Pathetic Facts

Mexican music stars who deceased at age 80

Here are 21 famous musicians from Mexico died at 80:

Alfonso García Robles

Alfonso García Robles (March 20, 1911 Zamora-September 2, 1991 Mexico City) also known as Alfonso Garcia Robles was a Mexican lawyer and diplomat.

He is best known for his efforts in promoting nuclear disarmament and his contribution to the establishment of the Treaty of Tlatelolco. In 1982, he was awarded the Nobel Peace Prize for his work in the field of arms control and disarmament.

Apart from his work in international diplomacy, García Robles also played a significant role in Mexican politics, serving as Mexico's Secretary of Foreign Affairs from 1975 to 1979. During his tenure, he worked towards improving Mexican-American relations and building closer ties with countries in Latin America.

García Robles was a prolific writer and author, publishing numerous works on international law, disarmament, and diplomacy. He continued to be an advocate for peace and disarmament until his death in 1991.

In addition to his achievements in nuclear disarmament and international diplomacy, Alfonso García Robles contributed significantly to the development of Mexico's legal system. He played a crucial role in the drafting of Mexico's modern Constitution in 1917, and he also served as a member of the International Court of Justice in The Hague from 1976 to 1985. García Robles received many honors and accolades throughout his life, including the Order of the Aztec Eagle, Mexico's highest award for a civilian, and the Order of Lenin, one of the highest honors awarded by the Soviet Union. He is considered one of Mexico's most distinguished and respected diplomats and legal scholars, and his legacy of advocating for peace and social justice continues to influence people around the world.

Carlos Pellicer

Carlos Pellicer (January 16, 1897 Villahermosa-February 16, 1977) was a Mexican writer.

Pellicer is best known for his poetry and was a prominent member of the "Los Contemporáneos" literary group in Mexico in the 1920s and 1930s. He also served as a diplomat, working at various Mexican embassies around the world, including in France, Spain, and Cuba. Pellicer was also a conservationist and helped establish protected areas in his home state of Tabasco. In addition to his poetry, Pellicer wrote essays and travelogues, and his work has been translated into several languages. He is considered one of the most important poets of the 20th century in Mexico.

Pellicer was born into a wealthy family and had a privileged upbringing. He attended law school but quit to pursue his passion for writing. His first book of poetry, "Contracanto a Tabasco", was published in 1923 and received critical acclaim, establishing him as a leading poet of his generation. Pellicer's poetry focused on the landscape, history, and cultural heritage of Mexico, and he used his work to promote Mexican identity and pride.

During his diplomatic career, Pellicer became friends with many famous artists and writers, including Pablo Picasso and Ernest Hemingway. His time abroad also inspired much of his writing, and he would later publish several travelogues chronicling his experiences.

Pellicer's dedication to conservation was ahead of its time, and his efforts helped preserve many natural areas in Mexico, including the Usumacinta River and La Venta archaeological site. In 1974, the Mexican government named a national park in his honor, the Carlos Pellicer Cámara National Park in Tabasco.

Pellicer received numerous accolades for his writing, including the National Poetry Prize in 1964 and the Belisario Domínguez Medal of Honor in 1975, the highest award given by the Mexican Senate. He died in 1977 at the age of 80 in Mexico City, but his legacy as a poet, diplomat, and conservationist continue to be celebrated today.

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Miguel Sánchez

Miguel Sánchez (April 5, 1594 Mexico-April 5, 1674) also known as Miguel Sanchez was a Mexican writer.

Miguel Sanchez is best known for his obra magna, a massive compendium of information on the pre-Columbian history and culture of Mexico, which he composed over a period of decades. Sanchez's work was groundbreaking for its time, representing one of the first attempts by a Mexican scholar to compile and interpret indigenous sources on Mexico's past. In addition to his historical work, Sanchez was also an accomplished poet and playwright, and his plays were frequently performed during his lifetime. Despite his considerable achievements, Sanchez's life was also marked by personal tragedy, including the deaths of his wife and several of his children, and his own struggle with blindness in his later years. Nevertheless, his contributions to Mexican literature and scholarship continue to be recognized and celebrated to this day.

