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Russian musicians died at 64

Here are 14 famous musicians from Russian Empire died at 64:

Ivan Turgenev

Ivan Turgenev (November 9, 1818 Oryol-September 3, 1883 Bougival) a.k.a. Ivan Sergeyevich Turgenev, Ivan S Turgenev, Ivan Turgenieff, Ivan Tourguéneff, Ivan Tourgeniev, Iwan Turgenjew, I. Turgieniev, Ivan Sergeevič Turgenev or Iwan S. Turgenjew was a Russian writer, novelist and playwright. His child is called Paulinette Turgeneva.

Turgenev was one of the most prominent figures of Russian literature in the 19th century and is best known for his novel "Fathers and Sons" which explores the generation gap between traditionalists and radicals in Russia. He also wrote several other works including "A Month in the Country" and "On the Eve". Turgenev spent much of his life abroad, living in France and Germany for extended periods of time. He was a friend of many other famous writers, including Gustave Flaubert and Henry James, and his work had a profound influence on the development of modernist literature in Russia. Despite the controversy surrounding some of his works, Turgenev continues to be widely read and respected today.

Turgenev was born into a wealthy family and received a privileged education, studying at the University of Moscow and the University of Saint Petersburg. He initially pursued a career in civil service, but his passion for writing led him to publish his first book, "A Sportsman's Sketches", in 1852. The book was a critical success, and Turgenev went on to become one of the most popular and influential writers of his time.

In addition to his novels and plays, Turgenev was also known for his essays and political commentary. He was a staunch advocate for the abolition of serfdom in Russia and was highly critical of the government's handling of social and political issues. This earned him the ire of some government officials and conservative critics, but only increased his popularity among liberal readers.

Turgenev was also known for his complicated personal life, which included numerous love affairs and a long-standing feud with fellow writer Fyodor Dostoevsky. Despite these controversies, however, Turgenev remained dedicated to his craft and continued to produce some of the most enduring works of literature in Russian history until his death in 1883.

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Alexander Rodchenko

Alexander Rodchenko (December 5, 1891 Saint Petersburg-December 3, 1956 Moscow) a.k.a. Aleksandr Rodchenko was a Russian photographer, artist and visual artist.

He was a pioneer of Constructivism, a movement that was characterized by an emphasis on the practical and functional aspects of art and design. Rodchenko's photography was particularly innovative, as he experimented with angles, perspectives, and lighting to create dynamic and visually-striking images. He also designed posters and book covers, becoming one of the most important graphic designers of the early Soviet Union. Later in his career, he focused more on painting and sculpture, but remained committed to the principles of Constructivism throughout his life. His work had a significant influence on the development of modern art and design.

Rodchenko's early interest in art was supported by his family, and he pursued formal training at the Kazan Art School and later the Stroganov School of Applied Arts in Moscow. In the early years of his career, he was influenced by the ideas of the Russian avant-garde and developed an interest in photography. He became involved with the journal 'Lef' and exhibition group 'October', which were dedicated to promoting the principles of Constructivism.

Rodchenko's photography was characterized by its use of unusual angles and viewpoints, as well as its exploration of light and shadow. He often employed extreme close-ups and abstract compositions, creating images that were distinctively modern and were celebrated for their energy and dynamism. His work in graphic design was similarly innovative, as he experimented with typography and the use of color to create bold, eye-catching designs.

In the later years of his life, Rodchenko turned to painting and sculpture, experimenting with non-objective abstraction and geometric forms. He was also involved with the design of public spaces, creating innovative plans for parks, streets, and buildings. Despite his success, Rodchenko was subject to criticism and persecution under Stalin's regime and was forced to abandon many of his most radical ideas. Nonetheless, his legacy as a pioneering artist and designer continues to be celebrated today.

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Gregor Rabinovitch

Gregor Rabinovitch (April 2, 1889 Kiev-November 12, 1953 Munich) a.k.a. Gregor Rabinowitsch, Grégor Rabinovitsch or Gregor Rabinovitsch was a Russian film producer.

He began his career in the film industry as an actor and later on joined the Russo-Baltic Film Company as a producer. He moved to Germany in the 1920s and founded his own production company, Rabinowitsch-Film GmbH. He produced several films during the Weimar Republic era and was known for discovering and promoting new talent in the industry.

