Russian movie stars born in 1914
Here are 6 famous actors from Russian Empire were born in 1914:
Pyotr Alejnikov
Pyotr Alejnikov (July 12, 1914-June 9, 1965) a.k.a. P. Aleinikov, Petr Alennikov, P. Aleynikov or Pyotr Martynovich Alejnikov was a Russian actor.
He was born in the town of Slobodskoy in the Kirov Oblast of Russia. Alejnikov began acting at a young age and later became a member of the theater group of the Kirovsky district. He is best known for his roles in Soviet films such as "The Unforgettable Year 1919" (1951), "The Gadfly" (1955) and "Siberian Barber" (1962), among others. In addition to his film work, Alejnikov was also a prolific stage actor, and was awarded the title of Honored Artist of the RSFSR (Russian Soviet Federative Socialist Republic) in 1955. Sadly, Alejnikov died at the age of 50 due to a heart attack.
Despite his relatively short career, Pyotr Alejnikov left a lasting impact on Russian theater and film. He was known for his expressive acting style and ability to convey deep emotion through subtle facial expressions and body language. In addition to his work in acting, Alejnikov was also a talented writer and poet, and often wrote pieces for Russian literary journals. His legacy continues to be celebrated in Russia, with many theaters and cultural institutions named in his honor. In 2003, a museum dedicated to Alejnikov's life and work was opened in his hometown of Slobodskoy.
Alejnikov's talent was recognized early on, and he began studying theater at the Moscow Art Theatre School in 1936. However, his studies were cut short due to the outbreak of World War II, and he was drafted into the Red Army in 1941. After the war, he returned to the stage and became a popular actor in Moscow theaters.
Alejnikov's film career began in the 1950s, and he quickly became a sought-after actor in Soviet cinema. He was known for his ability to portray complex, nuanced characters, and his performances often conveyed a sense of depth and introspection. Despite his success in film, he remained dedicated to the theater and continued to perform on stage throughout his career.
In addition to his artistic pursuits, Alejnikov was also active in politics and served as a member of the Kirov Oblast Council. He was a strong supporter of Soviet communism and often used his platform as an actor to promote socialist ideals.
Despite his untimely death, Alejnikov remains a beloved figure in Russian arts and culture. His legacy continues to inspire generations of actors and artists, and his contributions to Russian theater and film are widely celebrated.
Alejnikov was married twice, with his first marriage ending in divorce. He had four children, including two daughters who followed in his footsteps and became actresses. In 1965, Alejnikov collapsed during a performance of the play "The Living Corpse" and died of a heart attack shortly after. His death was a shock to the theater and film community, and he was mourned by colleagues and fans alike. Despite his relatively short life and career, Alejnikov's legacy endures as one of the most talented and influential actors of Soviet cinema.
In addition to his on-screen and on-stage work, Pyotr Alejnikov was also a vocal advocate for the rights of artists and cultural workers. He was a strong proponent of artistic freedom and believed that artists should be able to create and express themselves freely, without interference from the government or other outside forces. He was a member of the Soviet Union of Cinematographers and the Soviet Writers' Union, and used his platform to promote the rights of artists and writers.
Despite his political views, Alejnikov was beloved by audiences of all backgrounds and political persuasions. He had a knack for portraying characters who resonated with people from all walks of life, and his performances were praised for their humanity and emotional depth. He was also admired for his humility and kindness, and was known for his willingness to mentor young actors and help them develop their craft.
Today, Pyotr Alejnikov is remembered as one of the greatest actors of Soviet cinema, and his impact on Russian theater and film continues to be felt. His work has been studied and analyzed by scholars and critics, and his performances remain a source of inspiration for actors and artists around the world. Despite his early passing, Alejnikov's legacy endures as a testament to the power of art to move and transform audiences.
Karlis Sebris
Karlis Sebris (February 18, 1914 Governorate of Livonia-January 12, 2009 Riga) a.k.a. Kārlis Sebris or Karl Sebris was a Russian actor.
