Here are 5 famous actresses from Argentina were born in 1915:
Aída Alberti (November 13, 1915 Buenos Aires-April 18, 2006 Buenos Aires) was an Argentine actor.
She began her acting career in the 1940s and appeared in over 20 films during her career. Aída Alberti was known for her work in Argentine cinema's Golden Age, particularly for her performances in romantic comedies. In addition to her film work, she was also a well-known stage actress, performing in numerous productions in Buenos Aires. Her talent was recognized and awarded on several occasions, and she was considered one of the most iconic Argentine actresses of the 20th century. Despite retiring from acting in the 1980s, Aída Alberti left a lasting legacy in the film and theater industries of Argentina.
She was born as Aída Hachacheroian to an Armenian family who fled to Argentina to escape persecution. Her parents were involved in theater, and she inherited their passion for acting. Aída Alberti's breakthrough role came in the 1943 film "La doctora quiere tangos". She went on to star in several successful films, including "Yo quiero ser bataclana", "Novia para dos", and "La caraba". Her performances were known for their naturalness, wit, and elegance. She also acted in a few international productions, such as the Italian film "La colpa è del sole" (1945).
Apart from her acting career, Aída Alberti was also an activist for social causes. She supported women's rights, workers' rights, and the defense of the Armenian genocide. She was a member of the Argentine Actors Association and worked to improve the rights and working conditions of actors. In recognition of her cultural contributions, she was awarded the Konex Award in 1981, as well as honorary awards from the Argentine Academy of Cinematography Arts and Sciences and the Association of Theater Critics.
Aída Alberti lived a private life and was married to actor Enrique Kossi for over 50 years until his death in 2003. She died at the age of 90 from heart failure, leaving a legacy as one of the most beloved figures in Argentine cinema and theater.
Aída Alberti's passion for theater extended beyond her acting career. She was also a director and founded her own theater company, Teatro de la Mascara, which specialized in experimental plays. She directed several productions for the company, including "La calle del agujero en la media" and "La casa de Bernarda Alba". Her love for the arts didn't stop there, as she was also a painter and exhibited her artwork in galleries throughout Argentina. Her contributions to the cultural landscape of Argentina didn't go unnoticed, and she was awarded the National Order of Merit in 2001. Aída Alberti's legacy lives on in the Argentine film and theater industries, as well as the social causes she supported throughout her life.
Tulia Ciámpoli (January 7, 1915 Córdoba-December 2, 1981 Buenos Aires) was an Argentine actor, dancer and violinist.
Tulia Ciámpoli was born on January 7th, 1915 in the city of Córdoba, Argentina. She began her artistic career as a dancer in Buenos Aires, performing in various regional theater productions. She later transitioned to acting and quickly became a well-known theater and film actress in Argentina. Ciámpoli also had a talent for playing the violin and incorporated this skill into many of her performances. She worked closely with director Armando Discépolo and often appeared in his productions.
In addition to her artistic work, Ciámpoli was also involved in activism and advocating for the rights of artists. She was a member of the Argentine Actors Association and fought for better working conditions and fair pay for performers. She was also a member of the Peronist Party, which supported policies that aimed to improve the lives of the working class.
Ciámpoli continued to work in film and theater until her death on December 2nd, 1981 in Buenos Aires. She left behind a legacy as a talented and dedicated artist, as well as a champion for the rights of her fellow performers.
Ciámpoli's career spanned over three decades and she appeared in numerous films and theater productions. Some of her notable films include "El hombre que debía una muerte" (1942), "El mejor papá del mundo" (1941) and "Una vez en la vida" (1941). Her performances on stage were praised for their authenticity and emotional depth. Ciámpoli was known for her ability to inhabit a character and bring them to life on stage. She was also highly valued for her musical abilities and often played the violin on stage during her performances.
Aside from her artistic work, Ciámpoli also dedicated much of her time to activism. She was a vocal advocate for the rights of performers and was active in the formation of the Argentine Actors Association. The organization represented the interests of professional actors and fought for better working conditions and pay for its members. Ciámpoli was also a member of the Peronist Party, a political group that championed the rights of workers and the working class.
