Here are 50 famous musicians from the world were born in 1904:
Joan Crawford (March 23, 1904 San Antonio-May 10, 1977 New York City) also known as Lucille Fay LeSueur, Billie Cassin, Lucille Le Sueur, Billie or Cranberry was an American singer, pin-up girl, actor, dancer, film producer and screenwriter. She had four children, Christina Crawford, Cynthia Crawford, Cathy Crawford and Christopher Crawford.
Crawford began her career as a dancer in the chorus line of Broadway productions before transitioning to film. She signed with Metro-Goldwyn-Mayer (MGM) in the 1920s and appeared in many silent films, including "Our Dancing Daughters" (1928). Crawford's fame skyrocketed in the 1930s with her roles in films such as "Grand Hotel" (1932), "The Women" (1939), and "Mildred Pierce" (1945), for which she won an Academy Award for Best Actress.
Throughout her career, Crawford was known for her strong, independent characters and her strikingly beautiful looks. She was also notorious for her perfectionism on set and her strict control of her public image. In her later years, she became known for her tireless work for charities and her support of the United Service Organizations (USO).
Crawford's personal life was also marked by controversy, including her turbulent relationship with her daughter, Christina, who wrote a scathing tell-all book about her mother after her death. Despite this, Crawford's legacy as one of Hollywood's most iconic actresses has endured, and she is remembered as a symbol of glamour, talent, and perseverance.
In addition to her successful career in Hollywood, Crawford was also a trendsetter in fashion and beauty. Her signature bold shoulder pads and exaggerated eyebrows became popular trends in the 1930s and 1940s, and she was considered a style icon of her time. Crawford was also known for her strict beauty regime, which included daily exercise, cold cream on her face, and sleeping with her head elevated to prevent wrinkles.
Crawford was married four times, to actors Douglas Fairbanks Jr., Franchot Tone, and Phillip Terry, as well as Pepsi-Cola CEO Alfred Steele. She had a tumultuous relationship with her adopted daughter, Christina, who accused her mother of physical and emotional abuse in her memoir "Mommie Dearest", which was later adapted into a popular film of the same name. Crawford vehemently denied the accusations until her death.
After retiring from acting in the 1970s, Crawford continued to be an active supporter of various charities and causes. She was recognized for her humanitarian work with the Jean Hersholt Humanitarian Award at the 1971 Academy Awards. Crawford died in 1977 at the age of 73, leaving behind a legacy as one of Hollywood's most iconic stars.
In addition to her impressive film career, Joan Crawford was also a pioneer for women in the film industry. During her time at MGM, she was one of the first actresses to negotiate her own contracts, which gave her greater control over her films and allowed her to make more money. Crawford was also known for her generosity towards her co-stars, often giving them gifts and lending them money. She was a mentor to many young actresses who looked up to her for her talent and her determination.
Crawford's legacy continues to inspire many people today, and her films remain a testament to her incredible talent and beauty. She is remembered for her fierce independence, her generous spirit, and her unwavering commitment to her craft. Despite the controversies that surrounded her personal life, Crawford's legacy remains one of Hollywood's most enduring and iconic stories.
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Fats Waller (May 21, 1904 New York City-December 15, 1943 Kansas City) also known as Waller Fats, Thomas Wright Waller, Thomas 'Fats' Walter, Thomas "Fats" Waller, Waller, Fats, J. Lawrence Cook, Thomas Wright "Fats or Waller was an American composer, musician, comedian, singer, organist and jazz pianist.
Discography: Breakin' The Ice: The Early Years, Part 1 (1934-1935), I'm Gonna Sit Right Down: The Early Years (1935-1936), The Chronological Classics: Fats Waller 1940-1941, Best of the War Years (V-disc), Portrait, Volume 1, A Handfull of Fats, 20.3003-HI: Believe in Miracles, Ain't Misbehavin' [Past Perfect], This Is So Nice, It Must Be Illegal and Classic Jazz From Rare Piano Rolls. Genres he performed include Jazz, Stride, Swing music, Ragtime and Dixieland.
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Glenn Miller (March 1, 1904 Clarinda-December 15, 1944 English Channel) also known as Glen Miller, Miller Glenn, Capt. Glenn Miller or Alton Glenn Miller was an American bandleader, trombonist, musician, composer and film score composer. He had two children, Joannie Miller and Steven Miller.
Related albums: Greatest Hits, The Missing Chapters, Volume 2: Keep 'em Flying, The Missing Chapters: Volume 5: Complete Abbey Road Recordings, The Missing Chapters: Volume 9: King Porter Stomp, Sun Valley Serenade & Orchestra Wives, Jazz Moods - Hot, Glenn Miller, 20 Classic Tracks, 20 Golden Hits and 36 All-Time Greatest Hits. His related genres: Swing music, Big Band and Jazz.
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Count Basie (August 21, 1904 Red Bank-April 26, 1984 Hollywood) also known as Count Baise, Count Bassie, Count Basie Bunch, The Count Basie Bunch, William Basie, Willaim Basie, William Allen Basie, The Kid from Red Bank, Count Basie and His Orchestra, Count Basie and His Band, The Count, William James Basie or Count Basie (with Bennie Moten Orchestra) was an American bandleader, musician, composer, organist, jazz pianist, actor and songwriter.
His albums include Basie One More Time, Basie's Bag, Verve Jazz Masters 2, The Count Basie Gold Collection, Jazz 'Round Midnight, EMI Jazz Masters, America's #1 Band: The Columbia Years, Jazz Moods: Hot, The Jazz Biography and The Complete Clef/Verve Count Basie Fifties Studio Recordings. Genres he performed include Swing music, Piano blues, Big Band and Jazz.
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Luigi Dallapiccola (February 3, 1904 Pazin-February 19, 1975 Florence) a.k.a. Dallapiccola, Luigi was an Italian composer.
His albums include Il prigioniero, Cinque canti, Preghiere, Il prigioniero / Canti di prigionia (Swedish Radio Symphony Orchestra and Choir & Eric Ericson Chamber Choir feat. conductor: Esa-Pekka Salonen), and . Genres he performed include Opera, Serialism, 20th-century classical music and Ballet.
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Nathan Milstein (January 13, 1904 Odessa-December 21, 1992 London) a.k.a. Nathan Mironovic Milstein or Milstein, Nathan was an American author and violinist.
His albums include The Art of Nathan Milstein (disc 1), Violin Concertos, The 1946 Library of Congress Recital, Brahms: Violin Sonata No. 3 / Beethoven: “Moonlight” Sonata, Vignettes: 24 Favorite Miniatures, Tchaikovsky - Mendelssohn : Violinkonzerte and . His related genres: Classical music.
