Italian musicians died when they were 65
Here are 13 famous musicians from Italy died at 65:
Marsilio Ficino
Marsilio Ficino (October 19, 1433 Figline Valdarno-October 1, 1499 Villa Medici at Careggi) was an Italian astrologer and philosopher.
He was a leading scholar of the Florentine Renaissance who revived and popularized Platonism. Ficino's translations of Plato's works into Latin and his commentaries on them helped spread knowledge of Neoplatonism throughout Europe. He was also a key figure in the development of humanism, which emphasized the value of human beings and their achievements. Ficino was a member of the influential Medici family's inner circle and was supported by them in his work. He founded the Florentine Academy, which became a center of learning and discussion for Renaissance humanists. In addition to his work in philosophy and astrology, Ficino was also an accomplished musician and composer.
Ficino was born into a family of physicians and was expected to follow in their footsteps. However, his interests lay in philosophy and the arts, and he pursued these subjects with great passion. He studied under several notable humanists, including Lorenzo Valla and Giovanni Pico della Mirandola. Ficino was also deeply influenced by his knowledge of ancient Greek philosophy, which he believed held the key to unlocking the mysteries of the universe.
Ficino's most famous work is his "Platonic Theology," a summary of the ideas found in the works of Plato and other Greek philosophers. In this work, Ficino argued that there was a fundamental unity to all knowledge and that the study of philosophy could lead to a greater understanding of God and the universe. He also believed that music and mathematics could be used to understand the underlying structure of the universe.
In addition to his work on philosophy, Ficino was also an important figure in the field of astrology. He believed that the movements of the planets and stars could be used to interpret human behavior and predicted that the alignment of planets in 1484 would mark the beginning of a new era of peace and prosperity. While this prediction did not come to fruition, Ficino's work in astrology laid the groundwork for future developments in the field.
Ficino's contributions to the Renaissance have had a lasting impact on the world of philosophy and the humanities. His emphasis on humanism and the study of ancient Greek philosophy helped pave the way for the Enlightenment and the modern era of scientific inquiry. His work also had a profound influence on the art and literature of the Renaissance, inspiring artists and writers to seek out new forms of expression and explore new ideas.
Ficino's influence also extended to the world of medicine. As a physician himself, he believed in treating not just the physical symptoms of an illness, but also a person's mental and spiritual well-being. He advocated for a holistic approach to medicine that took into account a patient's emotional and psychological state, as well as their physical health. Ficino also believed that music had therapeutic properties and could be used to help heal the body and mind.
Ficino's legacy can be seen in the many works of art and literature that were inspired by his ideas. Several of Shakespeare's plays, such as "The Tempest" and "Romeo and Juliet," were influenced by Ficino's philosophy of Neoplatonism. The art of the Italian Renaissance, with its focus on harmony and proportion, can also be traced back to Ficino's ideas about the underlying structure of the universe. Even today, his ideas continue to inform our understanding of the world and our place in it.
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Dino Buzzati
Dino Buzzati (October 16, 1906 Belluno-January 28, 1972 Milan) also known as Dino Buzzati-Traverso or Dino Buzzati Traverso was an Italian writer, novelist and journalist.
Buzzati began his journalism career in 1929 at the Milanese paper Corriere della Sera, where he would work for over 40 years. In addition to journalism, he is best known for his works of fiction, including the novel "The Tartar Steppe", which is considered one of the most significant works of 20th-century Italian literature. Buzzati's writing often explored themes of absurdity, loneliness, and the human condition. He also wrote plays and designed sets for the theater. Buzzati died in 1972 at the age of 65 from cancer.
Throughout his life, Buzzati produced an impressive body of work, including collections of short stories, novellas, and plays. His writing was often characterized by a surreal and dreamlike quality, exploring themes of mortality and the unexplainable. In addition to "The Tartar Steppe", some of his most famous works include "The Seven Messengers", "The Secret of the Old Forest", and "A Love Story".
Despite his success as a writer, Buzzati never lost his passion for journalism and continued to work at Corriere della Sera until his death. He also remained active in the artistic community, designing sets for the theater and creating illustrations for his own works.
Buzzati's legacy is still felt in Italy today, with numerous literary awards and scholarships named in his honor. In addition, many of his works have been adapted into films, operas, and stage productions, ensuring that his unique vision and voice will continue to be appreciated by generations to come.
