Italian musicians died when they were 62

Here are 12 famous musicians from Italy died at 62:

Giovanni Boccaccio

Giovanni Boccaccio (June 16, 1313 Certaldo-December 21, 1375 Certaldo) also known as Boccaccio, Giovanni, Boccaccio Giovanni, G. Boccaccio, Boccaccio, Boccace or Boccacio was an Italian writer, poet and author. His children are Francesco Boccaccio, Mario Boccaccio, Giulio Boccaccio and Violante Boccaccio.

Boccaccio is best known for his work "The Decameron", a collection of novellas that was written between 1349 and 1353. The book is considered a masterpiece of early Italian literature and has had a profound influence on writers throughout history. Boccaccio also wrote a number of other works, including "On Famous Women", a collection of biographies of prominent women throughout history, and "The Elegy of Lady Fiammetta", a novel about a young woman's ill-fated love affair. In addition to writing, Boccaccio was also a diplomat and a scholar, and was deeply interested in the classical world. He was a devoted student of the works of the ancient Greek and Roman writers, and his writings often drew on these traditions. Despite being born into a wealthy family, Boccaccio lived a relatively humble life, devoting himself to his writing and scholarship until his death in 1375.

Boccaccio was also heavily involved in the arts and culture of his time. He was particularly interested in the works of the humanist movement and was a close friend of the poet Petrarch. In fact, it was Petrarch who first introduced Boccaccio to the world of literature and scholarship, and the two remained close and supportive throughout their lives. In addition, Boccaccio was also involved in the Florentine literary scene, and was a member of several important literary institutions. He was particularly well-regarded as a storyteller, and his works were often performed by traveling theater troupes. Overall, Boccaccio's legacy has been enormous, and his works have had a lasting impact on Italian and European literature. His influence can be seen in works as diverse as Chaucer's "Canterbury Tales" and Shakespeare's "Romeo and Juliet". Today, Boccaccio is widely regarded as one of the greatest Italian writers of all time, and his works continue to be studied and celebrated by scholars and readers around the world.

Boccaccio's life was not without its controversies. In his early years, he entered into an illicit affair with a woman named Maria d'Aquino, who inspired some of his later works. He also faced criticism for his frank portrayal of sexuality and his use of vulgar language in "The Decameron." However, these criticisms did little to diminish Boccaccio's reputation, and his works have continued to be admired for their wit, humor, and insight into human nature. In addition to his literary and cultural achievements, Boccaccio also played an important role in the political and social events of his time. He served as a mediator between the powerful families of Florence and was tasked with negotiating peace treaties and other diplomatic agreements. Despite these responsibilities, however, Boccaccio remained remarkably dedicated to his writing and scholarship, and his legacy as a literary giant endures to this day.

Throughout his life, Boccaccio struggled with health problems, including debilitating headaches and what is believed to have been an eye condition that eventually left him partially blind. These physical challenges only heightened his focus on intellectual pursuits, and he continued to write and create despite his difficulties. In his later years, Boccaccio became increasingly reclusive, withdrawing from social activities and spending most of his time in his library. It was during this period that he wrote his final work, "Corbaccio", a biting satire on the hypocrisy and corruption of Florentine society. Boccaccio's lasting contributions to literature and culture have earned him numerous accolades over the years, including the designation of a crater on the moon in his honor. Today, his influence continues to be felt across a wide range of disciplines, and he remains an enduring symbol of Italian literary excellence.

Read more about Giovanni Boccaccio on Wikipedia »

Roberto Calvi

Roberto Calvi (April 13, 1920 Milan-June 17, 1982 London) was an Italian banker and financier.

Calvi was the Chairman of Banco Ambrosiano, one of the largest private banks in Italy at the time. However, in the early 1980s, the bank became embroiled in a scandal involving allegations of money laundering, illegal dealings with the Vatican Bank, and links to organized crime. Calvi was eventually arrested and tried on various charges, including fraudulent bankruptcy and illegal transfer of funds.

In June 1982, Calvi's body was found hanging from Blackfriars Bridge in London, leading to widespread speculation and conspiracy theories about his death. Initially ruled as a suicide, a later investigation found that Calvi had likely been murdered and that his death was connected to the financial scandal.

The case is still unsolved, and various theories suggest involvement by the Italian Mafia, the Vatican, and even British intelligence agency MI6.

Calvi was known as "God's Banker" due to his close ties with the Vatican Bank and the fact that Banco Ambrosiano was the main shareholder of Vatican Bank. The financial scandal involving Banco Ambrosiano also implicated Archbishop Paul Marcinkus, who was the head of Vatican Bank at the time. However, Marcinkus refused to cooperate with Italian authorities and was never charged with any wrongdoing.

Calvi was also a member of the secretive Masonic lodge Propaganda Due (P2), which was involved in various political and financial scandals in Italy in the 1970s and 1980s. Calvi's involvement with P2 raised further questions about his activities and who may have been connected to his death.

To this day, the circumstances surrounding Calvi's death remain a mystery, and the case has been the subject of numerous investigations and conspiracy theories.

Following Calvi's death, there were numerous investigations and trials related to the Banco Ambrosiano scandal. In 1986, several members of the mafia were convicted of Calvi's murder, but many believe that these were just low level figures and that there were larger forces at play. Over the years, different theories have emerged about who was really behind Calvi's death. An independent inquiry commissioned by Calvi's family suggested that the mafia was hired by members of the P2 to kill him. Some theories also suggest that Calvi was killed because he knew too much about the Vatican Bank's dealings with organized crime groups. Despite the fact that the investigations have not led to a conclusive resolution, the case remains one of the most intriguing financial and political scandals in recent history.