Ciámpoli's contributions to the arts industry and to the rights of performers in Argentina have been widely recognized. She is remembered as a talented artist and a committed activist who fought tirelessly for the betterment of her community. Today, her legacy continues to inspire young artists and activists in Argentina and around the world.
In addition to her work in theater and film, Tulia Ciámpoli was also a writer and published several articles on the subject of acting and the role of women in Argentine society. She believed strongly in the importance of women's voices in the arts and actively promoted the work of female artists.
Ciámpoli also had a notable personal life. She was married to actor Armando Discépolo and the couple had two children together. Their son, Enrique Discépolo, also went on to become a prominent actor in Argentina.
Despite facing obstacles and discrimination as a female artist, Ciámpoli never wavered in her commitment to her craft and the rights of her fellow performers. She remains an inspiration to many and continues to be celebrated for her contributions to Argentine arts and culture.
Cándida Losada (March 9, 1915 Buenos Aires-March 2, 1992 Madrid) also known as Cándida Losada Díaz, Candidad Losada or Candida Losada was an Argentine actor.
She began her career in theater and later transitioned to film and television, becoming a well-known figure in the Argentine entertainment industry. Losada appeared in more than 50 films throughout her career, including the award-winning El Sur directed by Víctor Erice. She also starred in numerous television series and telenovelas, including the popular El Rafa and Tato Bores y La Tuerca. Her talent and versatility as an actor earned her critical acclaim and several awards throughout her career. In 1969, Losada moved to Spain where she continued to work in the entertainment industry until her death in 1992.
In addition to her successful acting career, Cándida Losada was also a writer and director. She wrote the screenplay for the film La Potranca, which was directed by her husband, the Argentine director Luis César Amadori. She also directed and starred in the film La Casa de la Troya, which was based on a novel by Alejandro Pérez Lugín. Losada was known for her natural acting style and ability to embody a wide range of characters. Despite being primarily known for her work in Argentina, she was recognized internationally and won awards in both Argentina and Spain for her contributions to the entertainment industry. Cándida Losada is remembered as one of the greatest actors of her generation and a trailblazer for women in the industry.
Losada was born into a family of actors, and her passion for acting began at a young age. She made her professional acting debut in the play La Princesa y el Granuja at the age of 16. She quickly gained popularity for her performances on stage and soon transitioned to film. Her breakthrough role came in the 1942 film Huella de sangre, in which she played the lead role.
Throughout her career, Losada worked with many prominent filmmakers and actors, including Luis Sandrini, Tita Merello, and Libertad Lamarque. She was often praised for her ability to bring depth and complexity to her roles, whether she was playing a dramatic character or a comedic one.
In addition to her acting, Losada was also known for her activism. She was a strong advocate for women's rights, and was actively involved in the feminist movement in Argentina. She also supported the rights of LGBTQ+ individuals and spoke out against discrimination.
Losada's legacy as one of Argentina's most talented actors continues to be celebrated today. Many of her films and television appearances are still widely watched and appreciated by audiences in Argentina and beyond.
Shifra Lerer (August 30, 1915 Buenos Aires-March 12, 2011 Manhattan) a.k.a. Shifra Lehrer or Lerer, Shifra was an Argentine actor.
She was known for her work as a Yiddish stage and film actress. Born in Argentina to a Yiddish-speaking family, Lerer began performing in Yiddish theater when she was just 15 years old. She later moved to New York City in 1938 and continued to act on stage and in films, becoming one of the most recognizable faces of the Yiddish theater community. Throughout her career, she was celebrated for her ability to bring humor and joy to her performances, even in the face of tragedy and adversity. Lerer died in Manhattan in 2011 at the age of 95, leaving behind a lasting legacy as a trailblazer and champion of Yiddish theater.
