Swiss movie stars died in 1992
Here are 3 famous actors from Switzerland died in 1992:
Jacques Verlier
Jacques Verlier (July 19, 1933 Tramelan-July 2, 1992 Geneva) also known as Jackie Roland Stämpfli or Giacomo Verlier was a Swiss actor. He had four children, Karina Verlier, Thomas Verlier, Mathieu Verlier and Romain Verlier.
Verlier began his acting career in the 1950s and appeared in numerous popular French and Swiss films in the following decades. He was known for his roles in films such as "Les Cousins" (1959), "Le Trou" (1960), and "La Guerre est Finie" (1966), among others. Verlier also worked as a television actor, and he appeared in several popular TV shows in France and Switzerland.
In addition to his acting career, Verlier was a talented singer and songwriter. He released several successful albums in the 1960s and 1970s, and his music was popular in both France and Switzerland.
Verlier was also involved in politics, and he served as a member of the Swiss parliament for the Social Democratic Party from 1975 until his death in 1992. He was a strong advocate for workers' rights and was known for his passionate speeches in support of labor unions.
Verlier's death in 1992 was a great loss to the Swiss arts and politics community. He left behind a legacy as a talented actor, musician, and politician who fought tirelessly for social justice and workers' rights.
Verlier began his career as an actor in the 1950s, after completing his studies at the Geneva Conservatory of Music and Theater. He appeared in several plays before making his film debut in 1958 with a small role in the French film "Le Dos au Mur". Verlier's breakthrough came in 1959 with his role in the French film "Les Cousins", which won the Best Foreign Language Film at the Academy Awards. He continued to work in the French and Swiss film industries throughout the 1960s, appearing in critically acclaimed films such as "Le Trou" and "La Guerre est Finie".
Aside from his acting career, Verlier was also a successful singer and songwriter. He released multiple albums throughout the 1960s and 1970s, and his music was often featured in his films. In addition, Verlier was an active member of the Swiss parliament, serving as a member of the Social Democratic Party from 1975 until his death. He was a strong advocate for workers' rights and social justice, and his speeches in support of labor unions were widely recognized.
Verlier's contributions to Swiss arts and politics were widely celebrated, and he was honored with several awards throughout his lifetime, including the Prix Walo for his work in film and the Order of Merit of the Canton of Geneva for his work in politics. He remains an important figure in Swiss cultural and political history, and his legacy continues to inspire those fighting for social justice and workers' rights today.
Verlier was born on July 19, 1933, in Tramelan, Switzerland. He grew up in a working-class family and was the youngest of six children. His father was a railway worker, and his mother was a homemaker. Verlier's parents were both politically active, and they instilled in him a strong sense of social justice from an early age.
Verlier's interest in the arts was sparked by his father, who was an amateur musician. He started playing the guitar and singing at a young age and later went on to study music and theater at the Geneva Conservatory of Music and Theater.
In addition to his career in film and music, Verlier was also a prolific writer. He authored several books, including a memoir titled "The Road To The Stars" which chronicled his journey from a small town in Switzerland to the heights of French cinema.
Verlier's life was tragically cut short when he died on July 2, 1992, in Geneva, Switzerland, at the age of 58. Despite his untimely death, Verlier's contributions to Swiss culture and politics continue to be celebrated today. His legacy as an artist, musician, and politician serves as an inspiration for those fighting for social justice and workers' rights.
Verlier's versatile career included work on stage as well. He appeared in several productions at the famous Théâtre de Carouge in Switzerland, including a notable turn in a production of "The Threepenny Opera" in 1961. Verlier's strong singing voice made him a natural fit for the role of Mack the Knife in the production, and he received critical praise for his performance.
Verlier's passion for social justice extended beyond his work as a politician. He was a committed environmentalist and was involved in several conservation initiatives throughout his life. He was also a vocal supporter of the feminist movement and worked to advance women's rights in Switzerland. Verlier's commitment to these causes earned him the respect and admiration of many in Switzerland and beyond.
Despite his many accomplishments, Verlier remained humble throughout his life. He saw himself as a simple person who was lucky enough to have a career in the arts. Verlier once said, "I never wanted to be a big star. I just want to make good work and do what I love. That's all that matters."
Verlier's legacy lives on through his family and his many contributions to Swiss culture and politics. He is remembered as a talented actor, musician, and writer, as well as a committed advocate for social justice and workers' rights. Verlier's impact on Swiss society is still felt today, and his work serves as an inspiration for generations to come.
John Epper
John Epper (May 7, 1906 Gossau-December 3, 1992 Friendly Valley) also known as Hans Emil Epper, Johnny Epperts or John Anthony Epper was a Swiss actor and stunt performer. His children are called Margo Epper, Jeannie Epper, Stephanie Epper, Gary Epper, Tony Epper and Andy Epper.
John Epper was best known for his work as a stunt double for stars like Clark Gable and Errol Flynn. He worked on many classic Hollywood films such as "Gone with the Wind", "The Adventures of Robin Hood", and "Ben-Hur". In addition to his work as a stunt performer, Epper had a successful acting career in both Europe and the United States, appearing in films such as "The Longest Day" and "The Magnificent Seven". Epper was also a founding member and president of the Stuntmen's Association of Motion Pictures, and was instrumental in establishing safety standards for the industry. Epper's legacy continues through his children, many of whom followed in his footsteps and also became successful stunt performers and actors.