Buzzati was born in Belluno, a small town in the Veneto region of Italy. He grew up in a family of artists, with his mother being a painter and his father a professor of engineering. Buzzati inherited his parents' love of the arts and went on to study law at the University of Milan. However, he soon realized that his true passion was for writing and literature.
Buzzati's career as a journalist was interrupted by World War II, during which he served as a soldier. After the war, he returned to writing and became one of the most respected and influential journalists in Italy. He covered a wide range of topics, from politics to sports to the arts, and was known for his incisive analysis and insightful commentary.
In addition to his literary and journalistic pursuits, Buzzati was also an accomplished artist. He began studying painting at a young age and continued to create art throughout his life. He was particularly interested in surrealism and often incorporated elements of this style into his writing and illustrations.
Despite his many achievements, Buzzati was a humble and modest person who avoided the limelight. He is remembered as a deeply thoughtful and introspective writer, whose work continues to inspire and provoke readers to this day.
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Anna Magnani
Anna Magnani (March 7, 1908 Rome-September 26, 1973 Rome) also known as La Lupa, Ann Magnani, La Magnani, Nannarella, Perennial toast of Rome, The Italian Édith Piaf, A. Magnani or living she-wolf symbol was an Italian actor. She had one child, Luca Magnani.
Anna Magnani was a renowned Italian actress who made a significant contribution to Italian cinema. She started her acting career in theater and later made her film debut in 1935. Magnani quickly gained recognition for her exceptional acting skills and unique on-screen presence. Her breakthrough role was in the film "Rome, Open City" (1945), which won awards at various film festivals. She also won an Oscar and a Golden Globe for Best Actress for her performance in "The Rose Tattoo" (1955).
Magnani was known for her strong personality and fiery temper, which sometimes led to clashes with colleagues and directors. However, she was also admired for her empathy and generosity towards those in need. She was a strong advocate for social justice and often used her platform to speak out against injustice and oppression.
Magnani's legacy is best remembered through her powerful performances and the impact she had on Italian cinema. She remains an inspiration to many actors to this day.
Anna Magnani was born in Rome on March 7, 1908. Her father was an anarchist and her mother a housemaid, both of whom were estranged from her. She grew up in poverty and was raised mostly by her maternal grandmother. Despite her humble beginnings, Magnani was a determined and ambitious woman who had a passion for acting from a young age. She started her career in theater and worked with some of the most prominent Italian directors of the time, such as Luchino Visconti and Federico Fellini. She also collaborated with Hollywood legends, such as Tennessee Williams.
Magnani's unique talent and captivating presence quickly gained her international recognition, and she became a sought-after artist both in Europe and America. She starred in many classic Italian films, including "Mamma Roma" (1962), "Bellissima" (1951), and "The Fugitive Kind" (1960). Her contribution to Italian cinema was recognized with a star on the Hollywood Walk of Fame.
Magnani's personal life was as colorful and unconventional as her professional one. She had a reputation for being a passionate and generous lover, and was involved in several high-profile relationships, including one with the Italian director, Roberto Rossellini. She was also a devoted mother to her son, Luca Magnani, who had Down syndrome, and was an advocate for the rights of people with disabilities.
In 1972, Magnani was diagnosed with pancreatic cancer, and she died a year later in Rome on September 26, 1973. She was mourned by many in the film industry, who recognized her as a legend and a trailblazer in Italian cinema. Magnani's spirit and legacy continue to inspire generations of actors around the world.
Magnani's influence on the film industry extended beyond her acting abilities. She was known for her independent spirit and refusal to conform to societal norms, which resonated with audiences during a time of cultural and political upheaval. Magnani's personal and professional struggles were often intertwined, as she navigated the male-dominated film industry of the time while also dealing with her son's disability and her own health issues. Despite these challenges, Magnani remained committed to her craft, and her legacy as a fierce and talented actor endures to this day.
In addition to her numerous awards, Magnani was also the first Italian actor to win the prestigious Volpi Cup at the Venice Film Festival, which she received for her performance in the film "Volcano" (1950). She was also a fixture in the Italian theater scene, performing in plays by Pirandello and other notable playwrights.
Magnani's impact on Italian cinema was so significant that the Rome Film Festival established the Anna Magnani Award in her honor in 2006. The award is presented annually to a female actor who embodies the spirit of Magnani and her commitment to social justice and artistic excellence.
