Here are 17 famous musicians from Mexico died at 68:
Juan Rulfo (May 16, 1917 Sayula-January 7, 1986 Mexico City) also known as Juan Pérez Rulfo, Juan Carlos Rulfo Aparicio, Juan Nepomuceno Carlos Pérez Rulfo Vizcaíno, Rulfo Juan or Juan Nepomuceno Carlos Pérez Vizcaíno Rulfo was a Mexican writer, screenwriter and photographer. He had four children, Juan Carlos Rulfo, Juan Francisco Rulfo, Juan Pablo Rulfo and Claudia Berenice Rulfo.
Juan Rulfo is best known for his novel, "Pedro Páramo", which is considered a masterpiece of Mexican literature. He was also known for his short story collection, "El Llano en llamas".
Rulfo was born into a family of landowners in Jalisco, Mexico. He experienced a number of tragedies in his early life, including the death of his father when he was six and the death of his mother when he was 10. These experiences would later influence his writing.
Despite studying at the Universidad Nacional Autónoma de México for four years, Rulfo did not complete a degree. He held a number of jobs throughout his life, including working as an immigration agent and as a film script supervisor.
Rulfo's writing has been celebrated for its haunting and often bleak depiction of rural Mexico. His works have been translated into numerous languages and continue to be studied and praised by scholars and readers alike.
In addition to his literary achievements, Juan Rulfo was also a skilled photographer. His black and white photographs often captured everyday life in rural Mexico, and have been exhibited in galleries and museums around the world. Rulfo was awarded the Mexican National Prize for Arts and Sciences in Literature in 1970, and in 1983 he was granted the Prince of Asturias Award for Literature. Despite only publishing two major works in his lifetime, Rulfo's influence on Mexican and Latin American literature has been substantial, and he is widely regarded as one of the most important writers of the twentieth century.
In addition to his literary and photographic accomplishments, Juan Rulfo was also involved in the film industry. He wrote several screenplays, including the acclaimed movie "El gallo de oro" ("The Golden Cockerel") in 1964, based on one of his short stories. Rulfo's influence on Latin American literature can be seen in the works of other notable writers, such as Gabriel Garcia Marquez and Carlos Fuentes. Despite suffering from depression throughout his life, Rulfo remained a private and reclusive figure. He rarely gave interviews or made public appearances, preferring to let his writing and photography stand as his legacy. Today, his works continue to be read and studied by scholars of literature and photography across the world.
He died caused by lung cancer.
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Manuel de Aspiroz (June 9, 1836-March 24, 1905) also known as Manuel Azpiroz was a Mexican lawyer and diplomat.
Born in Mexico City, Manuel de Aspiroz obtained his law degree from the National School of Law in 1861. He began his career as a lawyer, and went on to serve in various diplomatic posts. Aspiroz served as consul in Spain and France, and also acted as chargé d'affaires of Mexico to France, Great Britain, and Turkey during the 1870s and 1880s.
In addition to his diplomatic work, Aspiroz was also a prolific writer and journalist. He contributed to various newspapers and magazines, writing on a range of topics from politics to literature. Aspiroz was also a member of the Mexican Academy of Language, and was responsible for translating several works of French literature into Spanish.
Manuel de Aspiroz was a prominent figure in Mexican politics during the latter half of the 19th century, and played an important role in promoting Mexico's interests abroad. He was a skilled diplomat and negotiator, and was respected for his knowledge of international law and diplomacy. Aspiroz passed away in Mexico City in 1905, leaving behind a legacy as a pioneering figure in Mexican diplomacy and intellectual life.
During his tenure as Mexico's ambassador to Great Britain in 1879, Manuel de Aspiroz was instrumental in securing a loan to Mexico from British investors that helped stabilize the country's economy. He also played a role in negotiations with the United States over border disputes, including the settlement of the Chamizal dispute between El Paso, Texas, and Ciudad Juárez, Chihuahua. In recognition of his contributions to Mexican diplomacy, Aspiroz was awarded the Grand Cross of the Order of Isabella the Catholic by the Spanish government in 1881. He was also made a member of the Royal Academy of Jurisprudence and Legislation of Madrid. Aspiroz's translations of works by French authors such as Victor Hugo and Jules Verne helped introduce these writers to Mexican readers and expanded the country's cultural horizons.
In addition to his diplomatic and literary work, Manuel de Aspiroz was also active in Mexican politics. He served as a member of the Chamber of Deputies in the Mexican Congress, and was appointed Minister of Justice and Public Instruction in 1876. As Minister, he promoted reforms in education and the legal system, and also oversaw the establishment of the National Museum of Anthropology in Mexico City, which houses some of the country's most important archaeological and ethnographic collections.
Despite his many accomplishments, Manuel de Aspiroz was not without his critics. Some accused him of being too accommodating to foreign powers, while others questioned his involvement in Mexican politics while serving as a diplomat. However, his contributions to Mexican diplomacy, literature, and culture are undisputed, and he remains an important figure in the country's intellectual history.