Rabinovitch's most famous contribution to cinema was his co-production of the seminal science-fiction film "Metropolis" directed by Fritz Lang in 1927. The film was groundbreaking in terms of its special effects and set design, and its themes explored the relationship between man and machine in a futuristic dystopia.

During World War II, Rabinovitch fled Germany to France and later on to the United States. He returned to Germany in 1952 but passed away the following year due to a heart attack. Though he had a relatively short career in the film industry, Rabinovitch's influence on German cinema and his contributions to the creation of one of the most iconic films in history are still felt today.

In addition to producing "Metropolis," Rabinovitch also produced other notable films such as "Faust" (1926) and "Spies" (1928), both directed by Fritz Lang. He was known for his collaborations with Lang and other notable directors of the Weimar Republic era such as F.W. Murnau and G.W. Pabst. Rabinovitch was also a supporter of experimental and avant-garde cinema, and he used his production company to finance and distribute films that were often seen as too risky by other studios.

During his time in the United States, Rabinovitch worked as a film distributor and helped to bring European films to American audiences. He also worked briefly as a producer at MGM before returning to Germany. Rabinovitch was posthumously recognized for his contributions to German cinema with a star on the Walk of Fame in Munich.

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Lew Brown

Lew Brown (December 10, 1893 Odessa-February 5, 1958 New York City) also known as Lewis Bronstein, Brown or Louis Brownstein was a Russian songwriter and lyricist. His child is Arlyne Brown Mulligan.

Lew Brown was one of the most successful and prominent songwriters of the early 20th century, known for his contributions to the world of musical theater and popular music. He began his career as a vaudeville performer before turning to songwriting in the mid-1920s. Brown collaborated with many other famous composers, including Ray Henderson and B.G. DeSylva, to create some of the most beloved songs of the era, such as "Button Up Your Overcoat" and "The Varsity Drag." He also wrote the lyrics for the classic song "You're a Sweet Little Headache," which became a hit for Nat King Cole in the 1950s. Brown was inducted into the Songwriters Hall of Fame in 1970, and his music continues to be celebrated and performed to this day.

Throughout his career, Lew Brown worked on numerous Broadway productions, including "Good News" and "Hold Everything!" He was also a prolific songwriter for film, working on movies such as "Flying High" and "Thanks a Million." Brown's songs are widely recognized as representing the "roaring twenties" and "jazz age" of American culture, and his work continues to be performed and recorded by modern artists. One of his most enduring legacies is his contribution to the creation of the "Great American Songbook," a collection of classic songs from the early 20th century that have become beloved standards of American pop music.

He died as a result of myocardial infarction.

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Yakov Protazanov

Yakov Protazanov (January 23, 1881 Moscow-August 8, 1945 Moscow) also known as Jakow Protasanow, Ya. Protazanov, Jacob Protozanoff, J.A. Protozanov, Ya.A. Protazanov, Я́ков Алекса́ндрович Протаза́нов, Yakov Alexandrovich Protazanov, Jakov Protazanov or Yakov Aleksandrovich Protazanov was a Russian screenwriter, film director and actor.

He began his career in the arts as a stage actor before branching out into filmmaking. Protazanov directed over 80 films including the silent classics "Father Sergius" (1917), "The Queen of Spades" (1916), and "Aelita" (1924). He was known for his technical innovations in film, including the use of special effects and daring camera angles. In addition to his work as a filmmaker, Protazanov also served as a teacher and mentor to younger generations of filmmakers. Despite his considerable success, he fell out of favor with Soviet authorities in the 1930s and was forced to retire from filmmaking. He remained active in artistic circles, however, and was well-respected by his peers. Protazanov died of a heart attack in 1945.

Protazanov was born to a family of actors and his love for the arts developed at an early age. He graduated from the Moscow Theatre School in 1908 and soon became a sought-after actor. In 1911, he made his directorial debut with the film "The Detective's Dog" and began to establish himself as a filmmaker.

During the turbulent years of the Russian Revolution, Protazanov continued to make films and was known for his impartiality and ability to work with artists of all political persuasions. He became a director for the State Film School in Moscow in the 1920s, where he taught and mentored many filmmakers who would go on to become legends in their own right.

