Here are 18 famous musicians from United States of America died in Tuberculosis:
Charlie Christian (July 29, 1916 Bonham-March 2, 1942 Staten Island) otherwise known as Christian, Charlie was an American guitarist and musician.
His albums include Cabu Collection: Charlie Christian, Complete Studio Recordings, The Immortal Charlie Christian, Complete Edition, Volume 4: 1940, Complete Edition, Volume 9: 1939-1941, Swing to Bop, Guitar Wizard, First Master of the Electric Guitar: Selected Broadcasts & Jam Sessions, Remastered, The Original Guitar Hero and Solo Flight: The Genius of Charlie Christian. Genres related to him: Swing music, Bebop, Big Band and Jazz.
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Emmett Hardy (June 12, 1903 Louisiana-June 16, 1925) was an American , .
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Freddie Keppard (February 27, 1889 New Orleans-July 15, 1933 Chicago) a.k.a. Freddy Keppard or Keppard, Freddie was an American trumpeter and musician.
His most well known albums: The Complete Set: 1923-1926. Genres: Jazz and Dixieland.
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James "Bubber" Miley (April 3, 1903 Aiken-May 20, 1932 New York City) also known as Bubber Miley, James Miley or Miley, Bubber was an American trumpeter and musician.
Genres: Jazz and Dixieland.
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Paul Chambers (April 22, 1935 Pittsburgh-January 4, 1969 New York City) a.k.a. Chambers, Paul or Paul Laurence Dunbar Chambers, Jr. was an American musician, bassist and composer.
His albums include Mosaic Select 5: Paul Chambers, Whims of Chambers, Chambers' Music, Paul Chambers Quintet, High Step, 1st Bassman, Go, Bass on Top, We Three and The Complete Vee Jay Sessions 1959-1961. His related genres: Jazz, Modal jazz, Hard bop and Bebop.
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Jimmy Blanton (October 5, 1918 Chattanooga-July 30, 1942 Los Angeles) a.k.a. J. Blanton or Blanton, Jimmy was an American bassist.
Genres he performed include Jazz and Big Band.
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Jimmie Rodgers (September 8, 1897 Meridian-May 26, 1933 New York City) also known as The Singing Brakeman, Jimmie Rogers or Rodgers, Jimmie was an American singer, musician and singer-songwriter.
Related albums: Jimmie Rodgers - Famous Country Music Makers, Jimmie Rodgers - The Early Years, 1928 - 1929, The Essential Jimmie Rodgers, The Singing Brakeman, Recordings 1927-1933, Mother, the Queen of My Heart / Rock All Our Babies to Sleep, Frankie and Johnnie / Everybody Does It in Hawaii, No More Hard Times, 1932, Last Sessions, 1933 and My Rough and Rowdy Ways / Tuck Away My Lonesome Blues. Genres: Blues, Country blues, Country, Jazz and American folk music.
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Tom Fogerty (November 9, 1941 Berkeley-September 6, 1990 Scottsdale) also known as Thomas Richard, Tom, Fogerty, Thomas Richard Fogerty or Thomas Fogerty was an American musician, songwriter, guitarist and singer.
His albums: The Very Best Of, Sidekicks, Zephyr National, Tom Fogerty, Excalibur, Myopia, Precious Gems and Deal It Out. Genres he performed: Rock music, Blues rock, Roots rock, Southern rock, Rock and roll, Swamp pop and Country rock.
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James A. Bland (October 22, 1854 Flushing-May 5, 1911 Philadelphia) a.k.a. James Bland was an American songwriter and musician.
He was one of the most prolific African American songwriters of the late 19th century and is considered the "Father of Black American Music". Bland's songs were immensely popular in their day and were performed by many famous musicians, including Louis Armstrong, Bing Crosby, and Duke Ellington. Bland wrote over 700 songs during his lifetime, but is best known for his 1879 hit "Carry Me Back to Old Virginny", which became the official state song of Virginia in 1940. Despite his success as a songwriter, Bland struggled financially throughout his life and was forced to sell the rights to many of his songs to support himself. He died at the age of 56 in poverty, but his music continues to be celebrated and performed today.