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Margo (May 10, 1917 Mexico City-July 17, 1985 Pacific Palisades) otherwise known as Margo Albert, Maria Marguerita Guadelupe Boldao y Castilla or María Marguerita Guadalupe Teresa Estela Bolado Castilla y O'Donnell was a Mexican actor and dancer. She had two children, Edward Albert and Maria Albert Zucht.
Her albums include Mi Amor / You Belong to My Heart.
She died in brain cancer.
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Gloria Guinness (August 27, 1912 Veracruz-November 9, 1980 Épalinges) also known as Gloria Rubio y Alatorre or Gloria Rubio Alatorre was a Mexican socialite and editing. Her children are called Dolores Guinness and Graf Franz Egon von Fürstenberg-Herdringen.
Gloria Guinness's life was characterized by her exceptional sense of style and her extravagant lifestyle. She married her first husband, the Honorable Loel Guinness in 1936, and the couple became fixtures in high society circles in London, Paris, and New York. Guinness was renowned for her impeccable taste in fashion, and her collaborations with designers like Hubert de Givenchy and Salvador Dali helped to shape the aesthetics of the mid-20th century.
In addition to her work in the world of high fashion, Gloria Guinness was also a respected journalist and editor. She began her career as a writer for Harper's Bazaar, and later went on to work for Vogue and other publications. Her writing was widely celebrated for its wit, insight, and elegance.
Gloria Guinness's personal life was defined by a series of high-profile romances, including relationships with the French playwright Jean Cocteau and the American artist Robert Indiana. She eventually divorced her first husband and went on to marry her second husband, French businessman François Dupré.
Despite her opulent lifestyle and her many romantic entanglements, Gloria Guinness was widely respected for her intelligence, her creativity, and her unwavering commitment to her personal vision of style and elegance. She remains an enduring icon of mid-century glamour and sophistication.
Even after Guinness's death, her legacy continued to inspire generations. Many fashion designers and artists continue to draw inspiration from her personal style and her impeccable taste. In 2014, the fashion house Givenchy paid tribute to Guinness with a special exhibition entitled "To Audrey With Love," which showcased some of the designer's most iconic pieces. Guinness's life has also been the subject of several books and documentaries, including "Gloria Guinness: The Incomparable Fashion Icon" by Michelle Lee and "Glorious Gloria Guinness" by Victoria Amory. Through her work as a journalist, editor, and fashion icon, Gloria Guinness carved out a place for herself in history as one of the most stylish and influential women of the 20th century.
Despite her lavish lifestyle, Gloria Guinness was also known for her philanthropic work. She often donated her time and money to various charities and was particularly passionate about helping children. She worked as a volunteer for the American Red Cross during World War II and later helped to establish the American Friends of Blérancourt, a non-profit organization that supports the Franco-American Museum in Château de Blérancourt in France. Guinness also supported the arts and was a patron of many museums and cultural institutions, including the Metropolitan Museum of Art in New York and the National Gallery of Art in Washington, D.C. Her contributions to these organizations have helped to promote and preserve the arts for future generations.
She died caused by myocardial infarction.
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Arturo de Córdova (May 8, 1905 Mérida-November 3, 1973 Mexico City) also known as Arturo García Rodríguez or The Speaker of elegance was a Mexican actor.
Arturo de Córdova was born into a prominent Mexican family in Mérida, Yucatán. He began his acting career in theater productions in Mexico City and then transitioned to film in the early 1930s. De Córdova became one of the most iconic actors of the Golden Age of Mexican cinema, starring in more than 100 films including "Enamorada" and "Una cita de amor".
He was known for his elegant and charming mannerisms, as well as his ability to convey intense emotions on screen. His performances earned him critical acclaim and numerous awards, including the Ariel Award for Best Actor for his role in "La Barraca".
In addition to his successful acting career, de Córdova was also a talented singer and songwriter. He released several albums throughout his career and his songs continue to be beloved by audiences in Mexico and beyond.
De Córdova was married four times and had four children. He passed away in Mexico City in 1973 at the age of 68.
De Córdova's success as an actor extended beyond Mexican cinema, as he also appeared in Hollywood productions such as "For Whom the Bell Tolls" and "Frenchman's Creek". Despite his success in both Mexican and American cinema, de Córdova remained humble and down-to-earth, often giving credit to his colleagues and collaborators for his success. He was known for his generosity, especially towards aspiring actors and filmmakers. De Córdova's legacy as a pioneering figure in Mexican cinema endures to this day, and he is remembered as one of the greatest actors to come out of Latin America. The Arturo de Córdova Foundation was established in his honor, with the aim of promoting cultural and artistic events in Yucatán.
De Córdova was also a prominent figure in Mexican television, appearing in several popular telenovelas throughout the 1960s and early 1970s. He was known for his ability to adapt to new mediums and was highly respected among his peers for his professionalism and dedication to his craft.