Overall, Anna Magnani was a legendary performer and cultural icon whose influence continues to be felt in Italian cinema and beyond. Her life and work serve as a testament to the power of art and the enduring spirit of human resilience.
She died caused by pancreatic cancer.
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Francesco Primaticcio
Francesco Primaticcio (April 30, 1504 Bologna-April 5, 1570 Paris) was an Italian architect.
Primaticcio was also a painter and sculptor, and he is known for his influential role in the Fontainebleau School in France during the 16th century. He was summoned to France by King Francis I to work on the decoration of the royal palace of Fontainebleau. There, he established an art academy and brought Italian artists to France to work on the palace's interiors. Primaticcio's artwork combined elements of Italian Renaissance and French Gothic styles, and he is often credited with introducing the Italian Mannerist style to France. In addition to his work at Fontainebleau, Primaticcio also designed and oversaw the construction of several chateaus, including the Chateau d'Anet and the Chateau de Saint-Maur-des-Fosses.
Primaticcio was born into a family of artists and began his career as a painter in Bologna. He first gained recognition for his work at the Basilica di San Giacomo Maggiore in his hometown. He later moved to Mantua, where he worked on several high-profile projects, including providing designs for the Palazzo Te. It was this work that caught the attention of King Francis I, who recruited him to work in France.
In addition to his work as an artist and architect, Primaticcio was also a diplomat, serving as an envoy between Francis I and Emperor Charles V. He was also a skilled musician and wrote several pieces of music.
Today, Primaticcio is remembered as one of the leading artists of the French Renaissance, and his work at Fontainebleau is considered a masterpiece of 16th-century decorative art. His influence on the development of art in France cannot be overstated, and he remains an important figure in the history of European art.
Primaticcio's artistic career in France was marked by a series of notable commissions. His work at the Palace of Fontainebleau was extensive, and he oversaw the decoration of various rooms and galleries, supervising a team of artists that included Rosso Fiorentino, Niccolò dell'Abbate, and Benvenuto Cellini. He also worked on the Chateau de Verneuil and the Chateau de Madrid, both of which were commissioned by King Francis I. Additionally, Primaticcio was hired to decorate the tomb of Henry II and Catherine de Medici at the Basilica of Saint-Denis.
Primaticcio's legacy continued beyond his death. His students included Flemish artist Peter Paul Rubens and French painters Simon Vouet and Antoine Caron. His influence on French art can be seen in the work of artists like Jean-Honoré Fragonard and Jacques-Louis David. Today, his works can be found in various museums and galleries around the world, including the Louvre Museum in Paris and the Metropolitan Museum of Art in New York.
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Giambattista Basile
Giambattista Basile (April 5, 1566 Naples-February 23, 1632) was an Italian writer.
He is best known for his collection of fairy tales, "Lo cunto de li cunti" (The Story of Stories), also known as "Pentamerone". This collection of fifty fairy tales heavily influenced later collections such as those by the Brothers Grimm. Basile was also a courtier and government official, serving in various positions throughout his life, including as a judge and diplomat. Additionally, he wrote poetry, plays, and other works in both Italian and Neapolitan dialect. Despite his significant contributions to literature, Basile's work was not widely recognized during his lifetime and he died in relative obscurity. It was not until the 20th century that his work gained greater recognition and acclaim.
Basile was born in Naples, Italy to a noble family. His father, a civil servant, encouraged his son's education and love of literature. Basile himself pursued a career in law and government, serving in various positions throughout his life. His work as a judge and diplomat exposed him to the diverse cultures and folklore of the regions he visited, which likely influenced his fairy tale collection.
Basile's "Lo cunto de li cunti" is arranged as a series of stories told by ten different storytellers, each providing their own take on traditional folk tales. The collection is notable for its use of dialect, including Neapolitan and Sicilian, as well as Basile's inclusion of bawdy and humorous elements. This departure from the more refined and moralistic fairy tales of the time may have contributed to the collection's initial lack of recognition.
In addition to his literary contributions, Basile also had a turbulent personal life. He married twice and had several children, but his marriage to his second wife was reportedly unhappy, leading to rumors of infidelity and even murder. These rumors may have contributed to his reputation for scandal and led to his relative obscurity in later years.