Protazanov's films were widely popular in Russia and Europe and he was considered one of the pioneers of science fiction cinema. His film "Aelita" was a groundbreaking work, using imaginative special effects and innovative camera work to create a futuristic world. Despite his success, however, Protazanov fell out of favor with Soviet authorities and his career suffered as a result.

In the years after his retirement from filmmaking, Protazanov remained active in artistic circles, continuing to inspire and mentor young filmmakers. He was known for his warmth, generosity, and sharp wit. Today, he is remembered as one of Russia's greatest filmmakers and a pioneer of early cinema.

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Eduard Tisse

Eduard Tisse (April 13, 1897 Liepāja-November 18, 1961 Moscow) a.k.a. Eduard Tissé, Eduards Tisē, Eduard Kazimirovich Tisse, E. Tisse, Edouard Tissé or Edward Tissé was a Russian cinematographer and film director.

He is widely regarded as one of the pioneers of Soviet cinema and was particularly known for his innovative use of camera movement and lighting. Tisse worked on some of the most iconic films of the Soviet era, including Sergei Eisenstein's "Battleship Potemkin" and "Alexander Nevsky." He continued to work in the film industry throughout his career, eventually earning the title of Honored Artist of the RSFSR in 1957. In addition to his work as a cinematographer, Tisse also directed several films, including the documentary "The Great Wall" and the drama "The Return of Vasili Bortnikov." His contributions to the art of cinematography have had a lasting impact on film history and continue to be studied and admired today.

Tisse's interest in film began in his childhood, and he eventually went on to study at the State Institute of Cinematography in Moscow. After completing his studies, he began his career as a cinematographer, working on a variety of films, both fiction and non-fiction. He was known for pushing the boundaries of traditional cinematography, experimenting with lighting, camera angles, and movement to create a more dynamic cinematic experience.

Tisse's work on "Battleship Potemkin," which depicted a mutiny aboard a Russian battleship in 1905, is considered a masterpiece of film-making. His use of montage and his innovative camera work, such as the famous "Odessa Steps" sequence, helped to create a powerful visual narrative that still resonates with audiences today.

Throughout his career, Tisse collaborated with some of the most important directors of the Soviet era, including Eisenstein, Vsevolod Pudovkin, and Grigori Aleksandrov. He continued to work on films even after the end of the Soviet era, with his last film, "The Flight," being released in 1960. Tisse died the following year in Moscow at the age of 64.

Today, Tisse is remembered as a master of the art of cinematography, a pioneer who helped to shape the language of film and inspire a generation of filmmakers. His influence can be seen in the work of directors and cinematographers around the world.

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Eliezer Ben-Yehuda

Eliezer Ben-Yehuda (January 7, 1858 Vilna Governorate-December 16, 1922 Jerusalem) also known as Eliezer Yitzhak Perlman was a Russian lexicographer and editor. He had two children, Dola Ben-Yehuda Wittmann and Itamar Ben-Avi.

Ben-Yehuda is widely known for his efforts to revive the Hebrew language and make it a spoken language once again. He believed that the Hebrew language was essential in unifying the Jewish people and creating a sense of national identity. To achieve this goal, he immersed himself in the study of Hebrew and worked tirelessly to create new words and terms for modern concepts and technologies. He also founded a Hebrew language newspaper, which became an important tool in promoting the use of Hebrew as a everyday language. Despite facing resistance and criticism from some sectors of the Jewish community, Ben-Yehuda's work laid the foundation for the modern Hebrew language and his legacy continues to inspire Hebrew language scholars and enthusiasts to this day.

In addition to his work on the Hebrew language, Ben-Yehuda was also involved in the Zionist movement, which aimed to establish a Jewish homeland in Palestine. He saw the revival of Hebrew as a crucial step towards achieving this goal, and believed that the establishment of a Hebrew-speaking community in Palestine would further strengthen the Jewish national identity. Ben-Yehuda was also a prolific writer and translator, and translated many works from other languages into Hebrew. He was a controversial figure in his time, and his efforts to promote Hebrew as a spoken language were met with resistance from some who saw it as a purely religious language. Nonetheless, his dedication and hard work are widely acknowledged as having had a profound impact on the Hebrew language and the culture of the Jewish people. Today, Ben-Yehuda is remembered as a pioneer and visionary who played a vital role in the development of modern Hebrew language and culture.