Aside from his work in entertainment, de Córdova was also a proud member of the Mexican Communist Party and was actively involved in political activism throughout his life. He used his platform as an actor to speak out against social injustices and support progressive causes, earning him a reputation as a passionate and committed activist.
De Córdova's contributions to Mexican cinema were recognized with a star on the Hollywood Walk of Fame in 1960. His influence can still be seen in contemporary Latin American cinema, and he is often celebrated as a pioneer of the industry.
He died caused by stroke.
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Manuel Carpio (March 1, 1791-February 11, 1860 Mexico City) was a Mexican writer.
Manuel Carpio was a renowned Mexican writer known for his contributions to literature during the early 19th century. Born in Mexico City on March 1, 1791, Carpio grew up in a well-educated family and was exposed to great literary works from an early age. He began his writing career by contributing articles and essays on politics and literature to various newspapers and journals.
Carpio's most notable contribution to Mexican literature was his collection of poems titled "Poesías" (Poems), which he published in 1822. His poems were widely appreciated for their romanticism, beautiful imagery, and emotional depth. In addition to poetry, Carpio also wrote plays, novels, and essays on various subjects such as history, politics, and philosophy.
Apart from his literary pursuits, Manuel Carpio was also involved in various political activities. He played an active role in the Mexican War of Independence against Spain and later became a senator in the Mexican Congress. Carpio was a firm believer in liberal democracy and advocated for the rights of the people, especially the underprivileged.
Manuel Carpio died in Mexico City on February 11, 1860. He is remembered as one of the most influential writers of the early 19th century in Mexico and remains an inspiration to many writers and activists today.
Throughout his life, Manuel Carpio was an advocate for education and believed in the importance of learning and knowledge for societal progress. He founded several educational institutions, including the National Preparatory School, which is still in operation today as part of the National Autonomous University of Mexico.Carpio also had a strong interest in spirituality and metaphysics and wrote extensively on these topics. He was greatly influenced by the works of German philosopher Immanuel Kant and incorporated many of Kant's ideas into his own writings. Additionally, Carpio's writing often highlighted the beauty and importance of nature and its role in human life.Carpio's legacy continues to live on through his literary works and his impact on Mexican politics and education.
In recognition of his contributions to Mexican literature, the National Autonomous University of Mexico named its annual poetry prize after Manuel Carpio. Carpio's works have been translated into several languages, including English, French, and German, and have been studied and celebrated by scholars both in Mexico and abroad. His essays on history and politics are considered important documents of Mexican history and offer valuable insight into the social and political issues of the time.Carpio's dedication to social justice and his belief in the power of education continue to influence Mexican society today. His contributions to the development of Mexican literature and politics have made him an iconic figure and a symbol of enlightenment and progress.
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Víctor Urruchúa (December 30, 1912 Mexico-April 5, 1981 Mexico) was a Mexican screenwriter, film director and actor.
Born in Mexico to a family of artists, Víctor Urruchúa studied at the Academy of Fine Arts and also took acting lessons. He began his career as an actor appearing in several films in the 1930s and 1940s, before transitioning into writing and directing.
Urruchúa wrote the screenplay for the film "Enamorada" (1946), which is considered a classic of Mexican cinema. He also directed several films including "El ángel exterminador" (1962) and "El hombre de papel" (1963). Urruchúa was known for exploring social issues in his films and often depicted the struggles of the working class in Mexico.
In addition to his work in film, Urruchúa also worked in television, directing episodes of several popular shows in the 1960s and 1970s. He was recognized for his contributions to Mexican cinema, receiving the National Film Award in 1979.
Urruchúa died in Mexico City in 1981 at the age of 68.
Urruchúa's films were known for their strong political and social messages, and he often worked with other notable Mexican filmmakers and artists of his time. He collaborated with renowned Mexican painter and muralist Diego Rivera on the film "Tormento" (1950), which Rivera designed the sets for.
Aside from his work in film and television, Urruchúa was also a respected theater director and actor. He founded the Mexican Actors' Guild in 1952, which aimed to improve working conditions and representation for actors in Mexico. He also worked as a professor of theater at the National Institute of Fine Arts in Mexico.
Urruchúa's legacy continues to live on in Mexican cinema and theater, and his contributions to the arts in Mexico have been recognized through various posthumous awards and honors.
Throughout his career, Víctor Urruchúa was dedicated to promoting Mexican culture and was a strong advocate for the recognition of the contributions of Mexican artists on the international stage. He believed that Mexican cinema had the power to portray the reality of Mexican society and to inspire social change. Urruchúa was instrumental in the establishment of the Mexican Academy of Film Arts and Sciences, which aimed to promote Mexican cinema and to recognize the achievements of Mexican filmmakers.
In addition to his artistic pursuits, Urruchúa was also involved in politics and was a member of the Mexican Communist Party. He used his films as a means to express his political views and to criticize the social injustices present in Mexican society. Urruchúa was briefly imprisoned for his political activities in the 1950s, but continued to make films and to advocate for political change throughout his life.