Karlis Sebris was born in the Governorate of Livonia, which was then part of the Russian Empire. He received his formal education at Moscow Art Theatre School in the 1930s and began his acting career during that time. After the Second World War, Sebris started acting at the Dailes Theatre in Riga in 1946, which became his home base for many years. He was known for his versatility as an actor and appeared in a number of productions from drama to comedy. Sebris was also involved in radio and film and worked on a number of notable projects throughout his career. In 1990, he was awarded the Order of the Three Stars by the Latvian government for his contribution to the arts. Sebris passed away at the age of 94 in Riga, Latvia.
Karlis Sebris was considered one of the most prominent Russian actors of the 20th century. He appeared in a number of films, including "The Dawns Here Are Quiet" (1972) and "The Year of the Taiga" (1974). Sebris was also recognized for his voice acting work, including dubbing foreign films into Russian. In addition to his acting career, Sebris was also a prominent teacher of theatre arts, mentoring young actors at the Latvian Academy of Culture. He was known for his commitment to his craft and his dedication to his students. Sebris was married twice and had two children. He lived a full and accomplished life, leaving behind a legacy of excellence in the arts.
Sebris was not only a renowned actor and teacher, but also a public figure who actively participated in the socio-political life of Latvia. He was a member of the Communist party during the Soviet-era, but later became an advocate for Latvian independence. Sebris was a member of the Popular Front of Latvia, which played a key role in the country's movement towards independence from the Soviet Union. He was a vocal supporter of independence and a frequent speaker at political rallies. Sebris was also recognized for his charitable work, particularly for his efforts in providing aid to children affected by the Chernobyl disaster. Throughout his life, Sebris remained committed to using his talent and influence to improve the lives of others, both through his art and his activism.
In addition to his commendable achievements, Karlis Sebris was also a prolific author. He penned a number of books on the history of Latvian theatre and the art of acting. His works include "Theatre Faces" and "On the Paths of Acting." Sebris was a well-respected scholar in his field and was often called upon for interviews and commentary on the theatre world. His dedication to the craft of acting and his contributions to Latvian culture have earned him a revered place in the annals of history. In recognition of his many accomplishments, the Latvian government named a street in Riga after him in 2014, the centenary of his birth. Karlis Sebris will always be remembered as a beloved actor, teacher, author, and activist who made lasting contributions to the world of theatre and beyond.
Sebris was born into a family of actors, which influenced his career choice. His father, Jāzeps Sebris, was a prominent Latvian actor and director, and his mother, Liūzija Šmīdberga, was a Russian opera singer. Sebris's parents separated when he was young, and he was primarily raised by his mother in St. Petersburg. He later moved to Latvia with his father and attended school in Riga before pursuing his acting training in Moscow. Sebris's upbringing in a multi-cultural family and his extensive travels around the world gave him a rich and nuanced perspective on life, which he brought to his acting roles and his public advocacy work. Sebris's legacy continues to inspire generations of actors and activists who seek to use their platform for positive change.
Spartak Bagashvily
Spartak Bagashvily (August 7, 1914 Tbilisi-February 1, 1977 Tbilisi) also known as Spartak Bagashvili, Spartak Levanovich Bagashvili, Spartacus Bagashvili, Spartacus Levanovich Bagashvili, SL Bagashvili or S. Bagashvili was a Russian actor.
He began his acting career in the 1930s at the Tbilisi Kote Marjanishvili Theater. Later on, he moved to Moscow and joined the Moscow Art Theater where he worked for over two decades. Bagashvily was known for his wide range of acting skills and was particularly praised for his performances in the plays of Anton Chekhov, Aleksandr Ostrovsky, and Maksim Gorky. He was also acclaimed for his roles in the films "Beware of the Car" (1966) and "The Diamond Arm" (1969), which became Soviet comedy classics. Bagashvily was honored with numerous awards throughout his career, including the Order of Lenin, the highest civilian award in the Soviet Union.
