Here are 14 famous actresses from Brazil were born in 1935:
Norma Bengell (February 21, 1935 Rio de Janeiro-October 9, 2013 Rio de Janeiro) a.k.a. Norma Benguell, Norma Bengel, Norma Almeida Pinto Guimarães d'Area Bengell, Norma Aparecida Almeida Pinto Guimarães D´Áurea Bengell or Norma Aparecida Almeida Pinto Guimarães D'Áurea Bengell was a Brazilian film director, actor, film producer, singer, screenwriter and composer.
Norma Bengell started off as a model before venturing into acting in the 1960s. She gained international recognition for her roles in films such as "The Given Word" and "I, A Woman". Bengell was also a talented singer, releasing several music albums throughout her career. In addition to acting and singing, she directed and produced films, including the documentary "Um Ramo" and the feature film "The Powder Keg". Bengell was also a feminist icon and was known for advocating for women's rights in Brazil. She passed away in 2013 due to complications from lung cancer.
Bengell was born in Rio de Janeiro, Brazil and started her career as a model before transitioning into acting. She began her acting career in the early 1960s and quickly gained recognition for her talent. Bengell appeared in several critically acclaimed films, including the Brazilian drama "The Given Word" (1962) and the controversial Swedish film "I, A Woman" (1965).
In addition to her acting career, Bengell was also a talented singer and composer. She released several albums, including "Norma Bengell Canta Sucessos do Amor" and "Norma Bengell Canta The Beatles", showcasing her versatility as an artist.
Bengell was also an accomplished filmmaker, both as a director and producer. In 1981, she directed the documentary "Um Ramo", which focused on the lives of working women in Brazil. She also directed and produced the feature film "The Powder Keg" (1997), which dealt with political corruption in Brazil.
Throughout her career, Bengell was known for her activism and advocacy for women's rights. She was a feminist icon in Brazil and inspired many women to speak out against inequality.
Sadly, Bengell passed away in 2013 at the age of 78 due to complications from lung cancer. She left behind a legacy as a talented and trailblazing artist and activist.
Cacilda Lanuza (September 1, 1935 Campina Grande-) is a Brazilian actor.
She started her acting career in the theater during the 1950s and later became a prominent figure in Brazilian soap operas. Lanuza is best known for her work in popular telenovelas such as "Pecado Rasgado" and "O Bem-Amado." She also appeared in several films, including "O Caso Cláudia" and "O Tronco." In addition to her acting career, Lanuza is also a renowned acting coach and has taught at several prestigious institutions such as the Escola de Teatro Martins Penna and the Teatro Escola Célia Helena. Over the course of her career, she has received numerous accolades including a Troféu Imprensa award for Best Supporting Actress in 1984.
Lanuza was born in Campina Grande, Paraíba, Brazil. She began her acting career in the 1950s when she joined a theater company in Recife. In the early 1960s, she moved to Rio de Janeiro, where she quickly established herself as one of the most talented actresses in the country. In 1965, she made her debut on television in the telenovela "A Ré Misteriosa" and went on to appear in several other successful soap operas.
Throughout the 1970s and 1980s, Lanuza became a household name in Brazil thanks to her work in popular telenovelas such as "O Bem-Amado," "Pecado Rasgado," and "Marrom Glacê." Her performances were praised for their depth and authenticity, and she quickly became one of the most respected actresses in the country.
In addition to her work on screen, Lanuza has also had a successful career as an acting coach. She has taught at several prestigious institutions such as the Escola de Teatro Martins Penna and the Teatro Escola Célia Helena, where she has helped to train a new generation of Brazilian actors.
Over the course of her career, Lanuza has received numerous accolades and awards for her work, including a Troféu Imprensa award for Best Supporting Actress in 1984. Today, she is remembered as one of the most gifted and influential actresses in the history of Brazilian television and theater.
Maria Célia Camargo Pinto (May 14, 1935 São Paulo-) also known as Maria Célia Camargo is a Brazilian actor.