Víctor Urruchúa's impact on Mexican cinema and culture cannot be overstated. His films continue to be celebrated for their artistic merit and social relevance, and his contributions to the development of Mexican cinema will be remembered for generations to come.
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Julio Bracho (July 17, 1909 Durango-April 26, 1978 Mexico City) also known as Julio Bracho Pérez-Gavilán or Julio Bracho Gavilán was a Mexican screenwriter, film director, theatre director and writer. He had one child, Diana Bracho.
Julio Bracho began his career in the film industry as an assistant director in the early 1930s. He directed his first film, "El hombre malo" in 1936 and went on to make more than 30 feature films throughout his career. Bracho was known for his ability to incorporate social criticism and political commentary into his films, which often explored themes related to Mexican identity and culture.
In addition to his film work, Bracho was also a respected theatre director and writer. He co-founded the Mexican National Theatre in 1947 and went on to direct numerous productions there. His plays often addressed similar themes as his films, exploring issues related to Mexican society and identity.
Bracho was recognized with numerous awards throughout his career, including the National Arts Prize of Mexico in 1972. He died in Mexico City in 1978 at the age of 68. His legacy continues to be celebrated in the film and theatre industries in Mexico and beyond.
Bracho's films were known for their sophisticated camerawork and storytelling. Some of his notable works include "Distinto Amanecer" (1943), "La Tía de las Muchachas" (1957), and "Pueblito" (1961). Bracho collaborated with well-known actors such as Pedro Armendáriz, Arturo de Córdova, and Dolores del Río. Bracho's work was influential in shaping Mexican cinema during the golden age of Mexican cinema in the 1940s and 1950s.
In addition to his success in film and theatre, Bracho was also a writer of essays and criticism. His writings focused on Mexican identity and cultural issues, and he was a prominent member of the Mexican intelligentsia.
Bracho is remembered as one of the most important filmmakers and cultural figures in Mexico's history. His work remains relevant today, and his films continue to be studied and celebrated by filmmakers and film enthusiasts around the world.
In his early years, Julio Bracho studied law at the National Autonomous University of Mexico. However, he left his studies to pursue his passion for the arts. Bracho's brother, the actor and director Andres Soler, introduced him to the film industry, where he began as an assistant director. He quickly established himself as a talented director, often incorporating elements of Mexican folklore, history, and popular culture into his work. One of his most famous films, "Distinto Amanecer," was a story of love and betrayal set against the backdrop of the Mexican Revolution.
Bracho's work was not only influential in Mexico but also in other parts of the world. His film "The Little Giant" (1958) won the Grand Prix at the Cannes Film Festival, and he was invited to direct several films in Spain.
Aside from his artistic pursuits, Bracho was also involved in politics. He was a member of the Mexican Communist Party, and his films often featured social and political commentary. In the 1960s, Bracho was briefly imprisoned for his political beliefs.
Despite his controversial views, Bracho's films continue to resonate with audiences worldwide. His films have been shown at various international film festivals, and some have been restored and re-released in recent years. He is considered one of the greatest directors in Mexican cinema history, and his work has inspired many filmmakers in Mexico and beyond.
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Juan Sordo Madaleno (October 28, 1916 Mexico City-March 13, 1985 Mexico City) also known as Sordo Madaleno was a Mexican personality.
He was a renowned architect who played a crucial role in shaping the urban landscape of Mexico City. Known for his modernist approach towards architecture, Sordo Madaleno is credited for designing some of the most iconic buildings in Mexico including the popular Medica Sur Hospital, Torre Latinoamericana, and the Hotel Maria Isabel. He established his architectural firm in 1956 which soon became one of the leading architectural firms in Mexico. Sordo Madaleno also contributed to the development of urban planning and served as the chairman of the Mexican Society of Architects. In addition to his architectural contributions, he also devoted himself to teaching and was a professor of urbanism and architecture at the National Autonomous University of Mexico. He received numerous awards including the National Arts Award for Architecture and Plastic Arts in 1984, a year before his death.
Sordo Madaleno was born in Mexico City to a family of artists. His father was a painter and his mother was a sculptor, which led to his early exposure to art. He studied architecture at the National School of Architecture of the National Autonomous University of Mexico, where he was a student of Mario Pani. After completing his studies, Sordo Madaleno worked for several architectural firms before establishing his own architectural practice.
One of the defining features of Sordo Madaleno's work was his use of innovative materials and technologies. He was one of the first architects in Mexico to experiment with concrete and prefabricated elements, which allowed him to create buildings that were efficient, cost-effective, and aesthetically pleasing.
Throughout his career, Sordo Madaleno was involved in a number of high-profile projects, including the design of Mexico City's Olympic Stadium for the 1968 Summer Olympics. He also designed a number of private residences, office buildings, and cultural centers, including the Centro Cultural Universitario Tlatelolco.
Sordo Madaleno's legacy continues to be felt in Mexico City and beyond. His buildings are still considered some of the most iconic and innovative creations of modern Mexican architecture, and his influence can be seen in the work of many contemporary architects. He is remembered not only for his contributions to the world of architecture, but also for his dedication to education and his commitment to improving the urban landscape of Mexico.