Miguel Sanchez was born in Mexico City to a family of Spanish descent. He studied at the Royal and Pontifical University of Mexico and became a priest at a young age. Throughout his life, Sanchez was deeply committed to his Catholic faith, and his religious beliefs influenced much of his writing.

Sanchez's obra magna, "The History of the Mexican People," was a landmark work that drew upon a wide range of sources, including indigenous oral traditions, colonial-era manuscripts, and European accounts of the region. In the work, Sanchez sought to reconstruct the pre-Columbian history and culture of Mexico, highlighting the achievements of indigenous civilizations and challenging prevailing European stereotypes of the Americas.

Despite his reputation as a scholar and his influential writings, Sanchez also faced criticism from some quarters for his willingness to engage with indigenous traditions and cultures. Some members of the Spanish colonial establishment accused him of promoting a dangerous and anti-colonial agenda, and Sanchez was briefly imprisoned on charges of heresy in 1660.

However, Sanchez remained committed to his work throughout his life, continuing to write and publish even as he struggled with personal loss and declining health. He passed away in Mexico City on his 80th birthday, leaving behind a rich and enduring legacy as one of Mexico's most influential writers and thinkers.

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Margarita Michelena

Margarita Michelena (July 21, 1917 Pachuca-March 27, 1998) was a Mexican writer.

Born in the city of Pachuca, Hidalgo, Margarita Michelena was a talented writer, known for her unique and captivating literary style. She began writing at a young age and published her first collection of short stories, titled "La Isla de las Mariposas" ("The Island of Butterflies"), in 1940. Michelena went on to publish several other works of fiction, including novels, as well as non-fiction pieces.

Throughout her career, Michelena was recognized for her contributions to Mexican literature and was awarded several prestigious awards and honors, including the Xavier Villaurrutia Award in 1957 for her novel "Presencias" ("Presences").

In addition to her writing, Michelena was also a respected professor of literature at the National Autonomous University of Mexico (UNAM), where she influenced the development of many young writers. Her literary works and influence continue to be celebrated and studied today.

Michelena's writing often explored themes of identity, love, and social justice, and drew inspiration from her experiences growing up in a post-Revolutionary Mexico that was undergoing significant social and cultural changes. Her work was also influenced by her travels throughout Mexico and her deep knowledge of Mexican art and folklore. Additionally, Michelena was an active member of Mexico's cultural and intellectual scene, and collaborated with numerous other artists, writers, and philosophers throughout her career. In recognition of her contributions to Mexican culture, Michelena was awarded the National Order of Merit, Mexico's highest honor, in 1989. Throughout her life, she remained a passionate advocate for the importance of literature and the arts in society, and her legacy continues to inspire generations of writers in Mexico and beyond.

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Enrique González Martínez

Enrique González Martínez (April 13, 1871 Guadalajara-February 19, 1952 Mexico City) also known as Enrique Gonzalez Martinez or Dr. Enrique González Martínez was a Mexican poet, physician and diplomat. He had one child, Enrique González Rojo, Sr..

Enrique González Martínez began his studies in medicine at the University of Guadalajara and then transferred to the National School of Medicine in Mexico City, where he graduated with honors. In addition to his medical career, he was also an accomplished writer and published numerous volumes of poetry, including his most famous work, "Cantos a la Primavera" (Songs to Spring). He was part of the modernist movement in Mexican literature and was one of the most important poets of his time.

Aside from his literary and medical pursuits, González Martínez was also involved in politics and served as a diplomat for Mexico in several countries, including France, Chile, Spain, and Cuba. He was the ambassador to Spain from 1923 to 1924.

Despite his success as a poet and doctor, González Martínez faced several tragedies in his personal life, including the death of his wife and the suicide of his only son, Enrique González Rojo, Sr. He continued to write and publish poetry throughout his life and was awarded numerous honors and awards for his work. He passed away in Mexico City in 1952 at the age of 80.

