Brazilian movie actresses born in the year 1928
Here are 5 famous actresses from Brazil were born in 1928:
Yolanda Cardoso
Yolanda Cardoso (September 18, 1928 Rio de Janeiro-July 10, 2007 Rio de Janeiro) was a Brazilian actor.
She began her acting career in the 1950s, appearing in small roles in Brazilian films such as "Tico-Tico no Fubá" and "Assim Era a Atlântida". However, she rose to fame in the 1970s with her work in TV Globo productions, including the popular telenovela "O Bem-Amado". Throughout her career, Cardoso acted in over 50 films and television series, becoming one of Brazil's most beloved actresses. She was also a singer and performed in musical theater productions. Despite suffering from health problems in her later years, she continued to act until shortly before her death in 2007 at the age of 78.
In addition to her acting and singing career, Yolanda Cardoso was also a pioneering voice in the fight for women's rights in Brazil. She was a strong advocate for gender equality and worked to promote the representation of women in the entertainment industry. Cardoso also had a passion for education and was involved in various philanthropic projects aimed at improving the lives of underprivileged children in Brazil. Her contributions to Brazilian society in both the arts and activism earned her numerous accolades, including the Order of Cultural Merit from the Brazilian government in 2000. Cardoso is remembered as an important cultural icon and trailblazer for women's rights in Brazil.
Maria Fernanda
Maria Fernanda (October 27, 1928 Rio de Janeiro-) also known as Maria Fernanda Mota, Maria Fernanda Peralla or Maria Fernanda Meireles Correia Dias is a Brazilian actor.
Maria Fernanda began her acting career in the 1950s and quickly became one of Brazil's most renowned performers. She has worked in film, television, and theater, earning critical acclaim for her performances in productions such as "O Grande Teatro do Mundo" and "A Gata Borralheira".
In addition to her acting work, Maria Fernanda is also known for her philanthropy. She has been involved in numerous community and charitable organizations throughout her career, and has been recognized for her contributions to the arts and culture of Brazil.
Today, Maria Fernanda is considered a living legend in Brazilian theater and is highly respected in the entertainment industry. She continues to act and participate in cultural events, and is a beloved figure in her home country.
Maria Fernanda was born in Rio de Janeiro and grew up in a family that was passionate about the arts. Her father was a painter, and her mother was a dancer, and this early exposure to the creative world inspired Maria Fernanda to pursue a career in acting. She began her training at the National School of Dramatic Art in Rio de Janeiro, and later studied at the Royal Academy of Dramatic Art in London.
Throughout her career, Maria Fernanda has worked with some of the most renowned directors and actors in Brazil and around the world. She has received numerous awards and accolades for her contributions to the performing arts, including the Order of Cultural Merit from the Brazilian government.
In addition to her acting work, Maria Fernanda is a strong advocate for social justice and human rights. She has been involved in campaigns to promote gender equality, environmental sustainability, and access to education, and has spoken out against corruption and political oppression in Brazil.
Despite her fame and success, Maria Fernanda remains humble and committed to her craft. She often credits her family and mentors for helping her achieve her goals, and stresses the importance of hard work and dedication in the pursuit of artistic excellence.
Vera Nunes
Vera Nunes (August 12, 1928 Rio de Janeiro-) also known as Isaura Nunes Martins Henriques is a Brazilian actor. She has two children, Silnei Nunes Martins and Sílnia Nunes Martins.
Before pursuing a career in acting, Nunes started as a ballet dancer at Teatro Municipal in Rio de Janeiro. She made her debut on screen with the film "A Obsessão" (1952) and appeared in more than 50 films throughout her career. Some of her notable films include "Uma Pulga na Balança" (1953), "Absolutamente Certo" (1957), and "O Pagador de Promessas" (1962), which won the Palme d'Or at the Cannes Film Festival.
In addition to her film work, Nunes also appeared in several TV shows and theater productions. She was known for her versatility and ability to portray a wide range of characters. In recognition of her contribution to Brazilian cinema, she was awarded the Golden Bear for Best Actress at the Berlin International Film Festival in 1986 for her role in the film "Sonho sem Fim".
Nunes was also involved in activism and served as a member of the Brazilian Democratic Movement Party. She passed away on December 26, 2018, in Rio de Janeiro at the age of 90.
