Italian musicians died when they were 72

Here are 19 famous musicians from Italy died at 72:

Alessandro Allori

Alessandro Allori (May 3, 1535 Florence-September 22, 1607 Florence) was an Italian artist, painter and visual artist. His child is Cristofano Allori.

Alessandro Allori studied under prominent artists such as Agnolo di Cosimo (Bronzino) and Jacopo Pontormo. He is well-known for his portraits, religious works, and mythological scenes characterized by their dramatic and emotive nature. Allori was also known for his use of vibrant colors and detailed realism. He was a prominent artist in the late Renaissance and Mannerist periods and was highly regarded by his contemporaries. Allori’s works can be found in museums and galleries around the world, including the Uffizi Gallery in Florence and the Metropolitan Museum of Art in New York.

Allori was known for his style of painting, which often included elaborate backgrounds and detailed clothing. He was particularly skilled at capturing the emotions and expressions of his subjects, which made his portraits particularly popular during his time. Allori's most famous works include "The Sacrifice of Isaac," "The Allegory of Time," and "Judith with the Head of Holofernes." In addition to his painting, Allori was also a sought-after art teacher, and many of his students went on to have successful careers in their own right. Despite his success, Allori struggled with personal problems later in life, including financial difficulties and the death of his wife. He died in Florence in 1607 at the age of 72.

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Antonio Margheriti

Antonio Margheriti (September 19, 1930 Rome-November 4, 2002 Monterosi) otherwise known as Anthony M. Dawson, Raymond Homer, Antony Dawson, Anthony Dawson, Anthony Margheretti, Marco Vicario, Anthony Matthews, Antony M. Dawson, Anthony Margheriti, Anthony Daisies or Anthony Daises was an Italian screenwriter, film director and film producer. His children are Edoardo Margheriti and Antonella Margheriti.

Margheriti was known for his work in the science fiction and horror genre, having directed films such as "The Wild, Wild Planet," "Castle of Blood," and "Yor, the Hunter from the Future." He also worked on several spaghetti Westerns, including "And God Said to Cain" and "Take a Hard Ride." Margheriti began his career in the film industry in the early 1950s as a special effects technician, eventually transitioning into writing and directing. He worked on over 50 films throughout his career and was known for his ability to work within tight budgets and timelines. Margheriti's legacy includes a lasting influence on the Italian film industry and a devoted cult following among genre film fans.

Margheriti was born in Rome and grew up in a family of artists. His father, Marino Margheriti, was a director of photography and his mother, Maria Bertone, was an actress. Despite this, Margheriti initially pursued studies in engineering before transitioning into film. He attended the Centro Sperimentale di Cinematografia, Italy's national film school, and completed his studies in 1952. His early work as a special effects technician included collaborations with Mario Bava and other prominent Italian directors.

In addition to his work in film, Margheriti was also a published author and wrote several novels in the science fiction and horror genres. He was a lifelong fan of science fiction and had a particular affinity for the works of Jules Verne. Margheriti was also an avid collector of film memorabilia, and his personal collection included costumes, props, and posters from many of his own films as well as those of other directors.

Margheriti's influence on the Italian film industry continues to be felt, with many contemporary filmmakers citing him as an inspiration. His contributions to the sci-fi and horror genres have earned him a place in the pantheon of cult filmmakers, and his films continue to be watched and enjoyed by fans around the world.

He died as a result of myocardial infarction.

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Marcello Mastroianni

Marcello Mastroianni (September 28, 1924 Fontana Liri-December 19, 1996 Paris) also known as Marcello Vincenzo Domenico Mastrojanni, Marcello Mastrojanni, Snaporaz or Marcello Vincenzo Domenico Mastroianni was an Italian actor and film producer. He had two children, Chiara Mastroianni and Barbara Mastroianni.