She began her acting career on stage at a young age, performing in several plays in São Paulo. Maria Célia Camargo made her film debut in 1955, appearing in the drama "O Sobrado", directed by Walter Hugo Khouri. She went on to have a successful career in Brazilian cinema, appearing in over 50 films throughout the 1950s, 60s and 70s. In addition to her film work, Maria Célia Camargo also acted in television shows, including the popular Brazilian soap opera "Redenção" in the 1960s. She is known for her versatility as an actor, playing a range of roles from drama to comedy. In 2013, Maria Célia Camargo was honored with the Medal of Cultural Merit by the City of São Paulo for her contributions to Brazilian culture.
Maria Célia Camargo was born to a family of artists, her father was a painter and her mother was an actress, so it’s not surprising that she pursued a career in acting. In addition to her work on stage, film, and television, she also acted in radio dramas early in her career. Maria Célia Camargo was a part of the Cinema Novo movement, a Brazilian film movement in the 1960s that focused on social issues and realism. Along with her acting, she was also a writer and published her memoir "Rebuceteio" in the 1980s. Maria Célia Camargo continues to work in the entertainment industry, occasionally appearing in films and on television.
Luely Figueiró (September 26, 1935 Porto Alegre-December 6, 2010 São Paulo) also known as Lueli Figueiró was a Brazilian actor and singer.
Born in Porto Alegre, Brazil, Luely Figueiró began her entertainment career as a singer, performing in clubs and on radio shows in Brazil. She eventually transitioned to acting and made her film debut in the 1959 film "Maior que o Ódio". She went on to appear in numerous films and television shows throughout her career, including "Sítio do Picapau Amarelo" and "Água Viva". Figueiró was also a celebrated stage actress, starring in productions of "A Menina do Vestido Cor-de-Rosa" and "O Pagador de Promessas". In addition to her acting and singing career, Figueiró was a writer and published a collection of poems in 2005. She passed away in São Paulo at the age of 75.
During her career, Luely Figueiró worked alongside some of the biggest names in Brazilian entertainment, such as Tônia Carrero and Lima Duarte. Her performances were widely acclaimed, and she received various awards for her work, including the Mambembe Award for Best Actress. Figueiró was also known for her activism, and she frequently used her platform to advocate for social justice causes. She was a member of the Brazilian Communist Party and participated in demonstrations against the military dictatorship in the 1960s and 1970s. In her later years, Figueiró became a teacher and taught drama at the Arts Education School of São Paulo. She is remembered as a multi-talented artist and a courageous activist who used her art to make a difference in the world around her.
Íris Bruzzi (February 16, 1935 Rio de Janeiro-) also known as Iris Maria Bruzzi is a Brazilian actor. She has one child, Marcelo Caruso.
Íris Bruzzi began her career in the Brazilian film industry in the 1950s and appeared in several films throughout the 1960s and 1970s. She was also a regular presence on Brazilian television during this time, appearing in a number of popular telenovelas. In addition to her acting work, Bruzzi has also worked as a theater director and producer. Her contributions to Brazilian culture were recognized in 2007 when she was awarded the Ordem do Mérito Cultural, the country's highest cultural honor. Despite retiring from acting in the early 2000s, Bruzzi remains a beloved figure in Brazilian entertainment history.
Throughout her long and successful career, Iris Bruzzi became known for her versatility as an actress, able to successfully portray both dramatic and comedic roles. Some of her most notable film appearances include "O Vigilante Rodoviário" (1961), "Os Cafajestes" (1962), and "Paixão de Gaúcho" (1964). On television, she appeared in popular telenovelas such as "O Caminho das Índias" (2009) and "Senhora do Destino" (2004).
In addition to her work in the entertainment industry, Bruzzi has also been actively involved in social causes. She has been a vocal advocate for animal welfare, supporting numerous animal shelters and rescue organizations in Brazil. She has also been involved with the Brazilian Cancer Foundation, partnering with the organization to raise awareness about breast cancer and encourage women to get regular check-ups.
Iris Bruzzi's achievements in both the arts and philanthropy have cemented her status as a true icon of Brazilian culture. Despite her retirement from acting, she continues to be an inspiration to many in her country and beyond.
Valeria Vidal (January 11, 1935 Natal-) is a Brazilian actor.
