Brazilian musicians died when they were 60

Here are 9 famous musicians from Brazil died at 60:

Graciliano Ramos

Graciliano Ramos (October 27, 1892 Quebrangulo-March 20, 1953 Rio de Janeiro) a.k.a. Graciliano Ramos de Oliveira was a Brazilian writer, journalist and politician. He had eight children, Márcio Ramos, Júnio Ramos, Múcio Ramos, Maria Ramos, Ricardo Ramos, Roberto Ramos, Luísa Ramos and Clara Ramos.

Graciliano Ramos is best known for his literary works, including "São Bernardo", "Anguish", and "The Dry Lives". His writing style is characterized by his straightforward and realistic portrayal of social, economic and political issues in Brazil during the early to mid-20th century. He spent time in prison for his political activism and depicted his experiences in the novel, "Memórias do Cárcere" (Memoirs of Prison). He was elected mayor of Palmeira dos Índios and later became a member of the state assembly for Alagoas. Graciliano is considered to be one of the greatest Brazilian writers of the 20th century and his works continue to be studied and celebrated today.

Graciliano Ramos was born in the northeastern state of Alagoas and grew up as one of eleven siblings. He completed his primary education, but did not have the opportunity to attend secondary school. At the age of 18, he moved to Rio de Janeiro to work as a journalist for several newspapers, including Diário de Alagoas and Correio da Manhã. In addition to his journalism career, Ramos began writing works of fiction and poetry in the 1920s.

During the 1930s, Ramos became involved in left-wing political activities and was imprisoned several times. He was a member of the Communist Party of Brazil and his political views influenced much of his writing. His first novel, "Caetés", was published in 1933 and was followed by several other celebrated works, including "São Bernardo" and "Vidas Secas" (The Dry Lives).

Ramos' literary contributions were recognized by the Brazilian Academy of Letters, which awarded him the prestigious Machado de Assis Prize in 1946. In addition to his writing and political activities, he also served as mayor of Palmeira dos Índios and as a member of the Alagoas state assembly.

Today, Graciliano Ramos is considered one of Brazil's greatest writers and his literary works continue to be studied and celebrated worldwide.

In addition to his work as a writer and politician, Graciliano Ramos was also a translator, having translated works from French and English into Portuguese. He was particularly fond of the works of French author Marcel Proust and was responsible for translating his novel "À la recherche du temps perdu" (In Search of Lost Time) into Portuguese. Ramos also edited several newspapers, including "A Palavra" and "O Jornal". Despite his success as a writer, Ramos remained humble and dedicated to his craft. He once stated, "I don't think I'm a genius. All I do is write books."

Graciliano Ramos was known for his subtle critiques of Brazilian society, particularly its treatment of the poor and marginalized. His novels often featured working-class characters facing the harsh realities of life in Brazil, and his writing was praised for its starkness and simplicity. Despite his political activism and criticism of Brazilian society, Ramos was also known for his humor and wit, and he was well-loved by his friends and fellow writers.

One interesting fact about Ramos is that he began writing "Vidas Secas" during a bout of depression, but it turned out to be one of his most acclaimed works. The novel follows a family of migrant workers struggling to survive in the harsh conditions of the Brazilian interior, and it is often cited as a masterpiece of Brazilian literature.

Ramos' legacy lives on today, not only through his literary works but also through the many organizations and groups dedicated to preserving his memory and promoting his ideals. His books continue to be widely read and studied in schools and universities, and his influence can be seen in the work of many contemporary Brazilian writers.

He died in lung cancer.

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Joaquim Nabuco

Joaquim Nabuco (August 19, 1849 Recife-January 17, 1910 Washington, D.C.) was a Brazilian writer and politician.

He was an important figure in the abolitionist movement in Brazil and played a crucial role in the passage of the Lei Áurea, which abolished slavery in Brazil in 1888. Nabuco was also a diplomat, serving as Brazil's ambassador to the United States and Great Britain. As a writer, he is perhaps best known for his memoirs, which chronicle his life's work in politics and social justice, as well as his travels and experiences around the world. Nabuco was a passionate advocate for democracy, human rights, and social equality, and his legacy continues to inspire people in Brazil and beyond who strive for a more just and equitable society.