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Ray Bolger (January 10, 1904 Dorchester-January 15, 1987 Los Angeles) otherwise known as Raymond Wallace Bulcao, Bolger, Ray, Raymond Wallace Bolger or Raymond Wallace "Ray" Bolger was an American singer, actor and dancer.
He is best known for his role as the Scarecrow in the 1939 film adaptation of "The Wizard of Oz." Bolger started his career as a vaudeville performer before transitioning to Broadway and film. He starred in a number of Broadway shows, including "By Jupiter" and "On Your Toes," for which he won a Tony Award. Bolger continued to work in film and television throughout his career, appearing in movies such as "Babes in Toyland" and "The Harvey Girls." In addition to his acting and dancing career, Bolger was also a painter and illustrator. He passed away in 1987 at the age of 83.
Born in Boston, Bolger started performing in his teen years, and eventually made his way to Hollywood in the mid-1930s. He initially struggled to find work, but his breakthrough came in 1936 when he was cast in the Broadway musical "On Your Toes." This led to a successful film career, with Bolger known for his comedic talent and unique dance style. Bolger was also a frequent guest on television, making numerous appearances on programs like "The Ed Sullivan Show" and "The Hollywood Palace." In addition to his performance work, Bolger was also an advocate for animal rights and a supporter of various charities. He was posthumously inducted into the American Theater Hall of Fame in 1992.
Bolger had a distinctive, rubbery style of dancing that became his trademark. His performance as the Scarecrow in "The Wizard of Oz" was so memorable that it became one of the highlights of the film. Bolger was well-respected for his talent by his fellow actors, and was known for his sense of humor and kindness on and off set.
In addition to his successful career in entertainment, Bolger was also an accomplished artist. He enjoyed painting and illustration, and even designed the costumes for some of his own stage performances. Bolger was a dedicated family man, and was married to Gwendolyn Rickard for over 40 years until his death in 1987. They had two children together.
Bolger's legacy has endured long after his passing. His performance in "The Wizard of Oz" is still beloved by audiences young and old, and his contribution to American theater and film continues to be celebrated.
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Coleman Hawkins (November 21, 1904 St. Joseph-May 19, 1969 New York City) also known as Coleman Randolph Hawkins, Coleman Hawkings, C . Hawkins, Hawkins, Coleman, Hawk or Bean was an American musician, actor and saxophonist.
His albums: The Hawk Relaxes, Verve Jazz Masters 34, Storyville Masters of Jazz, Volume 12: Coleman Hawkins, Body and Soul, Centennial Collection, A Retrospective: 1929-1963, Bean & The Boys, Bean and the Boys, Bean Stalkin' and Blues Groove (With Tiny Grimes). Genres he performed: Swing music and Bebop.
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Pete Johnson (March 25, 1904 Kansas City-March 23, 1967 Buffalo) also known as Johnson, Pete was an American jazz pianist.
His albums include The Chronological Classics: Pete Johnson 1939-1941, The Chronological Classics: Pete Johnson 1947-1949, The Chronological Classics: Pete Johnson 1938-1939, The Chronological Classics: Pete Johnson 1944-1946, King of Boogie, With Pete Johnson's Orchestra - Tell Me Pretty Baby, The Boogie Woogie Trio, Volumes 1 & 2, Cherry Red / Baby Look at You, Roll 'em Pete / Goin' Away Blues and 8 to the Bar. His related genres: Jazz, Boogie-woogie, Blues and Stride.
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Pinetop Smith (June 11, 1904 Troy-March 15, 1929 Chicago) otherwise known as Pine Top Smith, Clarence Smith, Smith, Pinetop, Clarence 'Pine Top' Smith or Smith, Clarence was an American comedian, singer and pianist.
His albums: Pine Top's Boogie Woogie / Pine Top Blues. His related genres: Blues and Boogie-woogie.
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George Formby (May 26, 1904 Wigan-March 6, 1961 Preston, Lancashire) also known as George Formby, Jr., Formby, George, George Fotmby, George Hoy Booth, Ukulele George, George Hoy, George Formby, OBE or George Formby Jr. was a British singer-songwriter, comedian, actor and musician.
Discography: George Formby, The Very Best Of, That Ukelele Man, The Best of George Formby, When I'm Cleaning Windows, When I'm Cleaning Windows, Easy Going Chap, Hippodrome and When I'm Cleaning Windows. Genres: Music hall.
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Mack Gordon (June 21, 1904 Warsaw-March 1, 1959 New York City) a.k.a. Morris Gittler was an American songwriter, composer, lyricist, film score composer and actor.
From an early age, Gordon showed a keen interest in music and musical theater. He began his career in the music industry as a sheet music salesman, and later went on to work as a pianist and lyricist. His big break came when he was hired by Paramount Pictures in the 1930s to write songs for their films.
Over the years, Gordon worked on many hit songs, including "Chattanooga Choo Choo", "At Last", and "I Had the Craziest Dream". He collaborated with some of the most famous composers and lyricists of the time, including Harry Warren, Johnny Mercer, and Harold Arlen.
Gordon was also a prolific film score composer, and wrote music for more than 100 films. He received several Oscar nominations for his work, including for the song "The More I See You" from the film "Diamond Horseshoe" in 1945.
In addition to his work in the music industry, Gordon also made several appearances as an actor in films and television shows. He was inducted into the Songwriters Hall of Fame in 1972, and his contributions to the music industry continue to be celebrated today.
Gordon's songs were performed by some of the most popular musicians of his time, such as Glenn Miller, Frank Sinatra, and Billie Holiday. His collaboration with composer Harry Warren produced many of his biggest hits, including "42nd Street" and "Lulu's Back in Town". Gordon's success in the music industry led him to co-found the publishing company, Witmark-Gordon Music. He also served as a vice-president of the American Society of Composers, Authors, and Publishers (ASCAP), where he was credited with helping to increase royalties for composers and songwriters. Despite his many achievements, Gordon struggled with alcoholism and died at the young age of 54. His contributions to the popular music of the early 20th century are still remembered and celebrated today.
Gordon was born to Jewish parents in Warsaw, Poland, but immigrated with his family to New York City when he was a young child. Growing up in New York, he was influenced by the city's vibrant music scene and began playing piano and writing songs as a teenager. After his success with Paramount Pictures in the 1930s, Gordon continued to write hit songs throughout the 1940s and 1950s, including "You'll Never Know" and "Serenade in Blue".
In addition to his work in film and popular music, Gordon also wrote music for Broadway shows, including the hit musical "Billion Dollar Baby" in 1945. He also worked on several radio programs, including "The Bing Crosby Show" and "The Frank Sinatra Show".
Gordon was known for his ability to write catchy, upbeat songs with memorable lyrics. He often collaborated with other songwriters, but was also capable of writing music and lyrics on his own. His songs continue to be covered by contemporary artists and are still popular with audiences today.