Calvi began his career in banking in the early 1940s, and quickly rose through the ranks due to his talent and skills. By the 1970s, he was a respected figure in the international financial community, and had become one of the most powerful bankers in Italy. He was known for his close ties to the Vatican, and was considered an influential figure in Italian politics at the time.

In addition to his work in finance, Calvi was also known for his philanthropy. He was a generous supporter of the arts, and funded various cultural initiatives in Italy and abroad. He was also a member of several charitable organizations, and was involved in numerous community projects in Milan.

Despite his many accomplishments, however, Calvi's legacy has been overshadowed by the scandals and controversies that surrounded his life and death. His case has been the subject of countless books, documentaries, and films, and continues to fascinate and intrigue people all over the world.

He died caused by murder.

Read more about Roberto Calvi on Wikipedia »

Giorgio Vasari

Giorgio Vasari (July 30, 1511 Arezzo-June 27, 1574 Florence) was an Italian architect, artist, author, painter and visual artist.

He is best known for his biographical book, "The Lives of the Most Excellent Painters, Sculptors, and Architects", which is considered a masterpiece of art history and biography. Vasari was also a successful painter and decorator, and his artwork can be found in famous locations such as the Palazzo Vecchio in Florence and the Palazzo Pitti in Rome. He was a prominent figure in the artistic community of his time and played a significant role in promoting the Renaissance style of art throughout Europe. Despite experiencing financial difficulties throughout his career, Vasari was highly respected and admired by his contemporaries, and his contributions to art and architecture continue to be celebrated to this day.

Vasari was born into a family of craftsmen and was trained in the traditional techniques of painting and architecture. He spent much of his early career working for influential figures such as the Medici family and Pope Clement VII, creating frescoes and other decorative pieces for their residences. In addition to his work as an artist, Vasari was an avid collector of art and antiquities, which he used to inform his own creative work.

One of the most significant aspects of Vasari's legacy was his role in promoting the concept of the artist as a creative genius. In "The Lives", he emphasized the importance of individual artistic expression and credited many of the most famous works of art of his time to the unique talents of their creators. This idea was central to the development of the artistic culture of the Renaissance and had a profound influence on subsequent generations of artists.

In addition to his work as an artist and author, Vasari was actively involved in the cultural and political life of his time. He served as a councillor in Florence and was instrumental in the establishment of the Accademia del Disegno, a professional organization for artists and designers.

Today, Vasari's work is still regarded as some of the most important and influential of the Renaissance period. His vivid depictions of the lives and works of the great masters of Italian art have become essential reading for students of art history, while his own paintings and decorative works continue to be admired and studied by artists and scholars around the world.

Vasari's writing style and his emphasis on the importance of individual genius in artistic creation have also had a significant impact on the field of art history. His approach to biography influenced later writers such as John Ruskin and Walter Pater, while his belief in the value of art for its own sake helped pave the way for movements such as Aestheticism.

Despite his many accomplishments, Vasari's personal life was marked by tragedy. He lost his father at a young age and his first wife died in childbirth. Later in life, he suffered the loss of his son and several close friends. Nevertheless, he remained dedicated to his work, proclaiming that "God has given me the gift of painting and writing, and I intend to use it until the end of my days."

In recognition of his contributions to the world of art and architecture, Vasari was buried in the Church of Santa Croce in Florence, among the tombs of many other great Renaissance figures. Today, his legacy lives on as a testament to the power of creativity, individuality, and passion in shaping the world around us.

Vasari's interests were not limited to art and architecture. He was also an avid reader and writer, and his studies in literature and poetry influenced his artistic style. In addition, he had a strong interest in science and technology, and he was involved in several engineering projects, including the design of a flood control system on the Arno River. He was also known for his work as a designer and stage director for theatrical productions.Vasari's influence can be seen not only in the art world but also in the broader cultural landscape. His ideas about individual genius and creativity have resonated across disciplines, and his emphasis on the importance of education and professional organizations has played a role in shaping the modern world of work.Vasari's hometown of Arezzo has honored him with several monuments and landmarks, including a museum dedicated to his life and work. His impact on the world of art and culture is a testament to the enduring power of creativity and the human spirit.

Read more about Giorgio Vasari on Wikipedia »


Pontormo (May 24, 1494 Empoli-January 2, 1557 Florence) a.k.a. Jacopo Pontormo, Jacopo Carrucci, Jacopo Carrucci, called Pontormo or Jacopo da Pontormo was an Italian artist, painter and visual artist.

One of the leading painters of the Mannerist period, Pontormo was trained in the studio of Andrea del Sarto and was heavily influenced by the work of Leonardo da Vinci and Michelangelo. His style was characterized by elongated proportions, contorted poses, and a heightened sense of emotion and drama, often expressed through the use of strong, vivid colors.

Pontormo is best known for his altarpieces and frescoes, including his famous work, "The Deposition," created for the Capponi Chapel in Florence. He also created numerous portraits, both independent works and as part of larger commissions, many of which demonstrate his innovative and experimental approach to composition and color.