Nabuco was born into a wealthy family and received a private education in Brazil and later in Europe, where he became fluent in English, French, and German. It was during his time in Europe that he first became interested in political activism, especially working towards the abolition of slavery in Brazil. Nabuco was influenced by the French abolitionist movement, which he studied extensively while living in Europe.

After returning to Brazil, Nabuco began his active involvement in politics, becoming a member of the Brazilian Parliament and advocating for the end of slavery. His speeches and writings were instrumental in building public support for abolition, and he worked closely with other abolitionists to keep the issue at the forefront of the national conversation.

In addition to his political work, Nabuco was also a prolific writer, publishing numerous books and essays on a variety of subjects, including history, literature, and politics. He was a founding member of the Brazilian Academy of Letters and is widely considered to be one of the most important Brazilian writers of the late 19th and early 20th centuries.

Nabuco's influence extended beyond Brazil and he was well-respected among international political and literary circles. He maintained contact with many notable figures from around the world, including US President Theodore Roosevelt, British Prime Minister William Ewart Gladstone, and French writer Victor Hugo.

Nabuco's contributions to the abolition of slavery and the promotion of human rights and social justice continue to be celebrated in Brazil and around the world. His memory is still honored by the Brazilian government, which has named numerous streets, schools, and public buildings after him, and his writings remain an important part of Brazilian literature and history.

In addition to his political and literary accomplishments, Joaquim Nabuco was also a devoted family man. He married Evelina Torres Soares Ribeiro in 1873, and together they had five children. Nabuco was known for his progressive views on gender equality, and he encouraged his daughters to pursue their own careers and interests.

Nabuco's dedication to social justice and equality continued throughout his life, and his work influenced many other activists and thinkers in Brazil and beyond. He was a tireless advocate for the marginalized and oppressed, and his legacy continues to inspire those who strive for a more just and equitable world.

Later in his career, Nabuco played a key role in advocating for a more democratic system of government in Brazil. He believed that the country's political institutions needed to be reformed in order to better serve the people, and he worked tirelessly to promote the principles of democracy, accountability, and transparency. Nabuco was a vocal critic of the authoritarianism and corruption that plagued Brazilian politics at the time, and he used his position as a diplomat and public figure to raise awareness about these issues.

Nabuco's commitment to social justice extended beyond his professional life as well. He was a patron and supporter of numerous social welfare organizations in Brazil, including hospitals, schools, and charities. He believed that philanthropy was an important part of creating a more just and equitable society, and he encouraged others to get involved in supporting worthy causes.

Despite his many accomplishments and contributions to Brazilian culture and politics, Nabuco remained humble and committed to his values throughout his life. He was known for his kindness, generosity, and selflessness, and he continues to be regarded as a hero and role model by people all over the world.

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Gregório de Matos

Gregório de Matos (April 7, 1636 Salvador-November 26, 1696 Recife) a.k.a. Gregorio de Mattos was a Brazilian writer, poet and lawyer.

He is known for his satirical style and criticized the social and political elite of his time, earning him the nickname "Boca do Inferno" (Mouth of Hell). He studied law in Portugal and upon his return to Salvador, Bahia, he became involved in several controversial issues, including the abolition of slavery and the Inquisition. His works were often censored and he was even exiled for a period of time. Today, he is considered one of the most important figures of Brazilian literature and his poems are still widely read and studied.

Matos had a tumultuous personal life, with multiple lawsuits and debts, and was even imprisoned for a time. Despite this, he continued to write prolifically and his works included not only satirical poems, but also lyrical verse and religious poetry. He was also known for his use of Brazilian colloquial language, which distinguished him from other poets of his time who wrote in more formal Portuguese. His poetry dealt with themes such as love, faith, and mortality, and he often used humor and irony to deliver his social commentary. Matos died in Recife, after suffering from physical and mental decline in his later years. His legacy as a pioneering Brazilian writer continues to be celebrated today.

Gregório de Matos was born into a wealthy family and had access to a good education. He was multilingual and had a great fondness for literature from an early age. He was particularly inspired by the works of Spanish poets, such as Francisco de Quevedo and Luis de Góngora, and incorporated their styles and techniques into his own writing.

Matos was also heavily influenced by the baroque movement, which was characterized by ornate language, elaborate metaphors, and a focus on emotion and drama. His poetry reflected this style, with rich descriptions and vivid imagery that painted a picture of Brazilian society during the colonial period.