In addition to being an accomplished performer, Lerer was also a devoted teacher of Yiddish theater. She taught at the Workman's Circle, a Jewish cultural and social organization in New York City, where she was known for her encouragement and positive energy. Her teaching helped to inspire a new generation of Yiddish theater performers and helped to preserve the rich cultural heritage of the Yiddish language.
Lerer was recognized with numerous awards and honors throughout her long career. In 1998, she was awarded the National Heritage Fellowship by the National Endowment for the Arts, which is the highest honor given to traditional artists in the United States. She was also inducted into the Yiddish Theatre Walk of Fame in New York City in 2005, where a plaque was installed in her honor.
Despite facing discrimination and antisemitism throughout her life, Lerer remained proud of her Jewish heritage and the Yiddish language. She once said, "Our culture is our treasure, and we have to preserve it, because it is a very rich one." Her contributions to Yiddish theater and her dedication to preserving Jewish culture continue to be remembered and celebrated today.
Lerer's acting career spanned over seven decades, during which she appeared in numerous Yiddish plays, films, and television shows. Her most famous role was in the Yiddish film "Tevye," in which she played Golde, the wife of Tevye. The film was based on the same stories that inspired the Broadway musical "Fiddler on the Roof," and Lerer's performance was praised for its depth and nuance. She also appeared in other films, such as "Yiddle with His Fiddle," "Mamele," and "American Matchmaker." In addition to her movie roles, Lerer was also a regular on Yiddish radio, where she performed in dramas, comedies, and variety shows.
Despite her success on stage and screen, Lerer's life was not without hardship. She and her family faced poverty and discrimination in Argentina, and in the United States, she encountered anti-Semitism both in the entertainment industry and in her personal life. Despite these challenges, Lerer remained committed to her craft and her culture. In her later years, she was a mentor and friend to many younger Yiddish performers, and she continued to appear in plays and readings until just a few years before her death.
Today, Lerer is remembered as one of the greats of Yiddish theater, a performer who brought joy and laughter to audiences around the world. Her legacy continues to inspire a new generation of actors and actresses, and her dedication to preserving the Yiddish language and culture remains a testament to the enduring power of artistic expression.
Herminia Franco (August 7, 1915 Buenos Aires-August 11, 1984 Buenos Aires) was an Argentine actor.
She began her career in the 1930s and quickly became a sought-after performer. Franco appeared in many films throughout her career, including "La Carga de los Valientes" (1950), "Historia de una mala mujer" (1948), "Yo maté a Facundo" (1948), and "Cómo te extraño mi amor" (1966).
In addition to her work in film, Franco was also a popular radio and television personality. She hosted several radio and television shows throughout the 1950s and 1960s, including "El Teatro del Misterio" and "Novelas de Hoy."
Franco was known for her talent and versatility as an actor, and her performances were frequently praised by critics. She won several awards throughout her career, including the Silver Condor Award for Best Supporting Actress in "La Carga de los Valientes."
She continued to perform until her death in 1984. Her impact on Argentine cinema and entertainment remains significant to this day.
In addition to her successful acting career, Herminia Franco was also involved in the theater world. She performed in many theater productions, including the popular play "La Celestina" in 1942. Franco was also an accomplished tango dancer and choreographer. She worked closely with the famous tango composer and bandoneon player, Anibal Troilo, and starred in several of his music videos. Franco was admired for her elegance and beauty both on and off-screen, and she became a cultural icon in Argentina during her time. Her legacy in the entertainment industry continues to inspire generations of actors and performers in Argentina and beyond.
Despite facing several challenges and setbacks in her personal life, Herminia Franco remained dedicated to her craft and continued to deliver exceptional performances throughout her career. She was often referred to as one of the most influential actors of her time and her work helped shape the landscape of Argentine cinema and entertainment. Franco was also known for her philanthropic efforts and was actively involved in charitable organizations and social causes. Her legacy as a talented and compassionate performer remains an inspiration to many. In recognition of her contributions to the arts, a street in Buenos Aires was named after her in 2007.