Mastroianni is considered as one of the most prominent and legendary actors in the history of Italian cinema, having worked with some of the most renowned directors including Federico Fellini and Michelangelo Antonioni. He gained international fame for his roles in films such as La Dolce Vita, 8½, Divorce Italian Style, and A Special Day. Mastroianni was nominated for three Academy Awards for Best Actor in a Leading Role but never won the award. He was also awarded the Honorary Golden Lion at the 1985 Venice Film Festival and the Lifetime Achievement Award at the Cannes Film Festival in 1997, posthumously. Mastroianni was admired for his charm, good looks, and natural acting style, which made him a beloved figure among film enthusiasts around the world.

Mastroianni began his acting career in stage productions before making the transition to film, appearing in his first movie at the age of 22. He went on to star in over 150 films throughout his career, becoming one of the most recognizable faces of Italian cinema. Mastroianni was known for his versatility and ability to play a wide range of roles, from dramatic to comedic.

In addition to his successful acting career, Mastroianni was also a film producer, co-founding a production company with his frequent collaborator, director Federico Fellini. He was respected not only for his talent but also for his professionalism and work ethic, and was known for his dedication to perfecting his craft.

Mastroianni was also known for his personal life, which included relationships with some of the most famous actresses of his time, including Catherine Deneuve and Ursula Andress. Despite his reputation as a ladies' man, however, he remained devoted to his family and was known to be a loving father to his two daughters.

Today, Marcello Mastroianni is remembered as a true icon of Italian cinema, whose legacy lives on through his memorable performances and contributions to the film industry.

He died caused by pancreatic cancer.

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Pietro da Cortona

Pietro da Cortona (November 1, 1596 Cortona-May 16, 1669 Rome) otherwise known as Pietro Berrettini was an Italian architect.

Da Cortona was born in the town of Cortona, in Tuscany, Italy. He began his career as a painter, working for the Grand Duke of Tuscany, Cosimo II de' Medici. Later, he trained under the architect Giulio Parigi in Florence. In 1627, he moved to Rome, where he gained fame as an architect and painter.

Da Cortona designed many buildings in Rome, including the church of Santa Maria della Pace and the Palazzo Barberini. He also painted frescoes in the Palazzo Barberini and in the church of Santa Maria in Vallicella. His style was influenced by the baroque and classicism movements and he quickly became one of the most prominent architects of the time.

In addition to his work in Rome, da Cortona also worked on projects in Florence and Naples. He was a member of the prestigious Accademia di San Luca and was often called upon to advise the Papal Court on artistic matters. He died in Rome in 1669 and was buried in the church of Santa Maria in Vallicella.

Da Cortona was not only an architect and painter, but was also a stage designer, decorator and book illustrator. His stage designs included productions for the Teatro delle Quattro Fontane in 1638 and the Teatro Argentina in 1646. In his later years, he worked on the decoration of the Barberini Palace, contributing to the creation of one of the most important Baroque ensembles of the time. He also produced illustrations for the epic poem "Gerusalemme liberata" by Torquato Tasso. Despite his achievements, Da Cortona faced criticism for his grandiose designs and his lack of interest in the technical aspects of architecture. However, his influence on Baroque architecture cannot be overstated and his work inspired many other notable architects who came after him.

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Giuseppe Cesari

Giuseppe Cesari (February 1, 1568 Arpino-July 3, 1640 Rome) otherwise known as Il Giuseppino or Cavaliere d'Arpino was an Italian personality.

He was a prominent Mannerist painter and a student of prominent artists such as Niccolò Circignani and Girolamo Muziano. Cesari's works are characterized by their dramatic, theatrical style and vibrant use of color. He became the official painter of Pope Clement VIII in 1593 and went on to receive many commissions from other popes as well as noble families in Rome. Cesari was also a skilled sculptor and created several important works for churches and palaces in Rome. He played a significant role in the development of Baroque art in Italy and had a profound influence on later artists such as Caravaggio. Cesari died in Rome at the age of 72 and is remembered as one of the most important artists of the late Renaissance period.