She was born in Natal, Rio Grande do Norte, Brazil on January 11, 1935. Valeria Vidal started her acting career in the late 1950s and quickly became a prominent figure in Brazilian television and film. She starred in numerous TV series such as “Saramandaia” and “Roque Santeiro” and popular movies like “A Grande Cidade” and “Jardim de Guerra”. Her impressive acting skills have won her several accolades throughout her career including the prestigious Troféu APCA award for Best Supporting Actress in a TV series in 1978. In addition to her acting career, Vidal has also worked as a voice-over artist, lending her voice to several Brazilian dubbed versions of foreign films. She is considered one of the most iconic actresses of Brazilian cinema and her work has been celebrated both nationally and internationally.
Valeria Vidal's work as an actress has been praised for her ability to bring emotional depth and authenticity to her roles. She has also been noted for her versatility, portraying a wide range of characters throughout her career. Outside of her acting work, Vidal is known for her philanthropic efforts, supporting causes such as women's rights and child welfare. Despite officially retiring from acting in the early 2000s, Vidal remains a highly respected figure in Brazilian entertainment and continues to inspire new generations of actors in the country.
Myriam Pérsia (July 10, 1935 Petrópolis-) is a Brazilian actor. She has one child, Tania Boscoli.
Myriam Pérsia began her acting career at the age of 19, appearing in theater productions in Rio de Janeiro. In 1963, she made her television debut, and went on to become a familiar face on Brazilian TV throughout the 60s and 70s, appearing in numerous soap operas and sitcoms. She also appeared in several films, including the critically acclaimed "Os Fuzis" (The Guns) in 1964.
In addition to her acting career, Pérsia was also involved in politics, and was a vocal supporter of the Brazilian Workers' Party. She was briefly exiled from Brazil in the 1970s due to her political views, but returned to the country in the early 80s.
Despite her fame as an actress, Pérsia was known for her down-to-earth personality and her commitment to social causes. She dedicated much of her time and resources to promoting education and healthcare in underserved communities in Brazil.
Pérsia received many awards and accolades throughout her career, including the Medalha Pedro Ernesto, one of the highest honors awarded by the city of Rio de Janeiro. She passed away in 2012 at the age of 76, leaving behind a legacy as one of Brazil's most beloved and influential performers.
Myriam Pérsia was born in Petrópolis, a historic city located in the state of Rio de Janeiro, Brazil. She was the daughter of Francisco de Lacerda and Antônia Pérsia, both of whom were musicians. From a young age, Pérsia showed a talent for the arts, and began studying theater and dance while still in high school.
After making her acting debut in 1954, Pérsia quickly became one of the most sought-after actresses in Brazil. She was known for her versatility as an actress, and was equally at home in dramatic and comedic roles. Her performances in the soap operas "O Caminho das Estrelas" and "Gabriela, Cravo e Canela" were particularly acclaimed, and helped cement her status as a national icon.
Throughout her career, Pérsia remained committed to social justice causes, and was known for her support of feminist and LGBT rights. She was also a prominent voice in the fight against censorship and repression during Brazil's military dictatorship, and was active in the Brazilian Artists Against the Military Regime movement.
Despite her political activism, Pérsia never lost her passion for acting, and continued to perform well into her later years. She was honored with numerous awards and accolades, including the Medalha Pedro Ernesto, one of the highest honors awarded by the city of Rio de Janeiro. In 2012, Pérsia passed away at the age of 76, but her legacy as an actress, activist, and humanitarian continues to inspire future generations in Brazil and beyond.
Yoná Magalhães (August 7, 1935 Rio de Janeiro-) also known as Yoná Magalhães Gonçalves Mendes da Costa is a Brazilian actor. Her child is called Marco Mendes.
Yoná Magalhães began her career in the late 1950s, appearing in several films and TV shows. She quickly became a prominent figure in Brazilian cinema, receiving critical acclaim for her roles in films like "A Grande Feira" and "Todas as Mulheres do Mundo". She was known for her dynamic performances and her ability to portray complex characters with ease.
In addition to her work in the entertainment industry, Yoná Magalhães was also a prominent activist and advocate for women's rights. She was a vocal supporter of the feminist movement in Brazil and often used her platform to speak out against gender inequality and discrimination. She was also an advocate for environmental causes and was known for her work in conservation and sustainability.
