Here are 26 famous musicians from Argentina died at 76:
Gervasio Antonio de Posadas (June 18, 1757 Buenos Aires-July 2, 1833 Buenos Aires) was an Argentine lawyer.
He studied law at the Royal University of Chuquisaca, and after receiving his degree, he returned to Buenos Aires to practice law. He quickly became known for his legal prowess and was appointed to several important positions within the government.
In 1814, he was appointed as the Supreme Director of the United Provinces of the Rio de la Plata, which was the highest political office in the country at the time. During his time in office, he worked to stabilize the new government and create a sense of unity among the provinces.
Posadas also played an important role in the fight for Argentine independence, serving on diplomatic missions to other South American countries and working to secure international support for the cause.
After resigning from his position as Supreme Director in 1815, Posadas returned to his private law practice. He continued to be involved in government affairs, however, and played a key role in the drafting of the Argentine Constitution of 1819.
Today, Posadas is remembered as one of the most important figures in the early years of Argentine independence, and his legacy is celebrated throughout the country.
In addition to his legal and political work, Gervasio Antonio de Posadas was also an influential figure in the cultural and intellectual life of Buenos Aires. He was a member of the Sociedad Patriótica, a group of intellectuals and artists who sought to promote Argentine identity and culture. Posadas was also a patron of the arts, and he supported many of the leading writers, musicians, and artists of his day.
Posadas was a strong advocate for education, and he believed that a well-educated populace was essential for building a strong and independent nation. He worked to establish public schools throughout the country and supported the creation of the University of Buenos Aires, which was founded in 1821.
Despite his many accomplishments, Posadas was not without his critics, and he faced opposition from various political factions throughout his career. Nevertheless, he remained committed to his ideals and worked tirelessly to promote the welfare of his country and its people.
In addition to his political and cultural legacy, Gervasio Antonio de Posadas also left a lasting impact on the legal system of Argentina. As a lawyer and scholar, he was instrumental in the development of civil law in the country, and his writings on the topic continue to be studied and referenced today. Posadas was also a firm believer in the importance of human rights, and he was a vocal advocate for the abolition of slavery and the equal treatment of all people under the law.
Despite his advanced age, Posadas maintained an active public life until his death in 1833. He continued to participate in political discussions and provide advice to younger generations of leaders. Today, he is recognized as one of the founding fathers of modern Argentina, and his vision for a united, prosperous, and culturally vibrant nation continues to inspire new generations of leaders and thinkers.
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Carlos Astrada (February 26, 1894 Córdoba-December 23, 1970 Buenos Aires) was an Argentine writer.
He was also a philosopher and essayist, who wrote extensively on metaphysics, ethics, and social and political philosophy. He studied at the National University of Córdoba, where he became interested in the works of German philosophers like Immanuel Kant and Arthur Schopenhauer. He later traveled to Europe, where he studied at the University of Berlin and the Sorbonne in Paris.
Astrada was a prolific writer, and his works include more than twenty books, many of which were translated into several languages. His most famous works include "Metaphysics of Death," "The Theory of Freedom," and "What is Metaphysics?" He was also a prominent figure in the philosophical movement known as the Cordoba School, which sought to develop a new approach to philosophy that was rooted in the traditions of Latin America.
In addition to his work as a writer and philosopher, Astrada was a social and political activist. He was a member of the Argentine Communist Party, and he advocated for a number of social and political causes, including workers' rights and the rights of indigenous people. Despite facing persecution for his political beliefs, Astrada continued to speak out on these issues throughout his life.
Astrada's contributions to philosophy were widely recognized during his lifetime. In 1963, he was awarded the National Prize for Philosophy and Humanities, and he was invited to deliver lectures at major universities around the world. His ideas on topics like the nature of man, the meaning of life, and the role of reason in human behavior influenced a generation of Latin American philosophers.In addition to his philosophical work, Astrada was also known for his literary contributions. He wrote novels, short stories, and essays, many of which were published in prestigious literary magazines. He was an advocate for literary freedom and championed the work of young writers in Argentina.Astrada's legacy continues to be felt in the world of philosophy and literature. His ideas on the relationship between individual freedom and social responsibility remain relevant to contemporary debates, and his work continues to inspire new generations of thinkers.
Astrada's impact on Argentine philosophy is evident through his role as one of the founding members of the School of Philosophy of Córdoba. This movement had a significant impact on philosophical discussion and the promotion of Argentine culture in the mid-twentieth century. Along with his contemporaries, he aimed towards creating a uniquely Latin American philosophy, and his arguments for a new approach to ontology continue to influence philosophical inquiries in the region.
In his work, Astrada focused on the fundamental questions of human existence, exploring ideas about the meaning of life and the afterlife. He delved into the concept of death and how it relates to human life, examining aspects such as the fear of death, religious beliefs, and the idea of an afterlife. Astrada's works also grapple with the relationship between the individual and society, examining the nature of freedom, and the limits of individual responsibility.
In addition to his written works, Astrada was a prominent lecturer, both in Argentina and abroad. His lectures often addressed broad social issues and reflected his commitment to activism. He was instrumental in the establishment of worker-owned businesses, and he organized several initiatives aimed at supporting and empowering marginalized communities. Throughout his life, Astrada worked towards creating a more equitable society, and his philosophical and literary works reflect his deep commitment to social justice.
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Marco Denevi (May 12, 1922 Sáenz Peña, Buenos Aires-December 12, 1998) was an Argentine writer and screenwriter.
Denevi is considered to be one of the most important Argentine writers of the 20th century. He wrote more than 20 books, including novels, short story collections, and essays. Some of his most famous works include "Rosaura a las Diez," "La Cama," and "Ceremonia Secreta." Denevi was also a prolific screenwriter, writing scripts for more than 20 films, including "Los Cóndores no Entierran Todos los Días," which was directed by his close friend, Francisco Norden. In addition to his literary and cinematic work, Denevi was also a journalist, working as a columnist for various newspapers and magazines. He received numerous awards throughout his career, including the National Prize for Literature in 1969, and was a member of the Argentine Academy of Letters.
Denevi was born in a family of Italian immigrants who settled in Buenos Aires, Argentina. He grew up in poverty but was able to attend the University of Buenos Aires, where he studied law and literature. At the university, he was involved in the student movement and became a member of the Communist Party. His political beliefs influenced his writing, which often criticized the injustices and social inequalities of Argentine society.
Despite his success as a writer, Denevi battled depression and alcoholism throughout his life. He was also involved in a scandal in the 1970s when his former lover, the actress Isabel Sarli, accused him of trying to extort money from her by threatening to publish explicit photos of her. The scandal tarnished his reputation but did not affect his literary career.
Denevi died of a heart attack in 1998 at the age of 76. His legacy as one of the most important Argentine writers of the 20th century lives on, and his works continue to be read and celebrated in Argentina and around the world.
Denevi was known for his unique writing style that blended elements of horror, suspense, and social critique. He often explored themes of power, sexuality, and morality in his works, and his characters were frequently afflicted by psychological disorders.His novel "Rosaura a las Diez" was adapted into a successful film in 1958, and his screenplay for "La Guerra del Cerdo" won an award at the Venice Film Festival in 1976. Denevi was also known for his collaborations with other Argentine cultural figures, including the composer Astor Piazzolla, with whom he created a musical work based on the life of the revolutionary Che Guevara. In addition to his literary and cinematic output, Denevi was also a respected critic of contemporary Argentine culture and politics.In recognition of his contributions to Argentine literature, the city of Buenos Aires named a street in his honor, and his former home has been converted into a museum. His works have been translated into multiple languages, including English, French, and Japanese, and have been widely celebrated for their innovative style and insightful commentary on Argentine society.