Despite this, Basile's legacy lives on through his influential fairy tale collection and the continued popularity of his work. His contributions to Italian literature and fairy tales have earned him a place in literary history.
Basile's literary style was marked by his use of vivid descriptions and lively dialogue, which appealed to both the aristocracy and the common people. His work as a civil servant also allowed him to explore the political, social, and cultural climate of Italy during his time. This perspective is also evident in his literary works, particularly in his use of satire and wit in his poetry and plays.
In addition, Basile was a polyglot and had a love for languages. He was fluent in several languages, including Greek, Latin, French, and Spanish, and he was known to incorporate phrases and expressions from these languages into his writing. This love for language also led him to write a treatise on linguistic theory, which explored the origins, structure, and evolution of language.
Despite his relative obscurity in his lifetime, Basile's contributions to literary and linguistic history have gained him recognition in modern times. His work has been translated into numerous languages and has inspired countless adaptations and retellings. His influence on the fairy tale genre and Italian literature as a whole is still celebrated today.
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Domenico di Pace Beccafumi
Domenico di Pace Beccafumi (April 5, 1486 Siena-May 18, 1551 Siena) was an Italian personality.
Domenico di Pace Beccafumi was an Italian Renaissance painter, sculptor, and architect who lived and worked in Siena. He is best known for his exquisite work in fresco painting and his religious works often depict scenes from the life and miracles of Jesus as well as the Virgin Mary. Beccafumi was greatly influenced by the work of the Italian masters, especially Michelangelo and Raphael. Some of his notable works include the frescoes in the Palazzo Publico, Siena, and the altarpiece of San Donato in the church of San Niccolò, Siena. In addition to his impressive artistic skills, Beccafumi was also a skilled architect and his designs for buildings helped shape the Renaissance style of Tuscany.
Beccafumi was born in Siena, Italy, and began his career as an apprentice in the workshop of the painter, Lorenzo di Pietro. In 1508, he completed his first recorded work, which was a fresco depicting the passage of the Jews through the Red Sea in the Oratory of San Bernardino.
In the following years, Beccafumi worked on several important commissions, including the decoration of the Oratory of San Bernardino and the choir stalls of the Siena Cathedral. He also produced a number of paintings for private patrons, which showcased his skill in capturing both the human form and the natural landscape.
Throughout his life, Beccafumi remained closely tied to his hometown of Siena, where he was highly respected and influential in the local artistic community. He continued to work on important commissions for churches, palaces, and public buildings until his death in 1551.
Today, Beccafumi is recognized as one of the most important artists of the Sienese School of painting, and his work is celebrated for its unique blend of classicism and naturalism. His legacy is evident in the numerous works of art he created that can still be found in churches and museums throughout Italy.
In addition to his skills in painting and architecture, Beccafumi was also a skilled engraver and a proficient goldsmith. His talents were not limited to the visual arts, as he was also a noted poet and writer. Beccafumi's work was highly sought after during his lifetime and he received commissions from many important patrons, including the Medici family.
One of Beccafumi's most famous works is the fresco cycle in the Palazzo Publico, Siena. The frescoes depict scenes from the life of Pope Pius II, who was born in Siena, and were commissioned to commemorate his life and achievements. The frescoes are considered among the finest examples of Renaissance painting and showcase Beccafumi's mastery of perspective and composition.
Overall, Beccafumi played a significant role in the development of Renaissance art in Italy and his works continue to be admired for their beauty and technical skill to this day.
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Mario Bava
Mario Bava (July 31, 1914 Sanremo-April 25, 1980 Rome) also known as John M. Old, Mickey Lion, Mario Baja, John Foam, John Hold or Marie Foam was an Italian film director, screenwriter, cinematographer and special effects artist. He had one child, Lamberto Bava.
Mario Bava is considered a cult director, particularly in the horror genre. He began his career as a cinematographer, working on various Italian films before making his directorial debut with "Black Sunday" in 1960. Bava went on to direct numerous other horror films, including "The Evil Eye," "Kill, Baby... Kill!," and "Baron Blood." He was known for his creative use of lighting and color, which helped enhance the mood and tone of his films. Bava also worked on the special effects for many of his movies, including creating the illusion of a severed head in "Black Sunday." His influence can be seen in the work of modern-day horror directors such as Guillermo del Toro and Tim Burton.