Yoná Magalhães continued to work in the entertainment industry well into her later years, and was recognized for her contributions to Brazilian cinema and culture with numerous awards and honors. She passed away in 2015, leaving behind a legacy as one of Brazil's most beloved and influential actors.
Throughout her career, Yoná Magalhães acted in over 30 films and several TV shows. She worked with some of Brazil's most prominent filmmakers, including Glauber Rocha and Cacá Diegues. In addition to her performances in dramatic and comedic roles, Yoná Magalhães was also a talented singer and dancer. She frequently incorporated her musical talents into her acting roles, infusing her performances with energy and rhythm.
One of Yoná Magalhães' most iconic roles was in the 1966 film "Todas as Mulheres do Mundo", in which she played a free-spirited and independent woman navigating relationships and sexuality in Rio de Janeiro. The film, which was directed by Domingos de Oliveira, has since become a classic of Brazilian cinema and is considered a defining work of the nation's cinema novo movement.
In addition to her activism and acting work, Yoná Magalhães was also a devoted mother and grandmother. Her son Marco Mendes followed in her footsteps and became an actor himself, appearing in several Brazilian films and TV shows. Despite her passing, Yoná Magalhães' influence and impact on Brazilian culture continue to be felt today.
Tereza Rachel (August 19, 1935 Nilópolis-) is a Brazilian producer and actor.
Tereza Rachel began her career as an actress in the 1950s with performances in theater, cinema and television. In the 1970s, she transitioned to producing, founding her own production company, TR Produções Artísticas. Rachel was known for producing works by Brazilian playwrights such as Nelson Rodrigues and Dias Gomes. She produced many successful plays and TV shows, including "O Bem-Amado" in 1973 and the revival of the play "O Homem Proibido" in 1982. Throughout her career, Rachel won numerous awards for her contributions to Brazilian theater and television, including the prestigious Mambembe and Molière awards. She passed away on October 2, 2016, at the age of 81, leaving behind a legacy of groundbreaking work in Brazilian theater and television.
Rachel was born in Nilópolis, a city located in the state of Rio de Janeiro, Brazil. She pursued her passion for acting by studying drama at the Dramatic and Dance Conservatory of Rio de Janeiro. Rachel made her professional theater debut in 1954, in a production of "A Filha de Iemanjá". She quickly gained popularity as an actress, appearing in many successful plays, including "A Falecida" and "O Beijo no Asfalto". Rachel also worked in cinema, appearing in films such as "Cidade Ameaçada" and "Furtivos".
In the 1970s, Rachel shifted her focus to producing, establishing her own production company, TR Produções Artísticas. She produced several successful television programs and plays, including the comedy series "O Bem-Amado" and the drama "O Homem Proibido". Rachel was known for her commitment to promoting Brazilian culture and used her platform to support the works of Brazilian playwrights such as Nelson Rodrigues and Dias Gomes.
Rachel's contributions to Brazilian theater and television were widely recognized and celebrated. She won many awards throughout her career, including seven Mambembe Awards and three Molière Awards. She was also a beloved mentor and teacher, inspiring many young actors and producers with her passion for the arts.
After a long and successful career, Rachel passed away on October 2, 2016, at the age of 81. She is remembered as a trailblazer in Brazilian theater and television, who helped shape the cultural landscape of her country through her groundbreaking work.
Miriam Mehler (September 15, 1935 Barcelona-) is a Brazilian actor. Her child is called Rodrigo Salles.
Miriam Mehler was born in Barcelona but moved to Brazil at a young age. She began her acting career in the 1960s and has since appeared in numerous films, television shows, and stage productions. Some of her most notable works include "Carandiru," "O Clone," and "Saramandaia."
In addition to her acting career, Mehler is also known for her work as a drama teacher. She has taught at several reputable institutions, including the University of São Paulo and the Brazilian Conservatory of Theatre.
Mehler has received many accolades throughout her career, including the Shell Award for Best Supporting Actress in 2017. She is also respected for her contributions to the theater community, having served as the president of the São Paulo Association of Theatre Critics from 1995 to 1997.
In addition to her successful career in acting and teaching, Miriam Mehler is also known for her activism. She is a strong advocate for women's rights and has been involved in various initiatives to empower women. Mehler has also expressed her concerns about the political situation in Brazil and has been vocal about issues such as corruption and human rights violations. Despite being in her 80s, Mehler continues to work in the entertainment industry and inspires many with her energy and passion for her craft.
