Here are 10 famous musicians from Argentina died at 58:
Santiago Derqui (June 21, 1809 Córdoba-November 5, 1867 Corrientes) was an Argentine lawyer.
He served as the president of Argentina from March 5 to October 5, 1860. Derqui's term as president was brief and marked by political instability and conflict between the central government and the provinces. During his presidency, he faced a rebellion by Buenos Aires Province, which refused to acknowledge his authority and eventually seceded from the rest of Argentina. After leaving the presidency, Derqui continued to work as a lawyer and played a role in Argentine politics, serving as a senator and later as a member of the Chamber of Deputies. Despite his brief tenure as president, Derqui is remembered as an important figure in Argentine history and a champion of the rule of law.
Derqui studied at the National University of Córdoba and began his legal career as a clerk in a local court. He later became a well-respected lawyer and was known for his defense of the rights of the provinces in the face of centralized power.
Derqui was a firm believer in democracy and represented a moderate wing of the Argentine political establishment. He was chosen as president in 1860 as a compromise candidate, with the hope that he could bring stability to the country after a period of political turmoil.
Despite his efforts, Derqui's presidency was plagued by conflict and unrest. His attempts to enforce central authority were met with resistance from several provincial governments, including Buenos Aires. The central government's response to this rebellion was marked by violence and repression, further exacerbating tensions with the provinces.
After leaving office, Derqui continued to work as a lawyer and remained active in politics. He was a strong supporter of constitutional reform and worked towards a more stable and unified Argentina. Despite his efforts, the country remained divided for many years, with periodic outbreaks of violence and political unrest.
Today, Derqui is remembered as a key figure in Argentine history and an advocate for democratic values and the rule of law. His legacy reminds us of the importance of compromise, respect for diversity, and the pursuit of justice and stability in times of political turmoil.
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Héctor De Bourgoing (July 23, 1934 Posadas-January 24, 1993) was an Argentine personality.
He was a prominent actor, writer, journalist, and television host known for his work in the entertainment industry. Born in Posadas, a city in the northeastern region of Argentina, De Bourgoing began his career as a radio announcer before transitioning to television. He quickly became a beloved figure in the Argentine media landscape, hosting a number of popular television programs and earning accolades for his work as a writer and journalist.
De Bourgoing was particularly celebrated for his dedication to social justice and his support of political movements aimed at advancing the rights of marginalized communities. He was a vocal advocate for Argentina's indigenous population, and worked tirelessly to raise awareness of their struggles and promote their inclusion in Argentine society.
Despite his successes, De Bourgoing faced numerous challenges throughout his life, including political persecution and censorship. He continued to speak out against injustice throughout his career, however, and remained a beloved figure in the hearts of many Argentines until his death in 1993.
De Bourgoing's impact on Argentine media and activism cannot be overstated. He was among the first journalists to actively report on human rights abuses and police violence under Argentina's military dictatorship in the 1970s. Due to his activism, he became a target of the government and was forced to flee the country for several years. However, he continued his work from exile and brought attention to the situation in Argentina on a global scale.
De Bourgoing was also an accomplished author, publishing several works of fiction and non-fiction throughout his career. He wrote about a range of topics, including indigenous rights, politics, and social issues, displaying his commitment to giving voice to the marginalized in Argentina.
In addition to his work in media and activism, De Bourgoing was also a passionate advocate for the arts. He played an instrumental role in establishing the country's National Theatre Institute, and founded the Association of Argentine Actors (AAA) to promote the work of Argentine performers.
Today, De Bourgoing is remembered as a trailblazing figure in Argentine media and a tireless advocate for social justice. His legacy continues to inspire and his work serves as an example of the power of media to effect positive change.
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Roberto Cherro (February 23, 1907 Barracas, Buenos Aires-October 11, 1965) was an Argentine personality.
He was a renowned football player and coach who was considered one of the best Argentine forwards of his time. Cherro began his career with Boca Juniors in 1926 and played with the team for ten seasons, helping them win six league titles. He then went on to play for other local teams such as San Lorenzo, Atlanta, and Chacarita Juniors before retiring in 1941.
After retiring, Cherro pursued a career in coaching and managed various teams including Boca Juniors, River Plate, and the Argentina national team. He was also a successful businessman and owned a chain of sports stores in Buenos Aires.