Mario Bava began his career in films as a cinematographer for the Italian film industry. He worked on several notable movies, including "Hercules" and "Ulysses". After honing his skills as a cinematographer, he made his directorial debut with the movie "Black Sunday". The film was a huge success and marked the beginning of Bava's successful career as a director.
Bava was known for his unique visual style, which often included striking and inventive color schemes. He was also a master of practical special effects and was able to create stunning visual effects on a limited budget. One of his most famous effects can be seen in his film "Blood and Black Lace", where he used mannequins to simulate the deaths of the film's characters.
Bava was a prolific director who made many horror films during his career. Some of his most famous works include "The Whip and the Body", "Planet of the Vampires", and "Lisa and the Devil". He also directed films in other genres, such as the spy thriller "Danger: Diabolik" and the sword-and-sandal epic "Hercules in the Haunted World".
Despite never achieving mainstream success during his lifetime, Bava's work had a significant impact on the horror genre, inspiring filmmakers such as Dario Argento, Lucio Fulci, and Quentin Tarantino. He remains a cult figure for horror aficionados and is celebrated for his creativity, ingenuity, and technical mastery.
In addition to his film work, Mario Bava also had a talent for photography. He was known for his striking images of landscapes and architecture, many of which were used as miniature sets in his films. Bava also had a background in painting and incorporated his skills into the art direction of his films. He often designed his own sets and costumes, and his attention to detail was meticulous.
Despite his immense talent, Bava's work was not always well-received by critics during his lifetime. It wasn't until the 1970s, when the horror genre began to gain more mainstream recognition, that Bava was appreciated as a true master of his craft. Today, many of his films are considered classics of the genre and are studied in film schools worldwide. Mario Bava's legacy continues to influence generations of filmmakers, and his work remains a testament to his unparalleled imagination and innovation.
He died in myocardial infarction.
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Arturo Graf
Arturo Graf (January 19, 1848 Athens-May 31, 1913 Turin) was an Italian personality.
He was a writer, literary critic, and historian who also worked as an editor for various publications. Graf was particularly interested in the history of Italian literature, and his works on this topic earned him a high reputation as one of Italy's leading literary historians. He was a member of the Royal Italian Academy and received numerous literary awards during his lifetime. Aside from his literary work, Graf was also an expert in numismatics and wrote extensively on ancient coins. His works on numismatics are considered as comprehensive and scholarly even to this day. In addition, he was an avid collector of books and coins, amassing a vast collection that was eventually donated to various Italian cultural institutions after his death.
Graf was born in Athens, Greece to Italian parents, but grew up in Turin, Italy. He studied at the University of Turin, where he later taught as a professor of Italian philology. His first major publication was a book on the history of Italian literature titled "Le Letterature d'Italia", which was highly acclaimed for its detailed analyses of Italy's literary works and authors. He also published a number of biographies of famous Italian writers, including Dante Alighieri, Giovanni Boccaccio, and Lodovico Ariosto.
In addition to his literary work, Graf was known for his expertise in numismatics, the study of ancient coins. He published several books on the subject, including "Storia della Numismatica Antica", which is still considered a classic in the field. He also amassed a large collection of ancient coins, which he cataloged and wrote about extensively.
Graf was a prolific writer and editor, and was involved in many literary and cultural organizations throughout his life. He was a member of the Dante Alighieri Society, the Italian Geographical Society, and the Academy of Sciences of Turin. He was also a member of the Freemasons, a fraternal organization that was prominent in Italy during the late 19th and early 20th centuries.
Graf died in Turin in 1913, leaving behind a rich legacy of literary and numismatic works. His books and articles continue to be studied by scholars and enthusiasts today, and his collections of books and coins are still held by various Italian institutions.
In addition to his literary and numismatic work, Arturo Graf was also a translator and poet. He translated various works by Greek and Latin authors into Italian, including the works of Homer, Virgil, and Horace. As a poet, Graf often wrote on themes related to nature and love. His poetry was greatly influenced by Italian literary tradition and was praised for its lyrical quality. Graf's literary contributions were recognized with numerous honors and awards, including the Commander's Cross of the Order of the Crown of Italy and the Grand Cross of the Order of Saints Maurice and Lazarus, which were awarded to him by the Italian government. Today, Graf is remembered as a notable figure in Italian literature and numismatics, and his works continue to be studied and admired by scholars around the world.