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Adolfo Pedernera (November 15, 1918 Avellaneda-May 12, 1995 Buenos Aires) was an Argentine personality.
Pedernera was a legendary football player and coach, widely regarded as one of the best players in the history of Argentine football. He spent most of his playing career with River Plate and was an integral part of the club's legendary "La Máquina" team of the 1940s. He also had successful stints with other clubs in Argentina and Colombia.
In addition to his playing career, Pedernera later became a highly respected coach. He managed numerous clubs in Argentina and Colombia, including River Plate, Atlético Nacional, and Millonarios, among others. He was known for his innovative tactics and his ability to inspire and motivate his players.
Off the field, Pedernera was known for his charismatic personality and his passionate commitment to the sport of football. He was a beloved figure in Argentina and remained active in the football community throughout his life. His legacy continues to inspire generations of football players and fans in Argentina and beyond.
Pedernera's football career started at a young age when he joined the local Avellaneda club. He made his debut for River Plate in 1935, at the age of 16, and quickly established himself as one of the country's most promising young players. He played in the attacking midfield position and was known for his vision, dribbling skills, and accurate passing.
In the 1940s, Pedernera was a key member of River Plate's "La Máquina" team, which included other legendary players such as José Manuel Moreno, Juan Carlos Muñoz, Ángel Labruna, and Félix Loustau. The team won numerous domestic and international titles and is considered one of the greatest teams in Argentine football history.
After retiring as a player in 1950, Pedernera turned to coaching and quickly found success. He led River Plate to the league championship in 1955 and went on to manage several other clubs in Argentina and Colombia. He also coached the Colombian national team in the 1970s.
Pedernera's legacy in Argentine football is celebrated to this day. In 1991, he was awarded the Konex Award as one of the five best Argentine football players of the 20th century. The Adolfo Pedernera Stadium in Avellaneda and the Adolfo Pedernera Cup, a youth football tournament, are also named in his honor.
Pedernera's contribution to football went beyond just his playing and coaching career. He was a pioneer in developing football academies and youth programs in Argentina, helping to groom and nurture young talent for future success. His dedication to the sport and his ability to identify and hone talent helped shape the future of Argentine football.
Pedernera's success on the field also paved the way for other Argentine players to make a mark on the international stage. He was a part of the iconic Argentine squad that won the South American Championship in 1947, which was the first time Argentina had won the title since 1929. This victory helped set the tone for Argentina's future dominance in international football.
Outside of his football career, Pedernera was a family man and devoted father to his children. He remained humble and grounded throughout his life, despite his immense success and adulation from fans. Even in his later years, he continued to mentor young players and was a beloved figure in the football community until his passing in 1995.
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Mario Soffici (May 14, 1900 Florence-May 10, 1977 Buenos Aires) also known as Soffici was an Argentine screenwriter, film director and actor.
Born in Italy, Soffici moved to Argentina at a young age and began working in the film industry in the 1920s. He is credited with directing and writing over 60 films throughout his career, including some of the most iconic films of the Golden Age of Argentine cinema. Soffici was known for his ability to direct films in a variety of genres, including drama, comedy, and adventure. He was also known for his collaborations with famous Argentine actors and actresses such as Libertad Lamarque and Luis Sandrini. In addition to his work in film, Soffici was also a prolific writer and journalist, contributing articles to various publications throughout his life. He passed away in Buenos Aires at the age of 76, leaving behind a legacy as one of the most influential filmmakers in Argentine cinema history.
Soffici's contributions to Argentine cinema were recognized with several awards and honors throughout his career, including the Silver Condor Award for Best Director in 1948 for his film, "Adiós, Pampa mía". He also served as the president of the Argentine Film Academy in the 1950s and was a key figure in the establishment of the Mar del Plata Film Festival. Soffici's films often explored themes such as social justice and the struggles of common people, and his work had a significant impact on the development of Argentine cinema as an art form. Today, his films continue to be celebrated and studied by film enthusiasts and scholars around the world.
Soffici's early life in Argentina was marked by poverty and struggle, but his passion for filmmaking led him to persevere and eventually achieve great success. His directing style was characterized by its realism and attention to detail, and he was widely regarded as one of the most skilled directors of his time. Some of his most notable films include "La Historia del Tango" (1933), "La Cabalgata del Circo" (1945), and "El Curandero" (1955). In addition to his work as a director and writer, Soffici also acted in several films throughout his career, showcasing his versatility and range as a performer. Despite facing political censorship and other challenges during his career, Soffici remained committed to his craft and continued to create groundbreaking films that pushed the boundaries of Argentine cinema. His legacy has had a lasting impact on the film industry in Argentina and beyond, inspiring countless filmmakers and artists to pursue their dreams and tell their own stories on the big screen.
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Hugo del Carril (November 30, 1912 Buenos Aires-August 13, 1989 Buenos Aires) also known as Alejo Pacheco Ramos, Piero Bruno Hugo Fontana, Allan Lemarie or Pierre Bruno Hugo Fontana was an Argentine film director, actor, singer, film producer and screenwriter. He had four children, Marcela Alejandra Fontana, Hugo Miguel Fontana, Amorina Fontana and Eva Fontana.
His most important albums: Alma de tango, and .
He died in heart failure.
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Alejandro Korn (May 3, 1860 San Vicente-October 9, 1936 La Plata) also known as Dr. Alejandro Korn was an Argentine physician, politician and philosopher.
He was a prominent figure in the early 20th century, known for his contributions to the field of psychology and for his political activism. Korn was a supporter of progressive politics and advocated for social justice and intellectual freedom. He was particularly interested in the intersection of psychology and philosophy, and his ideas about the role of the individual in society have had a lasting impact on Argentine intellectual thought. In addition to his political and philosophical work, Korn also worked as a doctor, serving as the director of the psychiatric hospital in La Plata. Today, he is remembered as one of Argentina's most important intellectuals and is celebrated for his contributions to the fields of psychology, philosophy, and politics.
In 1898, Korn received his medical degree from the University of Buenos Aires and later specialized in psychiatry. He also studied philosophy and psychology, particularly the works of Wilhelm Wundt and William James, and his interest in these disciplines led him to write extensively about the role of the mind in human behavior.
Korn was a prolific writer, and his most well-known works include "The Socialist Idea," "The Philosophy of Education," and "Psychology in Argentina." He was a fierce critic of liberalism and capitalism, arguing that these ideologies failed to address the needs of the working class and advocating for a more socialist approach to politics and economics.
In addition to his writing, Korn was also active in politics, running for office several times throughout his career. He served as a national senator for the Buenos Aires province from 1924 until his death in 1936.
Today, Korn's legacy lives on through the Fundación Alejandro Korn, which promotes a more just and equitable society through education and social activism. His ideas about the importance of intellectual and political freedom continue to inspire people in Argentina and around the world.
As a philosopher, Korn was deeply influenced by the works of Immanuel Kant and Hegel. He believed that individual freedom should be balanced with social responsibility and that education played a crucial role in shaping individuals' ability to navigate that balance. Korn also emphasized the need for critical thinking and the importance of rational inquiry, arguing that these were essential tools for promoting social justice and human progress.
