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Armenian musicians died at 74

Here are 5 famous musicians from Armenia died at 74:

Aram Khachaturian

Aram Khachaturian (June 6, 1903 Tbilisi-May 1, 1978 Moscow) a.k.a. Արամ Խաչատրյան, Aram Chatschaturjan, Amar Khachaturian, Aram Katchatourian, Aram Khatchatourian, Aram Kachaturian, Aram Il'Yich Khachaturian, Aram Khatschaturian, Khatchaturian, Khatschaturian, Аpaм Ильич Xaчaтypян, Aram Ilich Khachaturian , Aram Khatchaturian, Amar Khatchaturian, Aram Khachaturyan, Aram Xačatryan, Khachaturian, Aram Il'ič Hačaturjan, Chatjaturjan, Khachaturian Gayne Ballet, A. Khachaturian, 아람 하차투리안, Khachaturian, Aram Ilich, Aram Ilyich Khachaturyan, A. Khachaturyan, Aram Jachaturián, Emin Khachaturian, Aram Khachaturian (1903-1978) or Khatchaturin was an Armenian composer, conductor and film score composer.

His albums: Ballet Music, Piano Concerto in D-flat / Sonatina / Toccata (London Symphony Orchestra feat. conductor: Loris Tjeknavorian, piano: Alberto Portugheis), Aram Khachaturian (1903 - 1978), Gayaneh (USSR RTV Large Symphony Orchestra feat. conductor: Djansug Kakhidze), Spartacus / Gayaneh / The Seasons, Symphony No. 2 “The Bell” / “Battle of Stalingrad” – Suite (Armenian Philharmonic Orchestra feat. conductor: Loris Tjeknavorian), Gayaneh (USSR Radio and TV Large Symphony Orchestra feat. conductor: Djansug Kakhidze), Piano Concerto / Violin Concerto / Masquerade Suite / Symphony no. 2, Violin Concerto / Concerto-Rhapsody (National Symphony Orchestra of the Ukraine, feat. conductor: Theodore Kuchar, violin: Mihaela Martin) and Spartacus (Rias-Kammerchor & Deutsches Symphonie-Orchester Berlin feat. conductor: Michail Jurowski). Genres he performed include Ballet, 20th-century classical music, Chamber music, Incidental music, Film score and Ballet.

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Paris Herouni

Paris Herouni (December 17, 1933 Armenia-December 5, 2008) was an Armenian engineer.

He is best known for his research on the Zorats Karer, also known as Carahunge, an ancient astronomical observatory located in his native country of Armenia. Herouni spent decades studying and mapping the complex, which consists of standing stones, holes, and chambers arranged in a circular pattern, and concluded that it was used for tracking the movements of celestial bodies.

In addition to his work on Zorats Karer, Herouni also made significant contributions in the fields of radio engineering and satellite technology. He founded the Radiophysics Research Institute in Yerevan and was a member of the Armenian National Academy of Sciences.

Herouni received numerous awards throughout his career, including the Order of the Red Banner of Labour and the title of Honored Scientist of Armenia. After his death in 2008, a museum dedicated to his life and work was opened in Yerevan.

Paris Herouni was born on December 17, 1933, in the Armenian town of Gyumri. After graduating from Yerevan Polytechnic Institute in 1955, he worked as an engineer in the field of radio electronics. However, he became fascinated with the ancient ruins of his homeland and began researching the Zorats Karer complex in 1967.

Herouni's dedication to his research was unwavering, and he worked tirelessly to decipher the astronomical significance of the standing stones and other structures at the site. He also sought to raise awareness of the importance of preserving the cultural heritage of Armenia, and he lectured extensively on the subject both at home and abroad.

Herouni's work on satellite technology was also groundbreaking. He was instrumental in the establishment of Armenia's first satellite communication system, and he played a major role in the creation of the ArSat-1 satellite, which was launched in 2014.

In addition to his impressive scientific achievements, Herouni was a prolific writer and speaker. He authored more than 400 scientific publications and delivered countless lectures on the subjects of astronomy, archaeology, and cultural preservation.