In addition to his work as a painter, Pontormo was also an accomplished draughtsman, creating numerous preparatory drawings for his paintings and other works. He was equally accomplished in other media such as etching and engraving.

Throughout his career, Pontormo was recognized as one of the leading artists of his time, with many of his works being commissioned by powerful patrons such as the Medici family. Although his later years were marked by illness and financial difficulties, his innovative approach to painting and his enduring legacy continue to inspire artists to this day.

Pontormo's early style was heavily influenced by the Renaissance master Andrea del Sarto, with whom he trained for several years. Later in life, Pontormo developed his own distinct style, characterized by a heightened sense of emotion and drama, as well as a departure from the idealized human form popular in Renaissance art. Pontormo's work was also notable for its imaginative and unconventional compositions, often featuring figures clustered together in unusual poses and settings.

In addition to his artistic achievements, Pontormo was also known for his eccentricity and reclusive nature. He reportedly lived alone for much of his life and was known to have a fiercely independent streak. Despite his isolated lifestyle, however, Pontormo remained deeply connected to the artistic and intellectual circles of Florence, collaborating with other artists and thinkers on various projects throughout his career.

Today, Pontormo is widely regarded as one of the most important artists of the Mannerist period, and his work continues to be celebrated and studied by art historians, artists, and art lovers around the world. Many of his paintings are now housed in prestigious museums and galleries, and his influence on subsequent generations of artists can be seen in the work of everyone from Caravaggio to Francis Bacon.

Pontormo's life was marked by a number of personal tragedies, including the deaths of many of his closest family members and friends. Despite these difficulties, however, he remained dedicated to his art, often finding solace and inspiration in his work. In addition to his iconic altarpieces and portraits, Pontormo also created a number of small-scale works, including delicate drawings and sketches that reveal his immense talent for line and form.

Although he faced significant financial difficulties throughout his career, Pontormo continued to produce innovative and groundbreaking works of art until his death at the age of 62. Today, his legacy endures as a testament to his unparalleled skill as a painter, his relentless pursuit of artistic excellence, and his boundless creativity and imagination. Whether viewed in person or studied in art history textbooks, Pontormo's work continues to captivate and inspire, offering a window into a world of unparalleled beauty, drama, and emotion.

Pontormo's innovative style was often misunderstood during his lifetime, with some critics even accusing him of being "mad" or "insane." However, his unconventional approach to painting and composition would ultimately become a major influence on the development of Baroque art in the 17th century. His use of vivid colors, dramatic poses, and emotional intensity foreshadowed many of the key characteristics of the Baroque style, which is often seen as a natural evolution of Mannerism.

Despite his many accomplishments, Pontormo's personal life remains somewhat enigmatic. He was known for his eccentricities, such as his preference for wearing brightly colored clothing and his tendency to talk to himself. He was also rumored to have struggled with depression and anxiety throughout his life, which may have been exacerbated by his many personal losses.

Despite these challenges, however, Pontormo remained deeply committed to his art, which he saw as a means of transcending the limitations of his own life and achieving something that would endure long after he was gone. His legacy continues to inspire and captivate art enthusiasts of all ages, and his innovative approach to painting and composition remains an important influence on artists around the world.

Read more about Pontormo on Wikipedia »

Joe D'Amato

Joe D'Amato (December 15, 1936 Rome-January 23, 1999 Rome) also known as Aristide Massaccesi, The Evil Ed Wood, Lynn Clar, David Carson, Joe Damato, Joe De Mato, Hugo Clevers, James Burke, Joe D' Amato, Oliver J. Clarke, Bernard Brel, Donna Aubert, O.J. Clarke, Raf De Palma, Steven Benson, Michael Di Caprio, Félicien Dran, George Hudson, Kevin Mancuso, Fred Sloniscko Jr, Romano Gastaldi, A. Massaccesi, Dario Donati, Richard Haller, John Gelardi, Oscar Faradine, Igor Horwess, David Hills, Robert Price-Jones, Fred Sloniscko Jr., Joan Russel, Aristide Massacesi, Federico Slonisco, Peter Newton, Fédérico Slonisco, Arizona Massachusset, Aristede Massacesi, Tom Salima, J. Metheus, Aristide Massacessi, Joan Russell, Andrea Massai, Aristide Massaccessi, Zak Roberts, Frederick Slonisco, Una Pierre, Arizona Massachuset, Aristice Massaccesi, Chana Lee Sun, Michael Wotruba, Robert Yip, Federiko Slonisko Jr., Federico Slonisko Jr., Chang Lee Sun, Federico Slonisko, Frederico Slonisko, Fred Slonisko, Frederic Slonisko, Frederico Slonisko Jr., Frederiko Slonisko, Dan Slonisko, Joe d'Amato, Federiko Slonisko, Lynn Clark, Robert Duke, Robert Hall, John Shadow, Stephen Benson, Steve Benson, Alexandre Borski, Lee Castle, Frederick Slonisko or Mikail Wotruba was an Italian film director, screenwriter, cinematographer, film producer, actor and film editor. His children are called Daniele Massaccesi and Francesca Massaccesi.