In addition to his political and philosophical writings, Korn was also an important figure in the development of psychoanalysis in Argentina. He was a close colleague of Sigmund Freud and helped to introduce his ideas to the Argentine public. Korn's interest in psychology led him to develop new techniques for treating mental illness, including the use of art therapy.
Throughout his life, Korn was a passionate advocate for social justice and human rights. He was an early supporter of women's suffrage and worked to improve conditions for workers and the poor. His ideas continue to inspire activists and intellectuals in Argentina and beyond, and his legacy as a prominent voice for progress and reform lives on today.
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Aldo Barbero (February 13, 1937 Santa Fe-October 27, 2013 Buenos Aires) was an Argentine actor.
He is best known for his work in Argentine cinema, television and theater. Barbero began his acting career in the 1960s and appeared in over 80 films, including "La Patagonia rebelde", "Pizza, birra, faso", and "Historias mínimas". He also worked on numerous television shows, such as "Los Simuladores" and "Los Exitosos Pells". Additionally, Barbero performed in various theater productions, earning critical acclaim for his performances. In 2001, he received the Silver Condor Award for Best Supporting Actor for his role in "Plata quemada". Throughout his career, Aldo Barbero was recognized for his versatility and talent, becoming one of the most respected actors in Argentina.
Barbero studied at the Escuela Nacional de Arte Dramático in Buenos Aires, where he developed his passion for acting. In addition to acting, he also worked as a drama teacher and director. Barbero was heavily involved in the Argentine theater scene, performing in productions like "Waiting for Godot" and "The Rocky Horror Picture Show". He was also a member of the National Society of Film Critics, illustrating his dedication to the art form. His last film role was in the 2013 movie "Paisajes devorados". Aldo Barbero's legacy as an actor and contributor to Argentine culture endures.
In addition to his impressive acting career, Aldo Barbero was also known for his political activism. He was a member of the Peronist Youth during his youth and remained involved in various social justice movements throughout his life. Barbero was an advocate for human rights and supported various causes through his work as an artist. His commitment to using his platform for positive change led him to be remembered not only as an accomplished actor but also as a dedicated activist. Aldo Barbero's contribution to Argentine culture was celebrated after his death, and he continues to be remembered as one of the country's most acclaimed actors and activists.
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Oscar Alfredo Gálvez (August 17, 1913 Buenos Aires-December 16, 1989 San Isidro) also known as Oscar Alfredo Galvez was an Argentine race car driver.
He was known for his remarkable feats in motorsport racing and was considered as one of the most successful Argentine racers in history. Oscar started his career in the 1940s and went on to compete in several international circuits including the Indianapolis 500, which he participated in five times. He is famous for winning the Turismo Carretera championship a record of five times, four of which were consecutive wins from 1947 to 1950. Apart from his racing career, Oscar was also a businessman and owned a gasoline station in Buenos Aires. He was also actively involved in promoting road safety in Argentina. Oscar passed away in 1989 at the age of 76, leaving behind a legacy that continues to inspire aspiring racers to this day.
During his career, Oscar Alfredo Gálvez won more than 111 races, competing on both asphalt and dirt tracks. He was a versatile driver, known for his skill on different types of circuits. In addition to his successes in Turismo Carretera and at the Indianapolis 500, he won the 1000 km of Buenos Aires race four times and the 1000 km of Rafaela race five times. He was also the first Argentine driver to win a race in Europe, winning the Grand Prix of Marseille in 1946.
Oscar came from a family of racing drivers, as his brother Juan Gálvez was also a successful racing driver. The two brothers competed together in several races, and Juan tragically lost his life in a racing accident in 1963. Oscar was deeply affected by his brother's death, and this experience led him to become an advocate for driver safety.
In recognition of his achievements, Oscar Alfredo Gálvez was posthumously inducted into the National Sports Hall of Fame in Argentina in 2000, and a street in Buenos Aires was renamed in his honor. Today, he is remembered as one of the greatest racing drivers in Argentine history, and his legacy continues to inspire a new generation of motorsport enthusiasts.
Oscar Alfredo Gálvez was born in a family with a passion for racing. His father, Mário, and his uncle, José, were both racing drivers. Oscar started his racing career in the 1940s, competing in various races across Argentina. He soon became a crowd favorite, winning several races and quickly establishing himself as a formidable contender.
Oscar's greatest achievement was winning the Turismo Carretera championship a record five times, a feat that has yet to be surpassed by any other Argentine racing driver. His consecutive wins between 1947 and 1950 cemented his legacy as the greatest Turismo Carretera driver of all time.
In addition to his successes on the track, Oscar was also known for his entrepreneurial ventures. He owned a gasoline station in Buenos Aires, which became a popular meeting spot for racing enthusiasts. However, he never let his business ventures distract him from his passion for racing.
Oscar was also deeply committed to promoting road safety in Argentina. He believed that racing should be conducted in a safe environment that prioritized the well-being of all participants. Following the death of his brother Juan in a racing accident, Oscar became a vocal advocate for driver safety, and his efforts helped to improve safety standards in Argentinian motorsport.
Oscar's legacy continues to inspire Argentinian racing enthusiasts to this day. His remarkable achievements on the track and his commitment to safety have ensured that his name will forever be associated with excellence in Argentinian motorsport.
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Leopoldo Galtieri (July 15, 1926 Caseros, Buenos Aires-January 12, 2003 Buenos Aires) was an Argentine personality.
Galtieri was a general in the Argentine Army and served as the country's president during the last years of the military dictatorship from 1981-1982. He is perhaps best known for his decision to invade the Falkland Islands, or Malvinas, in 1982, leading to a brief but bloody conflict with the United Kingdom. The defeat in the war led to his downfall, and he was later put on trial for human rights abuses committed during the dictatorship. Despite his controversial legacy, Galtieri remains an important figure in Argentine history.
During his military career, Leopoldo Galtieri gained a reputation as a hardline nationalist and was a key figure in the military junta that came to power in Argentina in 1976. He served as the Minister of Defense before becoming president.
The Falklands War marked a turning point in Argentine history and Galtieri's presidency. The conflict lasted 74 days, and over 900 people died. Galtieri and the Argentine military were eventually forced to surrender, leading to political unrest and the eventual end of the military dictatorship.
In the years following the war, Galtieri was put on trial for his role in human rights abuses committed during the dictatorship. He was sentenced to 12 years in prison, but the sentence was later reduced to four and he was eventually released due to ill health.
Despite his controversial legacy, Galtieri is still remembered by some as a nationalist hero who stood up to imperialist powers, while others view him as a ruthless dictator who caused needless death and suffering. His legacy remains controversial, and his role in Argentine history continues to be the subject of debate.
Leopoldo Galtieri was born on July 15, 1926, in Caseros, Buenos Aires. He began his military career in 1947 and quickly rose through the ranks. He was known for his hardline nationalism and his fierce loyalty to the military junta. Galtieri was a controversial figure both in Argentina and internationally due to his actions during his presidency.
During his presidency, Galtieri implemented policies aimed at strengthening Argentina's economy and consolidating his own power. He also pursued a policy of military aggression, which ultimately led to the Falklands War. The conflict was a disaster for Argentina, and Galtieri's decision to invade the islands was widely criticized.
After the war, Galtieri was forced to resign and eventually faced trial for human rights abuses committed during his time in power. Despite his conviction, some Argentines still view him as a hero who fought for their country's sovereignty. Others see him as a dictator who caused needless death and suffering.
