Here are 7 famous actresses from Poland died in 2009:
Maria Klejdysz (March 5, 1927 Bogucice-November 21, 2009 Konstancin-Jeziorna) also known as Maria Klejdysz-Bak or Maria Kleydysz was a Polish actor.
She graduated from the State Theatre School in Cracow in 1951 and later became a member of the Juliusz Słowacki Theatre in Krakow. Throughout her career, she appeared in several films, including "Eroica" (1957), "Skrzydlata Pytka" (1966), and "Człowiek z Marmuru" (1976), which was directed by legendary Polish film director Andrzej Wajda. In addition to her work in film, Klejdysz-Bak also dedicated herself to theater, performing in numerous productions throughout her career. She received many awards for her acting including the Officer's Cross of the Order of Polonia Restituta, and the Golden Cross of Merit. Klejdysz-Bak is remembered as one of the most accomplished actors of her generation in Poland.
Klejdysz-Bak's acting career spanned over six decades, during which she delivered brilliant performances on stage and screen. She appeared in over 50 films during her career and worked with some of the most iconic directors in Polish cinema. She was also a well-known and respected stage actor, having performed in numerous productions at prestigious theaters throughout the country. In addition to her work as an actor, Klejdysz-Bak was also actively involved in the cultural life of Poland. She served as a jury member for several film festivals and was a member of the Polish Film Academy. Despite suffering from Parkinson's disease in her later years, Klejdysz-Bak continued to work in the entertainment industry and inspire audiences with her incredible talent.
Klejdysz-Bak was born in Bogucice, a district of the city of Katowice, Poland. She was raised in a family of actors, and her father was also a theater director. Klejdysz-Bak's love for acting blossomed at a young age, and she pursued it as a career after completing her studies at the State Theatre School in Cracow.
In addition to her work on stage and screen, Klejdysz-Bak was also a devoted teacher. She taught acting at the Film School in Łódź and at the National Academy of Theatre Arts in Warsaw, where she was also a professor. She was known for her kindness and dedication to her students and was considered one of the most influential acting teachers in Poland.
Klejdysz-Bak was married to fellow actor Janusz Bak, with whom she had two children. She passed away on November 21, 2009, in Konstancin-Jeziorna, Poland, at the age of 82. Her legacy lives on through her incredible performances and her impact on the Polish cultural scene.
Krystyna Borowicz (January 25, 1923 Kalisz-May 30, 2009 Warsaw) was a Polish actor.
She began her acting career in the 1940s and quickly gained popularity for her performances in both film and theater productions. Borowicz starred in classic Polish films including "The Last Stage" and "Kanał" directed by Andrzej Wajda. She worked with many notable directors and actors throughout her career and was known for her range and versatility in playing a variety of roles. Borowicz received numerous awards for her contributions to Polish cinema, including the Order of the Polonia Restituta and the Gloria Artis Medal for Cultural Merit. She continued acting until her death in 2009, leaving behind a lasting legacy in Polish film and theater.
In addition to her successful acting career, Krystyna Borowicz was also involved in social and political activities. She was a member of the Communist Party and took part in the Warsaw Uprising during World War II. She was also an advocate for women's rights and was actively involved in the establishment of the Polish Actors' Union. Throughout her life, Borowicz remained dedicated to promoting the arts in Poland and encouraging young talent. Her contributions to Polish culture and society are still remembered and celebrated today.
Borowicz's achievements extended beyond her successful acting and political career. She was also an accomplished writer and translator. In addition to writing poetry and short stories, she translated works from Russian and French into Polish. Borowicz was fluent in several languages, including English, which she learned during her time as a prisoner of war in Germany. Her language skills gave her the ability to bring foreign literature to a Polish audience, greatly enriching the country's literary culture. Later in life, Borowicz dedicated herself to teaching acting, passing on her knowledge and experience to the next generation of Polish actors. Her passion for the arts and commitment to social causes make her a true icon of Polish culture.
