Chinese music stars who deceased at age 67
Here are 4 famous musicians from China died at 67:
Zhu Shilin
Zhu Shilin (July 27, 1899 Taicang-January 5, 1967 Hong Kong) otherwise known as Shilin Zhu was a Chinese screenwriter and film director.
Shilin Zhu is regarded as a pioneer in the Chinese film industry for his contributions to the development of Chinese cinema. He worked with the Diantong Film Company, one of the first production companies in China. Zhu started his career in the Chinese silent era and contributed to around 17 films during that period. One of his most famous films was "Song of China" (1935), which was based on the life of revolutionary martyr Qiu Jin.
Zhu was highly regarded for his artistic and technical skills, and he was known for studying and experimenting with new film techniques. In addition to his work in the film industry, he was also a published author and wrote several books on his experiences working in films.
Zhu's life was characterized by struggle and persecution, and he was arrested multiple times during the Chinese Civil War due to his association with the nationalist party. He ultimately fled to Hong Kong with his family and continued to work in the film industry until his passing in 1967.
Zhu Shilin's contributions to Chinese cinema were not only limited to his skills as a filmmaker but also as a mentor to younger generations of filmmakers. Zhu taught at various film schools and mentored many famous directors in Hong Kong such as Ann Hui and Wong Kar-wai. His works were not just limited to historical dramas but also included other genres like war movies and romantic comedies.
Zhu's legacy has been recognized with several awards and honors for his contributions to Chinese cinema. In 1959, he was awarded the Golden Horse Award for Best Screenplay for the movie "Daughters of Jingxi." In 1974, the Hong Kong Film Awards posthumously recognized him with a Special Award for his lifetime achievements in filmmaking.
In 2012, a documentary film titled "Zhu Shilin and His Cinema" was released to commemorate his contributions to the Chinese film industry. It was directed by Zhu's grandson, Zhu Jianhong, who interviewed several industry experts and actors in the film to capture the essence of the filmmaker's life and works.
Despite the hardships and trials Zhu faced throughout his life, his passion for filmmaking never diminished. He will always be remembered as a trailblazer in Chinese cinema and a mentor to many aspiring filmmakers.
In addition to his work in the film industry and as a mentor, Zhu Shilin was also highly involved in politics. He was a member of the Nationalist Party and served as a cultural officer for their military. During his time in the party, he was highly involved in fundraising and propaganda efforts through film. Zhu also served as the head of the Chinese Film Workers' Association and was involved in negotiating with foreign film companies.
In his later years, Zhu became increasingly interested in the technical aspects of film and experimented with new techniques like color grading and lighting. He also advocated for the preservation of old films and was involved in the restoration of several classic Chinese films.
Zhu Shilin's influence on Chinese cinema can still be seen today, and his legacy continues to inspire and encourage young filmmakers. Despite the challenges he faced throughout his life, he remained dedicated to his craft and left behind a lasting impact on the film industry in China and beyond.
In addition to his numerous accomplishments, Zhu Shilin was also a family man. He married his wife, Wu Yian, in the 1920s, and they had three children together. His eldest daughter, Zhu Liqun, would later become a prominent costume designer and artist, working on films such as "Raise the Red Lantern" and "Farewell My Concubine." Zhu's grandson, Zhu Jianhong, also followed in his grandfather's footsteps and became a filmmaker, eventually creating the documentary about his grandfather's life and works.
Zhu's impact on Chinese cinema cannot be overstated. He was at the forefront of the industry's development, experimenting with new techniques, and pushing the boundaries of what was possible on film. He paved the way for generations of filmmakers, who continue to draw inspiration from his groundbreaking work. Today, Zhu Shilin's legacy lives on, a testament to his incredible talent, passion, and dedication to the art of cinema.
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Puru
Puru (August 30, 1896 Beijing-November 18, 1963 Taipei) was a Chinese artist, painter and visual artist.
Puru is known for his contribution to the art world through the incorporation of traditional Chinese brushwork and calligraphic techniques in modern paintings. He drew inspiration from nature and Chinese history to create symbolic and intricate compositions. Puru was also a prolific writer and educator, widely respected for his insightful and thought-provoking perspectives on art and culture. In addition, he was a founding member of the Guohua Society, a group dedicated to promoting traditional Chinese art in contemporary society. His legacy continues to influence contemporary Chinese art and is recognized internationally for his significant contributions to the art world.
Puru was born in Beijing to a scholarly family and was exposed to Chinese classical literature and traditional art at a young age. He attended primary school in Tianjin before moving to Japan in 1917 to study Western art at the Tokyo School of Fine Arts. After returning to China, he became interested in traditional Chinese painting and studied under such renowned masters as Wu Hufan and Qi Baishi. Puru's style was strongly influenced by the ancient Chinese masters, but he developed his unique approach to painting by combining traditional techniques with modern compositions and themes.