Galtieri's legacy is undoubtedly controversial, and his role in Argentine history continues to be the subject of intense debate. Nonetheless, he remains an important figure in the country's history and a symbol of both Argentine nationalism and military dictatorship.
He died caused by myocardial infarction.
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Alita Román (August 24, 1912 Buenos Aires-April 15, 1989 Buenos Aires) a.k.a. Alita Blanca Barchigia was an Argentine actor.
She began her acting career in the 1930s and quickly rose to fame in Argentina's Golden Age of Cinema. Throughout the 1940s and 1950s, Alita appeared in over 50 films, becoming one of the most acclaimed actresses of her time. She was known for her talent as a singer and dancer, as well as her captivating on-screen presence. In addition to her film career, Alita also worked extensively in theater, starring in both dramas and comedies. Her success as an actress made her a cultural icon in Argentina, where she was beloved by fans of all ages. Despite suffering from health problems later in life, Alita remained active in the performing arts until her death in 1989.
Alita's rise to fame was due in part to her versatility as an actress. She was equally skilled in dramatic roles as she was in comedic ones, which made her a favorite among audiences. Her talent was recognized by critics and she won several awards throughout her career. Alita was also an advocate for social justice and equality, and used her platform to speak out against political corruption and oppression. She was known for her generosity and often used her success to support charitable causes. Alita was married to Juan Barchiglia, also an actor and screenwriter, and they had two children together. Her legacy continues to inspire generations of actors and actresses in Argentina and beyond.
In addition to her film and theater work, Alita Román was also an accomplished television actress. She appeared in several popular TV shows during the 1960s and 1970s, including "Dieciséis millimetros", "Papá Corazón" and "Crecer con papá". Alita was known for her dedication to her craft, often spending long hours rehearsing and preparing for her roles. She was also a mentor to many young actors and actresses, helping to guide their careers and sharing her wisdom and experience with them.
Despite facing obstacles and discrimination as a woman in the male-dominated entertainment industry, Alita remained committed to pursuing her passion for acting. She was a trailblazer for women in Argentine cinema, paving the way for future generations of female filmmakers and performers. Alita's impact on the Argentine cultural scene is widely recognized today, and her contributions continue to be celebrated by fans and industry professionals alike.
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Carlos Humberto Perette (December 12, 1915 Paraná-June 18, 1992 Buenos Aires) was an Argentine lawyer and politician.
He served as the President of Argentina for a brief period from December 1958 until May 1959, following the overthrow of President Arturo Frondizi. Perette was a member of the Radical Civic Union party and was a staunch advocate for democracy and electoral reform. He also served as a senator and a member of the Argentine Chamber of Deputies during his political career. Perette was known for his passionate speeches and commitment to social justice, particularly in advocating for workers' rights. Despite his short stint as president, Perette had a significant impact on Argentine politics and remains an influential figure in the country's history.
Perette was born in Paraná, in the province of Entre Ríos, Argentina, and was the son of a prominent lawyer. He studied law at the National University of La Plata, where he became involved in politics as a member of the Radical Civic Union's student organization. After graduation, Perette began his legal career, specializing in labor law and representing workers' rights.
Perette's political career began in the 1940s when he was elected to the Argentine Chamber of Deputies, where he served for several terms. He was then elected to the Senate in 1952, where he became a prominent advocate for electoral reform and greater political participation for all citizens.
In 1958, following the overthrow of President Arturo Frondizi, Perette was appointed as Argentina's interim president. During his short time in office, he focused on stabilizing the country's economy and restoring democratic institutions. He also implemented policies aimed at improving the lives of workers, including an increase in the minimum wage and the expansion of social security benefits.
After leaving the presidency, Perette continued to be an active participant in Argentine politics, serving once again as a senator and continuing his advocacy for electoral reform and democratic governance. He also remained committed to social justice issues, particularly those affecting workers and the less privileged.
Perette passed away in 1992 in Buenos Aires, leaving behind a legacy as a passionate defender of democracy and workers' rights in Argentina.
As a lawyer, Perette was particularly interested in labor law and represented workers' unions in several high-profile cases. He was also a founding member of the Argentine Association of Labor Law and Social Security. Perette's commitment to social justice extended beyond his work as a politician and lawyer. He was a vocal advocate for the rights of Indigenous people and fought against discrimination in all forms. He was also a strong supporter of public education and worked to improve access to education for all Argentines. Despite facing opposition and resistance from some sectors of Argentine society, Perette remained steadfast in his commitment to democracy and electoral reform. His legacy continues to inspire politicians and advocates for social justice in Argentina and beyond.
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Mauricio Kagel (December 24, 1931 Buenos Aires-September 18, 2008 Cologne) also known as Maurizio Kagel or Mauricio Raúl Kagel was an Argentine composer, film score composer and television director.
His discography includes: Tantz-Schul, 1898: Music for Renaissance instruments, String Quartet I [1965-67] Pan  For Piccolo & String Quartet, String Quartets II, III, Acustica, Heterophonie-Improvisation ajoutée, Transición II / Phonophonie, Mauricio Kagel: 5 Stücke der Windrose, Orchestral Works (Rundfunk-Sinfonieorchester Saarbrücken feat. conductor: Mauricio Kagel), Duodramen / Szenario / Liturgien (Saarbrücken Radio Symphony Orchestra, Gulbenkian Foundation Chorus Lisbon feat. conductor: Mauricio Kagel) and . His related genres: 20th-century classical music.
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Elpidio González (August 1, 1875 Rosario-October 18, 1951 Buenos Aires) was an Argentine lawyer.
In addition to being a lawyer, Elpidio González was also a politician who served as the Vice President of Argentina from 1916 to 1922 under President Hipólito Yrigoyen. He was also a member of the Argentine Chamber of Deputies, a position he held from 1924 to 1928. Gonzalez was known for his involvement in the Radical Civic Union party, which he helped found in 1891. He was also an author and wrote several books, including "El Destino Social de la Humanidad" (The Social Destiny of Humanity) and "Juicio Político a la Dictadura" (Political Judgment on the Dictatorship). Gonzalez was a prominent figure in Argentinian politics and played a significant role in shaping the country's political landscape during his lifetime.
Elpidio González was born on August 1, 1875, in Rosario, Argentina, and grew up in a politically active family. His father, Segundo N. González, was a prominent lawyer who was involved in the Radical Civic Union party. Elpidio followed in his father's footsteps and went on to study law at the University of Buenos Aires, where he graduated with honors in 1901.
After completing his education, Gonzalez worked as a lawyer in Rosario before moving to Buenos Aires to continue his legal career. In 1906, he was appointed to the National Department of Justice and worked as a legal adviser to the government.
Gonzalez's political career began in 1912 when he was elected to the National Congress as a representative of the Radical Civic Union party. He quickly rose through the ranks and was elected Vice President of Argentina in 1916 under the presidency of Hipólito Yrigoyen.
During his tenure as Vice President, Gonzalez worked to promote social and economic reforms, including improved working conditions and land redistribution for farmers. He was also a strong advocate for the expansion of women's rights, and supported women's suffrage in Argentina.
Following his time as Vice President, Gonzalez returned to the National Congress, where he continued to be an influential member of the Radical Civic Union party. He was an outspoken critic of the government's handling of economic policy and called for greater investment in education and social programs.
Elpidio Gonzalez passed away on October 18, 1951, in Buenos Aires, leaving behind a legacy as a prominent politician, lawyer, and author who played a vital role in shaping the political landscape of Argentina in the early 20th century.