González Martínez was a key figure in the literary and intellectual circles of Mexico during the first half of the 20th century. Along with other notable writers such as Amado Nervo and Ramón López Velarde, he helped to establish modernism as a dominant literary movement in Mexico. He was also a member of the Mexican Academy of Language and the National College. In addition to poetry, he wrote essays and literary criticism that were highly regarded. Among his notable works in this genre are "La lectura y el libro" (Reading and the Book) and "El modernismo" (Modernism). González Martínez was known for his mastery of poetic forms and his use of vivid imagery and sensuality in his writing. His influence on later generations of Mexican poets and writers was significant.

Marius de Zayas

Marius de Zayas (March 13, 1880 Veracruz-January 10, 1961 Stamford) was a Mexican writer.

He was a prominent figure in the early 20th century avant-garde art movements in both Europe and America. Known for his innovative writings and influential role as a promoter of modern art, Marius de Zayas helped introduce the work of many important artists to audiences on both sides of the Atlantic. In addition to his writing, de Zayas was also an artist, creating drawings and caricatures that were published in various magazines and newspapers. De Zayas is considered an important figure in the development of modernism and is remembered for his work as a critic, art dealer, and promoter of avant-garde movements.

Born into a wealthy family in Veracruz, Mexico, de Zayas moved to the United States at the age of 18 to study engineering. However, he soon discovered a passion for art and began writing about it for various publications. He moved to Paris in 1906 and became immersed in the avant-garde art scene, becoming close friends with Pablo Picasso and Henri Matisse, among others. De Zayas returned to the United States in 1910 and became a prominent figure in the New York art world. He was a key figure in the founding of the Society of Independent Artists and helped organize the landmark Armory Show of 1913, which introduced modern art to American audiences. De Zayas continued to write about art and promote modernism throughout his life, publishing several books and articles on the subject. His influence was felt by many important artists of the time, including Marcel Duchamp and Francis Picabia. Despite his significant contributions to the art world, de Zayas remains relatively unknown today.

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Ignacio Mariscal

Ignacio Mariscal (July 5, 1829 Mexico-April 17, 1910) was a Mexican writer and diplomat.

He studied at the National Preparatory School in Mexico City and then went on to study law at the National Law School. In 1853, Mariscal became Secretary to the Governor of Mexico and later was named Secretary of Foreign Affairs.

As a diplomat, Mariscal played a key role in negotiating the Treaty of La Mesilla, which ended a boundary dispute between Mexico and the United States in 1853. He also helped negotiate several other important treaties, including the Treaty of Paris, which ended the Franco-Prussian War in 1871.

In addition to his diplomatic work, Mariscal was also a prolific writer. He wrote numerous books and essays on Mexican history, politics, and culture. He was a member of the Mexican Academy of Language and served as its President from 1899 to 1900.

Mariscal's legacy in Mexico continues to be celebrated today. There is a museum dedicated to his life and work in Mexico City, and several streets and schools in Mexico are named in his honor.

Mariscal was a political figure in his country and is remembered as being a key player in the Mexican Revolution. He served as Secretary of Public Instruction, as well as Senator and Congressman. He was also involved in the establishment of the National Museum of Anthropology in Mexico City. Mariscal was known for his liberal views and his advocacy for freedom of speech and the press, as well as his promotion of education and culture. In addition to his work in politics and diplomacy, Mariscal was also a lover of literature and the arts. He was a bibliophile and amassed an extensive collection of rare books and manuscripts, which he donated to the National Library of Mexico. He was an avid supporter of Mexican artists and writers and used his influence to promote their work both in Mexico and abroad.

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Augusto H. Álvarez

Augusto H. Álvarez (December 24, 1914 Mérida-November 29, 1995 Mexico City) was a Mexican personality.

Augusto H. Álvarez was a multifaceted personality who made significant contributions to various fields during his lifetime. He was a renowned lawyer, journalist, historian, writer, and philanthropist. Born in Mérida, Yucatán, Mexico, into a prominent family, Álvarez received his law degree from the National Autonomous University of Mexico (UNAM) in 1938.

In the 1940s, Álvarez began working as a journalist for various newspapers, including "El Nacional" and "Excélsior." He also served as the director of the National Museum of Anthropology and History, a position he held from 1965 to 1968. Álvarez was passionate about Mexican history and wrote several books on the subject, including "La Revolución de Ayutla" and "Emiliano Zapata."