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Aleardo Aleardi
Aleardo Aleardi (November 14, 1812 Verona-July 17, 1878) was an Italian personality.
He was a poet, patriot, and politician who played a major role in the Italian Risorgimento. Aleardi's poetry was inspired by romanticism, and he became known for his patriotic poems, which encouraged the unification of Italy. He was exiled from Verona in 1848 after participating in the uprisings against Austrian rule. During his exile, he traveled to several European countries and became friends with other Italian exiles, including Giuseppe Mazzini. Aleardi eventually returned to Italy in 1859, after the Austrians were expelled from Lombardy. He was later elected to the Italian parliament in 1861 and served as a deputy until his death in 1878. In addition to his political career, Aleardi was also a professor of literature and a translator of classic works.
Aleardi's most famous works include "I Canti della Spagna" and "La Rosa dei Venti", both of which are patriotic poems that celebrate the establishment of a united Italy. His poetry often reflects the struggles and concerns of his time, particularly the fight for Italian independence, and his themes were often associated with a sense of national identity and history. Aleardi's political contributions to the Risorgimento were also significant, particularly in his support for the creation of a centralized national government that would represent all of Italy's regions equally. Despite his political and literary achievements, Aleardi's personal life was marked by tragedy. His wife died in 1847, and his son died in 1858. Aleardi himself died in 1878, in his hometown of Verona.
Throughout his life, Aleardo Aleardi was known for his strong belief in the power of literature to shape the world. He believed that poetry could inspire people to take action and create change, and his works were deeply influential in the Italian nationalist movement. His poetry was often set to music and performed in public, further increasing his reach and impact on the Italian people.
In addition to his literary and political pursuits, Aleardi was also a scholar of history and philosophy. He was particularly interested in the works of Plato and Aristotle, and he translated several of their works into Italian. Aleardi was also involved in the establishment of literary societies and helped found the Società Letteraria di Verona, a literary society that brought together writers, scholars, and artists from across Italy.
Today, Aleardo Aleardi is remembered as one of the most important poets and political figures of the Italian Risorgimento. His works continue to be studied and celebrated for their themes of national unity, social justice, and human rights. In his hometown of Verona, a street and a school are named after him in honor of his contributions to Italian culture and history.
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Giorgio Chinaglia
Giorgio Chinaglia (January 24, 1947 Carrara-April 1, 2012 Naples) was an Italian personality.
He was a professional football player who played as a striker for several teams, including Lazio, Swansea City, and the New York Cosmos. Chinaglia was a resilient player who won numerous awards and scored a record-breaking number of goals throughout his career. After retiring from football, he worked as a sports commentator and analyst, and also co-hosted a radio show in the United States. Off the pitch, Chinaglia was a complex figure known for his controversial statements and actions. He had a tumultuous relationship with the media and frequently clashed with other players and coaches. Nonetheless, he remains a revered figure in the football community and is remembered for his incredible talent, fierce determination, and unwavering passion for the sport.
Born in Carrara, Italy, Chinaglia began his professional football career with small Italian clubs before he was signed by Lazio, where he had his most successful years. He helped lead the team to their first Serie A title in 1974, and went on to win two more before leaving the club in 1983. Despite being born in Italy, Chinaglia played for the United States national team in the late 1970s after becoming a naturalized citizen. He helped propel the New York Cosmos to win several titles in the North American Soccer League, alongside legendary players such as Pelé and Franz Beckenbauer.
Chinaglia's post-football career included stints as a television commentator and analyst, and he also wrote a book about his experiences. He was inducted into the National Soccer Hall of Fame in 2000 in recognition of his contributions to the sport. Despite his controversies and outspoken nature, Chinaglia remained a beloved figure to those who knew him well, and his passing in 2012 was mourned by many in the football community.
Chinaglia's childhood was marked by hardship, as his family struggled financially and he had to work odd jobs to make ends meet. However, his love for football was apparent from a young age, and he devoted himself to the sport despite the difficulties he faced. In addition to his successes on the pitch, Chinaglia was also known for his entrepreneurial ventures off the field. He owned a chain of pizzerias in the United States, and was involved in several other business ventures over the years.