Joe D'Amato, born Aristide Massaccesi, was a prolific Italian filmmaker and actor known for his work in the horror and adult film genres. He amassed over 200 film credits throughout his career, often using various pseudonyms such as The Evil Ed Wood, Lynn Clar, and Hugo Clevers. D'Amato was a versatile filmmaker, working as a director, screenwriter, cinematographer, film producer, actor, and film editor. He made a significant impact on Italian exploitation cinema, with his works often featuring graphic violence, gore, and explicit sexuality. Among his most notable films are "Beyond the Darkness," "Emanuelle in America," and "Anthropophagus." D'Amato passed away in Rome in 1999 at the age of 62 due to a myocardial infarction. He is survived by his two children, Daniele and Francesca Massaccesi.

Despite his controversial work in the horror and adult film genres, Joe D'Amato is often praised for his technical skills and artistic vision. He began his career as a cinematographer, working on various Italian films in the 1960s before transitioning to directing in the 1970s. D'Amato was known for his ability to work quickly and on a tight budget, often completing films in just a few days. He was also known for his attention to detail and use of atmospheric lighting and camera angles to enhance the mood of his films. In addition to his genre films, D'Amato also directed several mainstream productions, including the historical drama "Caligula: The Untold Story." His legacy continues to influence contemporary horror and exploitation filmmakers.

D'Amato's love for cinema started from an early age, and he would often sneak into movie theaters to watch films he wasn't old enough to see. He got his start in the film industry as a camera operator and worked his way up to becoming a director. D'Amato was also a mentor to many up-and-coming filmmakers and actors in Italy during his career. He is remembered for his ability to turn low-budget films into cult classics through his unique vision and storytelling. In addition to his work in horror and adult films, D'Amato also explored other genres like action, comedy, and drama. He was a true innovator in Italian cinema and set the bar for daring and controversial filmmaking. Despite his unconventional style, D'Amato was respected by his peers for his dedication to his craft and his unwavering commitment to pushing boundaries in cinema.

D'Amato's influence on Italian horror and exploitation filmmaking is still felt today, with many contemporary directors citing him as an inspiration. His films were often controversial and considered difficult to watch, but they also attracted a dedicated following of fans who appreciated his unique style. D'Amato was also known for his collaborations with actress Laura Gemser, who starred in several of his "Emanuelle" films. In addition to his filmmaking career, D'Amato was also a successful businessman, owning a chain of movie theaters and adult video stores. Despite his controversial reputation, he was remembered as a kind and generous person by those who worked with him.

He died caused by myocardial infarction.

Read more about Joe D'Amato on Wikipedia »

Tommaso Grossi

Tommaso Grossi (January 20, 1791 Bellano-December 10, 1853 Milan) was an Italian personality.

He was best known for his work as a poet, novelist, and playwright during the Italian Romantic era. Grossi's most famous work is the novel Marco Visconti, which tells the story of a nobleman during the Middle Ages in Lombardy. His writing often focused on the struggles of the common people, and he was highly regarded for his ability to capture the regional dialects of Lombardy in his works. In addition to his literary contributions, Grossi was also involved in politics and served as a member of the Lombard parliament during the period of Italian unification. Grossi's legacy continues to be celebrated in Italy, with numerous awards and institutions named in his honor.

Despite being a prominent writer during the Romantic period, Grossi's life was not always easy. He was born into a poor family and had to work a variety of odd jobs to support himself throughout his life. However, he never gave up on his passion for writing and continued to produce works that were beloved by many. In fact, his novel Marco Visconti was so popular that it was translated into several different languages and adapted into numerous plays and operas.

Grossi was also well-known for his charitable work, particularly in his home region of Lombardy. Throughout his life, he donated his time and money to help those in need and was considered a champion of the poor. He was also an early supporter of Italian unification and worked tirelessly to promote the cause throughout his political career.

Today, Grossi is considered one of Italy's greatest literary figures, with many scholars praising him for his ability to capture the essence of Lombard culture and language in his writing. His work continues to be taught in schools and universities across Italy, and he is remembered as a true champion of the people.

Grossi's interest in literature began at a young age, and he was largely self-taught. He studied the works of great Italian writers such as Dante and Petrarch and also took inspiration from the works of Shakespeare and Goethe. Despite his lack of formal education, Grossi quickly developed a reputation as a talented writer and was praised by many of his contemporaries.

In addition to his literary and political pursuits, Grossi was also a devoted family man. He was married to Maria Vittoria Frosconi, with whom he had six children. Despite the challenges he faced throughout his life, Grossi remained dedicated to his family and was a loving husband and father.

Grossi's contributions to Italian literature and culture have not gone unnoticed. In 1862, a monument was erected in his honor in his hometown of Bellano, and in 1911, the Tommaso Grossi Society was formed to promote and preserve his legacy. Today, his works continue to inspire and captivate readers around the world, cementing his place in Italian literary history.

Grossi's impact on Italian literature was so significant that he is often considered the founder of the Lombard School of Romanticism. This school of thought was characterized by its emphasis on regionalism and its rejection of the traditional Tuscan-based Italian language in favor of regional dialects, which Grossi was a prominent advocate for. His writing style, which skillfully incorporated dialects and local dialects, became a major influence on other Lombard writers in the Romantic era.

Even after his death, Grossi's influence continued to be felt in Italian literature. In the late 19th and early 20th centuries, a group of Lombard writers and intellectuals came together to form the Scapigliatura movement, which sought to break free from the constraints of traditional Italian literature and embrace individualism and creative expression. Grossi's works were a major source of inspiration for many members of this movement.