Some of Cesari's notable works include the frescoed ceiling of the Sala Clementina in the Vatican Palace, the altarpiece in the church of Santa Maria degli Angeli in Rome, and his painting of St. Michael Archangel defeating the devil, which is considered one of his greatest masterpieces. Cesari's work was highly regarded during his lifetime and he was praised by prominent figures such as the writer Carlo Cesare Malvasia and the artist Gian Lorenzo Bernini. In addition to his artistic endeavors, Cesari was also a member of the Accademia di San Luca, a prestigious academy of artists in Rome.

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Carlo Levi

Carlo Levi (November 29, 1902 Turin-January 4, 1975 Rome) also known as Dr. Carlo Levi was an Italian writer, physician, painter and activist.

Levi was internationally acclaimed for his anti-fascist and anti-Nazi stance, and for his vivid depictions of southern Italy's rural landscape and peasant life. His most famous book, "Christ Stopped at Eboli," chronicles his year of exile in a remote southern Italian village during Mussolini's regime. In addition to his literary and artistic pursuits, Levi was also a trained physician and practiced medicine for several years. He spent his later years in Rome, where he continued to write and paint until his death at the age of 72.

Levi was born into a wealthy Jewish family and received a liberal education in Turin, Italy. After earning a medical degree in 1924, he moved to Paris to pursue his artistic interests. In Paris, Levi became involved with a group of artists known as the "Scuola Romana" and began exhibiting his paintings. He returned to Italy in 1930 and joined the anti-fascist movement.

Levi's activism eventually led to his arrest in 1935, and he was exiled to a remote town in the Basilicata region of southern Italy. During his year in exile, he witnessed and chronicled the poverty and oppression of the local peasants, which he later turned into his acclaimed book, "Christ Stopped at Eboli."

After World War II, Levi continued to write and paint, and became involved in politics. He was a founding member of the Italian Communist Party and served in the Italian Parliament from 1963 until his death in 1975.

Today, Levi is remembered as one of Italy's most prominent intellectuals and cultural figures, and his work continues to inspire artists, writers, and activists around the world.

He died caused by pneumonia.

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Giuseppe Gioachino Belli

Giuseppe Gioachino Belli (September 7, 1791 Rome-December 21, 1863) also known as Giuseppe Belli or Giuseppe Gioacchino Belli was an Italian personality.

Belli is best known for his sonnets in the Romanesco dialect, which he wrote during the early 19th century. The themes of his poetry include everyday life, Roman society, politics, and religion. Belli's sonnets are often humorous and satirical, and they provide a unique window into the culture and language of Rome at that time.

In addition to his poetry, Belli was also a talented actor and performed in several theatrical productions throughout his life. He was also a member of the Accademia della Virtù, a literary society in Rome.

Today, Belli is recognized as one of the most important poets of the Romanesco dialect, and his work is still widely read and studied. His sonnets have been translated into many languages, and his influence can be seen in the work of other Roman poets and writers.

Belli was born into a noble family in Rome and received a formal education at the Collegio Romano. However, he later rebelled against his privileged upbringing and became a supporter of the Roman Republic, which aimed to establish a democratic government in Italy. He participated in the defense of Rome against French and Austrian forces during the Revolution of 1848, and was briefly imprisoned for his political activities.

Despite his political activism, Belli's legacy as a poet has endured. His sonnets have been praised for their vivid descriptions of everyday life and their sharp critiques of social and political inequality. Belli's work has influenced many Italian writers, including Pier Paolo Pasolini and Dario Fo. His poetry has also been set to music by several composers, including Nino Rota and Ennio Morricone.

In addition to his literary and theatrical pursuits, Belli was also a successful businessman. He made his fortune through savvy investments in real estate and banking, and he used his wealth to support charitable organizations in Rome. He was known for his generosity and his commitment to social justice.

Belli's life and work continue to be studied and celebrated in Italy and around the world. His sonnets remain a testament to the enduring power of regional dialects and the importance of preserving local cultures and languages.

He died as a result of stroke.

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Giglio Gregorio Giraldi

Giglio Gregorio Giraldi (June 14, 1479 Ferrara-February 1, 1552) was an Italian personality.