Despite his success and fame, Chinaglia remained a controversial figure throughout his life. He was known for his fiery temper and his tendency to speak his mind, often at the expense of others. He had a particularly contentious relationship with the Italian media, and his comments about certain players and coaches were frequently met with outrage. Despite this, Chinaglia remained a beloved figure to many fans of the sport, who admired his skill, passion and commitment to the game.
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Giovanni Lanfranco
Giovanni Lanfranco (January 26, 1582 Parma-November 30, 1647 Rome) was an Italian personality.
He is considered one of the leading Baroque painters of his time, producing works of art for prominent churches and noble households throughout Italy. Lanfranco spent much of his career in Rome where he was influenced by the artistic styles of Caravaggio and Carracci. He was known for his skillful use of light and shadow, dynamic composition, and vivid color palette. In addition to his painting, Lanfranco was also a skilled draftsman and architect, contributing to the design of several churches in Rome. He played a significant role in the development of Baroque art and his works continue to be appreciated for their beauty and creativity.
Lanfranco was born in Parma, Italy, and trained in the workshop of Agostino Carracci before moving to Rome in 1602. He quickly made a name for himself in the art world, and his works were sought after by many prominent patrons, including Cardinal Scipione Borghese and the Barberini family. Lanfranco was often commissioned to create large-scale frescoes in churches and palaces, and his religious art was particularly admired for its emotional intensity.
One of Lanfranco's most famous works is the "Glorification of the Barberini Family" in the Barberini Palace in Rome. This monumental ceiling fresco depicts the Barberini family ascending to heaven, surrounded by angels and other celestial beings. The painting is a celebration of the family's power and influence, and Lanfranco's skillful use of perspective and chiaroscuro creates a sense of depth and movement that is characteristic of Baroque art.
In addition to his painting, Lanfranco was also a respected architect, and he worked on numerous projects in Rome and other parts of Italy. He was particularly interested in the design of church interiors, and his innovative use of space and light was influential in the development of Baroque architecture.
Lanfranco died in Rome in 1647, and his legacy as one of the greatest Baroque artists of his time continues to be celebrated today. His works can be seen in museums and galleries throughout the world, and his influence can be seen in the work of later artists such as Gian Lorenzo Bernini and Peter Paul Rubens.
Throughout his career, Giovanni Lanfranco collaborated with other prominent artists and architects, including Guido Reni and Carlo Maderno. He was also known for his generosity in sharing his knowledge and skills with younger artists, serving as a mentor to many aspiring painters and architects.
Lanfranco's style evolved throughout his career, moving away from the initial influence of the Carracci family towards a more dramatic and emotional approach. His later works, such as the frescoes in the cupola of Sant'Andrea della Valle in Rome, demonstrate a greater use of theatrical effects and dynamic compositions.
In addition to his artistic achievements, Lanfranco was also recognized for his piety and charitable works. He was a member of the prestigious Accademia di San Luca and was appointed as the director of the academy in 1646, a year before his death.
Today, Lanfranco's works continue to be admired for their technical skill, emotional depth, and beauty. His contributions to the development of Baroque art and architecture have had a lasting impact on the artistic traditions of Italy and beyond.
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Michele Sindona
Michele Sindona (May 8, 1920 Patti-March 22, 1986 Voghera) was an Italian banker, mafioso and lawyer.
Sindona began his career as a lawyer after graduating from the University of Messina in 1942. In the 1950s, he transitioned into banking and became a prominent figure in Italian finance. However, his involvement with the Mafia led to legal troubles, including convictions for fraud and other crimes.
In the 1970s, Sindona moved to the United States, where he continued his financial activities and became involved in political and diplomatic circles. However, his criminal activities caught up with him and he was arrested, convicted, and sentenced to 25 years in prison in 1980.
While behind bars, Sindona attempted to arrange the murder of a witness against him and was suspected of involvement in the deaths of several other individuals. On March 22, 1986, he himself was poisoned with cyanide while in prison and died soon after. The circumstances surrounding his death remain a mystery to this day.
Sindona's rise to power in Italy during the 1950s and 60s was fueled by his aggressive approach to banking, which involved acquiring numerous small banks and consolidating them into larger, more profitable institutions. This strategy earned him a great deal of wealth and influence, but also attracted the attention of the Mafia, with whom Sindona developed close ties.