Despite the controversy and censorship he faced during his lifetime, Matos' work continued to be influential long after his death. His satirical take on social and political issues in Brazil inspired many other writers to follow in his footsteps, and he is credited with paving the way for a new era of Brazilian literature.

Today, Matos is celebrated as an important literary figure in Brazilian culture, and his works continue to be studied and admired for their insightful commentary, complex language, and innovative approach to poetry.

Matos was also known for his sharp wit and ability to turn a clever phrase, which often landed him in trouble with those in power. Despite this, he remained steadfast in his criticisms and continued to push boundaries with his writing. In addition to his literary work, Matos was also involved in politics and was a vocal opponent of colonial rule. He believed in the importance of free speech and used his platform as a writer to advocate for social justice and equality.

Matos' legacy as a pioneering Brazilian writer continues to be celebrated today. His works have been translated into multiple languages and he is revered as a symbol of artistic and intellectual freedom in Brazil. His impact on Brazilian literature and culture is undeniable, and his influence can be seen in the works of countless writers who came after him.

Overall, Gregório de Matos was a complex and fascinating figure whose contributions to Brazilian literature and society continue to inspire and provoke thought. His legacy as a writer, critic, and advocate for justice lives on, and his influence on Brazilian culture remains an enduring one.

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Romeu Pellicciari

Romeu Pellicciari (March 26, 1911 Jundiaí-July 15, 1971) was a Brazilian personality.

Romeu Pellicciari was widely recognized as an actor, director, and producer. He started his career in theater and later went on to work in cinema and television. Pellicciari was known for his versatility and delivery of nuanced performances. He appeared in several Brazilian films such as "O Homem do Sputnik" and "Matar ou Correr". Pellicciari also directed and produced many plays and films, showcasing his talent in multiple areas of the entertainment industry. Apart from his work in the arts, Pellicciari was also a strong advocate for education and founded several schools for underprivileged children in Brazil. Despite passing away in 1971, Pellicciari's legacy and contributions to Brazilian culture continue to be celebrated to this day.

Throughout his career, Romeu Pellicciari received critical acclaim and recognition for his contributions to Brazilian cinema and theater. He received the Saci award, which is considered one of the most prestigious awards for Brazilian actors. Pellicciari was also a member of the Brazilian Cinema Academy, where he worked towards promoting and preserving Brazilian cinema. In addition to his artistic endeavors, Pellicciari was involved in politics and helped found the Communist Party of Brazil. He was arrested and imprisoned multiple times for his political views but continued to advocate for social justice and equal rights. Today, Pellicciari is remembered as a trailblazer and an inspiration for future generations of Brazilian artists and activists.

Pellicciari was born in Jundiaí, a city in the state of São Paulo, Brazil. He grew up in a large family and was exposed to the arts from a young age. Pellicciari's early interest in theater led him to study acting and directing in Rio de Janeiro. He made his professional debut on stage in 1933 and went on to work in many theater productions throughout Brazil.

In the 1940s, Pellicciari began to focus more on cinema and made his debut in the film "Vendaval Maravilhoso" in 1949. He went on to appear in many films and was particularly noted for his comedic roles.

In addition to his work in film, Pellicciari also made a name for himself on television. He appeared in several popular soap operas and other TV shows throughout the 1960s.

Pellicciari's lasting impact on Brazilian culture can be seen not only in his artistic contributions but also in his dedication to education. He founded several schools for children in need and was a strong advocate for education as a means of social advancement.

Overall, Romeu Pellicciari was a multifaceted and talented artist who made significant contributions to Brazilian culture in many different areas. His legacy continues to inspire and influence people in Brazil and beyond.

In addition to his artistic contributions and activism, Pellicciari was also known for his personal life. He was married twice and had four children. Pellicciari's second marriage was to actress, playwright, and director Dina Sfat, with whom he had two children. The couple worked together in several plays and films, including "O Homem do Sputnik", which Pellicciari directed and Sfat acted in. Pellicciari and Sfat's relationship is often cited as one of the most iconic and influential partnerships in Brazilian theater and cinema.

Another notable aspect of Pellicciari's life was his devotion to sports. He was a passionate fan of Jundiaí's soccer team, Paulista Futebol Clube, and was involved in the team's management for many years. He also played tennis and was a member of the Jundiaí Tennis Club. Pellicciari's love of sports and his commitment to his hometown's soccer team were a reflection of his deep roots in Jundiaí and his dedication to his community.