Throughout his life, Herouni remained committed to his homeland and to the pursuit of knowledge. He died in Yerevan on December 5, 2008, and was mourned by colleagues, friends, and admirers around the world.

Herouni's legacy lives on through the Paris Herouni Museum of Armenian Science and Culture, which was established in partnership with the Armenian government and Yerevan State University. The museum houses a collection of artifacts from the Zorats Karer site, as well as exhibits on Herouni's life and work and on the history of Armenian astronomy and science. The museum also serves as a center for research and education, offering lectures and workshops on a variety of scientific and cultural topics.

Herouni's contributions to the field of astronomy and his dedication to preserving Armenia's cultural heritage have been recognized around the world. In 1994, he was awarded the Khachatur Abovian Medal by the Armenian government for his achievements in science and culture. He was also elected a fellow of the International Academy of Astronautics and received numerous other honors throughout his career.

Despite his impressive accomplishments, Herouni remained humble and committed to his roots. He once said, "I am a simple Armenian boy who had a dream, and I have been lucky enough to live that dream. My message to everyone is simple: follow your dreams, work hard, and never forget where you come from."

Herouni's work on satellite technology has had a lasting impact on Armenia's technological development. In addition to his contributions to the establishment of the country's first satellite communication system and the creation of the ArSat-1 satellite, he also helped develop Armenia's first television station and led the construction of the country's first radio astronomy observatory.

Throughout his career, Herouni was dedicated to promoting scientific research and education in Armenia. He worked to establish the Armenian Astronomical Society and served as a mentor to many young scientists in the country, encouraging them to pursue their interests in both astronomy and cultural preservation.

Herouni's research on the Zorats Karer has also inspired new archaeological discoveries in Armenia. In recent years, his work has been used as a foundation for further studies on the use of standing stones in ancient astronomical observation and tracking.

Paris Herouni's contributions to Armenian science and culture continue to be celebrated today. The Paris Herouni Museum of Armenian Science and Culture remains an important center for research and education, and his legacy inspires young scientists and researchers in Armenia and beyond.

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Józef Teodorowicz

Józef Teodorowicz (August 25, 1864-December 4, 1938) was an Armenian personality.

Born in Tbilisi, Georgia, Józef Teodorowicz was an Armenian writer, journalist, and cultural activist. He began his writing career as a journalist in Moscow, working for various newspapers such as Russkiye Vyedomosti and Severny Vestnik. Later, he moved to Warsaw, where he became an active participant in the Armenian cultural and literary scene.

Teodorowicz played a significant role in promoting Armenian literature and culture in Poland. He translated several Armenian literary works into Polish, including the works of Hovhannes Tumanyan and Hovhannes Shiraz. He also wrote several novels and short stories in Polish, drawing inspiration from his Armenian heritage.

Apart from his literary career, Teodorowicz was also active in Armenian cultural and social circles. He was a member of the Armenian Society of Warsaw and played a key role in organizing Armenian cultural events in Poland.

Józef Teodorowicz passed away on December 4, 1938, leaving behind a legacy as a prominent Armenian personality and a champion of Armenian culture in Poland.

In addition to his work in promoting Armenian culture, Józef Teodorowicz was also an advocate for social justice and equality. He was involved in progressive political movements in Poland and was a supporter of the Polish Socialist Party. Teodorowicz also spoke out against the discrimination and persecution of the Armenian people in the Ottoman Empire. He wrote several articles and essays on the topic, urging the international community to take action to prevent Armenian genocide. Teodorowicz's contributions to Polish and Armenian culture were recognized posthumously with the publication of a collection of his works in 1964.

Teodorowicz's dedication to promoting Armenian literature was evident in his frequent translations and adaptations of works into Polish. His most famous translation was "Anush" by Hovhannes Tumanyan, which introduced Armenian literature to Polish audiences. Teodorowicz also wrote several plays that were performed in Armenian theaters across Poland, showcasing his talent as a playwright.

Teodorowicz's passion for social justice was evident in his involvement in progressive political movements. He was a fervent supporter of women's rights and advocated for equal treatment of women in Polish society. He also spoke out against anti-Semitism and promoted interfaith harmony between Armenians and Jews.