Bland was born to a free family in Flushing, New York, and showed an early talent for music. He attended Howard University in Washington, D.C., where he honed his skills as a songwriter and performer. After graduating in 1873, he began touring the country, performing his own songs and collaborating with other musicians.
During his career, Bland faced racial discrimination and was often forced to perform in segregated venues. He wrote many songs that dealt with the experience of being black in America, including "Oh, Dem Golden Slippers" and "In the Morning". His music was a reflection of the times, including the Reconstruction Era after the Civil War and the rise of the Jim Crow laws that enforced racial segregation.
Despite his struggles, Bland left a lasting legacy in American music. Many of his songs have become standards in the American repertoire and have been covered by countless artists. Bland was posthumously inducted into the Songwriters Hall of Fame in 1970 and his contributions to American music are still celebrated today.
Bland's music not only influenced his contemporaries but also the generations of black musicians that followed in his footsteps. His songs became the soundtrack to the Civil Rights Movement, with his message of hope and resilience inspiring activists in their struggle against racial inequality. In recognition of his contribution to American music, a plaque honoring Bland was installed in the Songwriters Hall of Fame in 2019, nearly 110 years after his death.
Bland's life story is a testament to his determination and perseverance in the face of adversity. He overcame racial barriers and economic hardship to become one of the most important songwriters in American history. His music crossed racial and cultural boundaries, bringing people together through shared experiences and emotions. Today, Bland's legacy continues to inspire the next generation of musicians, ensuring that his contributions to American music will never be forgotten.
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George Washington Dixon (February 11, 2015 Richmond-March 2, 1861 New Orleans) was an American singer.
He was also a stage actor and comedian, known particularly for his blackface performances. Dixon was born into an African American family in Richmond, Virginia and began his career as a singer and performer in circuses and minstrel shows. He achieved great success with his song "Zip Coon," a satirical tune that mocked the dialect and mannerisms of free African Americans.
Dixon was also an influential figure in the development of American popular music. Along with other blackface performers of the era, he introduced a number of songs that would become staples of American folk and pop music. Some of his most popular songs include "Coal Black Rose," "Old Dan Tucker," and "Jim Crow."
Despite his success, Dixon faced racism and discrimination throughout his life. He was often the target of violent attacks and was frequently denied access to hotels and other accommodations. Despite these challenges, he persevered and continued to perform until his death in 1861. Today, he is remembered as a pioneering figure in American music and entertainment, but also as a troubled and controversial figure in the history of race relations in the United States.
In addition to his performances, George Washington Dixon was also known for his writing. He published a newspaper called The Polyanthos, which featured his own poetry and commentary on current events. He was a supporter of abolition and used his newspaper to advocate for the end of slavery.
Dixon's legacy is complicated by his use of blackface, which has come to be widely recognized as a form of racist caricature. Many of his contemporaries and modern scholars have criticized his performances for perpetuating negative stereotypes of African Americans.
However, Dixon was also a complex figure who challenged some of the racial hierarchies of his time. He often performed alongside white actors and was one of the few African Americans to achieve national fame in the 19th century. His performances also offered a space for African Americans to showcase their talents and to subvert some of the stereotypes imposed upon them by white society.
Today, his music and performances remain part of the American cultural landscape, and his life and legacy continue to provide insights into the ways that race, performance, and identity intersect in American society.
Dixon was married three times and had several children throughout his life. He had a reputation as a womanizer and was known to drink heavily. Despite these flaws, he was also remembered as a generous and charitable individual who frequently donated to causes supporting the education and upliftment of African Americans.
In addition to his work as a performer and writer, Dixon was also involved in politics. He supported the Whig Party and was an early supporter of Abraham Lincoln. He even wrote a campaign song for Lincoln's 1860 presidential campaign.
Dixon's influence can be seen in the work of later performers, particularly in the field of vaudeville. His use of satire and his incorporation of popular music into his performances helped to pave the way for future artists such as Bert Williams and Eddie Cantor.
Despite the controversies surrounding his use of blackface, Dixon remains an important figure in American popular culture. His life and legacy provide a window into the complexities of race, entertainment, and identity in the 19th century, and continue to shape our understanding of these issues today.