Bagashvily was born in Tbilisi and graduated from the Tbilisi Theatrical Institute in 1937. He quickly became a prominent figure in the Georgian theater scene before moving to Moscow in 1950 to join the Moscow Art Theater. His incredible talent as an actor and his hard work and dedication throughout his career earned him a reputation as one of the most respected actors of his time. In addition to his work in theater and film, Bagashvily was also a popular voice actor and dubbing artist. He provided the Russian voice for famous Hollywood actors such as Humphrey Bogart and Gregory Peck in Soviet versions of their films. Bagashvily's contributions to Soviet cinema and theater are widely recognized, and he is remembered as an important figure in the history of Soviet entertainment.
Bagashvily was not only admired for his acting skills but also for his leadership and teaching abilities. He served as the head of the Moscow Art Theater's acting school for several years and was a professor at the State Institute of Theater Arts. Many of his students went on to become successful actors and actresses themselves. Despite his success and recognition, Bagashvily remained humble and dedicated to his craft until his death in 1977. His legacy as an actor and mentor continues to inspire future generations of artists in both Russia and Georgia. In 1994, a monument was erected in his honor in Tbilisi, and in 2014, the Georgian National Academy of Sciences named a research institute after him.
Bagashvily's passion for acting was evident from a young age. He often participated in school plays and performances and quickly realized his talent and love for the craft. While attending the Tbilisi Theatrical Institute, he studied under the legendary Georgian actor Kote Marjanishvili, who became his mentor and lifelong friend.
Bagashvily's acting career spanned over four decades, during which he performed in hundreds of productions on stage and in film. One of his most notable roles was as Uncle Vanya in Chekhov's play of the same name. His performance was widely acclaimed, and he became known for his ability to portray complex characters with depth and nuance.
In addition to his work as an actor, Bagashvily also dedicated himself to promoting and supporting the arts in Soviet Georgia and Russia. He organized and participated in numerous cultural events and was often called upon to give lectures and speeches on the importance of theater and cinema in society.
Bagashvily's contributions to Soviet entertainment were recognized both during his lifetime and after his death. In addition to his numerous awards, he was also honored with a postage stamp bearing his likeness and a street in Moscow named after him.
Despite his success, Bagashvily remained humble and devoted to his craft until the end of his life. His legacy as an actor, teacher, and cultural ambassador continues to inspire artists and audiences alike.
Bagashvily's impact on Soviet theater and cinema went beyond his exceptional acting skills. He also worked as a director, directing productions such as Gorky's "Enemies" and Ostrovsky's "It's a Family Affair – We'll Settle It Ourselves." His directorial work showcased his ability to create compelling and thought-provoking productions that explored the complexities of the human experience.
As a vocal advocate for the arts, Bagashvily also lent his support to those who were oppressed or marginalized in society. He was a strong proponent of equal rights for women and minorities and often used his platform to speak out against discrimination and social injustice.
In recognition of his contributions to the cultural life of the Soviet Union, Bagashvily was awarded the title of People's Artist of the USSR, the highest honor that could be bestowed upon an artist in the Soviet Union. His legacy as a multi-talented artist, compassionate advocate, and dedicated mentor continues to inspire generations of artists to this day.
Ivan Pereverzev
Ivan Pereverzev (August 21, 1914 Znamensky District, Oryol Oblast-April 23, 1978 Moscow) a.k.a. Ivan Fyodorovich Pereverzev, Irving Perev or I. Pereverzev was a Russian actor. He had three children, Sergei Pereverzev, Alyona Pereverzeva and Fedor Pereverzev.