Teodorowicz's legacy as a champion of Armenian culture and social justice continues to inspire generations. His advocacy for cultural diversity, tolerance, and equality is particularly significant today, as the world continues to grapple with issues of discrimination and prejudice.

Teodorowicz's contributions to Armenian culture were not just limited to Poland. He also had a significant impact on the Armenian community in the United States. During a visit to the US in 1922, Teodorowicz became involved with the Armenian National Union of America, promoting Armenian culture and raising awareness about the plight of the Armenian people. He also worked closely with Armenian-American newspapers, contributing articles and translations of Armenian literature.

In addition to his literary and cultural work, Teodorowicz also had a successful career in the legal profession. He studied law at the University of Moscow and later practiced law in Warsaw, where he became a respected lawyer and judge. His legal work often focused on cases of social injustice and discrimination, reflecting his commitment to social justice and equality.

Teodorowicz's legacy as a writer, cultural activist, and social justice advocate continues to influence Armenian and Polish culture and society. His work in promoting cultural diversity and interfaith harmony serves as a powerful reminder of the importance of tolerance and understanding in today's world.

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Nubar Pasha

Nubar Pasha (January 1, 1825 Smyrna-January 14, 1899 Paris) was an Armenian personality. He had one child, Boghos Nubar.

Nubar Pasha was a prominent statesman and served as the Prime Minister of Egypt three times during the late 19th century. He was instrumental in modernizing Egypt and implementing various reforms. In addition, he was also an advocate for Armenian rights and played a significant role in the Armenian national movement. Nubar Pasha was recognized and honored by many countries during his lifetime for his contributions to society and politics.

Nubar Pasha was born into an Armenian family in Smyrna, Ottoman Empire (now Izmir, Turkey) on January 1, 1825. He received his education in Smyrna and Constantinople (now Istanbul), and later went to France to study law. After completing his studies, he returned to Egypt in 1848, where he started his career in the civil service.

Throughout his career, Nubar Pasha held various positions in the Egyptian government, including Minister of Foreign Affairs, Minister of Finance, and Prime Minister. He was also involved in the establishment of the first modern Egyptian University, which was named after him in 1925.

In addition to his political career, Nubar Pasha was a prominent figure in the Armenian community. He was a strong advocate for Armenian rights and played an important role in the Armenian national movement. During the Armenian Genocide of 1915, his son Boghos Nubar played a leading role in the international effort to provide aid to the victims.

Nubar Pasha passed away on January 14, 1899, in Paris, France. He was remembered as a dedicated statesman who contributed greatly to the modernization of Egypt and the advancement of the Armenian national movement.

As an Armenian who had risen to a high position in the Egyptian government, Nubar Pasha often acted as an intermediary between the Ottoman Empire and the European powers. He played a crucial role in securing the recognition of the Armenian Patriarchate of Constantinople, which enabled the Armenians in the Ottoman Empire to have a degree of autonomy in their religious and cultural affairs.

In addition to his political and cultural achievements, Nubar Pasha was also a patron of the arts. He commissioned the construction of several buildings and monuments in Cairo, including the Opera House, which became a major cultural center in Egypt. He was also a collector of art and artifacts and donated many of his personal items to museums.

Despite his successes, Nubar Pasha faced criticism and opposition from various groups during his political career. Some accused him of being too close to the European powers and neglecting the interests of the Egyptian people. Nevertheless, his contributions to the development of Egypt and the advancement of Armenian rights are widely acknowledged and appreciated to this day.

One of Nubar Pasha's most notable accomplishments as Prime Minister of Egypt was the establishment of the country's first representative assembly in 1866. This was a major step forward for Egypt's political development and was part of Nubar Pasha's broader efforts to modernize the country's governance and infrastructure. He also oversaw the construction of railways and the expansion of Egypt's irrigation systems, which helped to increase agricultural productivity and stimulate economic growth.

In addition, Nubar Pasha was active in international diplomacy, particularly in relation to the Eastern Question, which concerned the fate of the Ottoman Empire's non-Turkish populations, including the Armenians. He attended several international conferences on this issue and worked to promote the interests of the Ottoman Empire's minority communities. However, his efforts were ultimately unsuccessful, as the Ottoman Empire continued its policy of discrimination and repression against the Armenians and other groups.