Despite his struggles with alcoholism, Gordon remained a prolific songwriter and influential figure in the music industry until his untimely death in 1959. Along with other songwriters of his era, he helped to define the sound of popular music in the first half of the 20th century and left a lasting legacy that continues to inspire musicians today.
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Horace Henderson (November 22, 1904 Cuthbert-August 29, 1988 Denver) also known as Henderson, Horace was an American bandleader and jazz pianist.
Genres he performed: Jazz.
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Richard Addinsell (January 13, 1904 Woburn Square-November 14, 1977 Brighton) also known as Richard Stewart Addinsell, Richard Addinsel or Richard Adinsell was an English composer and film score composer.
His most recognized albums: Warsaw Concerto, Film Music, Alice in Wonderland & Through the Looking Glass (1947 Broadway Cast), Addinsell: Warsaw Concerto / Rachmaninov: Rhapsody on a Theme by Paganini / Shostakovich: Piano Concerto No. 2, Gershwin: Rhapsody in Blue / Addinsell: Warsaw Concerto (Philharmonia Orchestra feat. conductor Neville Marriner, piano: Misha Dichter), Addinsell: Warsaw Concerto / Rachmaninov: Piano Concerto No. 2 / Litolff: Scherzo, The Film Music of Richard Addinsell (BBC Philharmonic) and . Genres he performed include Film score.
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Raymond Burke (June 6, 1904 New Orleans-May 21, 1986) also known as Raymond Barrois was an American , .
Raymond Burke was an American jazz clarinetist known for his distinctive sound and virtuosity on the instrument. He began his music career in New Orleans, playing in local bands and working as a session musician for various record labels. Burke's playing was heavily influenced by the New Orleans jazz style, which emphasized improvisation and collective interaction among the musicians.
In the 1920s, Burke moved to Chicago and joined the band of legendary jazz pianist Earl Hines. He played with Hines for several years and became known for his stunning solos and improvisational skills. Burke's playing style was characterized by his fast, fluid runs and his ability to create complex melodies on the fly.
During the 1930s and 1940s, Burke played with a number of prominent jazz musicians, including Benny Goodman, Louis Armstrong, and Duke Ellington. He also worked as a sideman for many big bands and played on numerous recordings.
Despite his success as a jazz musician, Burke struggled with alcoholism throughout his life. He died in 1986 at the age of 81, leaving behind a legacy as one of the greatest clarinetists in jazz history.
Burke was born Raymond Barrois in New Orleans to Creole parents. He was raised in the French Quarter, an area known for its vibrant music scene. Burke began playing clarinet at a young age and quickly gained a reputation as a skilled musician. He was influenced by the traditional jazz of New Orleans, which he later incorporated into his own style.
At the age of 21, Burke joined the band of Tubby Hall, a well-known jazz musician of the time. He also played with Sidney Desvigne and Sharkey Bonano. In 1929, Burke moved to Chicago, where he joined Earl Hines' Grand Terrace Orchestra. It was during this time that Burke's playing began to receive national attention. He played with Hines until 1932, when he joined Benny Goodman's orchestra.
Burke's work with Goodman gave him exposure to a wider audience, and he became known as one of the top clarinetists of his time. He also played with Louis Armstrong's band during the mid-1930s. Burke's virtuosity on the clarinet can be heard on many of Armstrong's recordings from that period.
In the late 1930s, Burke played with Duke Ellington's orchestra, making notable contributions to recordings such as "Concerto for Cootie" and "Diminuendo and Crescendo in Blue." He also worked as a session musician for various record labels, playing on recordings by Billie Holiday, Lester Young, and other notable jazz artists.
Despite his success as a musician, Burke battled alcoholism throughout his life. He continued to play and record music, but his career was frequently interrupted by stays in rehab and hospitalizations. In the 1970s, Burke moved back to New Orleans and played with local jazz musicians. He died in 1986 at the age of 81. His legacy as one of the greatest clarinetists in jazz history lives on through his recordings and the influence he had on generations of musicians.
Burke's style was characterized by its fluency, lightness, and speed, which he attributed to the influence of saxophone players such as Charlie Parker and Johnny Hodges. He was known for his technical ability as well as his improvisational skills, and his playing often featured a wide range of dynamics and textures. In addition to his work as a clarinetist, Burke was also a respected saxophonist, playing both alto and tenor saxophones on various recordings. He was known for his ability to switch between instruments seamlessly, and he often played both clarinet and saxophone within the same group.
In addition to his musical contributions, Burke was also a mentor to many young musicians. He taught and influenced a generation of clarinetists, including Jimmy Hamilton, Buddy DeFranco, and Eddie Daniels. His style and approach to music continue to be studied and emulated by musicians of all levels today.
In 1981, Burke was inducted into the Down Beat Jazz Hall of Fame, and he was also honored with a Lifetime Achievement Award from the National Endowment for the Arts. His legacy as a jazz musician and clarinet virtuoso continues to inspire new generations of musicians and fans of the genre.
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Wilf Carter (December 18, 1904 Port Hilford, Nova Scotia-December 5, 1996 Scottsdale) also known as Montana Slim, Carter, Wilf, Wilfred Arthur Charles Carter, Wilf or Slim, Montana was a Canadian singer, songwriter, guitarist and musician.
His albums: 32 Wonderful Years, Dynamite Trail-The Decca Years, 1954-58, Montana Slim and Montana Slim: A Prairie Legend [Bear Family] (disc 2). Genres related to him: Country and Western music.
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Goffredo Petrassi (July 16, 1904 Zagarolo-March 3, 2003 Rome) was an Italian conductor and composer.
Related albums: . Genres he performed: Ballet, Opera, 20th-century classical music and Chamber music.
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K. L. Saigal (April 11, 1904 Jammu-January 18, 1947 Jalandhar) a.k.a. K.L. Saigal, Saigal, Kundan Lal Sehgal, K.L., Saigal, K.L., Kundan Lal (K.L.) Saigal or Kundan Lal Saigal was an Indian singer and actor. He had four children, Madan Mohan, Nina, Bina and Durgesh Nandani.
Discography: Hits of K.L. Saigal, Volume 1.
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Willie Mae Ford Smith (June 23, 1904 Rolling Fork-February 2, 1994) also known as Smith, Willie Mae Ford was an American singer.
Her related genres: Gospel music.
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Eddie DeLange (January 15, 1904 Long Island-July 15, 1949 Los Angeles) also known as DeLange, Eddie or E. DeLange was an American songwriter.