Throughout his career, Pereverzev acted in over 50 films and was a renowned stage actor in his home country of Russia. He graduated from the Moscow Art Theatre School in 1937 where he studied under the legendary Konstantin Stanislavski. Pereverzev was known for his ability to portray a wide range of characters, from comedic to dramatic roles, and was highly respected by his peers and audiences alike. In addition to his work in film and theatre, he also had a successful career as a voice actor, lending his voice to popular cartoons and animated films. Despite passing away in 1978, Pereverzev's legacy as one of Russia's most talented actors lives on.
Pereverzev was also an honored artist of the Russian Federation, receiving the prestigious title in 1974. He was a member of the Communist Party of the Soviet Union and served in the Red Army during World War II. Pereverzev was known for his dedication to his craft and his unwavering work ethic. He was also deeply committed to social causes and participated in charitable events throughout his career. Many of his performances were praised by critics for their emotional depth and realism. In his later years, Pereverzev suffered from poor health, but he continued to work as an actor until his death in 1978 at the age of 63. Despite the passing of many decades, Ivan Pereverzev's name remains synonymous with excellence in acting and he is remembered as one of Russia's finest and most enduring performers.
Pereverzev came from a family of farmers and spent his early years in a small village in the Oryol Oblast region of Russia. He developed a passion for the arts at a young age and began acting in amateur theatrical productions as a teenager. His talent was noticed by a visiting drama teacher, who encouraged him to pursue a career in acting. Pereverzev moved to Moscow to attend the Moscow Art Theatre School, where he trained with some of the most renowned actors and directors of the time.
After graduating, Pereverzev joined the Moscow Art Theatre, where he honed his craft and gained a reputation as a gifted stage actor. His breakthrough performance came in 1948, when he starred in the stage adaptation of Fyodor Dostoevsky's "The Brothers Karamazov". The production was a critical and commercial success and cemented Pereverzev's status as one of Russia's leading actors.
Throughout his career, Pereverzev collaborated with many of Russia's most celebrated directors and actors, including Sergei Bondarchuk, Vladimir Etush, and Innokenti Smoktunovsky. He received numerous accolades for his work, including the State Prize of the USSR in 1949 and the Lenin Prize in 1961.
Outside of his acting career, Pereverzev was a devoted family man and a loving father to his three children. He was also an avid sportsman and enjoyed playing football and boxing. Pereverzev's legacy as an actor and a public figure remains strong to this day, with many younger actors citing him as an inspiration and a role model.
In addition to his work in theatre and film, Ivan Pereverzev was also a prominent voice actor in the Soviet Union. He lent his voice to some of the country's most popular cartoons and animated films, including "The Bremen Town Musicians" and "The Humpbacked Horse". His voice was recognized for its powerful and evocative quality, which brought life to the characters he portrayed. In recognition of his contributions to the field of voice acting, Pereverzev was awarded the Order of Lenin in 1974.Pereverzev was also an active member of the Communist Party of the Soviet Union, and he used his position as a public figure to advocate for socialist causes. He participated in numerous charity events and fundraisers throughout his career, and he was known for his generosity and kindness towards his fellow citizens. Despite his success, Pereverzev remained humble and grounded, never losing sight of the importance of his art and his social responsibilities.Pereverzev's death in 1978 was mourned by fans and colleagues alike, who recognized him as one of the greatest actors of his generation. His legacy continues to inspire generations of actors and performers, and his dedication to his craft and his ideals remains an example of excellence and integrity.
Pereverzev's versatility as an actor allowed him to portray a wide range of characters, from historical figures to everyday people. His performances in films such as "War and Peace" and "The Cranes Are Flying" are considered to be some of the greatest in the history of Soviet cinema. Pereverzev also worked as a director, with credits including "Little Vera" and "The Horsemen". In addition to his acting career, Pereverzev was also an accomplished painter and sculptor, and his works were exhibited in galleries throughout Russia.
Pereverzev's dedication to his country was evident in his military service during World War II, which deeply affected him and informed his work as an artist. He often portrayed soldiers and veterans in his films and was known for his sensitivity and empathy towards their experiences.