In addition to his contributions to journalism and Mexican history, Álvarez was also a philanthropist. He established the Augusto H. Álvarez Foundation, which provides financial assistance to Mexican students studying abroad, and the Augusto H. Álvarez Children's Hospital, which offers medical care to children from low-income families.

Augusto H. Álvarez passed away on November 29, 1995, in Mexico City, leaving behind a legacy of excellence in various fields and a commitment to philanthropy that continues to inspire people to this day.

Álvarez's legacy also includes his role as an activist and advocate for social justice. He was a member of the Mexican Communist Party during the 1940s and was involved in leftist movements in Mexico throughout his life. He supported indigenous rights and was a fierce critic of United States intervention in Latin America.

During his tenure as director of the National Museum of Anthropology and History, Álvarez oversaw major renovations and expansions to the museum, including the addition of the Maya Room, which houses the famous Aztec Calendar Stone.

In addition to his writing on Mexican history, Álvarez also penned several novels, including "El gran solitario de Palacio" and "El señor Presidente." He was awarded Mexico's National Prize for Arts and Sciences in the Fine Arts category in 1988.

Today, the Augusto H. Álvarez Foundation continues to provide scholarships and financial aid to students, and the Augusto H. Álvarez Children's Hospital remains an important institution for providing healthcare to those in need. His contributions to journalism, history, and philanthropy make Augusto H. Álvarez an important figure in Mexican history and society.

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Lola Cueto

Lola Cueto (March 2, 1897 Azcapotzalco-January 24, 1978 Mexico City) was a Mexican personality.

She was a prominent folk artist and dancer who significantly contributed to Mexico's cultural landscape. Cueto was known for her vibrant artwork that depicted many of Mexico's traditions and customs. She had a unique style of painting, drawing, and designing, which included the use of bright colors and intricate patterns.

Cueto also performed as a dancer, incorporating traditional Mexican dance styles into her performances. She often donned elaborate costumes that she designed herself and used in her dance shows. She was recognized as a skilled performer and contributed to the preservation of Mexican traditional dance.

Cueto's legacy as a prominent figure in the Mexican cultural scene has been recognized posthumously with various exhibitions of her artwork, as well as with permanent displays of her work in museums across Mexico. She has been regarded as a significant figure in the promotion and preservation of Mexican culture and traditions.

In addition to her creative pursuits, Lola Cueto was also a teacher and passed down her skills and knowledge to future generations of artists and dancers. She taught at the Academy of Fine Arts in Mexico City and imparted her expertise in traditional Mexican folk art to her students. Cueto also worked on several commissions, creating pieces for public spaces and institutions, including the National Palace and the National Museum of Anthropology.

Cueto's contributions to Mexican culture were not limited to her art and dance. She was actively involved in the promotion of Mexican handicrafts and worked to ensure that they were recognized and valued both at home and abroad. Cueto also dedicated her time to charitable causes and used her art to raise funds for social organizations.

Today, Lola Cueto is remembered as a trailblazer in the Mexican art world, whose work is celebrated for its vibrancy, ingenuity, and cultural significance. Her impact on the art scene of her time and beyond cannot be overstated, and her contributions continue to be recognized and appreciated by art aficionados around the world.

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Roberto Cueva del Río

Roberto Cueva del Río (April 28, 1908 Puebla-June 24, 1988 Mexico City) was a Mexican artist and visual artist.

Cueva del Río is best known for his mural works, many of which can still be seen in public buildings and spaces around Mexico. He studied at the Academy of San Carlos in Mexico City and later studied mural painting under Diego Rivera. His work often depicted the history and culture of Mexico, as well as social and political issues of the time. He also worked as a book illustrator and designed sets for the theatre. In addition to his artistic work, Cueva del Río was also a professor and taught at the National School of Fine Arts in Mexico City. He received numerous awards for his contributions to Mexican art and culture, including the National Prize for Arts and Sciences in the Fine Arts category in 1976.

