Austrian music stars deceased in Murder

Here are 1 famous musicians from Austria died in Murder:

Fritz Löhner-Beda

Fritz Löhner-Beda (June 24, 1883 Ústí nad Orlicí-December 4, 1942 Monowitz concentration camp) also known as Fritz Lohner-Beda, Löhner-Beda, Fritz, Friedrich Löwy, Beda or Fritz Löhner was an Austrian writer, lyricist and librettist.

He wrote lyrics and librettos for many popular operettas and musicals, including "The Merry Widow" and "The Land of Smiles" by Franz Lehár, and "The Gypsy Princess" by Emmerich Kálmán. He also wrote for film and was a screenwriter for the Austrian movie industry during the 1920s and 1930s.

Löhner-Beda was a prolific artist and collaborated with some of the greatest composers of his time, including Richard Tauber and Oscar Straus. He was the first person to write a German musical comedy in English, "The Girl in the Taxi," which was performed in London in 1912.

During the rise of Nazism in Austria, Löhner-Beda was forced to flee to France and then to the United States. He returned to Europe during World War II but was arrested and sent to the Monowitz concentration camp, where he was killed in 1942.

Despite his tragic end, Löhner-Beda's legacy lives on through his contributions to musical theatre and operetta.

In addition to his impressive career in music and film, Fritz Löhner-Beda was also an avid supporter of social justice causes. He was a member of the Social Democratic Party of Austria and used his talents to raise awareness of the issues facing the working class in his lyrics and writings. He was a strong opponent of fascism and Nazism and continued to speak out against these ideologies even while in exile.

Löhner-Beda was also known for his collaborations with the famous Viennese satirist Karl Kraus. Together, they wrote a number of works that were critical of the political and cultural climate of Austria at the time.

In recent years, there has been renewed interest in Löhner-Beda's work, particularly his contributions to Jewish culture in Vienna during the early 20th century. His tragic fate has made him a symbol of the devastating impact of the Holocaust on the arts community in Europe.

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