Despite his numerous achievements, Pereverzev remained a humble and modest person, dedicated to his craft and his family. His impact on Russian culture and the world of acting remains significant, and his legacy as a talented performer and advocate for social causes continues to inspire people today.
Majid Salehovich Akhedzhakov
Majid Salehovich Akhedzhakov (May 15, 1914 Maykop-) a.k.a. Medzhid Akhedzhakov, Medzhid Salehovich Akhedzhakov or Majid Ahedzhakov is a Russian actor. He has one child, Liya Akhedzhakova.
Majid Salehovich Akhedzhakov was born on May 15, 1914, in Maykop, Russia. He began his career in acting in the early 1930s, initially appearing in minor roles in theater productions. In the 1940s, he transitioned to film and became an established actor in Soviet cinema.
Throughout his career, Akhedzhakov appeared in more than 70 films, including "The Kuban Cossacks", "The Return of Vasil Bortnikov", and "Stepan Razin". He was known for his ability to portray complex characters with depth and nuance.
In addition to his acting work, Akhedzhakov was also involved in the cultural sphere of Soviet Russia. He served as the director of the National Theater Museum in Moscow and was a member of the Soviet Academy of Arts.
Akhedzhakov had one child, Liya Akhedzhakova, who also became an acclaimed Russian actress. He passed away on October 27, 1992, in Moscow, leaving behind a lasting legacy in Soviet and Russian cinema.
Akhedzhakov survived the Siege of Leningrad during World War II and was later awarded the Medal for the Defense of Leningrad for his bravery. He continued acting well into his later years, with one of his final roles being in the 1987 film "Kin-dza-dza!". Despite his impressive body of work, Akhedzhakov never received any state awards for his contributions to Soviet and Russian cinema. However, he remains a revered figure in the industry and is remembered as one of the greatest character actors of his time.
In addition to his work in film and theater, Majid Salehovich Akhedzhakov was also a respected acting teacher. He taught at the Moscow Art Theatre School and at the State Institute of Theatrical Arts, where he trained several generations of aspiring actors. Akhedzhakov was known for his rigorous approach to teaching and his emphasis on character development and emotional authenticity.
Outside of his professional life, Akhedzhakov was known for his love of literature and poetry. He was an avid reader and collector of books, and often incorporated his passion for literature into his acting work. He was also a skilled painter and sculptor, and his works were exhibited in galleries throughout the Soviet Union.
Despite living through some of the most tumultuous periods in Soviet history, including World War II and the Stalinist era, Akhedzhakov remained committed to his craft and to Russia's cultural heritage. His contributions to Soviet and Russian cinema and theater continue to be celebrated today, and his legacy as a talented actor and beloved teacher lives on through his many students and fans.
Majid Salehovich Akhedzhakov was born into a Kurdish family and was raised in Maykop, which was then part of the Russian Empire. He attended the prestigious Moscow Art Theatre School, where he trained under legendary acting teacher Konstantin Stanislavski. After graduation, he appeared in numerous theater productions throughout the Soviet Union, including performances in Moscow, Leningrad, and Tbilisi. Akhedzhakov's early film work included roles in the classic Soviet comedy "Ivan Vasilievich Changes Profession" and the epic historical drama "And Quiet Flows the Don". Despite his impressive list of credits, Akhedzhakov never forgot his roots and remained deeply connected to his Kurdish heritage throughout his life.
In addition to his work as an actor and teacher, Majid Salehovich Akhedzhakov was also a noted translator. He translated works by Kurdish poets into Russian and was instrumental in raising awareness of Kurdish literature in the Soviet Union. Akhedzhakov's own poetry was also highly regarded, and his verse was published in several Soviet literary journals. He was a vocal advocate for freedom of expression and often spoke out against censorship and government repression in the Soviet Union. Despite facing criticism and even persecution for his activism, Akhedzhakov remained committed to his beliefs and continued to fight for artistic and intellectual freedom in Soviet Russia. Today, he is remembered not just as a talented performer and teacher, but as a courageous and principled advocate for creative expression and human dignity.
