Serbian musicians died when they were 78
Here are 2 famous musicians from Serbia died at 78:
Dragiša Brašovan
Dragiša Brašovan (May 25, 1887 Vršac-October 6, 1965 Belgrade) also known as Dragisa Brasovan was a Serbian architect.
He was one of the most prominent architects of the first half of the 20th century in Serbia. Brasovan was known for his unique architectural style that combined modernist and traditional elements. He designed many important buildings in Belgrade, including the National Assembly Building, the Old Palace, and the American Embassy. Brasovan was also a professor at the University of Belgrade's Faculty of Architecture and was instrumental in shaping the next generation of Serbian architects. In addition to his architectural work, he was also an accomplished artist and an active member of the Serbian Academy of Sciences and Arts. Brasovan's legacy continues to influence Serbian architecture and his work is recognized as an important contribution to the country's cultural heritage.
Brasovan studied architecture at the Vienna University of Technology and later worked in Vienna, where he was exposed to the city's modernist architecture. He returned to Serbia in 1920 and established his own architectural practice. His work was heavily influenced by Serbian traditional architecture as well as the emerging modernist movement in Europe.
One of Brasovan's most significant works is the National Bank of Serbia building, which was designed in collaboration with Nikola Dobrović. Completed in 1940, the building reflects the modernist style with its clean lines and geometric shapes, while also incorporating decorative elements inspired by Serbian folklore.
Brasovan was an active member of the Serbian cultural scene and collaborated with many artists and intellectuals of his time. He was a close friend of the writer Ivo Andrić, who would later win the Nobel Prize in Literature.
During his career, Brasovan received numerous awards and honors, including the Order of St. Sava, one of the highest decorations in Serbia. Today, his legacy continues through the work of his students and the preservation of his buildings as important cultural monuments.
In addition to his significant contributions to Serbian architecture, Brasovan was also involved in urban planning and helped shape the development of Belgrade. He served as the chief urban planner for the city from 1947 to 1952 and was responsible for creating several key urban plans and designs. Brasovan was also an advocate for preserving the city's historic architecture, and he played a significant role in the preservation and restoration of several important buildings.
Later in his career, Brasovan continued to produce important architectural works, including the Belgrade Fair exhibition halls and the Church of St. Sava in New York City. He also remained active in the cultural and intellectual scene in Serbia, participating in exhibitions and events related to art and architecture.
Brasovan passed away in Belgrade in 1965, leaving a lasting legacy as one of the most significant architects in Serbian history. His work continues to inspire and influence architects and artists today, and his contributions to Serbian culture and society are widely recognized and celebrated.
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Zsolt Kézdi-Kovács
Zsolt Kézdi-Kovács (June 1, 1936 Zrenjanin-September 9, 2014) also known as Zsolt Kezdi-Kovacs or Kézdi-Kovács Zsolt was a Serbian screenwriter and film director.
Kézdi-Kovács began his career as a journalist before becoming involved in the film industry. He received critical acclaim for his work as a screenwriter, winning the Golden Arena for Best Screenplay at the 1973 Pula Film Festival for his film "The Role of My Family in the World Revolution", and again in 1986 for "The Way Steel Was Tempered". He also directed several films, including "Zora" and "The Death of an Insect".
In addition to his work in film, Kézdi-Kovács was a political activist and supporter of the Yugoslav communist party. He served as the editor-in-chief of the satirical newspaper "Jež" for several years before it was shut down by the government in the 1970s.
Kézdi-Kovács was married to fellow filmmaker Binka Zhelyazkova, with whom he co-wrote several films. His legacy in Serbian cinema is celebrated to this day.
In addition to his success as a screenwriter and film director, Zsolt Kézdi-Kovács was also an esteemed professor of screenwriting at the Academy of Arts in Novi Sad, Serbia. He mentored many aspiring filmmakers and writers throughout his career and shared his extensive knowledge and experience with his students. Kézdi-Kovács was also a member of the Serbian Academy of Sciences and Arts, where he held the position of Vice President of the Department of Fine Arts from 1994 to 2000. His contributions to Serbian cinema and culture were recognized with numerous awards and accolades, including the October Award of the city of Novi Sad and the Vuk Award for his life's work. Kézdi-Kovács was a remarkable filmmaker and writer, whose impact on the Serbian film industry will continue to inspire future generations.
Despite his successes in the film industry, Zsolt Kézdi-Kovács remained committed to his political beliefs throughout his life. He was a vocal advocate for socialist ideology and was heavily involved in the Yugoslav communist party. This advocacy was reflected in many of his films, which often dealt with social and political issues. Kézdi-Kovács was also an active participant in anti-war protests during the 1990s and remained an outspoken critic of the political establishment until his death.
Kézdi-Kovács was known for his unique and experimental approach to filmmaking, which often combined avant-garde techniques with traditional storytelling. This style, which was influenced by his background in journalism, helped him to create films that were both politically relevant and artistically groundbreaking.
In addition to his work in film and politics, Zsolt Kézdi-Kovács was an avid historian and intellectual. He wrote extensively on the history of Serbian cinema and was a passionate advocate for preserving the cultural heritage of his region. His contributions to the field of film studies and his dedication to his country's cultural heritage have helped to shape the way that Serbian cinema is viewed and understood today.
Zsolt Kézdi-Kovács was a trailblazing filmmaker, a dedicated political activist, and a respected academic. His contributions to Serbian cinema, politics, and intellectual life have left an enduring legacy that continues to be celebrated to this day. His life and work remain an inspiration to those who strive to create insightful, socially relevant, and artistically daring films.
He died as a result of disease.
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