Cherro was widely admired for his sportsmanship and dedication to the game. He was known for his superb technical skills, lightning speed, and ability to score goals from any position on the field. In recognition of his contributions to Argentine football, Cherro was inducted into the Argentine Sports Hall of Fame in 1967.
Cherro's talent on the field was not only recognized in Argentina but also internationally. He played for the Argentine national team and was part of the squad that won the South American Championship in 1929 and the FIFA World Cup in 1930, hosted by Uruguay. In the latter tournament, Cherro scored four goals, including one in the final against Uruguay. Cherro also played in the 1934 World Cup in Italy.Cherro's coaching career was equally successful. He managed Boca Juniors during their successful 1943 and 1944 seasons, winning two league titles. He also coached River Plate and led them to win the Copa Aldao in 1947.Cherro's legacy in Argentine football is still remembered today. A street near the Boca Juniors stadium is named after him, and the club's supporters have erected a statue of him outside the stadium.
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Carlos Menditeguy (August 10, 1914 Buenos Aires-April 27, 1973 Buenos Aires) was an Argentine race car driver.
He began his racing career in the 1940s, competing in various events including Formula One and sports car racing. Menditeguy had a successful racing career and was known for his talent in driving different types of cars. He won several important races, including the Buenos Aires Grand Prix and the 1000 km Buenos Aires sports car race. In Formula One, he participated in 8 races between 1953 and 1957, achieving two podium finishes. In addition to his racing career, Menditeguy was also involved in the development of Argentine motorsport, helping to establish the Autódromo Municipal Ciudad de Buenos Aires, a race track in Buenos Aires. After his retirement from racing, he also worked as a journalist and wrote about racing for various publications.
Menditeguy's success in international motorsport also earned him recognition and respect among his peers. He competed in three editions of the prestigious 24 Hours of Le Mans, finishing 3rd overall in 1950, and he was also invited to compete in the Indianapolis 500 in 1958. Menditeguy was known to have a daring and fearless driving style, which made him a fan favorite. However, his career was cut short after a serious accident during a race in Buenos Aires in 1960. He retired from racing shortly after the incident and focused on his work in journalism and motorsport development. Despite his untimely death in 1973, Menditeguy's legacy as a talented and versatile driver continues to inspire racing enthusiasts in Argentina and beyond.
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Juan Rodolfo Wilcock (April 17, 1919 Buenos Aires-March 16, 1978 Lubriano) was an Argentine poet, engineer, writer, critic and translator.
He earned a degree in engineering from the University of Buenos Aires and worked as a government official before turning to literature. Wilcock was a prolific author, writing novels, short stories, essays, and plays. He was a member of the Oulipo group, a literary movement that explored the use of constraints in writing. In addition to writing, Wilcock translated works by authors such as Franz Kafka and Raymond Queneau into Spanish. He spent much of his later life in Italy, where he died at the age of 58. Wilcock's writing is known for its humor, absurdity, and experimentation.
One of Wilcock's most famous works is "The Temple of Iconoclasts," a novel that imagines a society where every object has been stripped of its use and meaning, leading to a world of absurdity and chaos. He also wrote extensively on art and culture, publishing several critical works on topics such as Renaissance artist Hieronymus Bosch and the history of the humorous novel. Wilcock was a well-respected figure in both the Argentine and Italian literary scenes, and his work continues to be celebrated today for its originality and wit.
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Pedro Pompilio (November 11, 1949 Argentina-October 30, 2008 Buenos Aires) was an Argentine personality.
He was best known for his work in sports administration, serving as the president of the Boca Juniors football club from 2008 until his untimely death later that year. Pompilio was deeply connected to the world of football and was widely admired for his leadership and passion for the sport. In addition to his work with Boca Juniors, he also held roles within the Argentine Football Association and was a notable figure in the broader sporting world. Pompilio's sudden passing was deeply felt by many throughout Argentina and beyond, leaving a legacy that continues to be celebrated by football fans and sports enthusiasts alike.
Pompilio was born on November 11, 1949, in Argentina's capital city, Buenos Aires. He grew up with a passion for sports, and soccer soon became his true love. In his early days, he played the sport as an amateur, but he later went on to serve in various administrative roles within the football world.