Despite the challenges he faced, Nubar Pasha was widely respected for his intellect, diplomacy, and commitment to public service. He was awarded numerous honors during his lifetime, including the Grand Cordon of the Order of Leopold, the Grand Cross of the Légion d'honneur, and the Privy Council of the United Kingdom. Today, he is remembered as a leading figure in the politics and culture of Egypt and the wider Middle East.

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Alexander Bazhbeuk-Melikyan

Alexander Bazhbeuk-Melikyan (September 11, 1891 Tbilisi-July 20, 1966 Tbilisi) was an Armenian personality.

He was a renowned composer, conductor, and musicologist who made significant contributions to the preservation and promotion of Armenian music. Bazhbeuk-Melikyan studied at the Tbilisi academy of music and later went on to receive further training in Moscow and Saint Petersburg.

He founded several music ensembles, both in Georgia and Armenia, including the Yerevan Conservatory Chamber Orchestra, which he directed until his death. Bazhbeuk-Melikyan was also an avid collector of folk music and transcribed and arranged numerous works for classical performances.

Some of his most famous compositions include "Three Pieces for Orchestra," "Symphonic Dances," and "Concerto for Cello and Orchestra." He was awarded a number of honors for his contributions to Armenian music and culture, including the title of People's Artist of Armenia.

Bazhbeuk-Melikyan was not only known for his compositions but also for his scholarly work. He researched and wrote extensively on Armenian music, publishing several books and articles on the subject. His most notable work is the three-volume "History of Armenian Music," which is considered a definitive resource on the topic. Bazhbeuk-Melikyan also served as a professor of music at the Yerevan Conservatory, where he mentored many aspiring musicians. In addition to his contributions to Armenian music, Bazhbeuk-Melikyan was an active member of the Communist Party and served as a deputy of the Supreme Soviet of the USSR. Despite his political affiliations, he remained dedicated to preserving and promoting Armenian culture throughout his life.

Bazhbeuk-Melikyan was born into a family of musicians, with his father being a prominent composer and conductor himself. This early exposure to music played a significant role in his decision to pursue a career in music. In addition to his work as a composer and conductor, he was also an accomplished pianist, and his skills on the instrument were highly regarded by his contemporaries.

During his career, Bazhbeuk-Melikyan collaborated with many other renowned musicians and composers, including Aram Khachaturian, Dmitri Shostakovich, and Sergei Prokofiev. He was also a member of the Union of Soviet Composers and served as the chairman of the Armenian branch of the organization.

Despite his success, Bazhbeuk-Melikyan faced several challenges throughout his career. His work was often censored or restricted by the Soviet government, and he was even briefly arrested during Stalin's purges in the 1930s. However, he persevered and continued to make significant contributions to Armenian music and culture until his death in 1966.

Today, Bazhbeuk-Melikyan is remembered as one of the most prominent figures in Armenian classical music. His compositions and scholarly works continue to be studied and performed by musicians around the world, and his legacy is celebrated by music lovers and cultural enthusiasts alike.

Bazhbeuk-Melikyan was not only a talented musician and scholar but also a polyglot, fluent in several languages, including Armenian, Russian, Georgian, French, and German. His linguistic skills allowed him to study and collect music from a wide range of sources and to communicate with musicians and scholars around the world. Along with his scholarly pursuits, he also actively promoted Armenian music and culture through performances, lectures, and radio broadcasts.

During World War II, Bazhbeuk-Melikyan served in the Red Army as a music director in the front-line troops. He was awarded several medals for his service, including the Order of the Red Banner of Labor and the Order of the Red Star.

In addition to his work in classical music, Bazhbeuk-Melikyan also composed several film scores, including the music for the Armenian film "The Song of the First Love" in 1958. His contributions to film music helped to further popularize Armenian music and culture.

Today, Bazhbeuk-Melikyan's music and writings continue to inspire and educate musicians and scholars. His dedication to Armenian music and culture and his contributions to the field of musicology have cemented his place in Armenian history and secured his legacy as a leading figure in classical music.