Giraldi was a prominent scholar and poet during the Italian Renaissance. He gained recognition for his works on Italian literature and history, particularly for his commentary on Dante's Divine Comedy. He was also a teacher of Latin and Greek, and held various academic positions throughout his career. In addition, Giraldi was a member of the Accademia degli Intronati in Siena and played a significant role in the development of Italian theater. His most famous work in this field is the play "Egle," a pastoral drama. Despite his success, Giraldi's career was not without controversy; he was dismissed from his position at Ferrara University in 1542 due to his religious beliefs. Nevertheless, his contributions to Italian literature and theater continue to be celebrated today.

Later in life, Giraldi was appointed as the court poet to the Duke of Ferrara, and he also served as the court historian for the Este family. He wrote several works that were commissioned by the Duke, including a biography of the family that is still considered a valuable historical source. Giraldi was also an advocate for reform in Italian education, encouraging the study of classical texts and promoting a more rigorous approach to academic scholarship. He is often seen as one of the leading figures of the Italian Renaissance and is remembered for his significant contributions to literature and education. Besides his literary works, he was also known for his artistic abilities, particularly his skill in creating portraits. Overall, Giraldi was a multifaceted personality whose legacy continues to inspire and influence scholars and artists alike.

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Gian Giorgio Trissino

Gian Giorgio Trissino (July 8, 1478 Vicenza-December 8, 1550 Rome) was an Italian playwright.

Trissino is best known for his contributions to the development of the Italian language, particularly his efforts to establish a set of rules for pronunciation and grammar that would be widely accepted. He wrote influential treatises on orthography, pronunciation, and verse, and his work provided the foundation for the language reforms of the Accademia della Crusca, a prestigious Italian language academy. In addition to his linguistic work, Trissino was also a notable playwright, with his most famous play, "Sophonisba," being staged throughout Italy and Europe. Trissino was also an important patron of the arts, and his support was instrumental in the careers of many painters, sculptors, and architects of the time.

Trissino was born into a noble family in Vicenza, and he was well-educated from a young age. He traveled extensively throughout Italy and Europe, and his experiences abroad gave him a broad perspective on the cultural and political issues of the time. Upon his return to Italy, he became involved in the political and cultural life of Vicenza, and he was eventually appointed as a chamberlain to Pope Clement VII in Rome.

Trissino's linguistic and literary work had a significant impact on the Italian Renaissance, and he played a key role in the development of the language as we know it today. His treatises on pronunciation and orthography helped to establish a standard for the Italian language, and his work on verse was influential in the development of Italian literature. In addition to "Sophonisba," Trissino wrote several other plays, including "Agamemnon," "Ifigenia," and "Rosmunda."

Trissino's support for the arts was also notable, and he played a critical role in the development of the visual arts in Vicenza and beyond. He was a patron of many artists, including Andrea Palladio, one of the most famous architects of the time, and he was instrumental in the construction of several important buildings in Vicenza, including the Villa Trissino, which was designed by Palladio himself.

Despite his many accomplishments, Trissino's legacy is often overshadowed by the work of other Renaissance luminaries such as Leonardo da Vinci, Michelangelo, and Shakespeare. However, his contributions to the development of the Italian language and his support for the arts remain a testament to his enduring influence on Italian culture and history.

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Leonardo Sinisgalli

Leonardo Sinisgalli (March 9, 1908 Montemurro-January 31, 1981 Rome) was an Italian poet and engineer.

He is considered one of the most important representatives of Italian hermeticism and visual poetry. Sinisgalli's poetry is characterized by an intertwining of words and images, resulting in a visual and sonic experience for the reader. In addition to his literary work, Sinisgalli also had a successful professional career as an engineer, holding various positions in the energy industry. He received several awards for his contributions to the fields of engineering and poetry, including the Premio Viareggio and the Premio Strega. Despite his achievements, Sinisgalli remained relatively unknown outside of Italy until after his death, when his work gained international recognition.