Cueva del Río's artistic career spanned several decades, and his work continues to be celebrated and studied by art enthusiasts and historians alike. He completed several significant mural projects, including works at the National Palace and the School of Medicine, both in Mexico City. His murals were known for their impressive scale and vibrant use of color, often incorporating elements of Mexican folk art and mythology. Throughout his career, Cueva del Río also exhibited his work in solo and group shows, and his art can now be found in collections around the world. Despite his many accomplishments, Cueva del Río remained committed to his art and teaching, and he continued to work and inspire others until his passing in 1988.

Waldemar Sjölander

Waldemar Sjölander (January 6, 1908 Gothenburg-March 18, 1988 Mexico City) was a Mexican personality.

He was actually a Swedish-born Mexican artist and anthropologist, primarily known for his work in the field of Mexican folk art. Sjölander moved to Mexico at the age of 19 and spent the majority of his life there. He developed a deep appreciation for Mexican culture and tradition, which heavily influenced his artwork. Sjölander created numerous pieces of art throughout his career, including murals, sculptures, and paintings. In addition to art, he was also known for his anthropological research on various indigenous groups in Mexico. Overall, Waldemar Sjölander left a significant impact on Mexican art and culture.

He was also a professor at the National School of Anthropology and History in Mexico City, where he taught courses on Mexican popular art, archaeology, and ethnography. Sjölander's anthropological research focused on the relationship between art and society in indigenous communities, and his work was pivotal in promoting the appreciation and preservation of Mexican folk art. He was also a member of the Mexican Academy of Sciences and the National Council for Culture and the Arts. Waldemar Sjölander's legacy continues to be celebrated in Mexico, where his contributions to the country's cultural heritage are widely recognized.

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Ricardo Legorreta

Ricardo Legorreta (May 7, 1931 Mexico City-December 30, 2011) was a Mexican architect.

He is known for his use of bold colors and geometric shapes in his architectural designs. Legorreta studied architecture at the Universidad Nacional Autónoma de México and later worked with several prominent architects, including Luis Barragán. His most famous works include the Camino Real Hotel in Mexico City, the Pershing Square redevelopment project in Los Angeles, and the Hotel Nikko in Mexico City. Legorreta was the recipient of numerous awards throughout his career, including the Mexican National Arts Award in 1991 and the American Institute of Architects Gold Medal in 2000. He died in Mexico City at the age of 80.

In addition to his impressive architectural portfolio, Ricardo Legorreta was also a highly respected professor and lecturer. He taught at several institutions, including the Southern California Institute of Architecture, Harvard University Graduate School of Design, and the University of California, Los Angeles. Legorreta was widely recognized not only for his architectural achievements but also his contributions to Mexican culture. He was honored with the Order of the Aztec Eagle, Mexico’s highest award for foreigners, in 1999, and in 2001, the government of France awarded him the Order of Arts and Letters. His unique style and approach to architecture have influenced many architects and have left a lasting impact on the field.

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Alfonso Corona Blake

Alfonso Corona Blake (January 2, 1919 Autlán-January 21, 1999 Mexico City) a.k.a. Alfonso C. Black, A. Corona Blake or Alfonso C. Blake was a Mexican screenwriter, film director and actor.

He began his film career in the 1940s and went on to write and direct over 50 films in the Mexican film industry. Some of his most notable works include "La Cucaracha" (1959), "The Devil's Hand" (1961) and "The Relentless Four" (1965). Corona Blake was also known for his acting roles in films such as "Misión cumplida" (1951) and "El Patrullero 777" (1978). He received numerous awards for his contributions to Mexican cinema, including the Ariel Award for Best Original Story in 1953. He passed away at the age of 80 in Mexico City.

In addition to his work in film, Alfonso Corona Blake also wrote several novels, including "El Misterio de la Casa Grande" and "El Bajo Mundo". He was a member of the Mexican Academy of Film and the National Association of Actors in Mexico. Throughout his career, Corona Blake collaborated with some of the most prominent Mexican actors and directors of the time, including Dolores Del Rio, Jorge Negrete, and Emilio Fernandez. Personally, he was married to Maria Luisa Gómez Mena and had six children. Even after his passing, his contributions to Mexican cinema continue to be recognized and celebrated. In 2003, the Mexican Film Institute established the Alfonso Corona Blake Collection, which features items such as scripts, photographs, and posters from his films.