After moving to the US in the late 1970s, Sindona's financial empire began to crumble. He had invested heavily in real estate and other ventures that failed, leaving him deeply in debt. In an effort to avoid prosecution and secure his financial future, he began to cooperate with the US government and provide information on the Mafia and other criminal organizations. However, his attempts to strike a deal with federal prosecutors were unsuccessful, and he was ultimately convicted of a number of crimes, including fraud, perjury, and obstruction of justice.
Despite his criminal activities, Sindona was a respected figure in political and diplomatic circles, and he was known to have close ties to several high-ranking officials in both Italy and the US. His death by cyanide poisoning while in prison was widely believed to be the result of his involvement in various criminal activities, although the exact circumstances of his death remain unknown. Overall, Sindona's life and career were a testament to the interconnectedness of finance, crime, and politics during the postwar period in Italy and the US.
Sindona's criminal activities extended beyond his ties to the Mafia and his financial fraud convictions. He was also implicated in the murder of Italian journalist Mino Pecorelli, who was known for his investigative reporting on political corruption in Italy. Pecorelli was shot dead in Rome in 1979, and Sindona was suspected of involvement due to his connections to politicians and powerful business figures in the country. In addition, Sindona was linked to the Banco Ambrosiano scandal, which involved the collapse of Italy's largest private bank in 1982 after it was discovered that the bank had been involved in illegal financial transactions, including money laundering for the Mafia. Sindona was found to have been involved in the scandal and was suspected of having a role in the murder of the bank's chairman, Roberto Calvi, although he was not charged with the crime. Sindona's complex web of criminal activities and connections made him a notorious figure in Italian and American history.
He died caused by poison.
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Charlie Colombo
Charlie Colombo (July 20, 1920 St. Louis-May 7, 1986 St. Louis) also known as Charles Colombo was an Italian personality.
He was a prominent figure in the St. Louis Mafia and was known for his involvement in organized crime. Colombo began his criminal career in the early 1940s and quickly rose through the ranks of the St. Louis crime family. He was eventually promoted to the rank of capo and was responsible for overseeing various criminal activities in the region.
One of Colombo's most notable criminal activities was his involvement in the illegal gambling industry. He was known to have operated several illegal casinos and sports betting operations in the St. Louis area. Colombo also had ties to other prominent organized crime figures, including the infamous Chicago Outfit.
Despite his criminal activities, Colombo was never convicted of any major crimes during his lifetime. He was known for being very quiet and reserved, and was often referred to as the "Silent Don" in reference to his low-key personality.
Colombo passed away in St. Louis in 1986 at the age of 65. Despite his criminal past, his legacy continues to be felt in the St. Louis area to this day.
Colombo was born in St. Louis to Italian immigrant parents. He grew up in poverty and dropped out of school to support his family. Colombo's early criminal activities included bootlegging and illegal gambling. He quickly gained a reputation for being a tough and loyal enforcer, and was eventually noticed by the St. Louis crime family.
In addition to his involvement in organized crime, Colombo was also a philanthropist in his community. He contributed to various charities and was known to help those in need. However, his philanthropic activities were often viewed as a way to launder money from his criminal enterprises.
Colombo was married and had three children. His wife, Josephine, remained devoted to him throughout his life, despite his criminal activities. After his death, she continued to live in their St. Louis home until her own passing in 2001.
Colombo's legacy continues to be felt in the St. Louis area, where he is remembered both as a criminal figure and as a philanthropist. His name is often mentioned in connection with the history of organized crime in the city, and he remains one of the most well-known figures of the St. Louis Mafia.
In addition to his involvement in organized crime and philanthropy, Charlie Colombo was also known for his love of the arts. He was an avid collector of artwork and was known to have a large and impressive collection of paintings and sculptures. Colombo also had a passion for music and was a proficient piano player. He was known to play in local jazz clubs under the pseudonym "Charlie King". Colombo's musical talents were often viewed as a way to socialize with other influential people in the community.
Despite his criminal activities, Colombo had a certain charisma and charm that made him well-liked by many people. He was known for being generous and kind to those he considered friends, and was often sought after for advice or help. However, those who crossed him or went against his wishes would quickly feel the weight of his wrath.
Colombo's death in 1986 marked the end of an era for the St. Louis Mafia. His passing, along with the decline of traditional organized crime, led to a shift in the criminal landscape of the area. Today, Colombo's legacy lives on through the many stories and legends that surround his life and criminal activities.
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