In addition to his contributions to architecture, Sordo Madaleno was also an avid art collector and a patron of the arts. He believed that art and architecture were intertwined, and often incorporated artwork by his contemporaries into his designs. He also supported emerging artists and was known for commissioning artwork for his buildings. Sordo Madaleno was known for his strong personality, which sometimes caused controversy in the architectural community. Despite this, he remained a respected figure and his work continues to inspire architects in Mexico and around the world. Today, the Sordo Madaleno Arquitectos firm that he founded is still in operation, and has completed numerous high-profile projects both in Mexico and abroad.
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Gustavo Díaz Ordaz (March 12, 1911 Chalchicomula de Sesma-July 15, 1979 Mexico City) a.k.a. Gustavo Diaz Ordaz was a Mexican politician.
He served as the President of Mexico from 1964 to 1970. Diaz Ordaz is remembered for his administration's controversial handling of the 1968 Student Movement, which culminated in the Tlatelolco Massacre, where hundreds of student protesters were killed. Prior to his presidency, he served as the governor of the states of Puebla and Oaxaca. During his presidency, Diaz Ordaz's administration implemented social welfare programs and increased public spending on education and infrastructure. He also played a key role in the creation of the Latin American Economic System. After his presidency, Diaz Ordaz withdrew from public life and faced criticism and condemnation for his role in the Tlatelolco Massacre.
Before he became a politician, Diaz Ordaz worked as a teacher and journalist. He was known for his strong work ethic and his attention to detail. He also had a talent for public speaking and was a skilled negotiator. During his presidency, Diaz Ordaz oversaw a period of economic growth in Mexico, which was fueled by increased foreign investment and government spending. However, his administration was also criticized for its authoritarian style and its disregard for civil liberties. Diaz Ordaz was the first Mexican president to visit the United States in an official capacity, and he worked to improve relations between the two countries. Despite the controversy surrounding his presidency, Diaz Ordaz remains an important figure in Mexican history, and his legacy continues to be debated and discussed to this day.
Furthermore, Gustavo Diaz Ordaz was born in Chalchicomula de Sesma (now Ciudad Serdán) in the state of Puebla, Mexico. He graduated from the National Autonomous University of Mexico with a degree in law and social sciences. Diaz Ordaz was a member of the Institutional Revolutionary Party (PRI), which dominated Mexican politics for much of the 20th century. He was known for his strict adherence to party ideology and his loyalty to the PRI. During his time as governor of Puebla and Oaxaca, he implemented policies to promote rural development and improve infrastructure, such as building roads and schools.
In addition to his political career, Diaz Ordaz was also a prolific writer and historian. He authored several books and articles on Mexican history and politics, including a biography of Mexican revolutionary Francisco Villa. He also taught classes in political science at the National Autonomous University of Mexico.
Despite the controversy surrounding his presidency, Diaz Ordaz was honored with several awards and accolades during his lifetime, including the Order of the Aztec Eagle and the Order of Merit of the Italian Republic. He died in Mexico City in 1979 at the age of 68.
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Claudio Brook (August 28, 1927 Mexico City-October 18, 1995 Mexico City) also known as Claudio Brooke, Claudio Brooks, Claude Brook or Claudio Brook Marnat was a Mexican actor and football player. He had three children, Gabriel Brook, Simone Brooks and Arturo Brook.
Brook began his acting career in the 1950s, and quickly gained recognition for his work in Mexican cinema. He appeared in over 80 films, including "The Exterminating Angel" and "Simon of the Desert" directed by his close friend, Luis Buñuel. Brook was known for his deep voice and commanding screen presence. In addition to his film work, he also had a successful stage career and was a founding member of the National Theater Company in Mexico.
Before becoming an actor, Brook was a professional football player and played for the Pumas de la UNAM and the Club Necaxa teams in Mexico. He was also an accomplished painter and sculptor, with several of his works exhibited in galleries in Mexico and Europe.
Brook was a respected figure in Mexican culture and for many years served as the director of the National Institute of Fine Arts. His contributions to Mexican cinema and the arts were recognized posthumously in 1996, when he was awarded the National Arts and Sciences Prize in Mexico.
In addition to his successful career in the arts, Claudio Brook was also involved in politics. He was a member of the Institutional Revolutionary Party, which was the ruling party in Mexico for most of the 20th century. Brook was a strong advocate for the arts and culture, and believed in the power of the arts to transform society. He served as the director of the National Institute of Fine Arts and was instrumental in the creation of several cultural institutions in Mexico, including the Palace of Fine Arts and the Mexican National Museum of Anthropology. Brook was also a committed environmentalist and was involved in several conservation initiatives in Mexico. His legacy continues to inspire generations of artists and cultural leaders in Mexico and beyond.
Brook was born into a family of artists, his father was a well-known sculptor and his mother was a writer. He grew up surrounded by art and creativity, which inspired him to pursue his own artistic passions. Brook was considered to be one of the most talented actors of his generation and his performances were praised for their depth and intensity. He was known for his ability to portray complex characters and for his captivating performances on both stage and screen.
