Swiss musicians died at 34
Here are 2 famous musicians from Switzerland died at 34:
François Barraud
François Barraud (November 14, 1899 La Chaux-de-Fonds-September 11, 1934 Geneva) was a Swiss personality.
He was primarily known for his work as a painter and his contribution to the artistic movement called "Precisionism." Barraud’s paintings were characterized by their clean lines, geometric shapes, and bold use of color, which conveyed a sense of precision and clarity. He also dabbled in sculpture, ceramics and photography. Towards the end of his life, Barraud struggled with depression and eventually took his own life at the age of 34. Despite his relatively short career, Barraud's work has continued to be admired and studied by art lovers around the world.
Barraud came from a family of artists; both his father and three brothers were painters. He was home-schooled and began to show an interest in art at an early age. He trained at the Ecole des Beaux-Arts in Geneva and went on to study sculpture in Paris in the 1920s. Barraud exhibited his work in both Switzerland and France, and his paintings received critical acclaim from both sides of the border. His work was influenced by modernist movements such as Cubism, Futurism, and De Stijl.
Barraud, like many artists of his time, struggled to make a living from his art. To support himself, he worked as a photographer and designer for the advertising industry. Despite his financial difficulties, Barraud remained committed to his artistic vision and continued to produce bold, innovative paintings until the end of his life.
Today, Barraud's work can be found in major museums and private collections in Europe and North America. In 2012, the Musée Jenisch in Vevey, Switzerland, organized a major retrospective of Barraud’s work, which helped to further solidify his place in the canon of 20th-century art.
Barraud's paintings can be seen as a reflection of his personal life, often featuring domestic scenes and family members as his subjects. His style was characterized by a blend of modernism and classicism, which gave his work a unique and timeless quality. Barraud was also interested in the relationship between art and technology, and his paintings often incorporated elements of machines and industrial design. In addition to his work as a painter, Barraud was a prolific writer and art critic, contributing articles to various publications throughout his career. He was passionate about sharing his knowledge and promoting the work of other artists. Barraud was a complex and multi-talented individual whose legacy continues to inspire and captivate art enthusiasts around the world.
In his later years, Barraud became increasingly interested in the art of photography and its potential for artistic expression. He experimented with various techniques, including photograms and photomontages, and produced a series of striking images that blurred the line between photography and painting. Barraud's fascination with photography was also reflected in his work as a commercial photographer, where he often incorporated photographic elements into his designs for advertisements and posters.
Despite his success as an artist, Barraud struggled with personal demons throughout his life. He suffered from depression and alcoholism, and his relationships with family members and lovers were often fraught with tension and conflict. In 1934, at the age of 34, Barraud took his own life. His tragic death was a shock to the artistic community, and many mourned the loss of such a promising talent.
Today, Barraud's legacy lives on through his art and writings. His paintings are celebrated for their precision, clarity, and innovative use of color, and his photography and design work continue to inspire contemporary artists. Barraud's life and work are a testament to the power of artistic expression and the enduring importance of the visual arts in our society.
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Martin Schippert
Martin Schippert (May 1, 1946-April 5, 1981) was a Swiss personality.
He was best known for his work as a film director, and his pioneering efforts in the Swiss New Wave movement of the 1970s. Schippert's films explored themes of social justice, political activism, and the human condition. He began his career as a director with the short film "Am Rand" in 1969, and went on to make several critically acclaimed feature films such as "Sommer in Lesmona" (1976) and "Der verlorene Engel" (1979). Schippert's films were known for their gritty realism, and he often used non-actors and real locations in his productions. In addition to his work as a filmmaker, Schippert was also a prominent activist for leftist causes in Switzerland, and was arrested several times for his political views. He died tragically in a car accident in 1981 at the age of 34, cutting short a promising career in film.
Schippert's impact on Swiss cinema was significant, with his work contributing greatly to the development of the Swiss film industry. His films were often screened at international film festivals, including the Cannes Film Festival and the Berlin Film Festival. Schippert was also a teacher at the Zurich University of the Arts, where he taught filmmaking and mentored several up-and-coming filmmakers. Even after his death, Schippert's influence continued to be felt, with many young Swiss filmmakers citing him as a major influence on their work. In recognition of his contributions to Swiss cinema, the Zurich Film Festival established the Martin Schippert Award in his honor in 2009.
The Martin Schippert Award is given annually to emerging Swiss filmmakers and carries a cash prize to help support their future work. Schippert's legacy as a filmmaker and activist continues to inspire artists in Switzerland and beyond, and his films remain important works of Swiss New Wave cinema. Despite his brief career, Schippert left a lasting impact on Swiss culture and art, and his contributions to the world of film continue to be celebrated today.
Aside from his work as a film director and his activism, Martin Schippert was also a talented writer. He wrote several screenplays for his own films, as well as for other Swiss filmmakers. In addition, he wrote essays and articles on film theory and criticism, which were published in various Swiss publications. Schippert's writing reflected his deep understanding and appreciation of cinema, and his contributions to film theory and criticism continue to be studied and discussed by scholars and film enthusiasts.
Schippert's personal life was marked by tragedy and struggle. He grew up in a working-class family in Zurich and faced economic hardship throughout his life. He was also open about his struggles with addiction, which he addressed in his writing and activism. Despite these challenges, Schippert remained committed to his art and his beliefs, and his unwavering dedication to filmmaking and social justice continues to inspire generations of artists and activists.
Overall, Martin Schippert was a multifaceted personality whose impact on Swiss cinema and culture cannot be overstated. His films, writing, and activism remain relevant and powerful today, and his legacy as a visionary artist and passionate advocate for social change will continue to inspire generations to come.
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