In addition to his political and legal career, Elpidio Gonzalez was also an accomplished writer. He wrote extensively on political and social issues, and his books were widely read and respected by his contemporaries. In 1913, he published his first book, "El Destino Social de la Humanidad" (The Social Destiny of Humanity), which explored topics such as democracy, human rights, and social justice. He followed this with "Juicio Político a la Dictadura" (Political Judgment on the Dictatorship) in 1929, a scathing critique of the military dictatorship that ruled Argentina from 1930 to 1943.
Gonzalez's legacy as a political figure was complicated by the fact that he supported the controversial policy of Roca-Runciman, which allowed British companies to gain a significant foothold in Argentina's meatpacking industry in exchange for increased trade with Britain. This policy was criticized at the time for favoring foreign interests over the needs of the Argentine people, and its long-term impact on the country's economy is still a topic of debate among historians.
Despite this controversy, Elpidio Gonzalez is remembered as a passionate defender of democracy, human rights, and social justice. His contributions to the Radical Civic Union party helped shape the political landscape of Argentina during a crucial period of its history, and his writings continue to be studied and respected by scholars in his home country and around the world.
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Luis Dellepiane (April 26, 1865 Buenos Aires-August 14, 1941 Federal) was an Argentine personality.
He was a renowned lawyer, politician, and diplomat who played a key role in shaping Argentina's foreign relations with the United States, Great Britain, and other countries. Dellepiane was a member of the Radical Civic Union (UCR) and served in various government positions, including Minister of Justice and Public Instruction, Minister of Foreign Affairs, and Ambassador to the United States. He was also a prolific writer and authored several publications on law and politics. Despite his many achievements, Dellepiane faced criticism for his involvement in the controversial Tragic Week, a series of riots and strikes that took place in Buenos Aires in 1919. However, he remained influential in Argentine politics and continued to hold positions of power throughout his career. Today, Dellepiane is remembered as a significant figure in Argentine history and a respected intellectual of his time.
In addition to his prominent career in law and politics, Luis Dellepiane was also a dedicated educator. He served as a professor of law at the University of Buenos Aires, where he inspired and mentored many of Argentina's future leaders. Dellepiane was a strong advocate for education and believed that access to knowledge was essential for social progress and political stability.
Throughout his life, Dellepiane maintained a strong interest in international affairs and was a key voice in shaping Argentina's foreign policy. He played a pivotal role in negotiating the end of World War I and represented Argentina at the League of Nations, where he worked to promote peace and international cooperation.
Dellepiane's legacy also extends to the world of sports. He was a passionate fan of football (soccer) and served as the president of the Argentine Football Association from 1917-1919. During his tenure, he implemented important reforms to make the sport more accessible and inclusive, including the creation of a national cup competition and the establishment of a national team.
Despite his many accomplishments, Dellepiane faced criticism and controversy at various points in his career. His involvement in the Tragic Week of 1919, which saw violent clashes between workers and police, was particularly divisive. However, he remained a respected figure in Argentine politics until his death in 1941, and his contributions to law, politics, education, and sports continue to be recognized and celebrated today.
As a lawyer, Luis Dellepiane was involved in several high-profile cases that helped shape Argentine law. He was a vocal advocate for labor rights and defended workers who had been mistreated by their employers. He also worked to promote social reform and campaigned for women's suffrage. Dellepiane was a progressive voice in Argentine politics and his ideas helped pave the way for future advancements in social and economic policy.
In addition to his many achievements, Dellepiane was a beloved public figure who was known for his charm, wit, and generosity. He was well-respected by his colleagues and peers, and was often sought out for his advice and counsel. Dellepiane was married to Mercedes Monner Sans, a prominent feminist and activist in her own right, and the couple had several children together.
Today, Luis Dellepiane remains an important historical figure in Argentina, and his contributions to law, politics, education, and sports continue to be celebrated. He is remembered as a dedicated public servant who worked tirelessly to promote social and economic progress, and his legacy stands as a testament to the power of vision, leadership, and commitment.
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Clement Gibson (August 23, 1900 Entre Ríos Province-December 31, 1976 Buenos Aires) was an Argentine personality.
Clement Gibson was an Argentine painter, graphic designer, and illustrator famous for his contribution to the modern design language of Argentina. He was an important figure in the Argentine art world during the mid-20th century and was known for his use of bright colors, bold lines, and innovative typography in his work. Gibson was heavily influenced by the Art Deco movement and his style can be seen in various public works throughout Buenos Aires. He was also an accomplished writer and published several travelogues and books on art and design. Despite his success, Gibson struggled with alcoholism and died in relative obscurity in 1976. However, his legacy as a pioneer of modern design in Argentina lives on.
Gibson studied at the National Academy of Fine Arts in Buenos Aires and later travelled to Europe to study art, where he was particularly influenced by the avant-garde movements of the time. He returned to Argentina in 1928 and began working as a designer for various advertising agencies, where he gained a reputation for his innovative style. In 1935 he founded his own design studio, which became one of the most important in the country, creating designs for a range of clients from government agencies to private companies.
Gibson was also involved in the promotion of modern art in Argentina, organising exhibitions and events with other artists to bring attention to their work. His contributions to Argentine design and culture were recognised with numerous awards and honours, including the title of Commander of the Order of Merit from the French government.
Despite his addiction to alcohol, Gibson continued to work throughout his life and left behind a rich body of work that continues to influence designers and artists in Argentina and beyond. His legacy is celebrated with a number of exhibitions and retrospectives, and his designs and illustrations are still widely admired for their unique and timeless qualities.
In addition to his work as a designer and artist, Clement Gibson was also a prolific writer. He wrote several books on design and typography, including "Design in Argentina," which was published in 1954 and remains a seminal work on the subject. He also wrote travelogues about his experiences in Europe, exploring the art and culture of cities like Paris and Berlin.
Gibson's impact on Argentine design cannot be overstated. He was a pioneer in the use of modern design principles and his bold, colorful style helped to define the visual language of Argentina in the mid-20th century. He was also a mentor to many young designers and artists, helping to shape the next generation of talent in the country.
Despite his personal struggles, Gibson remained committed to his work and his passion for art and design until the end of his life. He continues to be remembered as one of Argentina's most important cultural figures, and his influence can be seen in the work of designers and artists around the world.
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José Valle (June 19, 1920 Buenos Aires-April 5, 1997) was an Argentine personality.
José Valle was a writer, journalist, and politician who made significant contributions to Argentine culture and society. He began his career in journalism in the 1940s, writing for various newspapers and magazines including the prestigious daily newspaper La Nación. He later became director of the weekly magazine Vea y Lea, where he introduced comic strips and other graphic materials that revolutionized Argentine media.
Valle was also a prolific writer, publishing several novels and collections of short stories throughout his career. His novel "El Infierno Musical" was awarded the Premio de la Crítica in 1961, and his collection of short stories, "Los Libros del Padre Bernardo," won the Premio Nacional de Literatura in 1966.
In addition to his work in journalism and literature, Valle was also actively involved in politics. He was a member of the Radical Civic Union and served as a senator for the province of Buenos Aires from 1971 to 1976. He was a supporter of democracy and human rights and was a vocal critic of the military dictatorship that ruled Argentina from 1976 to 1983.
Overall, José Valle was a well-respected figure in Argentine intellectual and political circles, and his contributions to Argentine culture and society continue to be celebrated today.
