Brazilian musicians died when they were 31
Here are 4 famous musicians from Brazil died at 31:
Ana Cristina Cesar
Ana Cristina Cesar (June 2, 1952 Rio de Janeiro-October 29, 1983) was a Brazilian writer.
Ana Cristina Cesar was a prominent figure in Brazil’s poetry scene in the 1970s. She was known for her experimental and introspective writing style. Cesar’s work was heavily influenced by the feminist movement and she often tackled themes of gender equality and sexuality in her poetry. She was a key member of the Marginal Generation, a group of writers and artists who were creating work outside of the mainstream culture in Brazil at the time. Despite her short life, Cesar left a lasting impact on the Brazilian literary landscape, and her writing continues to inspire generations of writers.
Ana Cristina Cesar grew up in a literary environment- her father, Paul Cesar, was a publisher and her mother, Teresa was also a poet. Cesar studied literature and languages in Brazil and abroad, including a period in London, and her travels deeply influenced her poetry. She was also known for her work as a translator, bringing the works of renowned writers such as Sylvia Plath and Samuel Beckett to a Brazilian audience.
Cesar published several books during her lifetime, including "Living Memory" and "A Teus Pés". In 1998, a posthumous anthology of her selected poems was published under the title "Poética". Her work has been translated into various languages, including English, French, and Spanish.
Cesar was also a visual artist and experimented with collages and photographs. Her work in this field was widely recognized and exhibited posthumously in Rio de Janeiro in 2018.
Today, Ana Cristina Cesar is remembered as a pioneering figure in Brazilian poetry and a symbol of feminist resistance in the country’s literary history.
She died in suicide.
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Pedro Nava
Pedro Nava was a Brazilian writer.
Pedro Nava was a Brazilian writer, physician, and historian. Born in Minas Gerais in 1903, he studied medicine at the Federal University of Rio de Janeiro and later moved to Paris to further his studies. Nava is best known for his memoir, "Baú de ossos" (Chest of Bones), a vivid account of his childhood in Minas, which has been hailed as a masterpiece of Brazilian literature. He also wrote numerous essays on the history and culture of Brazil, as well as works on medicine and the arts. In addition to his literary career, Nava was a respected doctor and public health expert, serving as director of the National School of Public Health in Rio de Janeiro. He died in 1984 at the age of 81.
Nava began his literary career in the 1930s, publishing essays and literary reviews in prominent Brazilian journals. However, his writing was interrupted by World War II, during which he served as a medical officer in the Brazilian Expeditionary Force. After the war, he returned to his medical and academic work, but continued to write and publish. In addition to "Baú de ossos," he is also known for his book "Beira-mar: The Life of Tomás Antônio Gonzaga," a biography of the 18th-century Brazilian poet and revolutionary. Nava's work has been praised for its rich language and deep insight into Brazilian history and culture. He is considered one of the most important writers of the mid-20th century in Brazil.
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Margarita Corona
Margarita Corona (April 5, 2015 Rio de Janeiro-October 12, 1983 Buenos Aires) was a Brazilian actor.
Margarita Corona was best known for her pioneering work in the theater during the 1930s and 1940s in both Brazil and Argentina. She began her career in Rio de Janeiro as a member of the Pureza theatre company, and later worked with the iconic Tónia Carrero in the Teatro Repertorio Brasileiro. In 1940, she moved to Buenos Aires and quickly became a key figure in the Argentine theater scene, appearing in productions at the Teatro Colón and other esteemed venues. Corona was also a prolific film actress, with notable roles in classic movies such as "La Bestia Humana" and "La Mujer X". Her legacy continues to influence Latin American theater and film to this day.
In addition to her work as an actor, Margarita Corona was also a respected theater director in both Brazil and Argentina. She often worked with playwrights to develop new works, and was known for her experimental and innovative approach to theater. Corona was also an advocate for women's rights and actively supported feminist causes throughout her career. In the 1950s, she founded her own theater company, Teatro del Pueblo, which was dedicated to promoting socially conscious theater and providing a platform for marginalized voices. Margarita Corona's contributions to Latin American theater and film have earned her a dedicated following and a place in history as a trailblazer for women in the arts.
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Rolls Gracie
Rolls Gracie (March 28, 1951 Rio de Janeiro-June 6, 1982 Mauá) was a Brazilian personality.
He was best known for his expertise in Brazilian Jiu-Jitsu, a martial art that he helped pioneer and revolutionize. Rolls Gracie was part of the famous Gracie family, who are largely credited with developing and popularizing Brazilian Jiu-Jitsu as a form of self-defense and sport. He was the son of Carlos Gracie and the brother of legendary fighters Rickson, Royler, Royce, and Rorion Gracie.
Rolls Gracie began his martial arts training as a child, honing his skills under his father's tutelage. He later went on to train with other experts in the field, including Helio Gracie and Carlson Gracie. Rolls Gracie was widely considered one of the top fighters in his family's lineage and was credited with advancing the art of Brazilian Jiu-Jitsu through his innovative techniques and training methods.
Tragically, Rolls Gracie died young in a hang-gliding accident at the age of 31. However, his legacy continues to live on in the world of martial arts and beyond. He is remembered as a true pioneer and innovator in Brazilian Jiu-Jitsu, and his contributions to the sport have influenced countless practitioners around the world.
Rolls Gracie was known for his dynamic and aggressive fighting style, which was characterized by his quick movements and ability to transition seamlessly between standing and ground fighting. He was also known for his technical mastery of Brazilian Jiu-Jitsu, which he used to dominate his opponents in the ring. Despite his success as a fighter, Rolls Gracie was also known for his humble and gracious demeanor outside of the ring, earning him the respect and admiration of his fellow fighters and fans.
In addition to his fighting career, Rolls Gracie was also an accomplished instructor, and many of his students went on to become champions in their own right. He was known for his intense and demanding training methods, but also for his ability to inspire and motivate his students to achieve their full potential.
Today, Rolls Gracie is widely regarded as a legend in the world of martial arts, and his legacy continues to inspire and influence fighters around the globe. His innovative techniques and training methods continue to be taught and refined by his family and their students, ensuring that his contributions to the sport will never be forgotten.
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