DeLange began his career in the music industry as a vocalist in the 1920s, working with various orchestras and bands. However, it was his talent as a songwriter that brought him the greatest success. He collaborated with some of the biggest names in the business, including Duke Ellington, Jimmy Van Heusen, and Will Hudson, and wrote lyrics for hits such as "Heaven Can Wait" and "Darn That Dream." DeLange was also a co-founder of the publishing company Mills Music, which later became part of Warner Chappell Music. Despite his success, DeLange struggled with personal demons, including alcoholism, and died of a heart attack in 1949 at the age of 45. He was posthumously inducted into the Songwriters Hall of Fame in 1972.
In addition to writing lyrics, Eddie DeLange also wrote music and was known for his ability to craft beautiful melodies. One of his most famous compositions was the song "Moonlight Serenade," which he co-wrote with Glenn Miller. The song became a huge hit and has since become a jazz standard.
DeLange's success as a songwriter led to him working in Hollywood, where he wrote songs for a number of films. He also wrote the lyrics to the song "A-Tisket, A-Tasket," which became a hit for Ella Fitzgerald.
Despite his struggles with alcoholism, Eddie DeLange remained active in the music industry until his death. He was a popular figure in the New York nightclub scene and continued to work as a songwriter and music publisher.
Today, DeLange's songs and compositions continue to be performed and recorded by musicians around the world. His contributions to the American popular music canon are widely recognized, and he is remembered as one of the greatest songwriters of the 20th century.
In addition to his success in the music industry, Eddie DeLange also had a career in radio. He worked as a disc jockey and hosted his own programs, including "Spotlight Bands" and "Eddie DeLange's Orchestra Showcase." These programs were popular with listeners and helped to promote new and emerging talent in the music industry.
DeLange was also a philanthropist and contributed to various charitable organizations throughout his life. He was involved in fundraising efforts for the war effort during World War II and donated generously to organizations that supported artists and musicians in need.
In recognition of his contributions to American music, Eddie DeLange was posthumously inducted into the Big Band and Jazz Hall of Fame in 1997. His legacy as a songwriter and music industry pioneer continues to inspire new generations of musicians and songwriters.
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Cemal Reşit Rey (October 25, 1904 Jerusalem-October 7, 1985 Istanbul) a.k.a. Cemal Resit Rey was a Turkish composer, pianist, screenwriter and conductor.
He was one of the most important figures in Turkish classical music and contributed significantly to the country's cultural scene. Cemal Reşit Rey began playing the piano at the age of four and went on to study music in Paris and Berlin. He composed over 300 works, including symphonies, film scores, and operas. His most famous composition is probably the overture to the opera Özsoy, which is considered one of the masterpieces of 20th-century Turkish music. In addition to his work as a composer, Rey was also a respected conductor and performed with some of the world's leading symphony orchestras. He was also a prolific writer and penned numerous articles on music and culture. Cemal Reşit Rey was honored with many awards during his lifetime and was widely regarded as a national treasure in Turkey.
In addition to his impressive musical career, Cemal Reşit Rey also made significant contributions to the film industry in Turkey. He worked as a screenwriter and composer for several Turkish films, including "Battal Gazi Destanı" and "Adak". Rey was also a key player in establishing the Istanbul State Symphony Orchestra and served as its director from 1946 to 1950. He was instrumental in promoting classical music to a wider audience in Turkey and played an important role in developing the country's music education programs. Rey's legacy continues to be celebrated in Turkey today, with the Cemal Reşit Rey Concert Hall in Istanbul named in his honor.
Cemal Reşit Rey's influence was not limited to Turkey, he was also celebrated internationally. He received invitations to perform his compositions at festivals and events around the world, including in Europe and the United States. He was the first Turkish composer to be elected to the International Society for Contemporary Music. Additionally, Rey was a devoted teacher, and many of his students went on to become accomplished musicians and composers in their own right. Rey's commitment to the promotion of Turkish classical music helped to establish it as a significant art form that is still celebrated today. Cemal Reşit Rey's contributions have been recognized posthumously, and a commemorative stamp was issued by the Turkish Postal Service in 1991 in his honor. Today, he is remembered as one of the most important cultural figures in Turkish history.
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Mogubai Kurdikar (July 15, 1904 India-February 10, 2001) was an Indian singer. She had one child, Kishori Amonkar.
Her related genres: Hindustani classical music and Khyal.
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Jack Owens (November 17, 1904 Bentonia-February 9, 1997 Yazoo City) was an American singer, musician, farmer and songwriter.
Genres related to him: Delta blues, Rhythm and blues, Gospel music and Folk music.
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Igor Gorin (October 26, 1904 Horodok-March 24, 1982) was an American singer.
Born in Ukraine, Gorin showed early signs of musical talent, beginning his formal voice training at the age of eight. After immigrating to the United States in 1928, he quickly established himself as an operatic baritone, performing at the Metropolitan Opera and in concerts throughout the country. Gorin also appeared frequently on radio and television, gaining a wide following for his rich, expressive voice and dramatic stage presence. In addition to his performing career, Gorin was also a respected vocal coach and teacher, mentoring a number of prominent singers including Robert Merrill and Jan Peerce.
Throughout his career, Igor Gorin was known for his interpretation of Russian and Italian music, including roles in productions of Tchaikovsky's "Eugene Onegin" and Verdi's "Rigoletto." His versatility as a singer allowed him to perform a wide range of repertoire, from popular songs to operatic arias. During World War II, Gorin entertained troops overseas with the USO, and he continued to perform and teach until his retirement in the 1970s. His legacy as a singer and teacher has continued through his books on vocal technique and the Igor Gorin Memorial Award, which is given annually to promising young singers.
In addition to his impressive singing career, Gorin was also a dedicated educator. He founded the Igor Gorin School of Music in 1952, which was located in Beverly Hills, California. The school attracted many aspiring singers who sought to learn from Gorin's expertise and experience. Gorin was deeply committed to his students and was known for his patient, caring approach to teaching. He believed that every singer had the potential to improve and encouraged his students to work hard and persevere in their studies.
Gorin's contributions to the world of music were widely recognized during his lifetime. He was awarded the Order of Merit from the Italian government in 1961 for his contributions to Italian culture and music, and he received the Eugene Ormandy Award from the Philadelphia Orchestra in 1978. Gorin's recordings continue to be cherished by opera lovers and his legacy lives on through the many singers he helped to train and inspire.
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Frieda Belinfante (May 10, 1904 Amsterdam-April 26, 1995 Santa Fe) was a Dutch conductor.
Belinfante was also a cellist and a member of the Netherlands Philharmonic Orchestra in the 1920s and 30s. During World War II, she joined the Dutch resistance and played a key role in helping Jewish children and others escape the Nazis. After the war, she moved to the United States where she continued her career as a conductor and a teacher. Later in life, she wrote an autobiography titled "A Dutch Fiddler" in which she detailed her experiences during the war and her struggles as a lesbian in a conservative society.