Today, Grossi is widely recognized as one of Italy's most important literary figures. His works continue to be read and studied by scholars around the world, and he is remembered as a champion of regionalism, political activism, and social justice. His pioneering efforts to promote local dialects and celebrate the culture of Lombardy have left an indelible mark on Italian literature and culture, and his legacy continues to inspire generations of writers and readers.

Read more about Tommaso Grossi on Wikipedia »

Gorilla Monsoon

Gorilla Monsoon (June 4, 1937 New York City-October 6, 1999 Willingboro) otherwise known as Robert James "Gino" Marella, Robert James Marella, Gino, Tiny or Robert Marella was an Italian wrestler, professional wrestling booker and sports commentator. He had four children, Sharon Marella, Joey Marella, Victor Marella and Valerie Marella.

Gorilla Monsoon began his wrestling career in in 1959 and became one of the most beloved figures in the industry. He earned a reputation as a dominant force on the mat and was known for his signature move, the Airplane Spin. Monsoon also served as a mentor to many young wrestlers, including a young Andre the Giant.

After retiring from wrestling in the 1980s, Monsoon became a commentator for the World Wrestling Federation (now WWE) and was famous for his catchphrases, such as "Will you stop?" and "It's pandemonium!"

In addition to his work in wrestling, Monsoon also owned and operated a successful construction company in New Jersey. He was inducted into the WWE Hall of Fame in 1994 for his contributions to the sport.

Throughout his wrestling career, Gorilla Monsoon won several titles, including the WWWF United States Tag Team Championship and the WWA World Heavyweight Championship. He was also a co-holder of the WWWF World Tag Team Championship with Joey Marella. Monsoon's popularity extended beyond the wrestling ring, as he made several appearances on television shows and movies, including the sitcom Married... with Children and the film The Princess Bride.

Monsoon was not only a successful wrestler and commentator but also a respected businessperson. He was a co-founder of the World Wrestling Association and later served as its president. He also helped to establish the Cauliflower Alley Club, a nonprofit organization that provides support to retired wrestlers.

Gorilla Monsoon's legacy in the wrestling industry and beyond continues to be celebrated by fans and professionals alike. He is remembered for his iconic voice, larger-than-life personality, and contributions to the sport of wrestling.

Gorilla Monsoon was a well-respected figure in the world of professional wrestling, known for his larger-than-life personality and his ability to connect with audiences. He was also known for his dedication to the sport and his willingness to help other wrestlers achieve success.

In addition to wrestling, Monsoon was involved in a number of other ventures, including operating a successful construction company and serving as an active member of the community. He was known for his generosity and his willingness to help others, both in and out of the wrestling ring.

Monsoon's impact on the sport of wrestling can still be felt today, as he continues to inspire new generations of wrestlers and fans. His legacy is one of greatness, and he will always be remembered as one of the most beloved figures in the history of professional wrestling.

Despite his success in the wrestling industry, Gorilla Monsoon was also known for his humility and kind heart. He often took the time to mentor young wrestlers and would lend his support to those who needed it. Monsoon's legacy goes beyond his wrestling career, as he was also heavily involved in philanthropy and community service. He was a supporter of the Special Olympics and helped to organize fundraising events for the organization. Monsoon's charitable efforts extended to his work with the Make-A-Wish Foundation, where he helped to grant the wishes of children with life-threatening illnesses. In recognition of his commitment to community service, Monsoon was awarded the New Jersey Hero Award in 1997. Throughout his life, Gorilla Monsoon made a significant impact on the wrestling industry and on the lives of those around him.

He died as a result of myocardial infarction.

Read more about Gorilla Monsoon on Wikipedia »

Corrado Giaquinto

Corrado Giaquinto (February 18, 1703 Molfetta-April 5, 1765) was an Italian personality.

He was a prominent painter during the Rococo period and was known for his grandiose and theatrical style. Giaquinto began his artistic training under his father, a painter and mosaicist, and went on to study in Naples and Rome. He gained recognition for his frescoes and became the preferred painter of the Spanish Bourbon kings. Giaquinto's works can be seen in many churches and palaces throughout Italy and Spain. In addition to his painting, he also taught at the Academy of Fine Arts in Naples and mentored many young artists. His legacy lives on as an influential figure in the art world of the 18th century.

One of Giaquinto's most significant works is the fresco in the dome of the church of San Carlo ai Catinari in Rome, which depicts the Apotheosis of San Carlo Borromeo. He also created the frescoes in the cupola of the church of Santa Maria degli Angeli, the ceiling of the chapel of San Francesco di Paola in the church of San Giacomo degli Spagnoli, and the altarpiece in the church of the Santissima Annunziata in Naples.

Giaquinto's style was characterized by his use of vibrant colors, bold brushstrokes, and exaggerated curves and forms. His paintings often featured scenes from mythology, history, and religion, and he was particularly skilled at depicting movement and dramatic action.

In addition to his work as a painter and teacher, Giaquinto was also involved in the restoration of ancient Roman ruins. He collaborated with archeologists and architects to help preserve the artistic and architectural heritage of Italy.

Giaquinto died in Madrid in 1765, where he had been working on a commission for the Royal Palace. His legacy remains alive today, with his works still revered as examples of the grandeur and beauty of the Rococo style.