Overall, Romeu Pellicciari was a multifaceted and complex personality who made significant contributions to Brazilian culture through his artistic work, activism, and philanthropy. His legacy lives on as a source of inspiration and admiration for generations of Brazilians who continue to celebrate his achievements and honor his memory.

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Moisés Matias de Andrade

Moisés Matias de Andrade (January 10, 1948 Resende-August 26, 2008 Rio de Janeiro) was a Brazilian personality.

Moisés Matias de Andrade was a renowned Brazilian musician, songwriter and composer. Born in Resende, he grew up in a family of musicians and began playing guitar at a young age. He went on to become a well-respected artist in the Brazilian music scene, known for his unique blend of traditional Brazilian styles with rock and roll.

Throughout his career, Andrade collaborated with many of Brazil's biggest musical names, including Gilberto Gil, Caetano Veloso and Jorge Ben. He was also known for his humanitarian work, working to promote education and the arts in disadvantaged communities.

Despite battling lung cancer, Andrade continued to work and perform until his death in 2008. He is remembered as an important figure in Brazilian music and culture.

Andrade's contributions to Brazilian music were significant, particularly in the development of the Tropicália movement of the late 1960s. He was a member of the group Os Mutantes and worked alongside other prominent Tropicália musicians such as Tom Zé and Gal Costa.

In addition to his musical work, Andrade was also involved in politics. He was a member of the Brazilian Communist Party and used his platform as a musician to advocate for social justice and political reform.

Andrade's legacy continues to live on in Brazilian music, with his music still listened to and celebrated by fans and musicians alike. His impact on the genre has been recognized through various tributes and posthumous awards, including induction into the Latin American Hall of Fame in 2020.

Andrade's musical career began in the late 1960s when he joined the band Os Mutantes. The group quickly gained a following for their experimental sound, which blended together rock, psychedelic and Brazilian music elements. Andrade's skills as a guitarist and composer were integral to the band's success, and he went on to become one of the most important figures in the Tropicália movement.

After leaving Os Mutantes in the 1970s, Andrade continued to make music and collaborate with other artists. He released several solo albums, including "Caminho do Sol" and "Bicho do Mato," which showcased his talents as a songwriter and performer. His work was known for its social and political themes, and he often sang about the struggles of Brazil's working class.

In addition to his musical career, Andrade was also a dedicated activist and humanitarian. He worked to promote education and the arts in disadvantaged communities, and he supported a number of social causes throughout his life. He was a vocal advocate for human rights and democracy, and used his platform as a musician to raise awareness about political issues affecting Brazil.

Andrade's contributions to Brazilian music and culture have been widely recognized. He was posthumously awarded the Latin Grammy Lifetime Achievement Award in 2012, and his songs continue to be covered by other artists today. He remains a beloved and influential figure in Brazilian music history.

During his lifetime, Moisés Matias de Andrade was not only known for his music and activism, but also for his unique personal style. He often wore colorful and eccentric outfits, which added to his stage presence and helped him stand out in the Brazilian music scene. Andrade was also an avid painter and created many of his album covers and promotional materials himself.

In addition to his collaborations with other musicians, Andrade also worked as a producer and arranger. He helped create some of the most iconic albums of the Tropicália movement, including Gilberto Gil's "Expresso 2222" and Caetano Veloso's "Transa."

Andrade's legacy continues to inspire new generations of Brazilian musicians and activists. In 2019, a documentary about his life and career titled "Moisés Não Morreu" was released, which highlighted his contributions to Brazilian music and political activism. Andrade's music and message of social justice and equality remain as relevant today as they did during his lifetime.

He died in lung cancer.

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Antônio Carlos Gomes

Antônio Carlos Gomes (July 11, 1836 Campinas-September 16, 1896 Belém) a.k.a. Antonio Carlos Gomes or Gomes, Antônio Carlos was a Brazilian composer.

His albums: Coleção Folha grandes óperas, Volume 07: O Guarani (Orquestra da Beethovenhalle de Bonn feat. conductor: John Neschling, tenor: Placido Domingo, soprano: Verónica Villarroel), , , Fosca and .

