Colombian music stars who deceased at age 60
Here are 2 famous musicians from Colombia died at 60:
Samael Aun Weor
Samael Aun Weor (March 6, 1917 Bogotá-December 24, 1977) was a Colombian writer.
Weor was best known for his work as a spiritual teacher and author with a focus on esoteric topics, such as Kabbalah, Gnosticism, and Hermeticism. He founded the Gnostic Movement, an international organization aimed at promoting the study and practice of Gnosticism, and wrote numerous books on spirituality and self-realization. Weor's ideas and teachings continue to have a following in various parts of the world, with a number of organizations and individuals dedicated to spreading his message. Despite criticism from some quarters for his unorthodox views and controversial methods, Weor remains a figure of interest and debate in the world of spirituality and alternative thought.
Born Víctor Manuel Gómez Rodríguez, Weor changed his name to Samael Aun Weor in 1950 after experiencing a spiritual awakening. He claimed to have been initiated into various mystical societies and secret orders throughout his life, and his teachings often drew upon ancient spiritual traditions and philosophies. Weor also frequently spoke about the concept of "Gnosis," which he defined as direct knowledge or experience of the divine.
In addition to his spiritual work, Weor was also involved in politics and social activism. He was a supporter of leftist movements in Colombia and authored several books advocating for social change and justice. However, some critics accused him of espousing a cult-like philosophy and promoting dangerous practices, such as sexual rituals as a means of spiritual awakening.
Despite the controversies surrounding his teachings, Weor's legacy has endured, with many followers continuing to study and practice his ideas. His life and work have been the subject of numerous books and documentaries, and his influence is felt in various spiritual and new age communities to this day.
He died as a result of stomach cancer.
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Marta Traba
Marta Traba (January 25, 1923 Buenos Aires-November 27, 1983 Mejorada del Campo) was a Colombian art critic.
Traba was also a writer and an intellectual, who was known for her provocative and controversial opinions on contemporary art and culture. She began her career as an art critic in Argentina, where she wrote for various publications, including the daily newspaper La Nación. In the 1950s, she moved to Paris, where she studied at the Sorbonne and worked as a critic for the French journal Les Lettres Nouvelles.
Traba's work as a critic and scholar spanned many different fields, including modern and contemporary art, Latin American culture, and feminist theory. She published over 30 books and numerous articles throughout her career, many of which are still considered important contributions to their respective fields.
Traba's intellectual and cultural influence extended far beyond her writings, however. She was a tireless advocate for the arts and culture, and was involved in many initiatives to promote Latin American art and artists. She was also a prominent voice in the feminist movement, and was instrumental in bringing many feminist ideas and perspectives to the attention of the Latin American intellectual and artistic communities.
Traba's legacy as a writer, art critic, and cultural icon continues to be felt today, both in Latin America and around the world. She is remembered as a passionate and uncompromising advocate for the arts, culture, and feminist thought, and as an intellectual force to be reckoned with.
In addition to her work as an art critic and writer, Marta Traba was also a prolific curator, organizing numerous international exhibitions and events throughout her career. She was particularly interested in promoting the work of Latin American artists, and was involved in many initiatives to showcase their work on a global stage. Traba was also an influential teacher and mentor to many young artists and writers, and was known for her generosity and commitment to promoting the next generation of thinkers and creators. Despite her many accomplishments and contributions to the cultural landscape of Latin America and beyond, Traba was not without her critics. Her often controversial opinions and outspoken nature made her a controversial figure in some circles, and she was the subject of controversy and debate throughout her career. However, her impact on the world of art, culture, and feminist theory remains undeniable, and she is still widely regarded as one of the most important cultural figures of the 20th century.
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