Belinfante was born into a Jewish family of musicians and artists. Her father, Arnold Belinfante, was a notable cellist, while her mother, Henriette Scheltema, was a sculptor. Frieda began playing the cello at a young age and quickly showed great promise. She studied at the Amsterdam Conservatory, where she was one of the first female students to be admitted.
In the early 1920s, she joined the Netherlands Philharmonic Orchestra as their first female member. Belinfante was a pioneering figure in a male-dominated field and faced discrimination and harassment from her male colleagues. However, she continued to excel as a musician and later founded her own chamber orchestra, the Residentie Orkest.
During World War II, Belinfante joined the Dutch resistance and used her skills as a musician to maintain communication with other members of the resistance. She also helped to hide Jewish children and others who were in danger from the Nazis. After the war, she moved to the United States, where she continued to work as a musician and conductor.
Belinfante was a trailblazer for women in music and worked tirelessly to promote gender and racial equality. She was also openly gay at a time when homosexuality was illegal in many parts of the world. Her autobiography, "A Dutch Fiddler," is a testament to her courage, resilience, and dedication to social justice. Belinfante passed away in Santa Fe, New Mexico, in 1995, at the age of 90.
Belinfante's contributions to the world of music were recognized even during her lifetime. She received numerous awards and accolades for her work as a conductor and a teacher, including the Order of Orange-Nassau, one of the highest honors in the Netherlands. In addition to her work as a musician, Belinfante was also an advocate for peace and social justice. She participated in protests against the Vietnam War and supported various civil rights causes. Her legacy continues to inspire musicians and activists around the world. In 2020, a documentary about her life titled "Butterfly Rising" was released, further showcasing her remarkable achievements and impact on history.
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Jan August (September 24, 1904-January 9, 1976) otherwise known as Jan Auggustoff was an American , .
Jan August was an American pianist, arranger, and bandleader. He was born in New York City in 1904 and started playing the piano at a young age. August began his career playing in various jazz bands in the early 1920s and by the 1930s he had formed his own band, "Jan August and his Trio." They played in various clubs in New York City and on radio shows.
In the 1940s, August became a popular recording artist, releasing numerous albums under the Decca label. He was known for his boogie-woogie and ragtime piano playing, which became very popular during the swing era. August also made several appearances in movies during this time, including the 1944 film "Jam Session."
August continued to perform throughout the 1950s and 1960s, and even had his own television show in the 1950s called "The Jan August Show." He passed away in 1976 at the age of 71, but his signature piano style continues to inspire musicians to this day.
In addition to his successful music career, Jan August was also a composer and arranger. He wrote the music for several films, including "Paris Follies of 1956" and "Live Fast, Die Young" in 1958. August also arranged music for other artists, including Benny Goodman and the Andrews Sisters.
As an innovator in the music industry, Jan August was one of the first pianists to experiment with electronic instruments. He incorporated the electric organ into his performances in the 1950s, which was a new sound for the time.
August was also a philanthropist and used his talent to help others. He performed in various benefit concerts for charities, including the NYC Cancer Committee and The U.S. Committee for UNICEF.
Overall, Jan August left a lasting impact on the music industry and was known for his distinctive piano style and contributions to jazz, swing, and popular music.
Jan August was also known for his ability to master a wide range of musical styles. He could play classical music, jazz, pop, and ragtime with equal ease. In fact, he was one of the few musicians who managed to bring pop music into the world of classical music by performing classical arrangements of popular songs.
One of the notable aspects of Jan August's performances was his showmanship. He was known for his energetic and charismatic performances on stage, often incorporating humor and audience participation into his shows. He was also a skilled entertainer and could engage audiences with his music and personality.
Aside from his musical career, Jan August was also a family man. He was married to his wife, Betty, for over 50 years, and together they had two sons. August was known for his humility and generosity, and he always had time for his family and friends.
Today, Jan August is remembered as a musical pioneer who helped shape the course of American music. His influence can be heard in the music of many contemporary pianists, and his legacy lives on in the hearts of his fans and music aficionados.
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Toni Ortelli (November 25, 1904 Schio-March 3, 2000 Schio) was an Italian composer and conductor.
Throughout his career, Ortelli composed and arranged music for a variety of genres including classical music and popular music. He was also known for his work in the film industry, composing music for several Italian movies during the 1940s and 1950s. Ortelli was a well-respected member of the Italian musical community and was the recipient of numerous awards and accolades for his contributions to the arts. He passed away in his hometown of Schio, Italy in 2000 at the age of 95. Today, his music continues to be performed and appreciated by audiences all over the world.
Ortelli received his formal music education at the Venice Conservatory, studying composition and conducting under the tutelage of notable Italian composers including Gian Francesco Malipiero and Antonio Guarnieri. He began his professional career working as a conductor for various orchestras and bands throughout Italy. Ortelli's unique musical style fuses elements from different musical genres, resulting in a diverse body of work that is both innovative and accessible.
In addition to his contributions to the world of music, Ortelli was also an accomplished educator. He taught music theory and composition at the Conservatory of Trento for several years, inspiring and shaping the next generation of Italian musicians. Beyond his professional accomplishments, Ortelli was known for his warm personality and generous spirit, earning him the admiration and respect of his colleagues and peers.
Despite his numerous achievements, Ortelli remained deeply committed to his hometown of Schio throughout his life. He was a passionate advocate for the arts in his community, and worked tirelessly to promote and support local musicians and cultural organizations. To honor his legacy, the city of Schio established the Toni Ortelli Music Association, which continues to provide opportunities for young musicians and promote the development of music in the region.
Ortelli's contributions to the Italian film industry were significant, with his music featuring in some of the most iconic films of the 20th century. He composed the scores for movies such as "Gli Ultimi della Strada" (1940) and "La Citta' Dolente" (1949) which are still widely regarded as masterpieces of Italian cinema. Ortelli also worked on the music for the song "Chella Lla" which became a huge hit in Italy and remains one of the most popular songs of the Neapolitan genre.
In addition to his work as a conductor and composer, Ortelli was also a skilled pianist. He was known for his improvisational abilities and often performed spontaneous pieces during his concerts that would leave audiences mesmerized. Throughout his career, Ortelli was committed to promoting cultural exchange between Italy and other countries. He frequently toured internationally, performing his music around the world and collaborating with musicians from different backgrounds.
Ortelli's contributions to music and culture earned him many awards and honors throughout his career. In 1992, he was awarded the prestigious Enrico Caruso award for his significant contributions to music. During his lifetime, Ortelli was also recognized as a Knight of the Order of Merit of the Italian Republic, an honor bestowed upon individuals who have made significant contributions to the growth and development of Italy.
Today, Toni Ortelli is remembered as one of Italy's most talented and beloved composers. His music continues to inspire and delight audiences of all ages, and his dedication to promoting cultural exchange and supporting young musicians has left a lasting impact on the Italian music scene.