Before joining Boca Juniors, Pompilio worked as an administrator in other Argentinean soccer clubs. One of his most significant achievements was his role in creating the Football League in the year 2000, which was established to manage the finances and commercial aspects of the soccer teams.
In his time as the president of Boca Juniors, Pompilio worked hard to bring success to the club, strengthening its presence both nationally and internationally. Under his leadership, the team won several important matches and held its position as a significant player in the Argentinean soccer scene.
Pompilio passed away unexpectedly on October 30, 2008, at the age of 58. His loss was felt deeply by the soccer community in Argentina, and tributes to his life and legacy poured in from across the world. Today, his contributions to soccer are remembered as an essential part of the sport's history in Argentina.
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Harold Miles (January 31, 1899 Rosario-July 21, 1957 Newton Tracey) was an Argentine personality.
He was primarily known for his contributions to aviation, having worked as a pilot, mechanic and aviation executive. Miles began his career as a mechanic in the Argentine Air Force before joining the Aero Club Argentino; a prestigious club dedicated to promoting aviation in Argentina. In the 1920s, he became an accomplished pilot and was appointed as chief pilot of Aerolineas Argentinas in 1931. Miles was instrumental in developing air transport in Argentina and played a vital role in establishing commercial routes to neighboring countries.
In addition to his work in aviation, Miles was a skilled athlete and competed in numerous sports, including football, rugby, and tennis. He was also a respected businessman and served as president of several companies linked to the aviation industry.
Miles was recognized with several honors in his lifetime, including the Order of Merit from the Argentine government for his work in aviation. Today, he is remembered as a pioneer of Argentine aviation and his contributions to the development of commercial air transport in the country.
Miles' passion for aviation was evident from an early age, having constructed his first glider in his teenage years. He continued to pursue his interest in aviation throughout his life and was involved in numerous projects related to the advancement of the field. In 1945, he founded the airline Austral Líneas Aéreas, which later merged with other airlines to form Aerolíneas Argentinas in 1950.
Miles was also a prominent member of the International Air Transport Association (IATA) and served as its president between 1945 and 1946. During his tenure, he played a crucial role in unifying international air transport regulations and promoting safety standards.
Aside from his achievements in aviation, Miles was also known for his philanthropic work, particularly in healthcare and education. He helped establish a hospital in Rosario and funded scholarships for underprivileged students in Argentina.
Despite his contributions to the aviation industry, Miles' life was not without its setbacks. In 1947, he survived a plane crash in Peru that claimed the lives of several passengers. The incident left him with severe injuries and he was forced to take a break from his work for a significant period of time.
Miles passed away on July 21, 1957, in Newton Tracey, England, while on a business trip. He was 58 years old at the time of his death.
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Norberto Díaz (March 1, 1952 Buenos Aires-December 18, 2010 Buenos Aires) also known as Norberto Osvaldo Díaz or El Gallego was an Argentine actor. He had one child, Manuela Díaz.
Norberto Díaz began his acting career in the late 1970s, appearing in a number of successful Argentine films and television series. He received critical acclaim for his performances in films such as "The Official Story" (1985), which won the Best Foreign Language Film Oscar in 1986, and "The Stranger" (1987), which was selected for the Cannes Film Festival. His work in these films established him as one of the leading actors of his generation.
Throughout his career, Díaz appeared in numerous films, plays, and television series, both in Argentina and internationally. He was particularly known for his ability to portray complex characters with depth and nuance. In addition to his acting work, Díaz was also a playwright and director.
Tragically, Norberto Díaz passed away on December 18, 2010 in Buenos Aires at the age of 58, following a battle with cancer. He is remembered as one of the most talented and versatile actors of his generation, and his contributions to Argentine cinema and theater continue to be celebrated today.
In addition to his successful acting career, Norberto Díaz was known for his activism and advocacy work. He was a strong supporter of human rights and social justice causes, and was actively involved in the Argentine actors' union. Díaz was also a vocal critic of the military dictatorship that ruled Argentina from 1976-1983, which had a significant impact on his life and career. Despite facing censorship and persecution during this time, he continued to use his platform as an actor to speak out against injustice and oppression.