Some other notable works that Giaquinto created during his illustrious career include the altarpiece in the Royal Chapel of the Royal Palace of Caserta, the ceiling frescoes in the church of San Lorenzo in Lucina, and the decoration of the Chapel of St. John the Baptist in the church of San Giovanni in Laterano. His ability to infuse emotion and drama into his paintings made him a favorite among aristocrats and royalty throughout Europe. Giaquinto was also involved in the establishment of art schools in Naples and helped to shape the next generation of Italian artists. His works continue to be studied and admired by art enthusiasts and scholars to this day, and his contributions to the Rococo style are still recognized as some of the most important in art history.

Giaquinto was born in Molfetta, a small town in the southern Italian region of Apulia. His father, a painter and mosaicist, recognized his son's artistic talent at a young age and began to train him in the family workshop. At the age of 14, Giaquinto moved to Naples to study with Francesco Solimena, one of the leading painters of the Baroque era. He later traveled to Rome to study the works of the great masters, including Raphael and Michelangelo.

After completing his training, Giaquinto established himself as a successful painter in Naples, receiving commissions from the city's wealthiest families. His talent soon caught the attention of the Spanish Bourbon kings, who invited him to Madrid to work at the royal court. He stayed in Spain for over 20 years, creating some of his most famous works in the palaces and churches of Madrid and the surrounding areas.

In addition to his artistic achievements, Giaquinto was known for his charming personality and his ability to socialize with the aristocracy. He was always impeccably dressed and had a reputation for being a great conversationalist. Despite his success, Giaquinto remained humble and continued to teach art to young students throughout his life.

Giaquinto's influence on the Rococo style can be seen in the works of many artists who came after him, including Francisco Goya and Jacques-Louis David. His vibrant colors and bold brushstrokes were a departure from the more subdued tones of the Baroque era, and his love of drama and theatrics helped to define the Rococo style.

Today, Giaquinto's works can be seen in some of the greatest museums and galleries in the world, including the Louvre in Paris, the National Gallery of Art in Washington, D.C., and the Museum of Fine Arts in Boston. His legacy as one of the greatest painters of the 18th century continues to inspire artists and art lovers around the globe.

Read more about Corrado Giaquinto on Wikipedia »

Sergio Corbucci

Sergio Corbucci (December 6, 1927 Rome-December 1, 1990 Rome) a.k.a. Stanley Corbett, Gordon Wilson Jr., Corbucci, The other Sergio or S. Corbucci was an Italian film director, screenwriter, film producer and actor.

Corbucci was known for his work in the Spaghetti Western genre and his films often featured gritty, violent themes. Some of his most notable works include "Django" (1966), "The Great Silence" (1968), and "Companeros" (1970). He also directed several notable comedies, such as "Il sorriso del grande tentatore" (1974) and "Super Fuzz" (1980).

Corbucci began his career in the film industry as a screenwriter and assistant director, working with renowned directors such as Federico Fellini and Sergio Leone. He went on to make over 20 films as a director and his influence can still be seen in modern cinema.

In addition to his film work, Corbucci was also a talented actor, having appeared in several films and television shows throughout his career.

Despite his success, Corbucci remained humble and dedicated to his craft throughout his life. He will always be remembered as one of the greatest Italian filmmakers of his generation.

Corbucci's passion for cinema started at a very young age when he watched foreign films at his father's movie theater. However, he initially pursued a career as a lawyer before ultimately switching to the film industry. Throughout his career, he was often overshadowed by his contemporary, Sergio Leone, but nevertheless, he managed to make his own mark in the Spaghetti Western genre.

Aside from his work in Westerns and comedies, Corbucci also dabbled in other genres such as horror and crime films. His horror film "The Hellbenders" (1967) and crime drama "The Specialist" (1969) were both critically acclaimed.

Corbucci's legacy continues to live on, and his films continue to inspire directors and artists all over the world. In 2007, Quentin Tarantino paid tribute to Corbucci and other Italian filmmakers of the 1960s and 1970s in his film "Death Proof".

Despite not receiving as much recognition as Leone, Corbucci was still a highly respected filmmaker and was known for his innovative camera work and use of music in his films. He often collaborated with composer Ennio Morricone, who provided the iconic scores for many of his movies. Corbucci was also known for his social commentary in his films, particularly in "The Great Silence," which addressed issues of greed and corruption. In his personal life, Corbucci was married to actress Nori Corbucci and had three children. He remained active in the film industry until his death at the age of 62. His final film, "Il Belpaese," was released posthumously in 1992. Today, Corbucci is remembered as a legend in the world of Italian cinema and his contributions to the Spaghetti Western genre continue to inspire filmmakers around the world.

Corbucci's films were known for their stark realism and their subversive take on themes of violence and revenge. He often portrayed a bleak and hopeless world in his movies, with characters who were flawed and conflicted. His direction was marked by a sense of authenticity, and he often chose to shoot on location in order to capture the natural beauty of the landscapes he was portraying.

Despite his success in the film industry, Corbucci remained a relatively private person, eschewing the spotlight and preferring to focus on his work. He was known for his perfectionism and his attention to detail, often going to great lengths to ensure that every aspect of his films was just right.

Outside of his work in film, Corbucci was also a devoted family man who enjoyed spending time with his wife and children. He was known for his kindness and his generosity, and he was highly respected by his colleagues in the film industry.

Today, Corbucci's impact on the world of cinema is still felt, and his films continue to be studied and celebrated by film scholars and movie buffs alike. He is remembered as a brilliant artist who pushed the boundaries of what was possible in film, and his legacy will continue to inspire future generations of filmmakers for many years to come.