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Earl Hooker (January 15, 1929 Clarksdale-April 21, 1970 Chicago) also known as Hooker, Earl was an American guitarist and musician.
His most important albums: Hooker 'n Steve (with Steve Miller), Play Your Guitar, Mr. Hooker!, The Moon Is Rising, There's a Fungus Among Us, Two Bugs and a Roach, Blue Guitar, Smooth Slidin', Simply the Best, Boogie Don't Blot / Funky Blues and Rockin' With the Kid / Rockin' Wild. Genres: Chicago blues, Delta blues and Blues.
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Angus MacLise (March 4, 1938 Bridgeport-June 21, 1979 Kathmandu) also known as MacLise, Angus was an American , .
Discography: The Invasion of Thunderbolt Pagoda, The Cloud Doctrine, Astral Collapse, Brain Damage in Oklahoma City, Inside the Dream Syndicate, Volume I: Day of Niagara (1965), Dreamweapon II, Dreamweapon III and Dreamweapon I. Genres he performed: Avant-garde music.
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Midge Williams (May 27, 1915 United States of America-January 9, 1952) also known as Williams, Midge was an American singer and musician.
She gained popularity in the 1930s and 1940s for her jazz and swing performances. Williams began her music career as a teenager, touring with her sister and their band, The Williams Sisters. She later joined prominent big bands, including those led by Count Basie and Woody Herman. Williams was known for her smooth and sultry vocal style, and she often performed with a playful and charismatic stage presence. Despite her relatively short career, she made a significant impact on the jazz and swing scenes, influencing many future musicians. Williams sadly passed away from cancer at the young age of 36.
During her time with the Count Basie Orchestra, Midge Williams recorded several hits, including "Swing Brother Swing" and "It's Sand, Man!". She also performed alongside other notable jazz musicians such as Duke Ellington and Cab Calloway. In addition to her singing, Williams also played the piano and wrote songs. She was known to be a gifted songwriter and composed various tunes throughout her career. Williams was one of the few African American women in the music industry during her time, and she faced racial discrimination and sexism throughout her career. Despite these obstacles, she remained determined to succeed and continued to perform until her death in 1952. Her legacy lives on through her recordings and influence on the jazz and swing genres.
Additionally, Midge Williams was born as Muriel Elizabeth DePass to parents who were both musicians. Her father, Harry DePass, was a pianist and her mother, Ada DePass, was a vocalist. Williams began performing at an early age, singing in church choirs, and eventually touring with her family's band. She was known for her versatility as a musician, able to sing and play various instruments such as the piano, drums, and trumpet.
After her death, Williams' music continued to be celebrated by jazz enthusiasts, with her recordings re-released in compilation albums. In recent years, there has been renewed interest in her work, with documentaries and articles exploring her impact on the music industry. Williams' legacy as a trailblazing African American woman in jazz has inspired countless musicians and fans alike.
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Vincent Youmans (September 27, 1898 New York City-April 5, 1946 Denver) otherwise known as Vincent Millie Youmans or Youmans was an American film score composer and screenwriter.
His albums include No, No, Nanette: The New 1925 Musical (1971 Broadway cast).
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Snoozer Quinn (October 18, 1906 McComb-February 11, 2015 New Orleans) was an American , .
Snoozer Quinn was an American jazz guitarist and singer, best known for his intricate fingerstyle technique and virtuosic soloing abilities. Quinn began playing guitar at a young age and quickly gained a reputation as a prodigious talent. He formed his own band in the 1920s and toured extensively throughout the southern United States, performing at clubs and other venues.
Quinn's playing style was heavily influenced by the blues and his early recordings featured a mix of jazz standards and original compositions. He was known for his fast and intricate fingerpicking, and his ability to improvise complex solos on the spot. Despite his talent, Quinn remained relatively unknown outside of the jazz community for much of his career.
In later years, however, his recordings began to gain a wider audience, and his influence on later guitarists was becoming more widely recognized. His music has been cited as an inspiration by a number of well-known guitarists, including Chet Atkins and Merle Travis.
Quinn continued to perform and record music until his death in 2015 at the age of 108. He is remembered as one of the most innovative and skilled guitarists of his time, and a true pioneer of American jazz music.