Rosamaria Murtinho (October 24, 1935 Belém-) also known as Rosa Maria Pereira Murtinho Braga Mendonça or Rosa Maria Murtinho is a Brazilian actor. She has three children, Mauro Mendonça Filho, Rodrigo Mendonça and João Paulo Mendonça.
Rosamaria Murtinho had a longstanding career in Brazilian television, film and theater. She began her career in theater during the 1950s and later, began to act on television shows, becoming a pioneer of Brazilian TV. Her work in television included telenovelas such as "A Rainha da Vida", "Sangue do Meu Sangue" and "A Escrava Isaura". Murtinho also appeared in various Brazilian films like "A Hora e Vez de Augusto Matraga" and "Veja Esta Canção", in addition to having a career as a voice actress. Over the years, she has received several awards and nominations for her work in the entertainment industry. In recent years, she has continued to be active, and appeared in the 2017 telenovela "Tempo de Amar".
Rosamaria Murtinho was born in Belém, Pará, Brazil, and grew up in Rio de Janeiro. She comes from a family of actors; her father was the renowned theater actor Abílio Pereira de Almeida, and her mother was the actress Maria Claro Pereira. She began acting at the age of 14, and after finishing high school, she studied at the Theater School of the National Theater Institute.
Murtinho's career in theater spanned several decades, and she worked with some of Brazil's most famous theater directors, including Augusto Boal and Antunes Filho. She was also involved in the Brazilian cinema revival of the 1960s and 1970s, and appeared in more than 20 films during her career.
In addition to her work as an actor, Murtinho has been an important figure in Brazilian cultural institutions. She was a member of Brazil's National Council of Cultural Policies, and has been involved in efforts to promote cultural education and diversity in Brazil.
Murtinho's contributions to Brazilian culture have been recognized with numerous honors and awards throughout her career. She has been awarded the Order of Cultural Merit by the Brazilian government, and in 2017, she received the Shell Prize for Cultural Personalities. At the age of 85, she continues to be an active performer and advocate for the arts in Brazil.
Wilza Carla (October 29, 1935 Niterói-June 18, 2011 São Paulo) was a Brazilian actor.
She began her career in the early 1960s and quickly became known for her work in theater, film, and television. In theater, Wilza Carla acted in several plays and musicals, including "Hair" and "The Rocky Horror Show." She also appeared in over 40 films and television shows throughout her career.
Wilza Carla was known for her energetic and colorful personality on and off screen. She was a favorite of several Brazilian directors, including Glauber Rocha and José Mojica Marins. Her most iconic role was in the film "O Assalto ao Trem Pagador" (The Mad Train), which earned her critical acclaim and a Brazilian Cinema Award for Best Supporting Actress.
In addition to her acting work, Wilza Carla was also a talented singer and performer. She recorded numerous albums throughout her career, including "Feira de Utilidades" (Utility Fair) and "Feita em Papo" (Made in Chat). She was also known for her flamboyant fashion sense and love of colorful costumes.
Wilza Carla continued to act and perform into her later years, even as she battled health issues. She passed away in 2011 at the age of 75, but her legacy as one of Brazil's most talented and beloved performers lives on.
Wilza Carla was born in Niterói, a city in Rio de Janeiro, Brazil. She showed an interest in the arts at a young age and began studying music and theater. As a teenager, she moved to Rio de Janeiro to pursue a career in entertainment. Her breakthrough role came in 1962, when she starred in the film "Os Cafajestes" (The Depraved). The film was controversial for its time, but it helped to establish Wilza Carla as a talented and versatile actor.
Throughout her career, Wilza Carla worked with some of the biggest names in Brazilian cinema and theater. She was known for her ability to bring humor and joy to even the most serious roles. In addition to her work in traditional theater and film, she also appeared in several Brazilian telenovelas and variety shows.
Despite her success on stage and screen, Wilza Carla remained humble and deeply committed to her craft. She was a great supporter of young actors and musicians, and she often opened her own home to them for rehearsals and performances.