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Robert Odeman (November 30, 1904 Hamburg-January 14, 1985 Berlin) was a German writer and actor.
Odeman studied at the University of Berlin and worked as a journalist before turning to writing and acting. He rose to prominence in the 1920s and 1930s as a member of the Berlin theatre scene, known for his roles in both dramatic and comedic productions. Odeman also worked in film, appearing in several German movies during the 1930s.
During World War II, Odeman was imprisoned by the Nazis due to his homosexuality. He survived several concentration camps before being liberated by Allied forces in 1945. After the war, Odeman continued to act and write, becoming a key figure in post-war German theatre. He is best known for his plays, which often tackled difficult topics such as homosexuality and the experience of the concentration camps.
Odeman was also a prolific writer of memoirs, publishing several volumes in the 1960s and 1970s that chronicled his experiences during the war and his life in the years that followed. He died in Berlin in 1985, leaving behind a legacy as one of Germany's most important and influential theatre figures.
During the 1920s, Robert Odeman became associated with Berlin's notorious "gay scene" and eventually began to incorporate his sexuality into his work. In 1931, he wrote and starred in the play "Anders als die Andern" ("Different from the Others"), which was one of the first films to portray homosexuality in a sympathetic and non-negative light. The film was later banned by the Nazi regime.
Despite his persecution, Odeman continued to actively resist the Nazi regime while imprisoned in the camps, including helping to organize resistance groups and sabotaging German munitions production. After his release, he became involved in the reconstruction of German cultural life and was appointed as the director of the Maxim Gorki Theater in Berlin.
In the decades after his death, Odeman's contributions to German theatre and resistance to oppression have been increasingly recognized, with many of his plays being revived and analyzed for their relevance to contemporary society.
In addition to his work as a writer and actor, Robert Odeman was also an outspoken activist for LGBTQ+ rights. He was among the first to openly challenge the German government's criminalization of homosexuality, and his work as an advocate played a significant role in paving the way for greater societal acceptance of queer identities in Germany. Odeman's activism extended beyond the LGBTQ+ community as well; he was a vocal opponent of fascism and often used his platform to speak out against Nazism and other forms of oppression.
In 1977, Robert Odeman was awarded the Federal Cross of Merit by the German government in recognition of his contributions to the arts and his resistance to fascism. Today, he is remembered as a trailblazer for marginalized communities and a symbol of resilience in the face of persecution.
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Ikey Robinson (July 28, 1904 Dublin-October 25, 1990) was an American , .
born in Dublin, Ireland, but raised in London, England. He was a highly regarded jazz pianist and composer, known for his unique style that combined elements of swing, blues, and Dixieland. Robinson began his career in London in the 1920s, but made a name for himself in the United States after moving there in 1925. He recorded with notable musicians such as Louis Armstrong, Benny Carter, and Coleman Hawkins. Robinson is also credited with creating the melody for the song "Chinatown, My Chinatown," which became a jazz standard. Later in life, Robinson opened a music store in New York City and continued to play and record music. He was inducted into the Alabama Jazz Hall of Fame in 1995, recognizing his impact on the development of jazz music in the United States.
In addition to being a skilled pianist and composer, Ikey Robinson was also a gifted arranger and bandleader. He led his own bands throughout the 1930s and 1940s, which included prominent musicians such as Bunny Berigan and Charlie Barnet. Robinson was also a sought-after session musician, and his contributions can be heard on recordings by many of the era's top jazz artists.
Despite his success in the music industry, Robinson faced numerous challenges due to his race, particularly during the height of segregation and discrimination in the United States. He often had to perform in venues and hotels that refused to allow African American guests, and had to navigate a segregated society while on tour.
Despite these obstacles, Robinson remained dedicated to his craft and continued to be recognized throughout his life for his contributions to jazz music. In addition to his induction into the Alabama Jazz Hall of Fame, he was recognized by the National Endowment for the Arts with a National Heritage Fellowship in 1988.
Ikey Robinson's musical talent was evident from a young age. He began playing piano at the age of six and went on to study music formally, earning a degree from London's Trinity College of Music. In addition to his prowess on the piano, Robinson was also skilled on the clarinet and saxophone.
Robinson's move to the United States in 1925 was spurred by his desire to be closer to the birthplace of jazz music. His reputation as a talented pianist quickly grew, and he became associated with prominent jazz musicians of the time. Robinson also wrote and arranged music for a number of big bands, including those led by Cab Calloway and Fletcher Henderson.
In addition to his accomplishments as a musician, Ikey Robinson was also a notable entrepreneur. He opened a successful music store in New York City's Harlem neighborhood in the 1940s, which became a gathering place for jazz musicians and enthusiasts. The store, which was called "Ikey's" and later "The House That Swing Built," operated for over 20 years and is considered an important part of the history of jazz music in Harlem.
Despite facing considerable obstacles throughout his career, Ikey Robinson remained dedicated to his craft and was influential in shaping the sound of jazz music in the United States. He is remembered today as a talented and innovative musician, composer, and bandleader who left an indelible mark on the world of jazz.
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Alice Swanson Esty (November 8, 1904-July 21, 2000) was an American singer.
She was born in Boston, Massachusetts and began her singing career in the 1920s. Esty was known for her clear, powerful voice and her ability to evoke emotion in her performances. She sang in various venues across the United States and recorded several albums throughout her career. In addition to her singing, Esty was also an advocate for music education and helped establish the Alice E. Swanson Esty Scholarship Fund for students pursuing music degrees. She passed away in 2000 at the age of 96.
Esty had a diverse repertoire, ranging from traditional American songs to popular music of the time. She was also known for her performances of choral works, such as Handel's "Messiah" and Bach's "St. Matthew Passion." Esty spent several years living and performing in Europe before returning to the United States.
In addition to her musical career, Esty was heavily involved in philanthropy. She supported numerous charitable organizations, focusing particularly on those that provided music education to young people. She also served on the boards of several music organizations, including the Boston Symphony Orchestra and the Tanglewood Music Center.
Esty received numerous awards and honors throughout her lifetime, including a Grammy Award for her recording of Handel's "Messiah." In 1992, she was inducted into the American Classical Music Hall of Fame. Esty's legacy lives on through the scholarship fund she established, which continues to support young musicians pursuing their dreams.
Esty's success as a singer was largely due to her dedication to her craft. She was known for her tireless rehearsal schedule, often spending hours each day perfecting her technique and preparing for performances. Her hard work paid off, as she became one of the most respected and admired performers of her time.
Despite her many accomplishments, Esty remained humble and grounded throughout her life. She once said, "I never wanted to be a star, I just wanted to sing." Her love of music was evident in all that she did, and her passion inspired countless others to pursue their own musical dreams.
