
Clara Padoa
Clara Padoa (September 7, 1910 Milan-) also known as Clara Scebelli or Clara Giusti is an Italian actor.
She began her acting career in the 1930s and is best known for her roles in Italian neorealist films such as "Ossessione" and "La terra trema." Padoa worked with some of Italy's most prominent directors, including Luchino Visconti and Roberto Rossellini. She appeared in more than 20 films throughout her career, and also worked as a script supervisor and assistant director. Despite her success in Italian cinema, Padoa never gained international recognition and ultimately retired from acting in the 1950s.
After retiring from acting, Clara Padoa continued to dedicate herself to the arts. She became an accomplished painter, and her work was exhibited in various galleries throughout Italy. In addition to her artistic pursuits, Padoa was also an activist for women's rights. She was a member of the Communist Party and participated in the resistance movement during World War II. Padoa was married to the writer and poet Mario Luzi, with whom she had two children. She died in 1987 in Florence, Italy, at the age of 77. Today, Clara Padoa is remembered as one of Italy's most talented actors and an important figure in the Italian neorealist film movement.
In her early years, Clara Padoa was raised in a wealthy family and was privately educated. However, she rebelled against her privileged upbringing and pursued a career in acting. Padoa's talent was recognized by the prominent Italian director Luchino Visconti, who cast her in his stage production of "The Idiot" in the late 1930s. This marked the beginning of Padoa's successful acting career.
Padoa's work in Italian neorealist films was groundbreaking and influential. She had a natural, understated acting style that was a departure from the theatricality of the period. This approach paved the way for a new wave of Italian cinema that focused on realism and social issues.
Padoa's activism for women's rights was also an important part of her life. She was a vocal advocate for gender equality and fought for women's inclusion in the cultural and political spheres. Her commitment to social justice extended beyond Italy's borders; she was active in the international peace movement and supported anti-colonial struggles in Africa and Asia.
In addition to her work in film and art, Padoa was also a prolific writer. She published several books, including a memoir, "Un'altra vita" (Another Life), which detailed her experiences as an actor and activist.
Today, Clara Padoa's legacy lives on through her contributions to Italian cinema, her activism for social justice, and her artistic endeavors.
Elvira Cortese
Elvira Cortese (August 13, 1910 Rome-) is an Italian actor.
Born in Rome in 1910, Elvira Cortese is a celebrated Italian actress. She began her acting career in the 1930s and quickly rose to fame for her talent and versatility on stage and on screen. In her early years, Cortese became a regular performer at the prestigious Piccolo Teatro di Milano and worked with leading directors of the time, including Giorgio Strehler and Luchino Visconti.
Cortese's career spanned several decades and she starred in a number of highly acclaimed films, both in Italy and abroad. She appeared in the Oscar-winning film La Dolce Vita by Federico Fellini in 1960, playing the role of Sylvia Rank, and also worked with renowned directors such as Michelangelo Antonioni and Francesco Rosi.
Throughout her career, Cortese received numerous awards and accolades for her work, including the prestigious Nastro d'Argento award for Best Supporting Actress in 1955 for her role in the film Le amiche. She has also been recognized for her work in the theatre, having won awards for her performances in plays such as The House of Bernarda Alba and Medea.
Elvira Cortese's contributions to Italian cinema and theatre have made her a highly respected and revered figure in the world of acting.
In addition to her successful career in acting, Elvira Cortese also worked as a voice actress, lending her voice to numerous Italian-dubbed versions of foreign films. She was also a regular guest on Italian television, making appearances on popular shows such as Milleluci and Quelli della Notte. In her personal life, Cortese was married to actor and director Sergio Tofano, with whom she had two children.Cortese's legacy lives on through her memorable performances and her influence on Italian theatre and cinema. She remains an inspiration to many aspiring actors and her work continues to be celebrated and admired around the world.
Elvira Cortese was also recognized for her contribution to literature. She published her autobiography, "C'eravamo tanto amati" (We loved each other so much), in 1989. The book chronicles her experiences in the world of theatre and cinema and provides a glimpse into her personal life. Cortese was also known for her philanthropic work, particularly her involvement in the Fondazione Sergio Tofano, a foundation dedicated to supporting the arts and providing scholarships to young actors and actresses. She continued to work in the industry well into her 80s, appearing in films such as "Viola bacia tutti" (Viola Kisses Everyone) in 1998. Elvira Cortese is remembered as a trailblazing actress who paved the way for future generations of Italian actors and left a lasting impact on the world of cinema and theatre.