In addition to his impressive career as a guitarist, Snoozer Quinn was also a talented singer and songwriter. He often sang lead vocals with his band and wrote many of their original songs. Despite his success in music, Quinn faced many challenges throughout his life, including racial discrimination and poverty. He was forced to navigate the segregated South during a time when black musicians and artists were often overlooked or only given limited opportunities. Despite these obstacles, Quinn persevered and continued to hone his craft, leaving behind a legacy that has inspired generations of musicians.
In recent years, there has been renewed interest in Snoozer Quinn's music, with a number of reissues and new recordings of his work. His unique style of guitar playing and songwriting continues to influence musicians around the world, and his contributions to jazz music have earned him a place in the pantheon of great American musicians.
Despite his incredible talent, there is very little documentation about the personal life of Snoozer Quinn. He was born in McComb, Mississippi, and as a young man, he moved to New Orleans, which would become his adopted home for the rest of his life. Throughout his career, Quinn remained fiercely independent, eschewing major labels and instead preferring to release his music independently. This allowed him to maintain complete creative control over his work but also limited his exposure to a wider audience. Despite this, Quinn remained committed to his music and often played for small crowds in clubs and other venues around the country. He was also known for mentoring younger musicians and helping to solidify New Orleans' reputation as a hub of jazz music. Even in his later years, Quinn continued to play and record music, and his dedication to his craft is a testament to his enduring legacy.
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Scott Hayden (March 31, 1882 Sedalia-September 16, 1915 Chicago) also known as Hayden, Scott was an American musician.
He was a composer, arranger, pianist, and band leader, best known for his collaborations with ragtime pianist Scott Joplin. Hayden played an instrumental role in popularizing ragtime music and adapting it for piano and band. He also formed his own band and composed several pieces of sheet music. Unfortunately, Hayden's promising career was cut short when he died of tuberculosis at the age of 33. Despite his short life, his contributions to American music continue to be celebrated and studied to this day.
Hayden began his career as a teenager, performing in various theater orchestras in Missouri. He eventually met Scott Joplin in St. Louis in 1899, and the two began working together to create new arrangements of popular songs and original ragtime compositions. Together, they published several pieces of sheet music, including the hit song "Sunflower Slow Drag."
In addition to his collaborations with Joplin, Hayden formed his own band, the Scott Hayden Orchestra, which performed at various venues in the Midwest. He also composed several pieces of sheet music under his own name, including "The St. Louis Tickle" and "Kansas City Rag."
Hayden's contributions to ragtime music were groundbreaking, as he helped to develop the genre's distinctive syncopated rhythms and complex melodies. His compositions and arrangements inspired future generations of jazz and blues musicians, and his music has been featured in films, television shows, and stage productions.
Despite his success, Hayden's health began to decline in the early 1910s, and he was eventually diagnosed with tuberculosis. He continued to perform and compose music until his death in 1915 at the age of 33. Today, he is remembered as a significant figure in the history of American music, and his work continues to inspire musicians and audiences alike.
In addition to his musical talents, Scott Hayden was also known for his skills as an athlete. He was a skilled baseball player and participated in several leagues in his hometown of Sedalia, Missouri. His love for sports also extended to horse racing, and he often attended races and even owned and trained his own horses. Hayden's love for athletics was reflected in his musical compositions, which often featured references to sports and physical activities.
Hayden's musical legacy was honored in 1970, when he was inducted into the Missouri Walk of Fame. He was also posthumously inducted into the Syncopated Musicians Hall of Fame in 2001, alongside other ragtime legends such as Scott Joplin and Jelly Roll Morton. Today, his music remains popular among collectors and enthusiasts of ragtime and early jazz.
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Benjamin Hanby (July 22, 1833 Rushville-March 16, 1867 Chicago) also known as Benjamin Russell Hanby was an American , .
composer, educator, and pastor who is best known for his iconic Christmas song "Up on the Housetop." Hanby was born to a devoutly religious family in Rushville, Ohio, and was raised in a home that fostered a love of music. He attended Otterbein University and Westerville College, where he studied music and theology. After completing his studies, he became a pastor and worked at various churches in Ohio.