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Huracán Ramírez

Huracán Ramírez (April 9, 1926 Mexico City-October 31, 2006 Mexico City) was a Mexican personality.

He was a professional wrestler, actor, and folk hero in Mexico. Known for his iconic mask and red, white, and green cape, Huracán Ramírez inspired Mexican children for generations, and his popularity extended to other countries in Latin America as well. In addition to his successful wrestling career, he also appeared in over 20 films and television shows, including the classic film "El Santo contra la invasion de los marcianos" ("El Santo vs. the Martian Invasion"). Huracán Ramírez was inducted into the Wrestling Observer Newsletter Hall of Fame in 1996, cementing his legacy as one of the most beloved figures in Mexican wrestling history.

Throughout his career, Huracán Ramírez faced off against some of the biggest names in professional wrestling, including El Santo, Blue Demon, and Mil Máscaras. He became known for his high-flying moves and acrobatics in the ring, which inspired a new generation of luchadores.

Despite his success, Huracán Ramírez remained humble and dedicated to his fans. He often visited children's hospitals and schools, where he would talk about the importance of education and encourage children to follow their dreams. His impact on Mexican culture is immeasurable, and his legacy continues to live on to this day.

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Henry Eyring

Henry Eyring (February 20, 1901 Colonia Juárez, Chihuahua-December 26, 1981 Salt Lake City) was a Mexican chemist. He had one child, Henry B. Eyring.

Henry Eyring was a renowned theoretical chemist known for his many contributions to the field of chemical kinetics. He became interested in the subject while studying at the University of Arizona where he earned his undergraduate and graduate degrees. After obtaining his PhD, Eyring taught at Princeton University where he worked with future Nobel laureate Linus Pauling. Together they contributed to the development of quantum chemistry.

During World War II, Eyring worked on the Manhattan Project alongside other renowned scientists such as Robert Oppenheimer and Enrico Fermi. He later returned to academia and became the dean of the Graduate School at the University of Utah.

In addition to his scientific achievements, Eyring was a devout member of the Church of Jesus Christ of Latter-Day Saints and served as a member of the Quorum of the Twelve Apostles. He is remembered as a brilliant scientist and a devoted family man.

Eyring was awarded numerous honors throughout his career, including the National Medal of Science in 1966 and the Priestley Medal in 1973. He was also a member of the National Academy of Sciences and the American Philosophical Society. Eyring was known for his ability to bridge the gap between theory and experiment, and his work on the theory of absolute reaction rates was foundational in the field of chemical kinetics. He also made significant contributions to the study of reaction mechanisms and the behavior of molecules in solution. Eyring’s scientific legacy is continued by the Henry Eyring Center for Theoretical Chemistry at the University of Utah, which was established in his honor in 1984.

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Chucho Navarro

Chucho Navarro (January 20, 1913 Irapuato-December 23, 1993 Mexico City) also known as José de Jesús Navarro Moreno or Jesús Navarro was a Mexican singer and actor.

He was a founding member of the popular Mexican music group, Los Panchos, where he served as the lead vocalist for many years. Navarro's deep and soulful voice helped to establish Los Panchos as one of the most successful trios in the history of Latin American music. He performed alongside notable musicians including Alfredo Gil and Johnny Albino. Navarro was also an accomplished actor, appearing in several Mexican films during the 1950s and 1960s. Throughout his career, he received numerous awards for his contributions to music and entertainment, and his music continues to inspire generations of fans around the world.

Navarro's early years were tough, having to work at a very young age in a factory, shoe maker, and other odd jobs to support his family. His love for music began when he was a teenager and he started performing with local bands in his hometown. In 1944, he joined forces with Gil and Albino to form Los Panchos. The trio quickly gained popularity in Latin America and beyond, performing in countries such as the United States, Spain, and Japan.