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André Barsacq

André Barsacq (January 24, 1909 Feodosia-July 8, 1973 Paris) also known as A. Barsacq or Anatole Petrovich Barsacq was a Russian production designer, theatre director, television director, playwright, film art director and screenwriter.

He was born in Feodosia in the Crimean Peninsula and moved to Paris at the age of six. Barsacq studied architecture and worked for a time as a draftsman before finding his true passion in the theatre. He became known for his innovative set designs and his use of light and space on stage, and he was a key figure in the development of the Theatre of the Absurd in France.

Barsacq also directed several films, including the acclaimed adaptation of Jean-Paul Sartre's play "No Exit" in 1962. He was a regular collaborator with the French theatre company Théâtre de l'Atelier, and he served as its artistic director from 1940 to 1963. Barsacq's influence on modern theatre and film design continues to be felt today.

Barsacq's career in the theatre spanned several decades and included productions of works by notable playwrights, such as Samuel Beckett and Eugène Ionesco. He was also a prolific writer, having penned several plays and essays on theatre and the arts. Barsacq was awarded the Legion of Honor by the French government for his contributions to French culture, and he also received numerous other accolades throughout his career. He passed away in Paris in 1973 at the age of 64, leaving behind a legacy as one of the most influential production designers and directors in the history of theatre and film.

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Bolesław Prus

Bolesław Prus (August 20, 1847 Hrubieszów-May 19, 1912 Warsaw) also known as Boleslaw Prus or Aleksander Głowacki was a Russian writer, novelist, journalist and author.

Bolesław Prus was considered as one of the most significant and leading writers of Polish literature during the late 19th century. He was born in a small town in southeastern Poland and grew up in Warsaw. Prus' real name was Aleksander Głowacki; he changed his name in 1872 when he began writing for newspapers. His most famous work, "The Doll," is a satirical portrait of Polish society and is considered one of the most notable works in Polish literature. Prus was also a prolific journalist, using his writing to advocate for social and political change. Besides "The Doll," his other notable works include "The Pharaoh and Anielka." Boleslaw Prus's works have been translated into many languages, including English, French, German, and Spanish.

Prus was initially trained as an engineer and pursued a career in the field for a short time before turning to writing. He began his career as a journalist, writing for several newspapers before turning to writing novels. Prus was known for his meticulous research and attention to detail, often spending long periods researching topics before beginning to write. His works are known for their realism and depth of characterization, as well as their social and political commentary. Prus was also a member of several political and social organizations during his lifetime, advocating for causes such as workers' rights and women's suffrage. In addition to his writing, Prus also translated several works from Russian and French into Polish. Today, he is remembered as one of Poland's greatest writers and his works continue to be celebrated and studied.

He died in myocardial infarction.

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Aleksandr Antonov

Aleksandr Antonov (February 13, 1898 Moscow-November 26, 1962 Soviet Union) otherwise known as Aleksandr P. Antonov, A. Antonov or Aleksandr Pavlovich Antonov was a Russian actor.

He is best known for his role in the Sergei Eisenstein film "Battleship Potemkin" (1925). Antonov played the character of Grigory Vakulinchuk, a sailor who sparked a mutiny on the titular ship. The film is considered a masterpiece of world cinema and Antonov's performance is one of the most iconic in film history.

Antonov began his acting career in the Moscow Art Theatre and later worked in various theatrical companies throughout the Soviet Union. He appeared in numerous films in the 1920s and 1930s, including "Storm over Asia" (1928) and "The Return of Maxim" (1937).

During World War II, Antonov served in the Red Army and was injured in battle. After the war, he continued to act in films and was awarded the title of People's Artist of the USSR in 1957. He died in 1962 at the age of 64.

After his success in "Battleship Potemkin", Antonov became a recognized symbol of the Soviet cinema and an embodiment of the ideals of the 1917 Revolution. However, after the success of Potemkin, the actor received very few film offers and mainly worked on stage productions. Antonov was also known for his work in radio dramas and was a regular performer on Soviet radio. In 1953, Antonov was awarded the Stalin Prize for his performance in the film "The Unvanquished". Despite his success as an actor, Antonov always remained humble and was known for his kind and generous personality. His legacy in Soviet cinema continues to influence filmmakers to this day.