Valle was also a prominent figure in the Argentine cultural scene. He was a member of the literary group Boedo, which was known for promoting social realism in literature. He was also a founding member of the Argentine Association of Writers and served as its president from 1961 to 1962.
Valle's influence extended beyond Argentina, with his work being translated and published in various countries across Latin America and Europe. He was also a regular participant in international cultural events, such as the Biennale di Venezia and the Frankfurt Book Fair.
Throughout his life, Valle maintained a commitment to social issues and was an advocate for workers' and women's rights. He was a supporter of the feminist movement and in the 1970s helped establish the Collective of Argentine Women Writers.
Despite suffering from Parkinson's disease in his later years, Valle continued to write and publish until his death in 1997. He remained a respected figure in Argentine literature and journalism, with many of his works becoming regarded as classics of Argentine literature.
Valle's contributions to Argentine culture and society were not limited to his work in journalism, literature, and politics. He was also a keen advocate for the preservation of Argentine music and dance traditions. In the 1950s, Valle and his wife founded the Buenos Aires Dance Festival, which aimed to promote traditional Argentine folk dances and bring them to a wider audience. Valle believed that Argentine culture was a valuable national asset that should be celebrated and preserved for future generations.
Valle's legacy has continued to be celebrated in the years since his death. In 2005, the Buenos Aires Legislature declared his birthplace, the neighborhood of Boedo, an "Area of Cultural Heritage" in honor of his contributions to Argentine culture. In 2010, a new edition of "Los Libros del Padre Bernardo" was published, featuring a comprehensive introduction that highlighted Valle's place in Argentine literary history. As Argentine cultural critic Beatriz Sarlo has noted, Valle was a writer who "symbolized the deepest vocation of the intellectual, that of being attentive and committed to the world."
Today, José Valle's name is remembered alongside other Argentine cultural icons like Jorge Luis Borges and Julio Cortázar. His work continues to be read and admired not just in Argentina, but throughout the Spanish-speaking world.
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Eduardo Barnes (March 24, 1901 Rosario-April 5, 1977) was an Argentine personality.
Born in Rosario, Argentina, Eduardo Barnes was a successful journalist, author, and poet. He began his career as a journalist at the age of 16 and became widely known for his work as a foreign correspondent during World War II. He covered the war from multiple fronts and his reporting helped shape public opinion about the conflict.
After the war, Barnes wrote several books that were well-received by the public, including his memoirs about his experiences as a war correspondent. He was also an accomplished poet and published several collections of his work throughout his career.
In addition to his literary pursuits, Barnes was involved in politics, serving as a member of the Argentine Senate in the 1950s. He was known for his progressive views and advocacy for social justice.
Barnes passed away in 1977, leaving behind a legacy as a talented writer, journalist, and advocate for human rights.
Barnes was a prolific writer, and his extensive body of work includes essays, novels, and non-fiction publications. He was a director of the influential magazine "Sur," which was instrumental in shaping the intellectual climate of Argentina during the mid-20th century. He was also an advocate for the rights of writers and journalists, and helped found several organizations dedicated to protecting the freedom of the press in Latin America.
Barnes' impact and legacy in Argentina and beyond continue to be felt today. Many of his works, including his poetry collections and memoirs, are still widely read and celebrated. His commitment to social justice and human rights continue to inspire new generations of writers, journalists, and activists.
In addition to his journalistic and literary pursuits, Eduardo Barnes was also known for his travels around the world. He visited numerous countries, including the United States, Spain, and France, and his experiences in these places informed much of his writing. Barnes was also a teacher, and held positions at several universities, including the National University of Córdoba and the University of Buenos Aires. His dedication to education and his passion for journalism, literature, and advocacy continue to inspire those who follow in his footsteps. Today, Barnes is widely regarded as one of Argentina's most influential and talented writers and journalists.
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Pío Collivadino (August 20, 1869 Buenos Aires-August 26, 1945) was an Argentine personality.
He was a prominent painter and a key figure in the development of the Argentine art scene in the late 19th and early 20th centuries. He studied at the School of Fine Arts in Buenos Aires and later traveled to Europe, where he was heavily influenced by Impressionism and Post-Impressionism. Collivadino was best known for his landscapes and cityscapes, through which he captured the unique beauty of Buenos Aires and the surrounding countryside. He was also a prolific illustrator, and his distinctive drawings and sketches appeared in many popular books and magazines of the time. In addition to his artistic contributions, Collivadino was a passionate advocate for the arts, and he played an important role in the establishment of several key cultural institutions in Argentina. Today, his works can be found in many major museums throughout Argentina and around the world, showcasing the timeless beauty of his artistic vision.
Collivadino was born in Buenos Aires to an Italian immigrant family. His father was a carpenter and encouraged him to pursue his artistic talents. In 1885, he began his studies at the School of Fine Arts in Buenos Aires, where he quickly became a standout student. After completing his studies, he traveled to Europe where he continued to develop his signature style.
Upon his return to Argentina, Collivadino became involved in the cultural and artistic communities of Buenos Aires. He was a founding member of the Society of Argentine Watercolorists and the Argentine Association of Painters and Sculptors. He also served as the director of the National School of Fine Arts from 1931 until his retirement in 1938.
Collivadino's work was highly regarded throughout his lifetime, and he received numerous awards and honors for his contributions to the arts. His legacy continues to inspire new generations of artists in Argentina and beyond.
Collivadino's love for depicting the landscapes of Argentina was heavily influenced by the works of the French Impressionists and Post-Impressionists, particularly Claude Monet and Vincent van Gogh. He was particularly interested in capturing the effects of light and color on the natural environment, resulting in his use of bold, bright hues and loose brushstrokes. His cityscapes also depicted the diverse neighborhoods of Buenos Aires, highlighting the unique cultural and social aspects of each one.
In addition to his paintings, Collivadino's illustrations were also widely beloved. He worked for newspapers and magazines such as La Argentina, Caras y Caretas, and Fray Mocho, producing many memorable images that captured everyday scenes of Argentine life. His illustrations were known for their attention to detail and his ability to capture the personalities and emotions of his subjects.
Collivadino's love for the arts went beyond his own creative output. He played an instrumental role in the founding of several important cultural institutions in Argentina, including the National Museum of Fine Arts and the Buenos Aires National Symphony Orchestra. He was also a respected educator, teaching at the National School of Fine Arts for many years and mentoring young artists.
Despite his significant contributions to the arts, Collivadino struggled financially for much of his life. He relied on commissions and sales of his paintings and illustrations to support himself and his family. It wasn't until later in his life that his work began to be recognized and appreciated on a larger scale, earning him the accolades and honors he deserved.
Today, Pío Collivadino is remembered as one of Argentina's most important artists, whose legacy continues to inspire and influence artists around the world.
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Antonio Berni (May 14, 1905 Rosario-October 13, 1981 Buenos Aires) a.k.a. Delesio Antonio Berni was an Argentine artist, painter and visual artist. His children are called Lily Berni and José Antonio Berni.
Berni studied in Europe before returning to Argentina in the 1920s. He became associated with the Nuevo Realismo movement, which sought to use art to depict societal realities, especially those affecting the working class. Berni's works often featured marginalized individuals and working-class people, and he used a variety of mediums, including painting, collage, and sculpture. He is perhaps best known for his series of paintings and collages called "Juanito Laguna," which portrayed the life and struggles of a poor boy living in the slums of Buenos Aires. He received numerous awards and honors throughout his career, and his works continue to be celebrated and collected internationally.
