Czechoslovakian musicians died at 68
Here are 6 famous musicians from Czechoslovakia died at 68:
Juraj Szikora
Juraj Szikora (March 2, 1947 Tvrdošovce-April 5, 2015 Slovakia) was a Czechoslovakian personality.
He was best known for being the co-creator and performer of the popular children's television show, "Max and Morris," which aired in Czechoslovakia from 1976 to 1992. Szikora began his career as a cartoonist and worked for the Slovakian newspaper Práca. He later transitioned to television, where he became widely recognized as one of the most beloved personalities in Czechoslovakia. In addition to his work on "Max and Morris," he was also a writer, producer, and film director. Szikora was awarded the Medal of Merit in 2005 by the President of Slovakia for his contributions to culture and the arts.
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George Pravda
George Pravda (June 19, 1916 Prague-May 1, 1985 London) also known as Jirí Pravda was a Czechoslovakian actor.
He was best known for his work in British and American film and television productions. Pravda studied drama at the Charles University in Prague before beginning his career in the Prague National Theatre in 1938. He later moved to England in 1939 to escape the Nazi occupation of Czechoslovakia, and quickly found work in the British film industry. Pravda went on to have a successful acting career, appearing in over 70 films and numerous television shows including the classic British series Doctor Who. He was also a prolific stage actor, appearing in productions in both England and the United States. Throughout his career, Pravda was known for his distinctive voice and talent for playing a wide range of characters. He passed away in London in 1985 at the age of 68.
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Štěpánka Haničincová
Štěpánka Haničincová (September 30, 1931 Kvíčovice-October 27, 1999 Prague) was a Czechoslovakian personality.
Štěpánka Haničincová was a prominent Czechoslovakian actress, singer, and television host. She graduated from the Prague Conservatory in 1954 and began her career in theater before transitioning to film and television. Haničincová became a household name in Czechoslovakia, known for her iconic performances in films such as "Pojďte pane, budeme si hrát" and "Muzikantská Liduška" as well as her charming personality on television programs such as "Večerníček" and "Pět z pěti". She was also an accomplished singer and released several albums throughout her career. Haničincová tragically died in a car accident in 1999, leaving behind a legacy as one of Czechoslovakia's most beloved entertainers.
He died in accident.
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Václav Vích
Václav Vích (January 18, 1898 Karlovy Vary-September 14, 1966 Rome) also known as Vick Vaclav, Venceslao Vick, Theodor Wich, Venceslao Vich, V. Vich, Vaclav Vich or Vich was a Czechoslovakian cinematographer, photographer and actor.
He began his career as a photographer, working for magazines and newspapers. In the early 1920s, he started working in the film industry as a camera assistant and operator, and by the end of the decade, he was a full-time cinematographer. He contributed to the early development of Czechoslovak cinema, working on over 50 films in the 1920s and 30s.
Vích was known for his innovative techniques, including the use of artificial lighting and dynamic camera movement. His work was praised for its artistic and technical excellence. He collaborated with many notable filmmakers, including Karel Lamac, Martin Frič, and Gustav Machatý.
During World War II, Vích fled Czechoslovakia and worked in Italy and Germany, where he continued to work in the film industry. In the late 1940s, he returned to Czechoslovakia and continued his career as a cinematographer until his retirement in the early 1960s.
Vích also worked as an actor, appearing in a few films throughout his career. He was a member of the Czechoslovakian Academy of Sciences and Art and received numerous awards for his contributions to film.
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Miroslav Macháček
Miroslav Macháček (May 8, 1922 Nymburk-February 17, 1991 Prague) was a Czechoslovakian actor and theatre director. He had one child, Kateřina Macháčková.
Macháček studied acting at the Theatre Faculty of the Academy of Performing Arts in Prague during the early 1950s. He quickly became an accomplished and sought-after actor, performing in many films and plays throughout his career. In addition to acting, Macháček also worked as a theatre director, having directed several productions in Prague.
Macháček became well-known for his roles in Czechoslovakian New Wave films, a movement that started in the 1960s and brought international attention to Czechoslovakian cinema. Some of his most notable film roles include his portrayal of Tonda in the film "The Cremator" and his performance in the comedy film "The Firemen's Ball".
In addition to his work in film and theatre, Macháček also lent his voice to various dubbing projects, having dubbed foreign films and TV shows into Czechoslovakian.
Macháček passed away in 1991 in Prague at the age of 68. Despite his passing, his legacy continues to live on, with his contributions to Czechoslovakian cinema and theatre being remembered and celebrated.
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Václav Wasserman
Václav Wasserman (February 19, 1898 Prague-January 28, 1967 Prague) otherwise known as Václav Vodicka, V. Wasserman, Wenzel Wassermann, Václav Wassermann, V. Wassermann or F. Formen was a Czechoslovakian screenwriter, film director, actor and writer.
Throughout his career, Václav Wasserman wrote over 200 screenplays and directed 13 films. He was known for his collaborations with director Martin Frič, with whom he worked on several successful comedies. Prior to his work in film, Wasserman was a writer and actor in the Czech theatre scene.
During World War II, Wasserman was imprisoned in the Theresienstadt concentration camp, where he continued to write and perform theatre productions with fellow inmates. After the war, he returned to his work in film and theatre, continuing to garner critical acclaim for his writing and directing.
In addition to his contributions to Czech cinema and theatre, Wasserman was also a published author. His novel "Aujeszky's Disease," which deals with the issue of psychiatric illness, was well-received upon its release in 1926.
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