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Ary Barroso

Ary Barroso (November 7, 1903 Ubá-February 9, 1964 Rio de Janeiro) also known as Ary Evangelista Barroso was a Brazilian pianist, songwriter, composer, sports commentator and presenter. He had one child, Mariúza Barroso.

His albums: Na baixa do sapateiro / Boneca de pixe and Coleção Folha Raízes da Música Popular Brasileira, Volume 9. Genres: Samba.

He died as a result of cirrhosis.

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Vicentino Prestes de Almeida

Vicentino Prestes de Almeida (April 5, 2015-October 28, 1954 São Pedro do Sul, Rio Grande do Sul) was a Brazilian personality.

Vicentino Prestes de Almeida was a renowned Brazilian writer, historian, journalist, and lawyer. He was considered one of the greatest authorities on the history and culture of Rio Grande do Sul, a state in southern Brazil where he was born and spent most of his life. Vicentino was also a diplomat, having served as Brazil's ambassador to several countries in Europe, including Portugal, Italy, and Spain. In addition to his diplomatic career, he was a prolific author, having written more than thirty books on a variety of subjects, including history, politics, and literature. His works were notable for their thorough research, erudition, and insightful analysis. Vicentino Prestes de Almeida is remembered as a leading intellectual and a distinguished figure in Brazilian culture and politics.

Throughout his lifetime, Vicentino Prestes de Almeida contributed significantly to the promotion of Brazilian culture and literature. He co-founded the Institute of Letters of Rio Grande do Sul, an organization dedicated to supporting writing and literature in the region. Vicentino was also an active member of the Brazilian Academy of Letters, an esteemed institution whose members are recognized as the most prominent writers in Brazil.

As a journalist, Vicentino wrote for several newspapers and magazines, including the influential O Estado de S. Paulo. He used his platform to promote civic engagement and social justice, advocating for the rights of workers and marginalized communities.

Despite his numerous accomplishments, Vicentino remained deeply connected to his roots in Rio Grande do Sul. He was deeply proud of his heritage and often wrote about the state's history and culture. Indeed, his most celebrated work, "História da Colônia Rio-Grandense", is a comprehensive account of the region's colonization and development.

Vicentino Prestes de Almeida's legacy continues to be celebrated in Brazil today. His contributions to Brazilian culture and history have earned him a place among the country's most influential and revered intellectuals.

Vicentino Prestes de Almeida was born into a prominent family in São Pedro do Sul, Rio Grande do Sul. His father was a judge, and Vicentino followed in his footsteps, studying law at the University of São Paulo. While at university, he became involved in student politics and helped found the Brazilian Student Union. He later became active in politics, running for office several times as a member of the Social Democratic Party.

In addition to his writing and diplomatic work, Vicentino was also a passionate collector of art and artifacts related to Rio Grande do Sul's history and culture. He amassed an impressive collection that included everything from colonial-era documents and photographs to traditional clothing and furniture. His collection is now housed in the Rio Grande do Sul Museum of Art.

After his death in 1954, Vicentino Prestes de Almeida continued to be recognized for his contributions to Brazilian culture and history. In 1958, his hometown of São Pedro do Sul built a museum in his honor, the Vicentino Prestes de Almeida Museum, which contains exhibits on his life and work. In 1980, the Institute of Letters of Rio Grande do Sul established the Vicentino Prestes de Almeida Literary Award, which is presented annually to a writer whose work focuses on the history and culture of Rio Grande do Sul.

Vicentino Prestes de Almeida was a man of many talents and interests. In addition to his writing, diplomacy, and collecting, he was also an accomplished musician. He played several instruments, including the violin, guitar, and piano, and wrote music as well. He was particularly interested in the traditional music of Rio Grande do Sul and collected and recorded folk songs from the region. His interest in music was reflected in his writing, as he often wrote about the role of music in Brazilian culture.

Despite his many accomplishments, Vicentino was also known for his humility and generosity. He was known to help and mentor young writers and scholars, and his home in Porto Alegre was often a gathering place for intellectuals and artists. He was remembered not only for his contributions to Brazilian culture and history but also for his kindness and warmth as a person.

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Dilermando Reis

Dilermando Reis (September 22, 1916 Guaratinguetá-January 2, 1977 Rio de Janeiro) was a Brazilian personality.

His albums: Libro de Lagrimas, and . Genres related to him: Choro.

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