Aside from his career as an actor, Brook was also a prominent cultural figure and a respected intellectual. He was a passionate advocate for the arts and believed in their power to foster social change. Brook was actively involved in promoting cultural education and was a strong supporter of programs aimed at expanding access to the arts for marginalized communities. He also worked to promote the preservation of Mexican cultural heritage and was involved in several initiatives aimed at protecting historic landmarks and promoting cultural tourism.
Despite his many accomplishments, Brook remained grounded and humble throughout his life. He was known for his generosity and kindness, and was beloved by his friends and colleagues in the arts community. He continued to work until the end of his life, despite battling cancer, and his legacy as a great artist and cultural leader in Mexico continues to endure.
He died in stomach cancer.
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Enrique Lucero (October 9, 1920 Chihuahua-May 9, 1989 Mexico City) also known as Ewrique Lucero, Henry Lucero or Henry Lucern was a Mexican actor.
He began his acting career in 1944, appearing in various Spanish language films. One of his most notable roles was in the film adaptation of Gabriel Garcia Marquez's novel "One Hundred Years of Solitude" as the character of Jose Arcadio Buendia. He also appeared in American films such as "The Wild Bunch" and "Patton". Lucero was renowned for his versatility as an actor, portraying both heroic and villainous characters throughout his career. In addition to acting, he was also a popular television personality, hosting shows such as "La Caravana" and "Cine de Oro". Lucero passed away at the age of 68 due to complications from liver disease.
Throughout his career, Enrique Lucero appeared in over 150 films and television shows, becoming a beloved figure in Mexican cinema. He worked with many notable directors, including Sam Peckinpah, Luis Buñuel, and Alejandro Jodorowsky. Lucero also had a successful career on stage, performing in numerous productions in Mexico City. He was known for his dedication to his craft and his commitment to portraying complex and nuanced characters on screen. In recognition of his contributions to Mexican cinema, Lucero was awarded the Ariel Award for Best Actor in 1953 for his performance in "El Rebozo de Soledad". His legacy continues to inspire new generations of actors in Mexico and beyond.
Lucero was born in Chihuahua, Mexico in 1920. He grew up in a family of performers and developed an early interest in acting. After completing his studies in Mexico City, he began his career in theater before transitioning to film.
Lucero was a prominent figure in the golden age of Mexican cinema, working alongside some of the industry's biggest names. His versatility as an actor allowed him to take on a wide range of roles, from swashbuckling heroes to sinister villains. He often played gritty, rough-edged characters and was known for his intense performances.
In addition to his film work, Lucero was a well-known television host and presenter. He hosted several popular shows that focused on Mexican culture and cinema. His engaging personality and warm demeanor made him a beloved figure to audiences across Mexico.
Over the course of his career, Lucero received numerous awards and accolades for his acting work. He was known for his dedication to his craft and his willingness to take on challenging roles. Despite his success, Lucero remained humble and committed to his community, volunteering at local charities and supporting new talent in the industry.
Lucero's legacy lives on today through the many films and television shows he appeared in, as well as the actors he inspired. He is remembered as one of Mexico's greatest actors and a true icon of the country's cinema history.
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Óscar Pulido (February 2, 1906 Mexico City-May 23, 1974 Mexico City) also known as Pulido Oscar Enriquez or Óscar Pulido Enríquez was a Mexican actor.
He began his acting career in the 1930s and soon became a popular figure in the Mexican film industry. Pulido appeared in over 200 films throughout his career, both in Mexico and the United States. He was known for his comedic roles and his ability to portray a wide range of characters. Pulido worked with many of the top directors of his time, including Luis Buñuel and Emilio Fernández. Outside of acting, Pulido was also a talented musician and wrote many popular songs. He was a beloved figure in the Mexican entertainment industry and his contributions to film and music are still celebrated today.
In addition to his successful film career, Pulido was also a well-respected theater actor, appearing in plays throughout Mexico. He was a versatile performer, able to switch from comedic roles to dramatic ones with ease. Pulido was also a talented voice actor, lending his voice to many characters in Mexican animated films and television shows. His popularity extended beyond Mexico and he became known throughout Latin America and in Hispanic communities in the United States. In recognition of his contributions to the arts, Pulido was awarded the Ariel de Oro, the highest honor in Mexican cinema, in 1972. He passed away in 1974 at the age of 68, leaving behind a legacy as one of the most beloved actors in Mexican cinema history.
Pulido's legacy also extends to his family, as his daughter, Lilia Prado, also had a successful career in Mexican cinema. She appeared in several films alongside her father, and went on to become a prominent actress in her own right. Pulido's impact on Mexican cinema is still felt today, as his comedic timing and ability to connect with audiences have inspired generations of actors and filmmakers. In addition to his entertainment career, Pulido was also actively involved in social and political causes, working with organizations that championed workers' rights and supported the Mexican arts community. Today, he is remembered not just as a talented actor and musician, but as a beloved figure who used his platform to make a positive impact on the world around him.