In addition to his paintings, Puru was a prominent writer and educator who believed in the importance of preserving and promoting traditional Chinese culture. He taught at several art schools and universities throughout China and Taiwan, including the National Taiwan University. He wrote over 10 books and numerous articles on art, aesthetics, and culture, and was highly regarded for his scholarly contributions.
Throughout his life, Puru remained dedicated to promoting traditional Chinese art and culture. He established the China Academy of Art in Hangzhou, and founded the Guohua Society, which helped revive interest in traditional painting techniques among contemporary artists. He was also a founding member of the Taiwan Culture Association, which aimed to promote traditional culture and encourage cross-strait communication.
Although Puru passed away over 50 years ago, his artistic legacy continues to inspire and influence artists across the globe. His work has been exhibited in major museums and galleries worldwide, and his impact on the art world will continue to be felt for generations to come.
Puru's artistic style combined traditional Chinese techniques with modern themes and compositions, which made his work stand out and gained him worldwide recognition. His paintings often featured elements of nature, such as birds, plants, and landscapes, which were rendered in exquisite detail and with great attention to symbolism. He also drew inspiration from Chinese history and mythology to create compelling and imaginative works of art. Aside from his skills as a painter, Puru was a gifted calligrapher who practiced and promoted the art of Chinese calligraphy. His calligraphic works demonstrated a mastery of various styles and forms, from the elegant and flowing cursive script to the bold and powerful seal script. Puru's calligraphy was widely admired for its grace and beauty, and he was often sought after by collectors and art enthusiasts. In addition to his artistic achievements, Puru was a well-respected educator who shared his knowledge and love of Chinese art and culture with generations of students. He was deeply committed to promoting traditional Chinese painting and calligraphy and played an instrumental role in shaping the direction of the art world in China and Taiwan. Through his writings, teachings, and advocacy work, Puru helped preserve and promote the unique artistic heritage of China for future generations.
After Puru's death, his legacy lived on through numerous exhibitions and retrospectives of his work. In 2019, the Taipei Fine Arts Museum held a major retrospective of his work, which showcased over 120 of his paintings, calligraphy, and writings. The exhibition highlighted Puru's contributions to modern Chinese painting, as well as his role as an educator and cultural leader.
Puru's impact on the development of modern Chinese painting was significant. He pioneered the use of traditional Chinese painting techniques in modern compositions, paving the way for future generations of Chinese artists. His work also had a profound influence on the development of Chinese ink painting, which continues to be an important part of the contemporary art scene in China and around the world.
In addition to his artistic achievements, Puru was also a dedicated philanthropist. He donated a significant portion of his wealth to charity and established several scholarships and educational programs to support young artists and students. His commitment to social justice and cultural preservation continues to inspire philanthropists and activists today.
Overall, Puru's life and work demonstrate the power of art to bridge cultural divides and promote understanding and appreciation of different cultures. His legacy as an artist, educator, and cultural leader will continue to inspire future generations to explore the rich and diverse artistic traditions of China and beyond.
He died as a result of lymphoma.
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Daoguang Emperor
Daoguang Emperor (September 16, 1782 Forbidden City-February 25, 1850 Old Summer Palace) was a Chinese personality. He had six children, Yixuan, Prince Chun, Prince Gong, Xianfeng Emperor, Yicong, 2nd Prince Tun, Gurun Princess Shou'an and Kurun Princess Duanshun.
Daoguang Emperor was the eighth emperor of the Qing dynasty and ruled from 1820 until his death in 1850. He was known for his conservative policies and struggled to deal with economic and social issues such as the opium trade and increasing population growth. During his reign, tensions grew between China and Western powers, leading to the First Opium War. Despite his efforts to modernize China, Daoguang was ultimately unable to prevent the decline of the Qing dynasty. In addition to his children, he had several consorts, including Empress Xiaojingcheng and Consort Zhen.
Daoguang Emperor's reign was marked by numerous rebellions and uprisings. One of the most significant was the Taiping Rebellion, which began in 1850, shortly before his death. This rebellion, led by Hong Xiuquan, aimed to overthrow the Qing dynasty and establish a new, Christian state in China. Despite early successes, the rebellion was ultimately crushed by the Qing army.
Daoguang Emperor was also a patron of the arts and literature, and he was known for his love of calligraphy. He wrote a number of works under the pseudonym "Qingxi," including poems and essays.
In addition to his struggles with internal unrest and foreign powers, Daoguang Emperor faced health problems throughout his reign. He suffered from gout, which made it difficult for him to walk, and he was also troubled by frequent headaches. He died in 1850 at the age of 67, and was succeeded by his fourth son, the Xianfeng Emperor.
During his reign, Daoguang Emperor implemented strict policies to combat corruption and improve the efficiency of the government. He also undertook various infrastructure projects, such as the construction of canals and roads to improve transportation and communication within the empire.
Despite his conservative policies, Daoguang Emperor did show some openness to Western technology and culture, allowing for the establishment of Western-style schools and the use of Western medicine within China. However, these measures were not enough to prevent the growing resentment and mistrust between China and the West.