Navarro's distinctive voice is best heard on the Los Panchos hit "Besame Mucho", which became an international hit and remains one of the most famous Spanish-language songs of all time. He also recorded several solo albums, including "Chucho Navarro con Mariachi" and "Chucho Navarro con Orquesta".

Aside from his work in music, Navarro successfully ventured into acting, appearing in over 20 films during his career. Some of his notable works on the big screen include "Mexico de mis sueños", "La Tercera Palabra", and "Nosotros, los pobres".

Navarro continued to perform with Los Panchos until the late 1970s, after which he retired from the music industry. He passed away in 1993, leaving behind a rich legacy as one of the most influential figures in Latin American music.

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Francisco Avitia

Francisco Avitia (May 13, 1915 Valle de Zaragoza-June 29, 1995 Cuauhtémoc, D.F.) also known as El Charro, Avitia, Francisco, El Charro Avitia or Francisco Avitia Tapia was a Mexican actor and singer.

Genres related to him: Ranchera and Corrido.

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Alfredo Barrera Vásquez

Alfredo Barrera Vásquez (November 26, 1900 Maxcanú-December 28, 1980) was a Mexican personality.

He was an anthropologist, archaeologist, linguist, and historian. Barrera Vásquez is widely regarded as one of the most important scholars of Maya culture and language. He played a key role in the rediscovery and decipherment of Maya hieroglyphs in the mid-20th century, which allowed scholars to gain a deeper understanding of Maya civilization. In addition to his academic work, he was also a key figure in Mexican politics, serving as a senator from the state of Yucatán from 1970 to 1976. Barrera Vásquez was a prolific author, publishing numerous articles and books on Maya culture, language, and history, including his influential 1948 work "La civilización maya". Today, he is remembered as a pioneer of Maya studies and a major contributor to the understanding of pre-Columbian history and culture in Mexico.

Barrera Vásquez was born in Maxcanú, Yucatán, Mexico, and spent much of his life studying the Maya civilization in the region. He received his education at the National School of Anthropology and History in Mexico City, where he specialized in linguistics and archaeology. In 1932, he began working as an archaeologist for the Mexican government and the Carnegie Institution in Washington, D.C., excavating major sites such as Chichén Itzá and Uxmal.

Barrera Vásquez was also an accomplished linguist and studied the Maya language extensively. He co-authored several dictionaries and grammars of Maya languages with other scholars. His work on Maya hieroglyphs helped pave the way for the understanding of Maya writing and culture, and many of his translations and interpretations of hieroglyphs are still used today.

In addition to his academic work, Barrera Vásquez was involved in politics and served as a senator from the state of Yucatán from 1970 to 1976. He was also honored with numerous awards and recognitions throughout his career, including the Order of the Aztec Eagle, the highest honor awarded by the Mexican government to non-Mexican citizens.

Barrera Vásquez continued to work and publish on Maya culture and history until his death in 1980. Today, his contributions to the study of the Maya civilization remain highly respected, and many of his books and articles are still cited as important works in the field.

Carmen Alardin

Carmen Alardin (July 5, 1933 Tampico-May 10, 2014 Mexico City) otherwise known as Carmen Alardín was a Mexican poet. She had two children, Ana Silvia Garza and Jaime Garza.

Carmen Alardin was known for her feminist poetry which often explored themes of love, desire, and the female experience. She was a prominent figure in the Latin American literary scene during the 1960s and 70s, and her work was featured in numerous journals and anthologies. In addition to her poetry, Alardin was also a translator, translating the works of authors such as Federico García Lorca and Juan Rulfo into English. She was awarded the National Poetry Prize in 1978 for her collection "Cada cosa es Babel." Alardin passed away in 2014 at the age of 80.

Alardin was born on July 5, 1933, in Tampico, Tamaulipas, Mexico. She lived in various places throughout Mexico during her life, including Mexico City, where she eventually settled. Alardin studied literature at the National Autonomous University of Mexico (UNAM) and went on to pursue a career in writing. Her first published work, "El Peligro" ("The Danger"), appeared in the literary journal Plural in 1971.