Sinisgalli was born in the small town of Montemurro, in the southern region of Basilicata, Italy. He studied engineering at the Polytechnic University of Turin, where he also developed his passion for poetry. In the 1930s, Sinisgalli became involved with the hermetic movement in Italian literature, which emphasized the use of obscure and symbolic language. Along with other hermetic poets like Eugenio Montale and Giuseppe Ungaretti, Sinisgalli sought to create a new poetic language that could convey complex ideas and emotions beyond the limits of traditional syntax and grammar.

In addition to his literary work, Sinisgalli was also deeply involved in the world of science and technology. He worked for the Italian Electric Network and held various positions in the energy industry, including as CEO of the Electric Power Authority of Basilicata. Sinisgalli's expertise in engineering and his poetic sensibility often intersected, as he was fascinated by the ways in which technology could be used to create beauty and poetry in the world around us.

Throughout his life, Sinisgalli continued to write and publish poetry, creating a body of work that is renowned for its visionary qualities and innovative use of language. He passed away in Rome in 1981, but his legacy continues to inspire poets, scientists, and engineers alike.

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Antonio Brancaccio

Antonio Brancaccio (February 12, 1923-August 26, 1995) also known as Judge Antonio Brancaccio was an Italian judge.

He was born in Naples, Italy and received his law degree from the University of Naples Federico II. Brancaccio served as a judge for the Italian judiciary, with a particular specialization in organized crime cases. He was known for his tough stance against the Camorra, the Neapolitan crime organization.

Brancaccio rose to national prominence in 1983, when he presided over the "Maxi Trial", a landmark trial against the Sicilian Mafia that resulted in the conviction of over 300 Mafia members. He was appointed as the presiding judge for the trial due to his reputation for being incorruptible and impartial.

Brancaccio continued to serve as a judge and prosecutor for various high-profile cases until his retirement in 1993. He continued to advocate for judicial reform and the fight against organized crime until his death in 1995.

In addition to his work as a judge, Antonio Brancaccio was also a prolific author and lecturer. He wrote numerous articles and books on organized crime and judicial reform, including "Mafia and Anti-Mafia: A Judge's Story," which detailed his experiences fighting the Camorra and Mafia. Brancaccio was active in promoting judicial reform in Italy and was a strong advocate for transparency and accountability within the judiciary. He was also a vocal critic of political corruption and its ties to organized crime. During his career, Brancaccio received numerous honors and awards for his contributions to the fight against organized crime, including the Italian Order of Merit and the French Legion of Honor. His legacy continues to inspire judges and law enforcement officials in Italy and around the world.

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Giulio Aristide Sartorio

Giulio Aristide Sartorio (February 11, 1860 Rome-October 3, 1932) was an Italian personality.

He was a prominent sculptor, painter, and filmmaker. Sartorio was born into an artistic family and began studying art at a young age. He went on to study at the Academy of Fine Arts in Rome and became known for his neoclassical-style sculptures.

In addition to his sculpting, Sartorio was also an accomplished painter, particularly in the genre of historical painting. He frequently depicted scenes from Roman mythology and history, and his work can be found in museums throughout Italy.

In the early 1900s, Sartorio became interested in the emerging art form of film and began experimenting with filmmaking. He is considered one of the pioneers of Italian cinema, with his films often inspired by his love of history and mythology.

Sartorio was also involved in politics and was a member of the Italian Parliament for a time. He died in Rome at the age of 72.

Towards the end of his life, Sartorio became interested in spiritualism and began to incorporate esoteric themes into his artwork. This interest in the occult also inspired him to write and illustrate books on the subject. While his career spanned several mediums, Sartorio remained dedicated to promoting Italian art and culture throughout his life. He was recognized for his contributions with numerous accolades, including the Order of Saints Maurice and Lazarus, one of Italy's highest honors. Today, Sartorio's work can still be seen in galleries and museums throughout Italy, standing as a testament to his lasting impact on the art world.

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Frank J. Battisti

Frank J. Battisti (October 4, 1922 Youngstown-October 19, 1994 Cleveland) also known as Frank Battisti or Judge Frank J. Battisti was an Italian judge.