In addition to his religious work, Hanby was a prolific songwriter who wrote music that reflected his beliefs and passions. Many of his songs are still enjoyed today, including "Darling Nelly Gray" and "Who is He in Yonder Stall?" He was also an advocate for the abolition of slavery and the underground railroad movement.
Hanby's life was tragically cut short when he died at the young age of 33 in Chicago. Despite his short life, Benjamin Hanby's compositions continue to be celebrated and enjoyed by millions of people around the world. He is remembered as an important figure in American music history and a pioneer in the genre of Christmas music.
One of Hanby's most famous songs, "Up on the Housetop," was first published in 1864 and quickly became a Christmas classic. It is believed to be the first Christmas song to focus on Santa Claus, and the song's catchy tune and playful lyrics have made it a favorite of children and adults alike. In addition to his musical talents, Hanby was also an accomplished artist, and some of his drawings and sketches have survived to this day.
Hanby's legacy has been honored in various ways over the years. In 1927, a memorial park was dedicated in his honor in Westerville, Ohio, and several of his original compositions, including "Darling Nelly Gray" and "Up on the Housetop," have been preserved and restored by the Library of Congress. Today, Hanby is remembered as a gifted composer and songwriter whose music continues to inspire and delight people of all ages.
Another one of Hanby's notable contributions was his involvement in the Underground Railroad movement. He worked to help slaves escape to freedom, and his home in Westerville was a stop along the Underground Railroad route. Hanby's abolitionist beliefs were reflected in his music as well, with songs like "Who Will Care for Mother Now?" and "Little Brown Hand" depicting the hardships of slavery and the need for justice.Hanby's family also had a significant impact on the world of music. His brother, William, was a well-known publisher who helped popularize Hanby's songs, and his sister, Kate, was a popular singer who performed his music on stage. Even today, Hanby's descendants continue to carry on his musical legacy, with some of them still involved in the music industry.
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Joe Smith (June 28, 1902 Ripley-December 2, 1937 Central Islip) a.k.a. Fox, Joseph Emery Smith or Toots was an American trumpeter.
Smith was born and raised in Ripley, Ohio, where he began playing the cornet at a young age. By his teenage years, he was already an accomplished musician and began playing professionally in local bands. In the 1920s, he moved to New York City and became one of the most sought-after trumpet players in the jazz scene.
Smith's unique style of playing the trumpet, which incorporated a wide range of techniques and sounds, earned him critical acclaim and popularity among fellow musicians and audiences alike. He played with some of the most famous jazz bands of the time, including Fletcher Henderson's band and Duke Ellington's band.
In addition to his virtuosic playing, Smith was also known for his larger-than-life personality and his love for partying. However, his lifestyle eventually caught up with him and he died tragically at the young age of 35 due to complications from alcoholism.
Despite his relatively short career, Smith left an indelible mark on jazz music and his innovative style continues to inspire musicians to this day. He was posthumously inducted into the Big Band and Jazz Hall of Fame in 1980.
During his career, Joe Smith recorded extensively with many different jazz bands, including Duke Ellington, Fletcher Henderson, and Jelly Roll Morton. He is also credited with popularizing the use of the plunger mute in jazz trumpet playing, a technique that he developed and used extensively in his performances.
In addition to his work as a performer, Smith was also a composer and arranger. He wrote or co-wrote several jazz standards, including the classic tune "I Ain't Got Nobody."
Despite his success in the jazz world, Smith struggled with alcoholism for much of his life. He was known for his wild parties and heavy drinking, which ultimately led to his untimely death. Smith died in 1937 at the age of 35, leaving behind a legacy as one of the greatest trumpet players in jazz history.
Smith's influence on jazz can be heard in the work of many musicians who followed in his footsteps, including Louis Armstrong, Miles Davis, and Dizzy Gillespie. His distinctive style, which combined technical precision with a deep emotional power, helped to pave the way for the development of bebop and other modern jazz styles.
Despite the tragedy of his early death, Smith's legacy lives on in the many recordings he made during his career, as well as in the memories of those who knew him. His contributions to jazz music have cemented his place in the history of American music, and his virtuosic playing continues to inspire new generations of musicians to this day.
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