Nunes was not only a talented actress but also a respected cultural figure in Brazil. She was a member of the Brazilian Academy of Cinema, Arts, and Letters and served as the president of the Brazilian Society of Theater Actors. Nunes was also a professor at the National School of Performing Arts in Rio de Janeiro, where she shared her knowledge and passion for the arts with future generations. Despite her success, Nunes was known for being humble and down-to-earth, often avoiding the limelight and focusing on her craft. Her legacy continues to inspire aspiring actors and artists in Brazil and beyond.
Rosângela Maldonado
Rosângela Maldonado (August 13, 1928 Franca-) also known as Maria Clarinda Maldonado is a Brazilian actor, film director, screenwriter, film art director and film producer.
She began her career as an actor and was part of the cinema novo movement in Brazil, working alongside filmmakers such as Glauber Rocha and Joaquim Pedro de Andrade. Her acting career spanned over four decades and included roles in films such as "Terra em Transe" and "Os Fuzis".
In the 1970s, she began working as a director, creating films that explored social and political issues such as poverty and the struggle of Brazilian workers. She also produced and wrote several of her own films, as well as collaborating with other Brazilian filmmakers.
Maldonado's work has been recognized both nationally and internationally. In 1979, she was awarded the Golden Kikito at the Gramado Film Festival for her film "Ópera do Malandro". She was also nominated for the Golden Berlin Bear at the Berlin International Film Festival for her film "Estrada da Vida" in 1980.
Throughout her career, Maldonado was committed to using film as a tool for social change and to tell the stories of people on the margins of society. She is widely regarded as an important figure in Brazilian cinema and her legacy continues to influence filmmakers today.
Maldonado's passion for cinema began at a young age, inspiring her to pursue a career in the industry. She graduated from the National School of Drama in Rio de Janeiro in 1952 and became a member of the Arena Theater company, which was known for its revolutionary approach to theater in Brazil.
In addition to her work in film, Maldonado was also a prominent figure in the Brazilian feminist movement, advocating for women's rights and representation in the arts. She was a founding member of the Women's Union for Artistic Action and participated in the founding of the feminist magazine, "Nós Mulheres" (We Women).
Maldonado's filmography includes over a dozen films, many of which explored the complex social and political issues facing Brazil during her lifetime. Her films were often experimental in nature, incorporating elements of surrealism and poetic realism to create a powerful cinematic experience.
Despite facing censorship and government opposition to her work, Maldonado remained committed to her values and continued to create films that challenged the status quo. Her courage and dedication to her craft have made her a beloved figure in Brazilian cinema, and her impact on the industry is still felt today.
Fiorella Mari
Fiorella Mari (June 21, 1928 São Paulo-) a.k.a. Jane Maxwell or Fiorella Colpi is a Brazilian actor.
Fiorella Mari began her acting career in the mid-1950s in Brazilian cinema, appearing in several notable films like "Sinhá Moça" and "Anjo Negro". In the 1960s, she began to work internationally and changed her name to Jane Maxwell, appearing in Italian and Spanish films. She continued to work in both Brazilian and international films throughout the 1970s and 1980s, earning critical acclaim for her performances. In addition to her work in film, Mari also appeared on Brazilian television in popular telenovelas such as "Dona Xepa" and "Barriga de Aluguel". Mari retired from acting in the early 1990s and has since devoted her time to writing and publishing poetry.
Mari was born to Italian immigrants in São Paulo. Her father was a painter, and her mother was a pianist. Mari was exposed to the arts from a young age, and her parents encouraged her to pursue her passion for acting. She began by participating in stage productions in local theaters in São Paulo.
In the mid-1950s, Mari made her film debut in "O Sobrado", and was soon cast in leading roles in Brazillian cinema. She worked with famous directors such as Mário Peixoto and Nelson Pereira dos Santos, and her performances were highly regarded by critics.
Mari's international breakthrough came in 1960, when she starred in the Italian film "L'Avventura" directed by Michelangelo Antonioni. She played the role of a troubled young woman named Giulia, and her powerful performance earned critical acclaim, making her a well-known name in European cinema.
Over the years, Mari appeared in many Italian and Spanish productions, including "Il Successo", "Roma bene", and "Savana violenta". She also continued to work in Brazil, starring in telenovelas that became popular throughout the country.
Mari was known for her versatility and ability to portray a wide range of characters. Her acting career spanned several decades and influenced generations of Brazilian actors.
After retiring from acting, Mari turned to poetry, publishing several collections of poems. She also became involved in philanthropic work, supporting various causes such as public education and environmental conservation.