Additionally, Antonio Berni was an accomplished muralist, creating several large-scale murals in public buildings across Argentina. He was also a prolific printmaker, producing hundreds of prints throughout his career. Berni was a vocal advocate for social justice and often used his art as a means of political activism. In the 1950s, he joined the Communist Party of Argentina and later supported the Peronist movement. His political affiliations led to periods of political persecution and exile throughout his life. Despite this, he continued to create art until his death in 1981, leaving behind a legacy as one of Argentina's most influential and celebrated artists.
In addition to his contributions to the world of art, Antonio Berni was also an educator. He founded and directed the Escuela de Bellas Artes in Rosario, Argentina, where he taught young artists for many years. He also served as a professor at the Universidad Nacional de Tucumán and the Universidad Nacional de La Plata. Berni's artistic style evolved throughout his career and was heavily influenced by his travels and experiences. His works ranged from abstract to figurative and often incorporated found materials and everyday objects to create a sense of realism. Despite the challenges he faced as a politically active artist in Argentina, Berni remained committed to creating art that would inspire social change and raise awareness about the struggles of everyday people. Today, his works can be found in museums and galleries around the world, and he is remembered as a pioneering figure in Latin American art history.
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Francisco Canaro (November 26, 1888 San José de Mayo-December 14, 1964 Buenos Aires) a.k.a. Francisco Canaro Y Su Orquesta Típica, Canaro, Francisco, Francisco Canaro Y Su Orquesta Tipica or Francisco Canarozzo was an Argentine musician, film score composer, actor and film producer.
Discography: Milongueando con Canaro, Bailando Tangos, Valses y Milongas, El Álbum de Oro, La melodía de nuestro adiós, Sentimiento gaucho, Tangos inolvidables del '40, Te acordás hermano?, Grandes del Tango 28, Grandes del Tango 29 and Poema. His related genres: Tango music and Film score.
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Nathán Pinzón (February 27, 1917 Buenos Aires-August 15, 1993 Buenos Aires) a.k.a. Natalio Garfinkel was an Argentine actor and screenwriter.
Pinzón began his career as a theater actor and later moved to the film industry. His notable film credits include "La Guerra Gaucha" (1942), "El Último Payador" (1948), and "Zafra" (1958). He was also a successful screenwriter, having written the script for "El Último Payador" and other films.
In addition to his work in film and theater, Pinzón was a respected teacher and mentor to many young actors in Argentina. He was known for his dedication to the craft and his passion for storytelling.
Pinzón was also a political activist and was involved in the Peronist movement during the 1940s and 1950s. He was briefly imprisoned in 1955 after the fall of the Perón government.
Throughout his career, Pinzón was highly regarded for his talent and his contributions to the Argentine cultural scene. His legacy continues to inspire and influence actors and writers in Argentina and beyond.
Pinzón was born to a Jewish family and grew up in the neighborhood of Villa Crespo in Buenos Aires. He was the youngest of six siblings and his parents were immigrants from Poland. As a child, he was interested in acting and would often perform skits for his family and friends.
In the 1930s, Pinzón joined a theater group known as "Teatro del Pueblo" and began to appear on stage in productions such as "Tobias y el Ángel" and "Los hijos de Fierro". He later joined another theater company, "Nuevo Teatro", where he worked alongside renowned actors such as Berta Singerman and Enrique Muiño.
Pinzón made his film debut in 1937 with a small role in the comedy film "La muchacha del circo". He later appeared in a supporting role in the historical drama "Su mejor alumno" (1944), which was directed by Lucas Demare.
In the 1950s, Pinzón turned his attention to screenwriting and worked as a writer for several films, including "El hombre que debía una muerte" (1955) and "La Venenosa" (1958).
Despite his success in film and theater, Pinzón remained humble and committed to his craft. He was known for his generosity and his willingness to help young actors and writers in any way he could.
Pinzón's contributions to Argentine culture were recognized in 1983 when he was awarded the "Konex Award" for his career in film, theater, and television.
His legacy continues to be celebrated in Argentina, with a street in Buenos Aires named after him and a theater festival held in his honor.
Pinzón's political activism was not limited to his involvement in the Peronist movement. He was also a vocal opponent of the military dictatorship that ruled Argentina from 1976 to 1983. Pinzón was very critical of the government's human rights abuses and censorship of the arts, and used his platform as an actor and writer to speak out against these injustices. He worked closely with other artists and intellectuals during this time to promote a more democratic society in Argentina.
In addition to his work in film, theater, and activism, Pinzón was also a prolific writer. He published several books of poetry, plays, and essays throughout his life. His writing often explored themes of social justice, love, and the human condition.
Pinzón's personal life included a long-term relationship with fellow actor Cipe Lincovsky. The couple never married but remained together for over 50 years until Pinzón's death in 1993.
Today, Pinzón is remembered not only as a talented actor and writer, but also as a cultural icon and political activist who used his art to fight for social change in Argentina.
He died caused by cardiac arrest.
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Ulyses Petit de Murat (January 28, 1907 Buenos Aires-August 19, 1983 Buenos Aires) also known as Ulises Petit de Murat was an Argentine screenwriter, poet and writer.
He was the author of several books of poetry, including "El Agua Quieta" (Quiet Water), "El Hombre del Puente" (The Man on the Bridge), and "Los Ojos Perdidos" (The Lost Eyes). Petit de Murat also wrote screenplays for several Argentine films, such as "La Cigarra no es un Bicho" (The Cicada is not a Bug) and "El Ángel de España" (The Angel of Spain), and worked as a journalist and literary critic for various publications. He was one of the founders of the literary magazine "Sur" and was a prominent figure in the Argentine literary and cultural scene during the first half of the 20th century. Petit de Murat was also a political activist and was briefly imprisoned for his opposition to the military government of Juan Carlos Onganía in the late 1960s.
In addition to his achievements in poetry, literature, and film, Ulises Petit de Murat was an important figure in Argentine journalism. He contributed articles and critiques to prestigious publications such as La Nación and Clarín, and was a vocal proponent of the arts in Argentina. Petit de Murat was also involved in political movements throughout his life, and was a member of the Socialist Party in his early years. He later became associated with the Peronist movement, and worked as a cultural advisor to Juan Domingo Perón during his second presidency. Despite his political involvement, Petit de Murat remained dedicated to his literary pursuits throughout his life, and continued to write poetry until his death in 1983.
Petit de Murat was born into a prominent family in Buenos Aires, and grew up surrounded by art and culture. He studied at the University of Buenos Aires, where he earned a degree in Philosophy and Letters. After graduating, he worked as a teacher and began publishing his poetry in literary magazines.
In addition to his work as a writer, Petit de Murat was a passionate advocate for Argentine literature and culture. He served as the director of the National Library and was a frequent lecturer on topics related to literature and the arts.
Although he was known primarily for his poetry and film work, Petit de Murat also wrote several novels and plays throughout his career. His novel "La Sombra de los Rebeldes" (The Shadow of the Rebels) was published in 1956 and is considered one of his most important works.
Today, Petit de Murat is remembered as one of the most influential writers of his generation in Argentina. His poetry and prose continue to be studied and celebrated, and his contributions to the country's cultural landscape are recognized as significant and enduring.
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Amancio Williams (February 19, 1913 Buenos Aires-October 14, 1989) was an Argentine architect. His child is Claudio Williams.