Daoguang Emperor's legacy is mixed, with some historians praising his efforts to modernize China and others criticizing his conservative policies and inability to prevent the decline of the Qing dynasty. Nonetheless, he remains an important figure in Chinese history and his reign marked a pivotal time of social, economic, and political change in China.
During his reign, Daoguang Emperor also implemented a number of reforms in the legal system, including the establishment of official civil codes and the expansion of the legal system to include more cases. He also attempted to address the issue of government corruption by implementing strict punishments for officials found guilty of corruption.
In terms of foreign relations, Daoguang Emperor was faced with the challenge of dealing with Western powers who were seeking to expand their influence in China. He sent a series of missions to Europe in order to learn more about Western technology and military tactics, and he also encouraged the growth of Chinese industry and commerce.
Despite his efforts to modernize China, Daoguang Emperor faced increasingly difficult challenges as the Qing dynasty began to decline. He struggled to maintain control over the vast empire and was eventually faced with a number of uprisings and rebellions, including the Taiping Rebellion, which threatened to end his reign.
Today, Daoguang Emperor is remembered as a complex and somewhat controversial figure in Chinese history. While his legacy is mixed, he played an important role in the political, economic, and social changes that took place during the early 19th century in China.
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Zaifeng, Prince Chun
Zaifeng, Prince Chun (February 12, 1883 Beijing-February 3, 1951 Beijing) was a Chinese personality. He had eleven children, Puyi, Pujie, Jin Youzhi, Jin Zhijian, Pu Yunyu, Jin Ruijie, Yunying, Yunhe, Princess Yunying, Jin Yunxian and Puqi.
Zaifeng was a member of the Qing dynasty's imperial family and the regent of China from 1908 to 1911 during his younger brother, Emperor Puyi's childhood. He played a significant role during the tumultuous period of the fall of the Qing dynasty and the establishment of the Republic of China. Zaifeng later became a prominent politician in the early years of the Republic, serving as the Minister of Communications, Finance Minister, and briefly, the Acting Premier of China. He was also a strong advocate for modernizing the country's infrastructure, including the railway system. Despite his accomplishments, he eventually fell out of favor with the ruling government and was put under house arrest for several years until his death in 1951.
Zaifeng, Prince Chun, was the seventh son of Emperor Guangxu and Empress Dowager Cixi's younger brother. He was appointed as Prince Chun in 1901 and played a key role in the imperial court of his brother, Emperor Puyi, who was declared emperor at the age of two. Zaifeng was tasked with handling the affairs of state and the education of the young emperor. He successfully negotiated with the foreign powers to preserve China's sovereignty and avoid further territorial concessions. However, his effectiveness was limited by the growing power of the revolutionary forces and the declining power of the Qing government.
After the overthrow of the Qing dynasty, Zaifeng joined the new Republican government and served in various capacities, working to modernize China's economy and infrastructure. He played a crucial role in establishing the Bank of China and creating a standardized currency system. He also worked to improve the railway system, which led to greater connectivity among different parts of the country.
Zaifeng was known for his strong leadership and ability to navigate complex political situations. However, he fell out of favor with the government in the 1930s due to his pro-Japanese stance and was placed under house arrest for several years. His reputation was further tarnished when he was accused of collaborating with the Japanese during the Second Sino-Japanese War. Despite these setbacks, Zaifeng's legacy as a key figure in Chinese history remains intact.
After the establishment of the People's Republic of China in 1949, Zaifeng was allowed to return to Beijing and was briefly reinstated as a member of the National People's Congress. However, he was soon put under house arrest once again due to his connections with the former imperial family and his political views. He spent the remaining years of his life in isolation until his death in 1951. Despite his controversial legacy, Zaifeng's contributions to China's modernization and his role in navigating the country's transition from imperial rule to the republic era have secured his place as an important historical figure in China.
Zaifeng was widely regarded as a scholar and a patron of the arts, and he himself was a talented calligrapher and painter. He was particularly interested in promoting Confucianism and traditional Chinese culture, which he believed were crucial to preserving China's national identity. He was also an avid collector of antiques, and his collection included many rare artefacts from China's imperial past.
In addition to his political and cultural contributions, Zaifeng was known for his philanthropy. He established a number of charitable organizations, including schools and hospitals, and donated generously to help those in need. His efforts to improve the lives of ordinary Chinese people were widely admired and helped to cement his reputation as a compassionate and dedicated public servant.
Despite his many achievements, however, Zaifeng's life was not without controversy. He was criticized by some for his ties to the imperial family and the Qing dynasty, which many saw as a symbol of China's backwardness and feudal past. He was also accused of corruption and embezzlement during his time in government, although these charges were never proven.
Despite these criticisms, however, Zaifeng remains a celebrated figure in Chinese history, and his contributions to China's modernization and cultural preservation continue to be remembered and admired to this day.
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