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Michał Pius Römer

Michał Pius Römer (May 7, 1880 Rokiškis District Municipality-February 22, 1945 Vilnius) a.k.a. Mykolas Römeris was a Russian lawyer.

He is best known for his contributions to Lithuanian culture as a linguist, ethnographer, and folklorist. Römeris earned his degree in law from Moscow University in 1906 and practiced law until World War I broke out. During the war, he became involved with the Lithuanian national movement and worked to promote Lithuanian language and culture. In addition to his legal work, he studied and recorded folk songs, tales, and legends. Römeris also founded the Lithuanian Folklore Archive and served as its director. After the war, he worked as a professor, teaching courses on Lithuanian language and folklore at the University of Lithuania in Kaunas. In addition to his academic work, Römeris was also involved in politics and served as a member of the Lithuanian Seimas (parliament) from 1922 to 1926. He continued to publish books and articles throughout his life and was recognized as one of the leading figures in Lithuanian culture. Römeris was ultimately arrested by the Soviet secret police in 1941 and died in a prison in Vilnius in 1945. His legacy lives on through his contributions to Lithuanian linguistics, folklore, and national identity.

Römeris's extensive work in Lithuanian folklore and language made him a highly respected figure in his field. He collected and published over 9,000 Lithuanian folk songs, as well as numerous stories and legends, which played a crucial role in preserving Lithuanian cultural heritage. Römeris also wrote several books on Lithuanian grammar, syntax, and vocabulary, in addition to creating one of the first Lithuanian language dictionaries. His groundbreaking work did much to elevate the Lithuanian language to an art form, paving the way for future linguistic exploration.

In recognition of his contributions to Lithuanian culture, Römeris was awarded numerous honors and awards, including the Order of the Lithuanian Grand Duke Gediminas and the Order of the Cross of Vytis. After his death, the Lithuanian Academy of Sciences established the Mykolas Romeris University in Vilnius, which stands as a tribute to his enduring legacy.

Today, Römeris's work is still studied and celebrated by Lithuanians worldwide, who recognize his contributions as foundational to Lithuanian national identity. His work in preserving and promoting Lithuanian culture was both extensive and invaluable, ensuring that Lithuanian traditions and language will be treasured and passed down for generations to come.

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Mikhail Astangov

Mikhail Astangov (November 3, 1900 Warsaw-April 20, 1965 Moscow) also known as M. Astangov, Mikhail Fyodorovich Ruzhnikov, M.F. Ruzhnikov or Mikhail Fyodorovich Astangov was a Russian actor.

Mikhail Astangov was born to a family of actors and grew up in the world of theater. He began his career in silent films in the early 1920s and later became a prominent actor in Soviet cinema. He was known for his roles in films such as "The Great Citizen" (1937), "The Country Doctor" (1938), and "The Unforgettable 1919" (1951).

Astangov also acted in numerous theatrical productions throughout his career, including classics such as "Hamlet" and "King Lear". He was a recipient of the Stalin Prize in 1943 and the title of People's Artist of the USSR in 1950.

Astangov was married to actress Zoya Fyodorova and they had two children together. He was known for his intelligence, wit, and dedication to his craft.

Mikhail Astangov is widely considered one of the greatest actors of Soviet cinema. Despite coming from a family of actors, Astangov never relied on his family name and worked hard to build a lasting legacy of his own. In addition to his successful career in both theater and film, Astangov was also a respected acting teacher. He taught at the Moscow Art Theatre School and helped train a number of successful actors, including Oleg Yankovsky and Yuri Yakovlev. Astangov was highly regarded for his nuanced and layered performances, and his ability to bring depth and authenticity to his characters. He was a true artist and remained dedicated to his craft until the end of his life.

He died in heart failure.

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Aruth Wartan

Aruth Wartan (June 23, 1880 Nakhchivan-April 14, 1945 Berlin) a.k.a. A. Wartan or Arutjun Wartanian was a Russian actor and film producer.