Ewa Lejczak (May 27, 1948 Poland-February 12, 2009 Kraków) a.k.a. E. Lejczak was a Polish actor.
Throughout her career, Ewa Lejczak appeared in numerous films and television series, including "Diplomatic Immunity" (1971), "The Quack" (1976), and "C.K. Dezerterzy" (1985). She was also a respected stage actress and performed at prestigious theaters such as the Juliusz Słowacki Theatre in Kraków and the National Theatre in Warsaw. In addition to her acting career, Lejczak was also a writer and translator, having translated works from English and French into Polish. She was a graduate of the Ludwik Solski Academy for the Dramatic Arts in Kraków and was a beloved figure in the Polish acting community.
Lejczak was known for her versatility as an actress, portraying a wide range of characters from comedic to dramatic roles. In 1993, she won the Best Actress award at the Polish Film Festival for her role in the film "Crows". She also worked as a voice actress, dubbing foreign films into Polish. As a writer, she published several essays and memoirs, including "Actress on the Stage and Behind the Scenes". Lejczak was a passionate advocate for women's rights and was involved in various feminist organizations. She passed away in 2009 at the age of 60 after a long battle with cancer. Her contributions to Polish cinema and theater continue to be celebrated by audiences and fellow actors alike.
Ewa Lejczak was born in Kraków, Poland, and began acting at a young age, joining a local theater group in her teens. After graduating from high school, she went on to study at the Ludwik Solski Academy for the Dramatic Arts in Kraków, where she honed her acting skills and developed a deep appreciation for the craft.
Throughout her career, Lejczak was recognized for her talents as an actress, earning numerous awards and accolades for her work on stage and screen. She was considered one of the most versatile performers of her generation and was praised for her ability to inhabit a wide range of characters with honesty and depth.
In addition to her achievements in the arts, Lejczak was also known for her activism and advocacy work. She was a vocal supporter of women's rights and was involved with several organizations dedicated to gender equality and reproductive rights.
Despite her passing, Ewa Lejczak's legacy continues to inspire generations of actors and activists in Poland and around the world. Her contributions to the arts and to social justice remain a testament to her unwavering commitment to excellence and to making the world a better place.
Barbara Kołodziejska (January 25, 1927 Poland-April 5, 2009 Warsaw) also known as Barbara Kolodziejska was a Polish actor.
She graduated from the State Theatre School in Warsaw, Poland and began her acting career at the Teatr Wybrzeże in Gdańsk. Throughout her career, she appeared in numerous films and on stage, earning critical acclaim for her performances. Some of her most notable film roles include "The Night of the Generals" and "The Promised Land". She also starred in the popular Polish TV series "Czterdziestolatek" and "Zmiennicy". Kołodziejska received numerous awards and honors for her contributions to Polish theatre and film, including the Officer's Cross of the Order of Polonia Restituta. She passed away in 2009 at the age of 82 in Warsaw, Poland.
Barbara Kołodziejska was born in Wola Ciełęcka, a village near Warsaw, Poland. She was the daughter of a photographer and grew up in a family of artists. During World War II, she was forced to work as a forced laborer in Germany before returning to Poland after the war.
After graduating from the State Theatre School, she joined the Teatr Wybrzeże in Gdańsk, where she became a prominent member of the company. She worked on stage with some of the greatest directors in Poland, including Jerzy Grzegorzewski and Jerzy Jarocki.
Kołodziejska was known for her versatility and her ability to portray complex characters with depth and nuance. She was equally at home in drama and comedy, and her performances were often praised for their emotional power and authenticity.
In addition to her acting career, Kołodziejska was also a dedicated teacher and mentor to young actors. She taught at the State Theatre School in Warsaw for many years, and her students included some of the most successful actors in Poland today.
Kołodziejska's legacy in Polish theatre and film continues to be celebrated today. She is remembered as one of the most talented and respected actors of her generation, and her contributions to Polish culture are widely recognized.