In addition to her musical and philanthropic work, Esty was also a dedicated wife and mother. She was married to her husband, Paul Esty, for over 50 years, and the couple had six children together. She often spoke about the importance of family and the joy that her loved ones brought to her life.
Today, Alice Swanson Esty's contributions to music and education continue to inspire generations of young musicians. Her legacy lives on through her recordings, her scholarship fund, and the countless lives she touched throughout her lifetime.
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Jess Stacy (August 11, 1904 Bird's Point-January 1, 1995 Los Angeles) otherwise known as Jesse Alexandria Stacy, Stacy, Jess or Jess Stacey was an American jazz pianist.
Discography: The Chronological Classics: Jess Stacy 1944-1950, The Chronological Classics: Jess Stacy 1935-1939 and The Chronological Classics: Jess Stacy 1951-1956. Genres: Jazz.
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Art Hodes (November 14, 1904 Mykolaiv-March 4, 1993 Harvey) also known as Hodes, Art was an American musician and jazz pianist.
Related albums: Bucket's Got a Hole in It, Bucket's Got a Hole in It, Just the Two of Us and I Remember Bessie. Genres he performed: Jazz.
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Bill Coleman (August 4, 1904 Paris-August 24, 1981 Toulouse) a.k.a. Coleman, Bill or William Johnson Coleman was an American musician, trumpeter and film score composer.
His albums: Jazz in Paris Collector's Edition: From Boogie to Funk, Bill Coleman in Paris 1936-1938, 20.3017-HI: Cuttin' Out (disc 1), Three Generation Jam, Jazz in Paris: The Complete Philips Recordings, The Chronological Classics: Bill Coleman 1951-1952, The Chronological Classics: Bill Coleman 1936-1938, The Chronological Classics: Bill Coleman 1940-1949 and The Chronological Classics: Bill Coleman 1952-1953. Genres he performed: Jazz.
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Dewey 'Pigmeat' Markham (April 18, 1904 Durham-December 13, 1981 The Bronx) a.k.a. Dewey Markham, Markham, Dewey 'Pigmeat' or Pigmeat Markham was an American comedian, singer and actor.
His most well known albums: Here Come the Judge, The Crap-Shootin' Rev., Here Comes the Judge / The Trial, Sock It to ’em Judge / The Hip Judge and Let's Have Some Heat / Your Wires Have Been Tapped.
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Tampa Red (January 8, 1904 Smithville-March 19, 1981 Chicago) a.k.a. Hudson Whittaker was an American singer.
His most recognized albums: The Essential Tampa Red, The Story of the Guitar Wizard (1928-1940), Bottleneck Guitar 1928-1937, The Blues Collection 51: The Guitar Wizard, I'll Kill Your Soul / If I Let You Get Away With It, Boogie Woogie Woman / I Won't Let Her Do It, I Got a Right to Be Blue / Don't Deal With the Devil, Nutty and Buggy Blues / Stormy Sea Blues, Chicago Moan Blues / Moanin' Heart Blues and Sugar Mama Blues No. 2 / Black Angel Blues. Genres: Chicago blues.
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Jimmy Dorsey (February 29, 1904 Shenandoah-June 12, 1957 New York City) also known as James Francis Dorsey or Dorsey, Jimmy was an American bandleader, composer, musician, clarinetist, saxophonist and trumpeter.
His most well known albums: The Jazz Masters, The Classic Tracks, Presenting, Live in New York 1955-1956, Swingin' In Hollywood, New York Jazz in the Roaring Twenties, Volume 2, Casino Gardens Ballroom 1946, Jimmy Dorsey, The Fabulous Dorseys (Legends of American Music) and Giants of the Big Band Era. Genres related to him: Swing music, Dixieland and Big Band.
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Mississippi Fred McDowell (January 12, 1904 Rossville-July 3, 1972 Memphis) also known as Fred McDowell, Mississippi Fred McDow, McDowell, Mississippi Fred, Missisippi Fred McDowell or McDowell, Missisippi Fred was an American singer, musician and songwriter.
His albums: Mississippi Delta Blues, I Do Not Play No Rock 'n' Roll, The Best of Mississippi Fred McDowell, I Do Not Play No Rock 'n' Roll, Live at the Mayfair Hotel, My Home Is in the Delta, Standing at the Burying Ground, Steakbone Slide Guitar, The First Recordings and You Gotta Move. Genres he performed: Delta blues.
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Phil Harris (June 24, 1904 Linton-August 11, 1995 Rancho Mirage) also known as Wonga Philip Harris, Harris, Phil, Phil Harris and His Orchestra, Wonga Harris, Wonga Phillip "Phil" Harris or Wonga Phillip Harris was an American singer, actor, comedian, songwriter, musician, voice actor and soldier. He had three children, Alice Harris, Phyllis Harris and Phil Harris, Jr.
His albums include That's What I Like About Phil Harris and The Thing About Phil Harris.
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Lucia Pamela (May 1, 1904 St. Louis-July 25, 2002) otherwise known as Pamela, Lucia was an American , . She had one child, Georgia Frontiere.
Her albums include Into Outer Space With Lucia Pamela.
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Jazz Gillum (September 11, 1904 Indianola-March 29, 1966 Chicago) a.k.a. Bill McKinley, Bill Jazz Gillum (Bill McKinley), Bill "Jazz" Gillum, Bill Jazz Gillum or Gillum, Jazz was an American musician.
His albums include Complete Recorded Works, Volume 4, The Bluebird Recordings 1934 - 1938 and Reckless Rider Blues / Look on Yonder Wall. Genres he performed: Chicago blues.
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Helen Kane (August 4, 1904 The Bronx-September 26, 1966 Jackson Heights) a.k.a. Helen Schroeder or Helen Clare Schroeder was an American singer and actor.
Her albums: 1928 -1930 and I Wanna Be Loved by You / Is There Anything Wrong in That?.
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Jan Peerce (June 3, 1904 Lower East Side-December 15, 1984 New Rochelle) also known as Jacob Pincus Perlemuth or Pinkie was an American hazzan, actor and opera singer. His child is Larry Peerce.
Related albums: Jan Peerce Sings Yiddish Folk Songs, , Jan Peerce Sings Hebrew Melodies, Jan Peerce Sings Songs From "Fiddler on the Roof" and Ten Classics of Jewish Folk Son, Carmen: RCA Victor and Symphony no. 9 "Choral" / Choral Fantasy for Piano and Orchestra.
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Russ Morgan (April 29, 1904 Scranton-August 7, 1969) was an American organist and music arranger.