He died in myocardial infarction.

Read more about Sergio Corbucci on Wikipedia »

Mario Minniti

Mario Minniti (December 8, 1577 Syracuse-November 22, 1640) was an Italian personality.

He is best known for his close association with the famous artist, Caravaggio. Minniti was a model for several of Caravaggio's paintings, and their friendship is documented in contemporary letters.

Minniti was born into a wealthy family in Syracuse, Sicily, and moved to Rome as a young man to pursue a career in acting. He quickly caught the attention of Caravaggio, who was impressed by Minniti's striking looks and expressive features. The artist used Minniti as a model for a number of important works, including "The Lute Player" and "Bacchus."

In addition to his modeling work, Minniti was also a successful art dealer and merchant. He used his connections in Rome to build a network of clients and patrons, and he was known for his extensive knowledge of contemporary art and artists.

Minniti's life was cut short by illness in 1640, but his legacy as a model and art dealer continued long after his death. Today, he is remembered as a key figure in the world of Baroque art, and as a close friend and collaborator of one of the greatest painters of all time.

Minniti's association with Caravaggio was not without controversy, as the artist was known for his difficult personality and sometimes violent behavior. In fact, Minniti was present during the infamous brawl that led to Caravaggio being imprisoned and exiled from Rome. Despite this, Minniti remained a loyal friend to the artist and continued to promote his work even after his death.

After Caravaggio's untimely death in 1610, Minniti played a key role in preserving his legacy. He was instrumental in organizing a posthumous exhibition of Caravaggio's work in Rome, which helped to cement the artist's reputation as one of the greatest painters of his time.

In addition to his work in the art world, Minniti was also a devout Catholic and was known for his charitable work. He donated money to several hospitals and convents in Rome, and was particularly dedicated to supporting the work of the Capuchin Friars. His generosity and piety were widely respected, and he was mourned by many in Rome after his death.

Today, Mario Minniti's legacy lives on as a testament to his important contributions to the art world and to his community. His story serves as a reminder of the enduring power of friendship and collaboration, even in the face of adversity.

Despite the controversies surrounding Caravaggio's life, Minniti remained a close friend and loyal collaborator to the artist. It is said that Caravaggio often turned to Minniti not only as a model but also as a confidant and companion during his tumultuous life. Their friendship was documented in a series of letters, which provide valuable insights into Caravaggio's personality and artistic process.

Minniti's success as an art dealer and merchant was also widely recognized during his lifetime. He was known for his keen eye for talent and his ability to identify promising artists, and many of his clients and patrons looked to him for guidance and advice. He was particularly adept at promoting the work of his friend and mentor Caravaggio, and he played a key role in establishing the artist's reputation as a master of the Baroque style.

Despite his success in the art world, Minniti never lost sight of his religious convictions. He was known for his devotion to the Catholic faith and his commitment to charitable works. In addition to his support of hospitals and convents, he was also a benefactor to several churches in Rome, including the Church of San Luigi dei Francesi, which houses three of Caravaggio's most famous paintings.

Today, Mario Minniti is remembered as a key figure in the history of Baroque art, and as a testament to the enduring power of collaboration and friendship. His legacy continues to inspire artists and art enthusiasts around the world, and his life serves as a reminder of the importance of staying true to one's principles even in the face of adversity.

During his lifetime, Mario Minniti was also known for his flair for fashion, and was said to have been one of the most stylish men in Rome. He was often seen wearing the latest trends in clothing and accessories, and his fashion sense even caught the attention of the papal court. He was once invited to attend a banquet at the Vatican, where he impressed the guests with his dashing appearance.

Despite his love of fashion, Minniti is perhaps best remembered for his role in Caravaggio's life and career. The artist's paintings featuring Minniti as a model are among his most famous and enduring works, and his association with Caravaggio helped to establish both men as key figures in the world of Baroque art. Minniti's close friendship with Caravaggio also provides valuable insights into the artist's life and personality, and has helped to deepen our understanding of his work.

Today, Mario Minniti is remembered as a fascinating and important figure in the world of art and culture. His legacy continues to inspire scholars, artists, and art enthusiasts around the world, and his life serves as a testament to the enduring power of creativity, friendship, and faith.

Read more about Mario Minniti on Wikipedia »

Filippo Anfuso

Filippo Anfuso (January 1, 1901 Catania-December 13, 1963) was an Italian writer, politician, journalist and diplomat.

Anfuso was actively involved in the Italian Socialist Party and held various political positions throughout his career. He was elected to the Italian Chamber of Deputies in 1946 and served in that position until 1953. Anfuso was also the director of the newspaper Il Lavoro and served as the Italian ambassador to Egypt from 1956 to 1959. Additionally, he was a prolific writer and his works include plays, novels, and essays on literature and politics. Anfuso is remembered for his contributions to Italian literature and politics during the mid-twentieth century.

During his time as a member of the Chamber of Deputies, Anfuso was involved in the committee overseeing the establishment of the Italian Republic's Constitution. He advocated for transparency in government and social welfare programs. Anfuso also served as the president of the Sicilian Regional Council from 1953 to 1955, where he worked to improve the economy and infrastructure of the region.