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Ariadna Welter (June 29, 1930 Mexico City-December 13, 1998 Mexico City) a.k.a. Ariadna Welter, Ariadne Welter Vorhauer, Ariadna Walter or Ariadna Gloria Welter was a Mexican actor. She had three children, Miguel Skipsey, Gabriel Alatriste and Miguel Gallego.
Ariadna Welter began her career in the Mexican cinema industry in the 1940s, and quickly gain popularity thanks to her beauty and acting skills. Her acting range was broad, and she performed in genres ranging from horror and suspense to dramas and comedies. She appeared in over 50 films, including "El Vampiro" (1957), which became an important reference for Mexican horror films. Welter also made strides in theatre, appearing in plays both in Mexico and abroad. Despite her successful acting career, she was known for her modesty and her kindness towards her colleagues. Welter's legacy lives on, as she is remembered as a pioneer in the Mexican cinema industry and a trailblazer for other female actors.
In addition to her successful film and theatre career, Ariadna Welter was also a talented television actress. She starred in several popular telenovelas, including "La Gata" and "La Jibarita," which cemented her status as a beloved icon of Mexican entertainment. Welter was also known for her philanthropic work, supporting numerous charities and causes throughout her life. She was a strong advocate for animal rights and was a staunch supporter of the National Fund for the Development of Arts and Culture. Her contributions to the Mexican cinema industry were recognized when she was granted the Ariel de Oro award, the most prestigious accolade bestowed by the Mexican Academy of Film, in 1997, just one year before her untimely death at the age of 68. Ariadna Welter's impact on Mexican media and entertainment continues to be felt to this day.
Throughout her successful career, Ariadna Welter was recognized for her talent on numerous occasions. She received a Best Supporting Actress nomination at the Ariel Awards for her role in the film "Sombra Verde" (1954) and later won the award for Best Leading Actress for her work in "La Hija De Nadie" (1952). Her performance in "Azul" (1967) also earned her a nomination for Best Actress at the National Syndicate of Spectacle and Audiovisual Journalists Awards.
Despite her popularity, Ariadna Welter remained grounded and dedicated to her craft until the end of her life. She continued to work in the entertainment industry until her death, making her last appearance in the telenovela "La Mentira" in 1998. Her passing was mourned by the entertainment industry and her fans all over Mexico.
In recent years, Ariadna Welter's contributions to Mexican cinema have been recognized with a street named after her in Mexico City. The street, located in the Miguel Hidalgo neighborhood, was officially inaugurated in 2019, honoring Welter's legacy and influence on Mexican culture.
She died as a result of cirrhosis.
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David Reynoso (January 29, 1926 Aguascalientes-June 9, 1994 Mexico City) also known as David Reinoso was a Mexican actor, film director and singer. He had two children, Jorge Reynoso and Sergio Reynoso.
Starting his career in the 1950s, Reynoso appeared in over 150 films and television shows throughout his career. He was known for his roles in Mexican Westerns, or "charro" films, and often played tough, no-nonsense characters. In addition to his acting work, Reynoso also directed several films, including "Gallo Colorado" and "Tierra de Valientes." He was also a successful singer, recording numerous albums in the 1960s and 1970s. Reynoso received several awards throughout his career, including the Best Actor award at the Ariel Awards in 1961 for his role in "Tlayucan." He passed away in 1994 at the age of 68.
Reynoso was born in Aguascalientes, Mexico and began his career in show business as a stage actor before transitioning to film and television. He quickly became a popular leading man in Mexican cinema and worked with renowned directors like Luis Buñuel and Emilio Fernández. Reynoso's most notable films include "Macario" (1960), "Los cuatro Juanes" (1965), and "Lauro Puñales" (1971).
Aside from his work in film, Reynoso was also a prolific television actor, appearing in popular telenovelas such as "El carruaje" and "Marisol." He was also a talented singer and recorded songs for several films, including "Los cuates de la Rosenda" (1965) and "El cuerpazo del delito" (1970).
Reynoso was highly respected in the Mexican film industry and was awarded the National Actor Award in 1979 for his contributions to Mexican cinema. He continued to work in film and television up until his death in 1994.
Reynoso was not just a talented actor, but also a passionate advocate for Mexican culture and the arts. He was a founding member of the Mexican Actors' Union and served as its president for several years. In addition, Reynoso was an active member of the National Association of Actors, where he fought for better working conditions and pay for Mexican actors. Outside of his acting career, he was deeply involved in Mexican politics and was a member of the Institutional Revolutionary Party.
Throughout his life, Reynoso was known for his generosity and kindness towards others. He often used his fame and resources to help those in need, particularly children and the elderly. His legacy lives on in the countless films, television shows, and songs he left behind, and his contributions to Mexican entertainment and culture will never be forgotten.
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Plutarco Elías Calles (September 25, 1877 Guaymas-October 19, 1945 Mexico City) otherwise known as Plutarco Elias Calles was a Mexican politician.