Wartan began his career as a stage actor in Moscow, but soon shifted his focus to filmmaking. In 1910, he founded the film production company Rolan Film, which was one of the first film companies in Russia. Wartan was known for his innovative approach to filmmaking, and he helped to establish many of the techniques that are still used in modern cinema. By 1920, Wartan had produced over 50 films, including several groundbreaking silent films.

In addition to his work in film, Wartan was also an accomplished painter and graphic artist. He designed many of the posters and advertising materials for his films, and his artwork was widely celebrated in Russia and beyond.

Wartan's career was cut short by the outbreak of World War II, and he was forced to flee Russia in 1941. He settled in Berlin, where he continued to work as a filmmaker until his death in 1945. Though his legacy was largely forgotten in the years following his death, Wartan's pioneering work in cinema has since been recognized as a major influence on the development of Russian and international cinema.

Wartan's most notable films include "The Queen of Spades" and "A Life for Tsar", both of which were highly acclaimed for their innovative use of camera techniques and storytelling. He also produced several propaganda films during his time in Berlin, including "The Triumph of the Will", which was commissioned by Adolf Hitler to showcase Nazi power.

Despite his success in the film industry, Wartan's personal life was marked by tragedy. He lost his only son in World War I, and his wife committed suicide in 1937. Despite these hardships, Wartan remained dedicated to his work and continued to push the boundaries of cinema until his death.

Today, Wartan is remembered as a pioneering filmmaker and artist, who helped to shape the course of modern cinema. His innovative techniques and approach to storytelling continue to be studied and celebrated by filmmakers and historians alike.

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Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov (March 18, 1844 Tikhvin-June 21, 1908 Saint Petersburg) otherwise known as Николай Андреевич Римский-Корсаков, Nikolai Rimsky-Korsakow, Nicolai A. Rimsky-Korsakov, Nikolai Rimski-Korsakov, Nikolai Rimsky-Korsakov , Rimskij-Korsakov, Rimsky Korsakov, Rimskij-Korsakov, Nikolaj Andreevič, Rimsky-Korsakov Nikolai, N. Rimskij-Korssakow, Rimsky-Korsakof, Nikolaj Rimski-Korsakov, Rimsky-Kosrakoff, Nikolay Andreyevich Rimsky-Korsakov, Nicholai Rimsky-Korsakov, N. Rimski-Korsakow, Rimsky-Korsakov, Nikolai, Nikolaj Rimski Korsakov, Rymsky-Korsakov, Rimsky-Korsakov, Nikoli Rimsky-Korsakov, Rimsky-Korsakoff, Rimsky - Korsakov, R. Korsakov, Nikolaj Andreevič Rimskij-Korsakov , Rimsky- Korsakov, Korssakoff, N. Rimsky-Korsakov, Nicolai Rimsky-Korsakov, Rimski-Korsakov, Rimsky-Korsakov, Nikolai Andreyevich or Nikolay Rimsky-Korsakov was a Russian composer, conductor, teacher, film score composer and screenwriter. His children are called Andrey Rimsky-Korsakov, Nadezda Rimskaya-Korsakova, Mikhail Rimsky-Korsakov, Sofia Rimskaya-Korsakova, Vladimir Rimsky-Korsakov, Maria Rimskaya-Korsakova and Sviatoslav Rimsky-Korsakov.

His most well known albums: The Snow Maiden / The Golden Cockerel / Mlada (Czecho-Slovak Radio Symphony Orchestra, Bratislava feat. conductor: Donald Johanos), Sheherazade / Tsar Saltan (Philharmonia Orchestra, London feat. conductor: Enrique Bátiz), Snegurochka (Bulgarian Radio Symphony Orchestra & Chorus feat. conductor: Stoyan Angelov), Panorama: Nikolai Rimsky-Korsakov, Capriccio espagnol / Sheherazade, Scheherezade / Russian Easter Overture, Sheherazade / Le coq d'or / Sadko (Bratislava Radio Symphony Orchestra feat. conductor: Ondrej Lenárd), Scheherazade (The Philadelphia Orchestra feat. conductor: Riccardo Muti), Sheherazade and Scheherazade. His related genres: Classical music, Opera, Art song and Chamber music.