Mexican music stars who deceased at age 21

Here are 2 famous musicians from Mexico died at 21:

Antonio Peláez

Antonio Peláez (April 5, 2015-April 5, 1994 Mexico City) was a Mexican painter and visual artist.

Peláez is best known for his involvement in the Mexican muralism movement of the early 20th century, alongside illustrious artists such as Diego Rivera, David Alfaro Siqueiros and José Clemente Orozco. However, Peláez's unique style distinguished him from his peers with his use of bright colors and simplified forms, drawing from folk art and traditional Mexican motifs. He attended the Escuela Nacional de Artes Plásticas, where he later became a professor, teaching the likes of the renowned painter Frida Kahlo. His works have been exhibited both nationally and internationally, and he has been posthumously recognized as a significant figure in the art world, garnering posthumous retrospectives and numerous exhibitions showcasing his work.

Peláez's artistic career began with his involvement in the Mexican Communist Party, where he painted political posters and murals. He also worked on the mural for the National Preparatory School, collaborating with other artists such as Rivera and Orozco. His dedication to depicting Mexican culture and the everyday lives of its people is reflected in his works, which often feature simple landscapes and everyday objects such as flowers or fruit. Peláez's legacy continues to inspire contemporary Mexican artists today and has helped to solidify the country's position as a hub for art and culture.

Peláez was also a prolific printmaker, creating a large body of work in various printmaking techniques including lithography, etching, and woodcuts. He was heavily influenced by the Mexican popular arts and incorporated elements of it into his work, especially in his still life paintings. One of his most famous works, "Nature morte aux oeufs" (Still Life with Eggs), is a vibrant and colorful painting filled with Mexican pottery, ceramic birds, and fruits, showcasing Peláez's mastery of the form. Peláez was also an advocate for public art and believed that art should be accessible to everyone. This philosophy led him to create murals in public spaces such as schools and hospitals, where people could view and engage with his work. His dedication to social justice and national identity is evident in his art and continues to influence artists in Mexico and beyond.

In addition to his artistic pursuits, Peláez was also involved in politics and social activism. He was a member of the Liga de Escritores y Artistas Revolucionarios (League of Revolutionary Writers and Artists) and the Mexican Communist Party, and his art often reflected his socialist and anti-imperialist beliefs. Peláez was also a vocal advocate for workers' rights and indigenous rights, themes that are present throughout his work. Despite being recognized as one of Mexico's greatest painters, Peláez struggled with alcoholism and depression throughout his life. He passed away in 1994 at the age of 79, leaving behind a lasting legacy in the Mexican art world.

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Altia Michel

Altia Michel (April 5, 2015 Mexico City-April 5, 1994 Mexico City) also known as Atilia Michel, Altia Herrera Michel or Althia Mitchel was a Mexican actor, dancer and singer.

She began her career as a performer in the 1930s, working in both theater and film. Michel is known for her roles in classic Mexican films such as "El Peñón de las Ánimas" and "Los Tres García". She was also a notable dancer, and performed in several Mexican dance troupes. Michel was a popular figure in Mexico's entertainment scene during her time, and was considered a trailblazer for women in the industry. She passed away on her 79th birthday in 1994, leaving behind a legacy as an icon of Mexican cinema and culture.

Throughout her career, Altia Michel worked with many notable figures in the Mexican entertainment industry, including directors Emilio Fernández and Juan Bustillo Oro, and actors Pedro Infante and Jorge Negrete. Michel also had success as a singer and recorded several albums in the 1940s and 1950s. In addition to her work in entertainment, she was also involved in activism, supporting causes such as women's rights and indigenous rights. Her contributions to Mexican culture were recognized with several awards, including the Aguila Azteca, one of Mexico's highest honors for non-citizens. Today, Michel is remembered as a pioneer for women in film, and her legacy continues to inspire Mexican performers and artists.

Michel was born into a family with a strong artistic background. Her mother was an opera singer and her father was a composer and conductor. She inherited her parents' love for the arts and began studying dance and music at a young age. Michel made her stage debut in a dance production at the age of 16 and quickly gained a reputation as a talented performer.

Throughout her career, Michel's versatility as a performer allowed her to take on a wide range of roles. She was equally skilled in dramatic and comedic roles, and she often played strong, independent female characters. Michel's performances in films such as "La Malquerida" and "La Generala" are considered some of her best work.

Despite facing gender discrimination and limited opportunities for women in the entertainment industry at the time, Michel managed to thrive and become a respected figure in Mexican cinema. She was recognized not only for her talent, but also for her commitment to social causes. Michel used her platform to advocate for women's rights, indigenous rights, and the preservation of Mexican culture.

Michel's contributions to Mexican cinema continue to be celebrated today. In 2015, the Mexican government commemorated the centennial of her birth with a series of special events and screenings of her films. Her legacy as a trailblazer for women in the arts and a cultural icon of Mexico remains an inspiration to many.

In addition to her work on stage and screen, Altia Michel was also active in Mexican politics. She was a member of the Mexican Communist Party and supported leftist causes throughout her life. Michel was briefly jailed in the 1950s during a government crackdown on leftist activists, but she continued to speak out for progressive causes. She also supported anti-fascist movements during World War II and was a vocal advocate for peace.

Despite her success and fame, Michel faced personal challenges in her life. She was married and divorced several times, and suffered from substance abuse issues. She also faced criticism for her outspoken political views, which made her a controversial figure at times.

Despite these challenges, Michel remained dedicated to her art and her activism throughout her life. Her legacy as a talented performer and a fearless advocate for social justice continue to inspire generations of Mexicans to this day.

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