Apart from her successful acting career, Barbara Kołodziejska was also known for her activism and her support of political movements in Poland. She was an active member of the Solidarity movement, which played a major role in the fall of communism in Poland. Kołodziejska spoke out against censorship and the suppression of artistic freedom, and she used her platform as a prominent actor to promote social change. She was also involved in various charitable causes, including supporting orphanages and helping families in need. Her commitment to social justice and activism is an integral part of her legacy. In addition, Kołodziejska was an avid traveler and had a deep appreciation for different cultures. She often incorporated her experiences from her travels into her acting, and her performances were characterized by a sensitivity to the human experience. Today, Kołodziejska's contributions to Polish theatre, film, and activism continue to inspire future generations of artists and activists in Poland and beyond.
Ida Gomes (September 25, 1923 Kraśnik-February 22, 2009 Rio de Janeiro) also known as Ida Szafran was a Polish actor.
She was best known for her work in the Brazilian film and television industry. Ida began her acting career in Poland in the 1940s, but in 1949, she and her husband fled communist Poland and settled in Brazil. In Brazil, Ida quickly established herself as one of the country's leading stage and film actresses. She appeared in over 50 films and on numerous TV shows throughout her career. Some of her most notable film credits include "The Given Word" (1962), "The Beggars" (1961), "The Devil's Church" (1966), and "Romance" (1977). Ida also worked as a theater director and founded her own theater company, Teatro dos Sete, in the 1960s. Her contribution to Brazilian arts and culture earned her numerous awards, and she was widely regarded as a national treasure.
Ida Gomes was not only an accomplished actor but also a pioneer in Brazilian theater. She brought new ideas and experimentation to Brazilian theater, introducing audiences to avant-garde plays and productions. Her work raised the profile of theater in Brazil and created opportunities for new generations of theater artists. In addition to her work on stage and screen, Ida was also a strong advocate for women's rights and was involved in various social causes throughout her life. She was married to fellow actor and theater director Ziembinski, with whom she had two children. Ida's legacy as an artist and cultural icon continues to inspire generations of Brazilians to this day.
Ida Gomes was born as Ida Szafran in Kraśnik, Poland to a Jewish family, and she grew up in Warsaw. Her father was a lawyer, and her mother was a housewife. Ida's love for the arts started at a young age, and she studied theater and acting at the Academy of Dramatic Art in Warsaw before beginning her career as an actor. She was also a Holocaust survivor, and the trauma she experienced during that time influenced her work as an artist and her activism later in life.
After fleeing Poland with her husband, Paulo Francis, Ida settled in Rio de Janeiro and quickly became a prominent figure in the city's cultural scene. She worked with some of Brazil's most famous actors and directors, including Fernanda Montenegro and Glauber Rocha. Her work in the 1960s and 1970s was especially groundbreaking, as she pushed the boundaries of traditional Brazilian theater with her experimental productions.
In addition to her work as an actor and director, Ida was also a prolific writer. She wrote several plays, including "O Corpo" (The Body), which explored themes related to gender and sexuality. Her writing was deeply informed by her personal experiences as well as her social and political beliefs.
Ida continued to work in theater and film until the end of her life, even as she battled health problems. She was a beloved figure in Brazilian culture, and her death was mourned by people across the country. She left behind a legacy of innovation and creativity, and she remains an inspiration to artists and activists in Brazil and beyond.
Hanna Bedrynska (February 16, 1924 Łódź-August 18, 2009 Warsaw) was a Polish actor.
Bedrynska began her acting career in the late 1940s, performing on stage at the Ludowy Theatre in Kraków. She then went on to appear in several Polish films and television shows throughout the 1950s and 60s, including the popular TV series "Czterdziestolatek" and the films "Epilog norymberski" and "Nikt nie woła".
In addition to her acting work, Bedrynska was also a prominent member of the Polish Actors' Union, and served as the head of the organization from 1981 to 1984. She was awarded the Order of Polonia Restituta and the Gloria Artis Medal for her contributions to Polish theater and film.