He was also a prolific composer and bandleader, best known for his swing and dance orchestra. Morgan's early career began in his hometown of Scranton, where he played organ in movie theaters and performed at local events. In the 1930s, he moved to New York City and formed his own band, which quickly gained popularity due to his innovative arrangements and energetic performances. Morgan recorded numerous hit records throughout the 1940s and 1950s, including "The Merry-Go-Round Broke Down" and "Does Your Heart Beat for Me?". He also appeared in several films and television programs, showcasing his musical talents to a wider audience. Morgan continued to tour and perform until his death in 1969, leaving behind a legacy as one of the most important figures in American swing music.
In addition to his successful music career, Russ Morgan was also a talented athlete. He played semi-professional baseball in his younger years and later became an avid golfer. Morgan even invented a golf club, known as "The Russ Morgan Rhythm Club," which he used to help improve his swing.
Morgan's influence on popular music was significant, as his innovative arrangements and unique style inspired and influenced many other musicians in the swing era. He was also a mentor to a number of aspiring musicians, including Tony Bennett and Mickey Rooney.
Despite his success, Morgan remained humble and dedicated to his craft throughout his career. He once remarked, "I've been very lucky, but luck doesn't mean a thing if you don't have the ability to take advantage of it." Today, he is remembered as one of the greatest bandleaders and swing musicians of all time.
Morgan's talent for music was evident from a young age. He began playing the piano at the age of four and by the time he was a teenager, he had mastered several musical instruments, including the saxophone, clarinet, and trumpet. Morgan's musical career took off in the 1920s, when he formed a band and began touring around the country. However, it wasn't until he moved to New York in the 1930s that he really began to make a name for himself.
One of the highlights of Morgan's career was his performance at the 1939 World's Fair. He and his band played for a crowd of over 10,000 people, and their performance was so well-received that they were invited to perform at the fair's closing ceremony. Morgan's success continued throughout the 1940s, despite the challenges of World War II. He continued to record hit records and toured extensively, often performing for troops stationed overseas.
In addition to his music career, Morgan was also a dedicated family man. He was married to his wife Julie for over 40 years, and they had three children together. He was known for his kindness and generosity, and often used his fame and success to give back to others. He was involved in various charitable organizations, including the Muscular Dystrophy Association and the National Multiple Sclerosis Society.
Today, Russ Morgan's legacy continues to live on. His music has been featured in numerous films and TV shows, and he is remembered as a pioneering figure in American swing music. Despite his success, Morgan remained humble and dedicated to his craft throughout his career, and his influence on popular music has been profound. As he once said, "I'm just a simple guy who loves to make music. That's all that's ever mattered to me."
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Sam Theard (October 10, 1904 New Orleans-December 7, 1982 Los Angeles) also known as Lovin' Sam Theard, Spo-De-Odee, Samuel Allen Theard, Sam Theard 'Spo-Dee-Odee', Spo-De-O-de, Spo Dee O Dee, Lovin' Sam from Down in 'Bam, Sam Tarpley or Spo-Dee-O-Dee was an American actor, comedian, singer-songwriter and film score composer.
His albums include Boogie - Woogie Barbershop.
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Seger Ellis (July 4, 1904 Houston-September 29, 1995 Houston) a.k.a. Ellis, Seger was an American singer.
His albums include Shine on Harvest Moon / St James Infirmary. Genres he performed include Jazz.
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Jerry Colonna (September 17, 1904 Boston-November 21, 1986 Woodland Hills) a.k.a. Gerardo Luigi Colonna or Gerardo Luigi "Jerry" Colonna was an American comedian, voice actor, actor, songwriter, singer, trombonist, musician and author. He had one child, Robert Colonna.
His albums: Music? For Screaming!!!.
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Hal Kemp (March 27, 1904 Marion-December 21, 1940 Madera) also known as James Harold "Hal" Kemp, James Hal Kemp or Hal Kemp and His Orchestra was an American musician, composer and bandleader.
Genres related to him: Swing music, Jazz and Big Band.
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Tricky Sam Nanton (February 1, 1904 New York City-July 20, 1946 San Francisco) a.k.a. Joe Tricky Sam Nanton , Nanton, Tricky Sam, J. Nanton, Josef Nanton, Joseph Nanton or Nanton, Joe was an American trombonist.
Genres he performed include Jazz and Swing music.
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Anthony Galla-Rini (January 18, 1904 Manchester-July 30, 2006) also known as Galla-Rini, Anthony was an Italian , .
accordionist, composer, and teacher. He is considered one of the most influential figures in the history of the accordion. Galla-Rini began playing accordion at the age of nine and went on to become one of the most sought-after accordionists of his time. He performed with many famous symphony orchestras and recorded extensively, leaving behind a great legacy of music. In addition to his performing career, Galla-Rini was also a respected teacher and wrote several method books for the accordion, which are still used by students today. He was inducted into the Accordion Hall of Fame in 1960 and received numerous awards throughout his long and distinguished career. Galla-Rini passed away in 2006 at the age of 102.
Throughout his career, Anthony Galla-Rini was known for his virtuosic and expressive playing style, which helped to elevate the accordion as a serious musical instrument. He performed with many well-known musicians and bands, including the NBC Symphony Orchestra under the direction of Arturo Toscanini. Galla-Rini also composed numerous pieces for the accordion, which have become staples of the instrument's repertoire.
In addition to his performing and composing work, Galla-Rini was a dedicated teacher who worked to promote the accordion and elevate its status as a serious instrument. He wrote several method books and taught at the Chicago Musical College for many years. Many of his students went on to become accomplished accordionists in their own right.
Despite his many accomplishments and contributions to the accordion world, Galla-Rini remained humble and dedicated to his craft throughout his life. He was known for his kindness and generosity, and his legacy continues to inspire accordionists and musicians around the world.
Galla-Rini's influence on the accordion world can still be felt today. His performance of Tchaikovsky's Piano Concerto No.1 for accordion and orchestra, which he transcribed himself, is considered a groundbreaking achievement for the accordion as a serious concert instrument. He also collaborated with famous composers such as Miklós Rózsa and Henry Mancini, expanding the accordion's ability to be used in film scores.
Aside from his musical career, Galla-Rini was also a devoted family man. He was married to his wife, Lucille, for over 70 years and had two children. He was known for his love for gardening and would often spend time in his garden tending to his plants.
In addition to his induction into the Accordion Hall of Fame, Galla-Rini was awarded the Lifetime Achievement Award by the American Accordionists Association in 1994. He continued to perform and teach well into his 90s and remained a beloved figure in the accordion community until his passing in 2006.
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Valaida Snow (June 2, 1904 Chattanooga-May 30, 1956 New York City) otherwise known as Snow, Valaida or Valaida was an American musician.
Her discography includes: The Chronological Classics: Valaida Snow 1933-1936, The Chronological Classics: Valaida Snow 1937-1940, The Chronological Classics: Valaida Snow 1940-1953 and .
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