Díaz's legacy lives on through his powerful performances and his commitment to social justice. In 2011, a street in Buenos Aires was named after him in recognition of his contributions to Argentine culture. His daughter, Manuela Díaz, has also followed in his footsteps as an actress and activist.
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Gabino Ezeiza (February 3, 1858-October 12, 1916 Córdoba Province, Argentina) was an Argentine personality.
He was a prominent folk musician, composer, poet, and payador, known for his contributions to the genre of payada. Ezeiza was born in Buenos Aires, Argentina, and grew up in a family of musicians. He began playing and composing music at a young age and gained recognition for his talent in payadas, a traditional form of improvised song and poetry common in Argentina and Uruguay.
Ezeiza performed throughout Argentina and Uruguay, earning a reputation as one of the most skilled payadores of his time. He also composed numerous songs and poems, many of which were deeply rooted in Argentine folklore and spoke to the struggles of the working class. In addition to his musical pursuits, Ezeiza was also known for his political activism and support for workers' rights.
Ezeiza's legacy as a folk musician and poet continues to be celebrated in Argentina and beyond, and he is considered one of the most important figures in the history of Argentine folk music. His influence can be heard in the work of many contemporary musicians, and his contributions to the genre of payada have helped to keep this traditional form of Argentine music alive for generations.
Despite Ezeiza's huge popularity, he lived a difficult life of poverty and illness. He struggled with alcoholism for many years, and his condition worsened towards the end of his life. He died in 1916 at the age of 58 in Córdoba Province, leaving behind a rich legacy of music and poetry that continues to inspire generations of artists to this day.
Ezeiza's music and poetry were a reflection of the social and political realities of his time. He often spoke out against social injustice and the abuses of power, and his lyrics and melodies were a source of comfort and inspiration to many who shared his struggles. He was deeply committed to the cause of workers' rights and his activism played a significant role in the labor movement of his time.
Ezeiza's poetry and music were often featured in popular theater productions and films, and his influence can be seen in the works of many renowned Argentine artists, such as Atahualpa Yupanqui and Mercedes Sosa. His dedication to preserving and promoting the traditional music and culture of Argentina has helped to create a lasting legacy that continues to inspire and unite people from all walks of life.
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Mario C. Lugones (August 13, 1912 Buenos Aires-October 1, 1970 Buenos Aires) also known as Mario Lugones was an Argentine film director and actor.
Mario Lugones started his career in the film industry in the 1930s as an actor, appearing in several films such as "Tres Argentinos en París" (1938) and "La mujer y la selva" (1939). However, he eventually transitioned to directing and made his directorial debut with "La Hermana San Sulpicio" (1942), which was based on a novel by Armando Discépolo.
Throughout the 1940s and 1950s, Lugones directed several successful films, including "Paisanito" (1942), "Las Aguas Bajan Turbias" (1952), and "El Vendedor de Ilusiones" (1956). He was known for his use of naturalistic and socially conscious themes in his films.
In addition to his work in film, Lugones was also involved in theater and television. He was a member of the Argentine Actors Association and directed several plays throughout his career. He also worked on several television programs, including the popular sketch comedy show "La Tuerca" in the 1960s.
Lugones' contributions to Argentine cinema have been recognized with tributes and retrospectives, including a screening of his films at the 2012 Mar del Plata Film Festival, which marked the centenary of his birth.
Despite his successes, Mario Lugones faced several challenges throughout his career, including censorship and financial issues. His film "Las Aguas Bajan Turbias" was temporarily banned by the government due to its anti-government themes. Lugones also struggled with funding for his films, which sometimes resulted in incomplete or delayed projects. Despite these setbacks, he continued to make thought-provoking films that addressed social issues such as poverty and corruption.
Lugones was also involved in the creation of the Buenos Aires Actors School, which emphasized a naturalistic style of acting. This approach became influential in Argentine theater and film, and the school was later renamed in his honor as Escuela de Actuación Mario Lugones.
In addition to his artistic contributions, Lugones was politically active, supporting left-wing causes in Argentina. He was a member of the Communist Party and participated in political demonstrations.
Mario Lugones remains an important figure in Argentine cinema and theater, remembered for his pioneering use of naturalistic themes and his bold political views.
He died caused by cancer.
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