Throughout her career, Alardin continued to write and publish poetry, including the collections "Pangolin" (1985), "Madre Autoritaria" (1988), and "Litfiba de la Noche" (1991). Her poetry often explored the complexities of love, particularly from the female perspective, and dealt with themes of desire, passion, and the search for identity.

In addition to her poetic work, Alardin also translated the works of prominent authors into Spanish, including Tennessee Williams, William Shakespeare, and Samuel Beckett. She was particularly known for her translations of Latin American literature into English, including the works of Octavio Paz and Elena Poniatowska.

Alardin's impact on Latin American literature was significant, particularly in the realm of feminist poetry. Her work was celebrated for its exploration of female sexuality and its focus on the experiences of women, and she remains an important figure in the literary canon of Mexico and beyond.

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Sergio Vejar

Sergio Vejar (October 11, 1928 Colima-February 15, 2009 Mexico City) a.k.a. Sergio Véjar or Sergio Véjar C. was a Mexican cinematographer, film director and screenwriter.

He began his career as a camera assistant and later became a cinematographer for several Spanish-language films in the 1950s and 1960s. Some of his most notable works as a cinematographer include "La Casa del Pelícano" (1960) and "La Chamuscada" (1965). In the 1970s, Vejar began directing his own films such as "El hombre de la mandolina" (1975) and "La otra virginidad" (1975). He also wrote the scripts for many of his films. Vejar's films often dealt with themes of rural life, indigenous culture, and political struggle. He was awarded the Ariel Award from the Mexican Academy of Film in 1985 for his contributions to Mexican cinema.

Vejar was born on October 11, 1928, in Colima, Mexico. He studied at the National Autonomous University of Mexico (UNAM), where he developed his passion for filmmaking. He began his career as a camera assistant in the 1950s and worked on several Spanish-language films, including "La mujer que yo amé" (1952) and "La extraña pasajera" (1954).

In the 1960s, Vejar became a cinematographer and worked on many Mexican films, including "La Casa del Pelícano" (1960) and "La Chamuscada" (1965). He was known for his innovative camera work and his ability to capture the essence of Mexican rural life.

In the 1970s, Vejar began directing his own films, including "El hombre de la mandolina" (1975) and "La otra virginidad" (1975). He also wrote the scripts for many of his films, which often dealt with themes of rural life, indigenous culture, and political struggle.

Vejar's contributions to Mexican cinema were recognized with many awards throughout his career. He received the Ariel Award in 1985 from the Mexican Academy of Film for his outstanding contributions to Mexican cinema. In addition to his work in cinema, Vejar was also a well-respected teacher at the Center for Cinematographic Studies (CUEC) in Mexico City. He passed away on February 15, 2009, in Mexico City, at the age of 80.

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Isabela Corona

Isabela Corona (July 2, 1913 Autlán-July 8, 1993 Mexico City) also known as Refugio Pérez Frías was a Mexican actor.

Isabela Corona started her acting career in the 1930s and went on to become one of the most iconic actors of the Mexican film industry, earning critical acclaim for her outstanding performances. She appeared in more than 100 films and television shows, both in Mexico and abroad. Some of her most notable performances were in films like 'Ahí está el detalle!', 'El soplo', and 'El jardín de los cerezos'. Corona was honored with several awards throughout her career, including the Ariel Award for Best Supporting Actress in 1949 and the National Award for Arts and Sciences in 1988. She passed away on July 8, 1993, leaving behind a rich legacy in the world of Mexican cinema.

Corona began her acting career on stage in 1931 and later made her film debut in the 1934 movie 'Vámonos con Pancho Villa', directed by Fernando de Fuentes. She quickly became a popular actress in the Golden Age of Mexican cinema, portraying strong women characters and appearing alongside famous actors such as Mario Moreno "Cantinflas" and Pedro Infante. In addition to acting, Isabela Corona was also a prolific dubbing artist and lent her voice to several foreign films dubbed in Spanish. Her career spanned several decades and she continued to act well into her 70s. Corona was renowned for her commitment to her craft and was known for her impeccable performances both on stage and on screen. She remains a beloved figure in Mexican cinema history and is remembered for her contribution to the industry.

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