Amancio Williams was born to a family of artists and intellectuals. He studied architecture at the National University of Buenos Aires, where he later taught as a professor. He designed several notable buildings and structures, including the Argentina Pavilion for the 1958 Brussels World Exposition and the Banco de Londres building in Buenos Aires.
Williams was also known for his research on acoustics and his development of the teledeltos sound system. He was a pioneer in the use of industrial materials in architecture, and his designs often incorporate steel and glass.
In addition to his architectural work, Williams was a talented musician and composer. He wrote several pieces for classical guitar and was a member of the avant-garde music group Nueva Música, which sought to bridge the gap between classical and popular music.
Despite his many accomplishments, Williams remained relatively unknown outside of Argentina during his lifetime. However, his contributions to architecture and music continue to be recognized and celebrated by those in his native country and beyond.
One of Williams' most notable works was the Casa del Puente, a private house located in Mar del Plata, which is now considered a masterpiece of modern architecture. He designed the house for his family in 1943 when he was only 30 years old, and it features a cantilevered structure that allows the house to appear to float above the surrounding landscape. The house has been praised for its innovative use of materials and its integration with nature. Williams himself lived in the house for many years.
In addition to his work as an architect, Williams was also involved in urban planning and served as the director of the National Institute for Urban Research and Planning. He was known for his strong views on the relationship between architecture and society, and he believed that buildings should not only be aesthetically pleasing but also serve the needs of their users.
After his death, Williams' legacy continued through several exhibitions and retrospectives of his work. In 2010, the Amancio Williams Foundation was established in Mar del Plata with the aim of preserving and promoting his architectural and musical legacy. Today, Williams is widely considered to be one of the most important architects of the 20th century in Argentina.
Some other notable works of Amancio Williams include the Plan for the Reconstruction of the Buenos Aires Waterfront and the National Library of Argentina. He also designed several public buildings, including schools, museums, and theaters, as well as private residences and housing developments. His designs were characterized by their functionalism, simplicity, and integration with natural surroundings.
Williams was also an active member of the International Congresses of Modern Architecture, where he advocated for the use of rationalism in architecture and urban planning. He believed that architecture should respond to the needs of society and be accessible to everyone, regardless of their economic or social status.
In addition to his work as an architect, Williams was also an avid traveler and photographer. He documented his travels throughout Europe, Asia, and the Americas, and used his photographs as inspiration for his designs.
Throughout his career, Williams received numerous awards and honors for his contributions to architecture and music. He was awarded the National Prize for Architecture in Argentina in 1962, and was posthumously awarded the Konex Award for Architecture in 1992.
Today, Williams' work is still admired and studied by architects and designers around the world. His innovative designs and pioneering use of materials continue to inspire new generations of architects, while his musical compositions are still performed and recorded by classical guitarists.
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Félix Romano (November 30, 1894 Buenos Aires-November 30, 1970) was an Argentine football player.
Félix Romano was known as one of the best midfielders in Argentina during the 1920s, and was part of the legendary "La Máquina" team of River Plate in the 1930s. He made his debut for River Plate in 1914 and played for the team until 1931. Throughout his career, he won four league championships with River Plate and was also part of the Argentine national team that won the 1927 South American Championship. After his retirement, Romano went on to coach several clubs in Argentina, including San Lorenzo, Talleres de Córdoba, Ferro Carril Oeste and Tigre. He was inducted into the Argentine Football Hall of Fame in 2018.
Romano was known for his exceptional dribbling skills and his ability to control the ball, which made him a key player in his team's offensive plays. During his time with River Plate, he played alongside other legendary players such as Bernabé Ferreyra and Carlos Peucelle, forming one of the most successful teams in Argentine football history. In addition to his success on the field, Romano was also known for his sportsmanship and leadership qualities, which earned him the respect of both his teammates and opponents. After retiring from football, he continued to be involved in the sport as a coach and mentor to younger players. Romano's legacy as a footballer and role model continues to be celebrated by fans and players alike.
Romano's football career spanned over 17 years, during which he played for several other teams, including Porteño and Tigre. He earned a reputation as an intelligent and versatile player who could adapt to different positions on the field. Besides his skill as a midfielder, he also played as a forward and a defender in different matches.
Romano was also part of the Argentine national team that participated in the 1928 Olympic Games in Amsterdam. He appeared in two matches and helped Argentina reach the semi-finals of the tournament.
As a coach, Romano was known for his strategic thinking and his ability to motivate his players. He coached several top-flight teams in Argentina, including San Lorenzo, Talleres de Córdoba, and Ferro Carril Oeste. He also had stints coaching in Uruguay and Paraguay.
Romano's contributions to Argentine football were widely recognized, and he was posthumously inducted into the River Plate Hall of Fame in 2008. In 2018, he was further honored with induction into the Argentine Football Hall of Fame. His name remains synonymous with excellence and sportsmanship in the history of Argentine football.
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Abel Cestac (August 25, 1918 Argentina-April 5, 1995) was an Argentine personality.
Abel Cestac was a prominent Argentine writer, journalist, and politician. He had a successful career in journalism, starting as a correspondent for various newspapers and eventually becoming a prominent editor. Cestac was also a prolific author, writing several novels and short stories that were widely acclaimed.
In addition to his career in writing, Cestac was also involved in politics. He served as a member of the Argentine National Congress and was an active participant in the Peronist movement. He was a passionate advocate for workers' rights and social justice causes.
Cestac's contributions to Argentine literature and politics have earned him a place in the country's cultural history. His work has been recognized with numerous awards and honors, including the National Prize for Literature in 1978.
Cestac was born in the city of Rafaela, Santa Fe province in Argentina, and grew up in a politically active family. His father was a Socialist Party activist who instilled in him a strong commitment to social justice from an early age. After completing his studies in law, Cestac began his journalistic career as a correspondent for several newspapers before joining the editorial staff of La Nación, one of Argentina's most prestigious newspapers.
Cestac's literary career took off in the early 1950s with the publication of his first novel, "El río es el río" ("The River is the River"), which explored themes of urban decay and social inequality. He went on to publish several more novels, including "La corriente" ("The Current"), "La noche inmóvil" ("The Motionless Night"), and "El jefe urbano" ("The Urban Boss"), among others. His novels are characterized by their sharp social critique and their exploration of the psychological complexity of his characters.
Outside of his literary and journalistic work, Cestac was deeply involved in politics. He served as a National Deputy in the Argentine Congress from 1963 to 1966 and later became a prominent member of the Peronist movement, which sought to promote the interests of the country's working-class majority. He was known for his passionate advocacy of workers' rights and his commitment to social justice causes.
Despite his success as a writer and politician, Cestac remained committed to his roots and continued to be deeply connected to the working-class communities from which he came. He was widely respected throughout Argentina for his integrity, his intellectual curiosity, and his unwavering commitment to social justice.
Cestac's legacy as a writer and politician continues to inspire generations of Argentinians. His work has been translated into multiple languages and continues to be studied and analyzed by scholars and literary critics. In addition to his novels and short stories, Cestac also wrote several essays and articles on a range of topics, including politics, philosophy, and literature. He was a prolific and insightful writer whose work remains relevant and thought-provoking to this day.
Throughout his life, Cestac remained committed to his principles and values, never wavering in his dedication to social justice and the empowerment of the working class. He was a true intellectual and visionary, always striving to make a positive impact on the world around him. His legacy will continue to live on as a testament to the power of literature and the importance of political activism in shaping a more just and equitable society.
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