Throughout his legal career, Frank J. Battisti served as a United States District Judge for the Northern District of Ohio from 1969 to 1990. During his tenure, he issued several landmark decisions, including the desegregation of Cleveland public schools and police and fire departments. Battisti was also known for his efforts to address corruption in local government and organized labor. Prior to serving as a judge, he worked as an attorney in private practice and served as a prosecutor in the U.S. Attorney's Office. Battisti's legacy in the legal community continues to be felt to this day.

Battisti was born on October 4, 1922, in Youngstown, Ohio, to Italian immigrant parents. He attended Youngstown State University, graduating in 1942, and then went on to earn his law degree from the Ohio State University College of Law in 1948. After finishing law school, Battisti served in the U.S. Air Force for two years before beginning his legal career.

Battisti joined the U.S. Attorney's Office in Cleveland in 1952, where he worked for nearly two decades as a prosecutor. In 1969, he was appointed to the federal bench by President Richard Nixon, serving as a judge for the Northern District of Ohio for 21 years, until his retirement in 1990.

During his time on the bench, Battisti presided over several high-profile cases, including a lawsuit by the Cleveland chapter of the NAACP to integrate the city's public schools. Battisti's ruling in the case, which came in 1976, mandated a busing plan to achieve racial balance in the schools, and his decision was upheld on appeal.

Battisti also played a key role in the city's efforts to address corruption in local government and organized labor. In the late 1970s, he oversaw the trial of several members of Cleveland's city council, who were accused of accepting bribes. Battisti's rulings in the case helped to change the political culture in Cleveland, leading to increased scrutiny of local officials and greater accountability.

After retiring from the bench, Battisti remained active in the legal community, serving as a mediator and arbitrator in both civil and criminal cases. He died on October 19, 1994, at the age of 72.

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Giovanni Battista Piazzetta

Giovanni Battista Piazzetta (February 13, 1682 Venice-April 28, 1754 Venice) also known as Giovanni Battista Piazzetta, attributed to was an Italian personality.

He was a painter, draughtsman, and printmaker. Piazzetta was one of the leading artists of the Rococo style in Venice and is best known for his religious paintings and portraits. He started his career as an apprentice to the painter Gregorio Lazzarini and later became a member of the Fraglia dei Pittori, a Venetian guild for painters. Piazzetta's works are characterized by their dramatic lighting, intense colors, and emotional expressions. He was also a professor at the Venetian Academy of Fine Arts and had many pupils, including Giuseppe Bernardino Bison and Giuseppe Nogari. Piazzetta's influence can be seen in the works of many later Venetian painters, such as Francesco Guardi and Canaletto.

Piazzetta's paintings were highly sought after during his time and he received numerous commissions for altarpieces and portraits from wealthy patrons in Venice. Some of his notable works include the altarpiece for the Church of San Stae and the ceiling fresco at Villa Barbarigo in the nearby town of Maser.

Aside from his paintings, Piazzetta was also known for his drawings and etchings, which were highly praised by his contemporaries. He was particularly skilled in capturing the human form and his drawings of nudes were considered to be some of the finest of his time.

In addition to his artistic achievements, Piazzetta was also a respected citizen of Venice and held various positions within the city. He served as a magistrate and was a member of the prestigious Venetian Inquisitors of State. Despite his successes, Piazzetta struggled with financial difficulties throughout his life and was often forced to sell his own artwork to make ends meet.

Today, Piazzetta's works can be found in museums and galleries around the world, including the Hermitage Museum in St. Petersburg, the National Gallery of Art in Washington D.C., and the Pinacoteca di Brera in Milan. His legacy as one of Venice's most important Rococo artists continues to influence the art world to this day.

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Vincenzo Cardarelli

Vincenzo Cardarelli (May 1, 1887 Tarquinia-June 18, 1959 Rome) also known as Nazareno Caldarelli was an Italian journalist.