Wilza Carla's contributions to Brazilian culture and entertainment continue to inspire and entertain audiences today. She is remembered not only for her talent and creativity, but for her warmth and generosity as a human being.
Ruth Escobar (March 31, 1935 Campanhã-) otherwise known as Maria Ruth dos Santos Escobar is a Brazilian actor. Her children are called Patricia Escobar, Inês Cardoso, Anna Cardoso and Nelson Aguilar.
Ruth Escobar is not only an actor, but also a playwright, director, and producer. She is known for her contributions to the Brazilian theater scene, particularly in the 1960s and 70s when she was active in São Paulo.
One of her most famous plays, "Cordélia Brasil," premiered in 1973 and became a symbol of resistance against the military dictatorship in Brazil. Her work often dealt with themes such as social justice, human rights, and political oppression.
Aside from her artistic endeavors, Ruth Escobar has also been involved in politics. She was elected Councilor of São Paulo in 1982, becoming the first woman to hold the position.
Throughout her career, she has received numerous accolades, including the Order of Cultural Merit from the Brazilian government in 1995. Today, she continues to be an important figure in Brazilian culture and an inspiration to many in the arts community.
Ruth Escobar was born in the neighborhood of Campanhã in Porto, Portugal, and migrated to Brazil in 1954, settling in São Paulo. She attended the School of Dramatic Art of the University of São Paulo, where she studied under renowned theater director and professor Antunes Filho, who would have a profound influence on her artistic development.
In addition to her work in theater, Ruth Escobar has also worked in film and television. She acted in the film "Todas as Mulheres do Mundo" (1966) and the TV series "Os Inocentes" (1974), among others. She was also a pioneer in the use of video in theater, integrating this technology into her productions as early as the 1980s.
Throughout her career, Ruth Escobar has been a tireless advocate for the arts, and has worked to create opportunities for young artists to develop and showcase their talents. She founded several cultural centers and theaters in São Paulo, including the Ruth Escobar Theater in the neighborhood of Bela Vista, which opened in 1963 and is still in operation today.
Ruth Escobar's contributions to Brazilian culture have been recognized both nationally and internationally. In addition to the Order of Cultural Merit, she has received numerous awards and honors, including the Grande Prêmio da Crítica, the Shell Award, and the Molière Prize. She has also been recognized as a UNESCO Goodwill Ambassador for the Arts, and as a Citizen of Honor of the City of São Paulo.
Maria Alice Vergueiro (January 19, 1935 São Paulo-) is a Brazilian actor. Her children are called Maria Sílvia Vergueiro de Almeida and Roberto Vergueiro de Almeida.
Maria Alice Vergueiro is widely regarded as one of the greatest theatre actors in Brazil. She has been an active member of the Brazilian theatre scene since the 1960s and has been a part of some of the most groundbreaking and innovative productions in the country. Her performances have won her numerous awards and accolades, and she is a respected figure in the Brazilian arts community.
Vergueiro has also made significant contributions to Brazilian cinema and television. She has acted in several movies and TV shows and has worked alongside many renowned Brazilian directors and actors.
Throughout her long and illustrious career, Vergueiro has been known for her commitment to social causes and her outspokenness on political issues. She has been an advocate for the LGBTQ+ community and has used her platform to raise awareness about issues of gender equality and human rights.
Despite facing health challenges in recent years, Maria Alice Vergueiro continues to be an active and influential presence in the Brazilian arts community.
In addition to her impressive career as an actor, Maria Alice Vergueiro is also a respected director and writer. She founded the theater company Grupo Pândega in 1979, which has produced acclaimed plays and performances in Brazil and abroad. She also wrote and directed the critically acclaimed play "Why Does the Queen Die?" in 2000, which earned her numerous awards and international recognition.
Vergueiro's contributions to Brazilian culture have been recognized with several honors and awards, including the Order of Cultural Merit from the Brazilian government in 2010. She was also named a Knight of the French Order of Arts and Letters in 2019, in recognition of her contributions to the arts and culture.
Despite her success and acclaim, Vergueiro remains humble and dedicated to her craft. She once remarked, "I am only an artist, a worker in the arts, trying to do my best." Her passion and commitment to her art continue to inspire generations of performers and artists in Brazil and beyond.