Bedrynska continued to act well into her 80s, and was remembered as an important figure in Polish culture and entertainment at the time of her death.
Bedrynska was born in a family of artists, her father was a painter and her mother was a pianist. She spent her childhood in Łódź and moved to Kraków to attend high school. After the outbreak of World War II, Bedrynska's family was forced to move to Warsaw, where she studied acting at the State Theatre School. In addition to her work on stage and screen, she also taught acting at the National Film School in Łódź. Bedrynska was known for her versatility as an actor, appearing in both dramatic and comedic roles, and was admired for her dedication and skill in portraying complex characters. She was also a supporter of the Solidarity movement in Poland and spoke out against censorship in the arts.
Throughout her career, Hanna Bedrynska played a wide range of roles in film, television, and theater. Her filmography includes renowned movies such as "Krzyżacy", "Zmiennicy", and "Zmiennicy żyją jeszcze". Her work in theater was also highly esteemed, with roles in productions including "The Glass Menagerie" and "The Cherry Orchard".
Bedrynska was not only an accomplished actor, but she also worked behind the scenes as a theater director. She directed over twenty plays during her career, including "Death of a Salesman" and "The Three Sisters". Bedrynska also served as the director of the Ludowy Theatre in Krakow from 1964 to 1968.
In addition to her artistic achievements, Bedrynska was known for her activism in support of political freedom and artistic expression. She was a member of the Solidarity movement in the 1980s, and after the fall of communism, Bedrynska became involved in the reform of the public broadcasting system in Poland.
Hanna Bedrynska passed away in 2009 at the age of 85. Her legacy as a versatile and prolific actor, director, and activist continues to be celebrated in Poland and beyond.
Krystyna Stankiewicz (April 1, 1941 Dolyna-October 29, 2009 Opole) was a Polish actor.
She was one of the most prominent figures in the Polish theater world with a career spanning over four decades. Stankiewicz studied in the State Higher School of Theatre in Krakow, where she graduated in 1964. Her talent was quickly recognized by the critics, and she became an iconic figure in the Polish theater industry.
Stankiewicz had a prolific career in theater, playing many memorable roles on stage. She also appeared in several movies and television shows, including "Krótki film o miłości" (A Short Film About Love) and "Przyjęcie na dziesiątkę" (A Party for Ten), both of which won critical acclaim.
Throughout her career, she received numerous awards and nominations for her acting skills, including the Order of Polonia Restituta, one of Poland's highest awards. Despite her passing in 2009, Krystyna Stankiewicz remains an inspiration to many actors and actresses, both in Poland and around the world.
Stankiewicz was not only a talented actress, but she was also a respected theater director. She directed productions of plays such as "The Cherry Orchard" and "Romeo and Juliet" at the Stefan Jaracz Theatre in Olsztyn. She also taught acting at her alma mater, the State Higher School of Theatre in Krakow, and was a mentor to many young actors who looked up to her as a role model.
Stankiewicz was known for her passion and dedication to her craft. She was always striving to improve her skills and took on challenging roles that showcased her versatility as an actress. Her performances were often praised for their emotional depth and complexity. Her portrayal of the character Magda in "A Short Film About Love" is considered one of her best performances.
Stankiewicz was admired not only for her talent but also for her warm personality and generosity. She was a devoted friend and mentor to many people in the theater community, and her passing was a great loss to all who knew her. Today, she is remembered as one of the most talented and influential actresses of her generation.
In addition to her acting and directing work, Krystyna Stankiewicz was also involved in the Polish Solidarity movement. During the 1980s, she used her platform as a famous actress to speak out against the Communist regime and advocate for political change. She was a member of the Committee for the Defense of Workers (KOR) and participated in protests and rallies. Stankiewicz's activism was not without consequences, as she faced persecution and censorship from the government. Despite this, she remained committed to her beliefs and played an important role in Poland's transition to democracy. Today, she is remembered as not only an accomplished actress but also a brave and principled activist.