He started his career as a journalist in Rome in 1910 and was an active participant in World War I. Cardarelli became one of the leading poets of the Italian hermetic movement in the 1920s and 1930s, and his work was also widely translated. In addition to poetry, he also wrote criticism, and edited several literary magazines. He was a member of the Italian Royal Academy and was awarded numerous literary prizes throughout his career. Cardarelli was also known for his political writing, and was a vocal opponent of fascism. He continued to work as a journalist and writer until his death in 1959.

In his early years, Vincenzo Cardarelli attended the Liceo Ginnasio Massimo in Rome and then moved on to study at the Department of Letters at La sapienza University. He was associated with some of the leading literary figures of his time, including Eugenio Montale and Giuseppe Ungaretti. Cardarelli's poems were known for their sparse and austere language, which was a hallmark of the hermetic movement. His most famous works include his early volume "Songs of Shadow" and his later "Hieroglyphics."

Aside from his work as a journalist, poet, and critic, Cardarelli was also a translator. He translated a number of works into Italian, most notably the poems of Paul Valéry. He was an editor of two important literary magazines, La Ronda and Letteratura, which were instrumental in disseminating the ideas of the Italian hermetic movement.

In the political sphere, Cardarelli was known for his anti-fascist beliefs. He was a member of the clandestine organization Giustizia e Libertà, which resisted the fascist regime of Benito Mussolini. Cardarelli's opposition to fascism led to his exile, first to Paris and then to Switzerland. He returned to Italy after the end of World War II and continued to write and work as a journalist until his death in 1959.

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Guido Brignone

Guido Brignone (December 6, 1886 Milan-March 6, 1959 Rome) was an Italian screenwriter, film director, actor and film editor. His child is called Lilla Brignone.

Guido Brignone began his career in the film industry by working as a screenwriter and film editor. He later went on to become a prominent film director, with over 60 directing credits to his name. Some of his most notable films include "Queen of Diamonds" (1936), "Captain Fracasse" (1940), and "The Adventures of Fra Diavolo" (1942).

In addition to his work behind the camera, Brignone was also an actor and appeared in a number of films throughout the 1920s and 1930s. He was known for his versatility and ability to seamlessly transition between different roles in the film industry.

Brignone's daughter, Lilla Brignone, also had a successful career in the arts as an actress and director. She followed in her father's footsteps and went on to become a prominent figure in the Italian film industry.

Today, Guido Brignone is remembered as one of the most influential figures in Italian cinema during the first half of the 20th century. His innovative techniques and creative vision helped shape the landscape of Italian film and paved the way for generations of filmmakers to come.

Brignone was born in Milan in 1886 and began his artistic career as a playwright, writing several successful plays throughout the early 1900s. He transitioned to the film industry in the 1910s, working as a screenwriter and editor before ultimately making his directorial debut in 1916 with the film "La donna nuda".

In the 1920s, Brignone became known for his work on historical epics, including "Antony and Cleopatra" (1924) and "The Last Days of Pompeii" (1926). Over the course of his long career, he worked with many of the biggest stars of Italian cinema, including Vittorio De Sica, Alida Valli, and Massimo Girotti.

Brignone was also known for his contributions to the development of sound in Italian cinema. In 1933, he directed "L'eredita dello zio buonanima", which was one of the first Italian films to feature synchronized sound.

Despite his success, Brignone's career was interrupted by World War II, during which time he relocated to Spain and continued to work in the film industry there. He returned to Italy in the post-war years and continued to work in film until his death in 1959.

In addition to his filmmaking career, Brignone was also a respected film critic and theorist. His writings on film were widely published and read throughout Italy and helped to shape the discourse surrounding Italian cinema.

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Zeno Colò

Zeno Colò (June 30, 1920 Abetone-May 12, 1993 San Marcello Pistoiese) was an Italian personality.

He was mainly known as a journalist, television presenter and sports commentator. Colò started his career writing for the newspaper "La Stampa" and moved on to become a correspondent for the Italian press agency ANSA. In the early 1950s, he was hired by the Italian public broadcaster RAI and began to present various programs, including "La Domenica Sportiva," a popular sports show, which aired for over 20 years.

