Danish movie stars died at 68

Here are 6 famous actors from Denmark died at 68:

Gunnar Bigum

Gunnar Bigum (September 13, 1914 Copenhagen-March 30, 1983 Denmark) was a Danish actor.

He is best known for his work in Danish cinema, where he starred in over 40 films, including "Fiskerne" (The Fishermen), "Hr. Petit" (Mr. Petit), and "Tre piger fra Jylland" (Three Girls from Jutland). In addition to his film work, Bigum was also a well-known stage actor, performing in many productions for the Royal Danish Theatre. He was known for his versatility as an actor, and could play both comedic and dramatic roles with ease. In addition to his acting work, Bigum was also a writer and director, and was involved in many productions both on stage and on screen. He was widely regarded as one of the most talented actors of his generation in Denmark, and was a beloved figure in Danish culture during his lifetime.

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Ole Monty

Ole Monty (October 22, 1908 Copenhagen-April 24, 1977 Denmark) was a Danish actor.

He began his acting career in the 1930s, performing in theater productions and later transitioning to film. Monty appeared in numerous Danish films throughout his career, including "Vandet på landet" (1959), "Hjemme i himlen" (1957), and "Flagermusen" (1966). He received critical acclaim for his portrayal of the character Rasmus in the film "Ditte Menneskebarn" (1946), which is considered one of the most important Danish movies ever made. In addition to his work as an actor, Monty also worked as an author, writing several novels and short stories. He was awarded the Knight's Cross of the Order of Dannebrog in 1955 for his contributions to Danish culture.

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Johannes Marott

Johannes Marott (June 14, 1917 Frederiksberg-November 21, 1985 Denmark) was a Danish actor.

He began his acting career in the 1940s and went on to become one of Denmark's most well-known actors. Marott appeared in over 60 films during his career, including the comedy classic "Forelsket i København" (In love with Copenhagen) and the war drama "Frihedens pris" (The Price of Freedom). He was also a regular on Danish radio and television, in both comedic and dramatic roles. Marott was known for his versatile acting abilities and his ability to bring depth and nuance to the characters he portrayed. He was honored with several awards for his contributions to Danish cinema, including the prestigious Bodil Award for Best Actor in 1953 for his role in "Dorte."

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Bendt Rothe

Bendt Rothe (May 9, 1921 Copenhagen-December 31, 1989 Denmark) a.k.a. Bendt Vincentz Christian Rothe was a Danish actor.

Bendt Rothe began his career in the 1940s and went on to become one of Denmark's most respected actors. He worked in film, television, and theater, and his career spanned four decades. Rothe was particularly known for his work in Danish-language films, including "Sønnen fra Amerika" (The Son from America) and "Harry og kammertjeneren" (Harry and the Butler). He also appeared in international productions, such as "The Flight of the Phoenix" (1965) and "The Quiller Memorandum" (1966). In addition to acting, Rothe was also a director, writer, and producer. He was awarded the Order of the Dannebrog in 1981, in recognition of his contributions to Danish culture.

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Jens Jørgen Thorsen

Jens Jørgen Thorsen (February 2, 1932 Holstebro-November 15, 2000 Sweden) a.k.a. Jens Jorjen Thorsen was a Danish film director, actor, screenwriter, film editor, musician, film producer and painter.

Thorsen was a prominent figure in the Danish film industry in the 1960s, known for his experimental and avant-garde films. He co-founded the production company, Nordic Film, in 1961 with filmmaker, Palle Kjærulff-Schmidt, and produced several films under the company's banner.

Thorsen's most notable works include the films "Stenka Rasin" (1965), "The Kiss That Killed Me" (1968), and "Journey to the Seventh Planet" (1962) which earned him international recognition.

Apart from his film career, Thorsen was a talented musician and painter. He played in several bands during the 1950s and 60s and later went on to produce music for his films. He was also an accomplished painter and had several exhibitions of his work in Denmark and Sweden.

Thorsen migrated to the United States in the 1970s and collaborated with filmmaker, Paul Morrissey, on several films including "Flesh" (1968) and "Trash" (1970).

Overall, Thorsen's creative pursuits left an indelible mark on the Danish film industry and his legacy continues to inspire filmmakers to this day.

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Sejr Volmer-Sørensen

Sejr Volmer-Sørensen (February 7, 1914 Kristianstad-May 11, 1982 Copenhagen) also known as Volmer-Sørensen, Sejr Volmer-Sørensen, Sejr Volmer Sørensen, Win Volmer-Sørensen or Volmer Sørensen was a Danish screenwriter, actor, pianist, lyricist, television director and presenter. He had one child, Stefan Fønss.

Sejr Volmer-Sørensen is considered to be one of the most influential figures in Danish entertainment industry of the 20th century. He began his career as a pianist and composer, and later moved into acting and screenwriting. He was involved in creating some of the most memorable Danish films of the 1940s and 1950s, and his collaborations with legendary Danish filmmaker Carl Theodor Dreyer, resulted in timeless classics like "Gertrud" and "Ordet".

Volmer-Sørensen was also a pioneer in the Danish television industry, and played a key role in launching several of Denmark's most successful television programs. He acted as a director and presenter for a number of shows, and his talent for storytelling and humor helped shape the direction of Danish television for years to come.

Despite his many accomplishments, Sejr Volmer-Sørensen is perhaps best remembered for his countless contributions to the Danish theater scene. He wrote over 40 plays, many of which were performed on some of Denmark's most respected stages. His work was characterized by his ability to combine biting satire with social commentary, and his plays were often considered controversial for their frank depictions of Danish society.

After his death in 1982, Sejr Volmer-Sørensen's legacy continued to inspire new generations of Danish filmmakers, writers, and performers. Today, he is widely regarded as one of the most important figures in Danish cultural history.

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