Zygmunt Morawski
Zygmunt Morawski (April 14, 1914 Khmelnytskyi Oblast-June 25, 2005 Warsaw) was a Russian actor.
He studied acting at the National Academy of Dramatic Art in Warsaw and made his stage debut in 1935 at the National Theatre. Morawski's film career began in the early 1950s and he appeared in over 70 films. He was best known for his roles in "Noce i Dnie" (1975), "Zmiennicy" (1986) and "Czterdziestolatek" (1974). Morawski was also a beloved television personality, hosting several popular game shows throughout his career. He was known for his wit and charm, and was respected as one of Poland's most talented actors.
In addition to his work in film and television, Zygmunt Morawski was also a prolific stage actor, appearing in numerous productions throughout his career. He was a member of the National Theatre in Warsaw for over thirty years and was renowned for his performances in classic works of drama, including Shakespeare's "Hamlet" and Chekhov's "The Seagull". Morawski was a recipient of numerous awards and honors for his contributions to Polish culture, including the Order of Polonia Restituta, one of Poland's highest civilian honors. He continued to act until the end of his life, passing away in 2005 at the age of 91.
Despite facing criticism for his role in several films during Soviet times, Morawski remained a beloved figure in the Polish film industry. He earned critical acclaim for his performances in films such as "Sami swoi" (1967) and "Nie lubię poniedziałku" (1971), which became classics of the Polish cinema. The actor also dabbled in directing and wrote screenplays for several films.
Morawski was known for his commitment to social causes and donated generously to various charities throughout his life. He was a staunch supporter of the Solidarity movement that opposed Poland's communist government in the 1980s. In recognition of his dedication to social causes, the Polish president bestowed upon him the title of "Honorary Citizen of Warsaw" in 2000.
Zygmunt Morawski's immense contribution to the world of Polish cinema continues to be remembered by fans and critics alike. His legacy is commemorated through the many awards and honors he received during his lifetime, as well as the numerous films, television shows, and stage productions that he contributed to.
Morawski's talent and versatility as an actor were widely acknowledged both in Poland and abroad. He was invited to perform in theaters and film festivals across Europe, and was awarded several international prizes. In 1979, he received the Best Actor Award at the Moscow International Film Festival for his performance in the film "Z daleka widok jest piękny". Morawski's dedication to his craft and to Polish culture inspired younger generations of actors and filmmakers. He taught acting at the State School of Theater in Warsaw and mentored many aspiring artists. In addition to his artistic achievements, Morawski was also a veteran of World War II, having fought in the Polish army and then served in the Home Army resistance. His experiences during the war deeply influenced his worldview and his commitment to democratic values. Morawski's life and career are a testament to the power of art to inspire and enrich society, and to the resilience of the human spirit in the face of adversity.
Throughout his life, Zygmunt Morawski remained dedicated to promoting the arts in Poland. He was a founding member of the Polish Film Academy and served as its President from 1989 to 1994. He also served as the president of the Polish Actors' Guild for several years. Morawski's contributions to the Polish film industry were officially recognized in 1976 when he was awarded the Golden Duck by the Film magazine for his outstanding achievements in Polish cinema.
Morawski was also a gifted writer, penning several plays and screenplays throughout his career. He was known for his sharp wit and insightful observations on Polish society. Morawski's autobiography, "Mój teatr i moje filmy" ("My Theatre and My Films"), was published in 1999 and provided a fascinating insight into his life as an artist.
Zygmunt Morawski's enduring legacy in Polish culture is a testament to his talent, dedication, and commitment to the arts. His performances continue to captivate audiences, and his contributions to the film, television, and theater industries in Poland will be remembered for generations to come.