He served as the President of Mexico from 1924 to 1928 and is often credited with being a founder of the Partido Revolucionario Institucional (PRI). Calles was also a major figure in the Mexican Revolution, leading the northern revolutionary forces and establishing himself as a powerful political figure during the post-revolutionary period. He implemented many significant reforms during his presidency, including the creation of Mexico's central bank and the establishment of the Mexican Social Security Institute. Calles was also known for his anti-clerical policies, which led to the Cristero War, a violent conflict between the government and the Catholic Church in Mexico. After leaving office, Calles remained an influential political figure and continued to shape Mexican politics until his death in 1945.
During his early political career, Calles served as a governor of the Mexican state of Sonora and later as the Secretary of the Interior under President Álvaro Obregón. As president, Calles instituted several reforms that improved living conditions for poor, rural Mexicans, such as land redistribution and the creation of communal farming organizations. He also modernized Mexico's infrastructure, including the construction of new highways and railroads.
Calles' anti-clerical policies were a source of controversy throughout his presidency. In an effort to diminish the power of the Catholic Church, he enforced strict laws regulating the activities of priests and religious organizations. This led to a violent and bloody conflict with Catholic rebels who opposed the government's policies.
Despite his contributions to Mexican politics and society, Calles faced criticism for his authoritarian style of governing and his intolerance for dissent. He was eventually forced out of office in 1928 and went into exile in the United States, where he continued to exert influence on Mexican politics from afar.
Today, Calles is remembered as a complex and controversial figure in Mexican history, whose legacy continues to be debated by historians and political analysts.
Calles was also instrumental in the formation of the Partido Nacional Revolucionario (PNR) in 1929, which eventually evolved into the PRI, the dominant political party in Mexico for much of the 20th century. Calles' pragmatic approach to politics and his willingness to work with diverse factions within the party helped establish the PRI as a broad-based coalition that could win elections and govern effectively.
In addition to his political achievements, Calles was also a successful businessman, owning several profitable companies that operated in the mining and agriculture sectors. He was a proponent of economic nationalism, advocating for the protection of domestic industries and the development of Mexico's domestic market.
Calles' legacy has been the subject of much debate in Mexico, with some seeing him as a reformer who brought much-needed changes to the country and others viewing him as an autocrat who stifled dissent and violated human rights. Despite these differing opinions, it is clear that Calles played a critical role in shaping modern Mexico and had a lasting impact on the country's political, economic, and social development.
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Oscar Ortiz de Pinedo (November 2, 1910 Havana-December 13, 1978 Mexico City) also known as Óscar O. de Piñedo was a Mexican actor, comedian, producer, film director and writer. His child is called Jorge Ortiz de Pinedo.
Oscar Ortiz de Pinedo began his career in the Mexican film industry in the 1940s, acting in several popular films. He later transitioned to television, becoming one of the most popular comedians of his time with his performances on variety shows and sketch comedy programs.
In addition to his successful career as an actor and comedian, Ortiz de Pinedo also worked as a producer, film director, and writer. He produced and directed several films and television shows, including the popular comedy series "Los Beverly de Peralvillo." He also wrote the scripts for many of his own performances.
Ortiz de Pinedo's legacy in Mexican entertainment has continued through his son, Jorge Ortiz de Pinedo, who is also a successful actor and comedian. Together, they have helped shape the comedic landscape of Mexican television and film.
Ortiz de Pinedo was born in Havana, Cuba, but moved to Mexico at an early age. He initially pursued a career in accounting but quickly realized that his true passion lay in the arts. He began his acting career in the theater, performing in various plays and musicals throughout Mexico City. His big break came when he was cast in the 1944 film "Gran Hotel," which launched his career in Mexican cinema.
Throughout his career, Ortiz de Pinedo worked alongside many of the biggest stars of Mexican entertainment, including Cantinflas, Tin Tan, and Pedro Infante. He was renowned for his ability to seamlessly transition between comedic and dramatic roles, and his performances on both stage and screen were widely acclaimed.
In addition to his work in entertainment, Ortiz de Pinedo was also a highly active member of Mexican society. He was involved in numerous charitable organizations and was a leading advocate for social justice and equality.
Ortiz de Pinedo passed away in 1978, leaving behind a legacy that continues to influence Mexican entertainment to this day. His contributions to comedy and popular culture in Mexico have made him a beloved figure in the country's history, and his influence can still be seen in the work of many contemporary actors and comedians.
Despite facing some personal challenges throughout his life, Oscar Ortiz de Pinedo was known for his positive and optimistic outlook, both on and off stage. His warmth and humor endeared him to audiences of all ages, and he became a beloved figure in the Mexican entertainment industry. He was recognized for his contributions throughout his career and received numerous awards, including the Ariel Award for Best Supporting Actor in 1954 for his role in "La Egoista." Today, he is remembered not only as a talented performer but as a kind and generous person who dedicated his life to making others laugh and to making a difference in his community.
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