John Epper first began his career as a professional ice hockey player in Europe before he started his journey in the film industry. Epper was known for his athleticism and fearlessness in performing high-risk stunts, which earned him the nickname "The Swiss Streak". He performed various stunts such as horse falls, car crashes, and high-wire acts. In his later years, Epper was also a respected stunt coordinator, choreographing and directing stunts for films like "The Great White Hope" and "The Wild Bunch".
One of Epper's most memorable achievements was his work on the film "The Charge of the Light Brigade", in which he executed a death-defying stunt that involved jumping his horse over a fence, then tumbling off the horse and being dragged for several feet by a galloping war horse. The stunt was so convincing that it resulted in Epper being mistakenly reported as killed in action.
Even after retiring from stunt work, Epper remained active in the film industry, serving as a consultant on films such as "Diamonds are Forever" and "The Towering Inferno". He was also an advocate for the preservation of film history, and was heavily involved in the development of the Hollywood Stuntmen's Hall of Fame.
John Epper was an integral part of shaping the film industry, both in terms of his groundbreaking work as a stunt performer and his contributions to promoting safety standards for the profession. His enduring legacy as an icon in the world of Hollywood stunts continues to inspire future generations of performers.
In addition to his work in films, John Epper also worked on numerous television shows, including "The Lone Ranger" and "The Wild Wild West". He was often called upon as a stunt coordinator and performer for high-profile events such as the Academy Awards and the Olympics. Epper also wrote a book about his experiences in the film industry, titled "Hollywood Stuntman: My Story". He was married twice, first to fellow stunt performer Nellie Benson Epper, and later to actress Patricia Medina. John Epper's contributions to the film industry were recognized with numerous awards, including a lifetime achievement award from the Stuntmen's Association and a star on the Hollywood Walk of Fame. He passed away in 1992 at the age of 86, leaving behind a legacy as one of the greatest stunt performers in Hollywood history.
Throughout his life, John Epper was also a passionate advocate for animal welfare. He was particularly concerned about the treatment of animals used in films, and worked to ensure that they were treated with care and respect on set. In the 1960s, he founded a non-profit organization called Animal Actors of Hollywood, which provided training and care for animals used in films and television shows. Epper's passion for animal welfare also extended to his personal life - he was a devoted dog lover and often took in stray dogs that he found on set or in his travels.Epper's legacy has inspired generations of stunt performers, actors, and animal welfare advocates, and his contributions to the film industry continue to be celebrated today. He was a true pioneer in the world of stunt work, and his fearlessness and dedication to safety set the standard for future generations of performers.
Guido Baumann
Guido Baumann (January 15, 1926 Romanshorn-December 23, 1992 Munich) was a Swiss actor.
He began his acting career in the 1950s and appeared in over 70 films and television series during his career. Baumann was a well-known character actor and played a variety of roles in both Swiss and German productions. He is perhaps best known for his roles in "Biedermann und die Brandstifter" (1967), "Wachtmeister Zumbühl" (1984), and "Kir Royal" (1986). Baumann was also a respected stage actor and worked with several prestigious theatre companies throughout Europe. He was awarded the Swiss Film Prize for Best Supporting Actor in 1987 for his role in "Dällebach Kari". Baumann passed away in 1992 at the age of 66.
In addition to his acting career, Guido Baumann was also a talented painter and sculptor. He studied at the Academy of Fine Arts in Munich and exhibited his work throughout Europe. Baumann was also an accomplished horseman and participated in numerous equestrian competitions. He was married to German actress Inge Landgut, whom he met while working on a film in 1958. The couple had two children together. Baumann was widely respected in both the Swiss and German entertainment industries and is remembered as one of the most versatile actors of his time.
Baumann's acting career began in the 1950s, after he completed his studies at the Max Reinhardt Seminar in Vienna. He made his feature film debut in the Swiss film "Gräfin Totz" (1951), playing the role of a hotel clerk. Baumann's breakthrough role came in the film "Biedermann und die Brandstifter" (1967), in which he played the role of a firefighter. He went on to play a variety of character roles in films and television series throughout his career, including police officers, military officers, doctors, and judges.
Baumann was known for his ability to bring depth and complexity to his characters, and his performances were often praised for their subtlety and nuance. He worked with many notable directors, including Rolf Lyssy, Peter Beauvais, and Wolfgang Petersen.
In addition to his success as an actor, Baumann was also an accomplished painter and sculptor. He exhibited his work at galleries throughout Europe and was known for his use of bright colors and bold shapes. Baumann was also an avid horseman and competed in show jumping competitions throughout his life.
Guido Baumann passed away in Munich in 1992, leaving behind a legacy as one of Switzerland's most respected actors and artists. His contributions to the entertainment industry continue to be celebrated both in Switzerland and Germany, and he is remembered as a true original whose talent and versatility set him apart.
Throughout his career, Baumann worked with several prestigious theatre companies throughout Europe, including the Basel Theatre, the Zurich Schauspielhaus, and the Deutsches Schauspielhaus in Hamburg. He was known for his powerful performances on stage, and his portrayal of Macbeth in a production at the Zurich Schauspielhaus was particularly acclaimed. Baumann also directed several theatre productions, including a production of Samuel Beckett's "Waiting for Godot" at the Stadttheater Basel in 1976.
In addition to his acting and artistic pursuits, Baumann was a committed environmentalist and active in several conservation organizations. He was also an advocate for animal rights and supported numerous animal welfare initiatives.
Baumann's impact on Swiss and German culture continues to be felt today, and his legacy as an actor, artist, and activist is celebrated by fans and colleagues alike.