Colò was also a pioneering journalist, who interviewed and brought to TV the greatest sportsmen of his time, from Muhammad Ali to Diego Maradona. In addition, he was a passionate music lover and hosted several TV programs on classical music. Colò's charisma and charm on TV made him a household name in Italy, and he was widely respected for his professionalism and dedication to his work. After his death, the "Zeno Colò Prize" was established to recognise excellence in sports journalism.

Along with his journalism career, Zeno Colò was an accomplished writer and author. He wrote and published several books on sports and music, including "Lezioni di Tuffo" (Diving Lessons) and "Introduzione all'ascolto della musica" (Introduction to Listening to Music). Colò's love of sports extended beyond his work, as he was a skilled skier and mountaineer. He was also a member of the Italian Alpine Club and was known for his exploration of the Apennine Mountains. In recognition of his contribution to Italian sports and culture, Colò received several awards, including the Gold Medal of Athletic Merit, awarded by the Italian National Olympic Committee. Today, he is remembered as one of the most influential and beloved journalists in Italian television history.

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Vittorio Miele

Vittorio Miele (November 24, 1926 Cassino-November 18, 1999 Cassino) was an Italian personality.

He is best known for his work as a politician, serving as a member of the Italian Chamber of Deputies for multiple terms. Miele was also a champion for workers' rights, often advocating for fair labor laws and the protection of employee rights. Outside of politics, he was also involved in the labor movement and served as the Secretary-General of the Confederation of Italian Workers for many years. Additionally, Miele was a prolific writer and published several books on politics and economics throughout his lifetime. He was deeply committed to social justice and believed in the power of collective action to create meaningful change. Miele's legacy continues to inspire many in Italy and beyond to work towards a more equitable and just society.

Born in Cassino, Italy in 1926, Vittorio Miele came from a working-class background. He struggled financially during his early years, motivating him to seek ways to improve the lives of workers. He began his career in politics in the 1950s as a member of the Italian Socialist Party. Throughout his career, he fought passionately for workers' rights and was often involved in labor disputes and negotiations.

In addition to his political career, Miele was also deeply involved in the Italian labor movement. He served as Secretary-General of the Confederation of Italian Workers, one of Italy's largest labor unions, for many years. During this time, he was a central figure in organizing strikes and other collective actions to improve workers' conditions.

Miele's commitment to social justice went beyond his work in government and the labor movement. He was also a prolific writer and published several influential books on political and economic theory. Through his writing and activism, he gained a reputation for being an outspoken and principled advocate for workers and marginalized communities.

Today, Miele is remembered as a champion for social justice and one of Italy's most important figures in the labor movement. His legacy continues to inspire those fighting for workers' rights and a more just society.

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Luigi Bertolini

Luigi Bertolini (September 13, 1904 Busalla-February 11, 1977) was an Italian personality.

He was known for his work as a film director, screenwriter, and actor. Bertolini started his career in the entertainment industry as an actor in 1925, appearing in the silent film "Il circo e la vita". He went on to work in several other movies in the 1930s and 1940s, including the Oscar-winning film "La vita è bella" (1943).

In the 1950s, Bertolini transitioned to directing and screenwriting. He directed a number of films, including "L'angelo bianco" (1955) and "Estasi di un delitto" (1953), and also wrote screenplays for movies such as "I Vinti" (1953). Bertolini's work in the film industry spanned over three decades, and he is remembered as a prominent figure in the Italian neorealist movement.

In addition to his work in film, Luigi Bertolini was also a prolific writer. He authored several novels, including "La croce di pietra" (The Stone Cross) and "L'eterna quotidianeità" (The Eternal Everyday). Bertolini had a deep interest in spirituality and the supernatural, and these themes often appeared in his written works as well as his films. He was also an accomplished painter and photographer, and several exhibitions of his paintings were held in Italy throughout his career. Bertolini was a multi-talented individual who contributed greatly to the Italian art scene, and his legacy continues to inspire artists and filmmakers to this day.

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