As a writer, Anfuso's works often dealt with issues such as poverty, social injustice, and the role of politics in society. Some of his notable publications include "Il sole nasce presto" (The Sun Rises Early), "La rabbia e la speranza" (Anger and Hope), and "Eroe borghese" (Bourgeois Hero).

Anfuso's life and career were cut short when he died of a heart attack at the age of 62. He is remembered for his dedication to social justice and intellectual pursuits, as well as his role in shaping Italy during a significant period in the country's history.

In addition to his political and literary achievements, Filippo Anfuso was also a prominent journalist. He worked for a number of newspapers, including Avanti!, where he was the editor-in-chief. Anfuso was known for his investigative reporting and his coverage of social and political issues. He also served as a war correspondent during World War II. Anfuso's experiences during the war and his socialist beliefs influenced much of his writing and political career. After the war, he was a vocal advocate for democracy and social reform in Italy. Today, Anfuso is remembered as a key figure in the history of Italian literature, journalism, and politics.

Anfuso's dedication to social justice went beyond his work in politics and literature. He was also a strong advocate for workers' rights, and as a result, he was imprisoned by the fascist regime in 1927. After his release, he went into hiding until the fall of Mussolini's government in 1943.

Anfuso's contributions to Italian culture were recognized during his lifetime. He received several awards for his literary works, including the Viareggio Prize for Fiction in 1949 for his novel "Lo Specchio," and the Saint Vincent Prize for Journalism in 1960.

Anfuso's legacy continues to inspire new generations of writers and activists in Italy. His works remain popular, and he is remembered as a champion of social justice and democracy. In his honor, the city of Catania has named a street after him, and his childhood home has been turned into a museum dedicated to his life and works.

Read more about Filippo Anfuso on Wikipedia »

Guido Cagnacci

Guido Cagnacci (January 19, 1601 Santarcangelo di Romagna-April 5, 1663 Vienna) was an Italian personality.

Guido Cagnacci was a Baroque painter known for his sensual and dramatic works, often featuring mythological and biblical subjects. He started his artistic career working in his hometown, but he later moved to Venice, where he gained popularity and success with his unconventional and provocative style. In the 1650s, he was appointed court painter to the Habsburgs in Vienna, where he spent the rest of his life painting religious and mythological themes for the imperial collections. Despite his fame during his lifetime, Cagnacci was largely forgotten after his death, and it was only in the 20th century that his importance as a painter was rediscovered. Today, his works are prized for their daring and often controversial depiction of female nudes and the female form in general, as well as their striking use of color and composition.

Cagnacci's most acclaimed painting is his "Repentant Magdalene," which is now housed in the Norton Simon Museum in Pasadena, California. The painting depicts a naked Mary Magdalene kneeling in a private chamber, holding a crucifix and looking up towards heaven with a sense of divine ecstasy on her face. The painting's sensuality and theatricality, combined with its religious subject matter, make it a classic example of the Baroque style. Cagnacci was also known for his portraits, which often portrayed his subjects in a sensual and seductive manner, with a focus on their physical beauty and sensuality. In addition to painting, Cagnacci was also a writer and poet, and he published several works throughout his life. Despite his success and fame, Cagnacci lived a tumultuous and often scandalous life, and his personal life was marked by numerous romantic affairs and financial difficulties. Nevertheless, his legacy as a painter endures, and his works continue to captivate viewers with their beauty, passion, and drama.

Cagnacci was born into a family of painters, and his father encouraged him to pursue art from a young age. He trained with local artists in Santarcangelo di Romagna before moving to Bologna, where he studied with the famous painter, Guercino. Cagnacci's early works were heavily influenced by Guercino's style, but he soon developed his own unique approach to painting, characterized by rich colors, fluid lines, and a strong sense of drama.

In addition to his religious and mythological paintings, Cagnacci also created several genre scenes, such as his "Death of Cleopatra" and "Tarquin and Lucretia." These paintings depicted everyday life in a highly stylized and dramatic manner, allowing Cagnacci to explore themes of passion, violence, and eroticism in a more subtle way than in his other works.

Despite his controversial subject matter, Cagnacci was highly respected in his lifetime and counted many wealthy and powerful patrons among his clients. His paintings were widely collected throughout Italy and Europe, and he was celebrated for his ability to capture the beauty and sensuality of the human form.

Today, Cagnacci's works can be found in some of the most prestigious art museums in the world, including the Louvre in Paris, the Uffizi Gallery in Florence, and the National Gallery in London. His influence on the development of Baroque art continues to be felt to this day, and his legacy as one of the greatest painters of the period remains secure.

Despite his success as a painter, Cagnacci's personal life was plagued by scandals and financial struggles. He was known for his numerous romantic affairs, which often involved wealthy patrons who supported his art. One of his most notorious affairs was with the wife of a local nobleman, which resulted in a public scandal and Cagnacci being forced to flee the city. He also struggled with debt throughout his life, a problem that was exacerbated by his lavish lifestyle and his tendency to gamble.

Cagnacci's career as a painter came to a close in the 1660s, when he began to suffer from failing health. He died in Vienna in 1663, at the age of 62. Despite his fame during his lifetime, Cagnacci's reputation as a painter declined in the centuries that followed, and he was largely forgotten until the 20th century. In recent years, however, he has experienced a resurgence of interest, and his works are once again recognized for their beauty, passion, and unconventional approach to traditional subjects.

Read more about Guido Cagnacci on Wikipedia »

Related articles